Graciela Iturbide is one of the best-known Mexican photographers of the last four decades, and this image is from her breakthrough photoessay Juchitán of the Women (1979–86). In a documentary style notable for its humanistic grace, the series focuses on the indigenous Zapotec people in the town of Juchitán, in southeastern Mexico, where women dominate all aspects of social life, from the economy to religious rituals. The most emblematic image of the series, Our Lady of the Iguanas, shows the power and dignity of a Zapotec woman, who carries on her head live iguanas that form a bizarre crown. Four Fishes shows a woman displaying fish for sale from the private space of her home, the clay and straw of the wall echoing the scales of the fish. Like her teacher, the photographer Manuel Alvarez Bravo (at one time the husband of Lola Alvarez Bravo, whose work hangs nearby), Iturbide portrays Catholic traditions intertwined with pre-Hispanic rites and superstitions, showing a culture in constant flux. Approaching her subjects directly and frontally, Iturbide represents a dreamlike reality with great compassion, or, to use the artist’s own word, “complicity.”

Cuatro pescaditos (Four Fishes), Juchitán, Oaxaca Graciela Iturbide

Graciela Iturbide
gelatin silver print
"Nuestra señora de las iguanas"
1979
Juchitán, Oaxaca, Mexico

and

Cuatro pescaditos (Four Fishes)

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