Palo Alto Networks’ Unit 42 Extortion and Ransomware Trends Report Reveals Aggressive New Tactics and the Escalation of Threat Actor Collaboration Palo Alto Networks® (NASDAQ: PANW), the world...
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[Original post on lionheartv.net]
halifax.citynews.ca/2025/05/11/c...
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Hawaiian Queen Lili‘uokalani stands next to the throne of King Kamehameha III staged to the right of the Queen, with adornments that speak to her royal status and femininity. Queen Liliʻuokalani is wearing an exquisite black ribbon gown, which she wore to Queen Victoria's Golden Jubilee in 1887. Employing a grand manner style, the artist conveyed the queen’s power as a female Kānaka Maoli, or Native Hawaiian, head of state and head of the constitutional monarchy re-documented by the 1852 Ke Kumukānāwai o Ko Hawai‘i Pae ‘Āina (Hawaiian Constitution), which granted universal suffrage to all regardless of race. This portrait was painted by William F. Cogswell, a self-taught American painter. Cogswell painted portraits of several Hawaiian aliʻi (royalty), The queen’s purchase of this portrait in 1892, and its subsequent installation in the ‘Iolani Palace, stressed the legitimacy of the Hawaiian monarchy in the face of foreign threats from the United States. Her actions follow a long tradition of using — and sometimes subverting — Western art forms to assert Hawaiian sovereignty. Nevertheless, the monarchy was overthrown in 1893, which eventually led to the annexation of Hawai‘i as a U.S. territory in 1898.
Portrait of Queen Liliʻuokalani by William F Cogswell (American) - Oil on canvas / 1891 - ʻIolani Palace (Honolulu, Hawaii) #womeninart #art #portrait #oilpainting #portraitofawoman #portraitofaqueen #queen #Cogswell #ʻIolaniPalace #womensart #portraitofawoman #artwork #fineart #Hawaiian #royalty
