New #culturerover: Flipping—are federalism & localism reversing in the USA? www.michaeljkramer.net/flipping/
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New #culturerover: Nothin’ On—does the Boss’s cable-tv era ennui still hold true? www.michaeljkramer.net/nothin-on/
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New #culturerover: One Cartoon After Another, history gets untethered in One Battle After Another & we are left with the problems of caricature. www.michaeljkramer.net/one-cartoon-...
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New #culturerover: The Flimsiest, the cynical faux-realism of The Brutalist. www.michaeljkramer.net/the-flimsiest/
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New #culturerover: The Play of Levels, hypothesizing cultural criticism in US intellectual history. www.michaeljkramer.net/the-play-of-...
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New #culturerover: The Dissonance of Dissidence—Theater Apparatus, Václav Havel’s Protest @ MuCCC/Rochester Fringe Festival @rochesterfringe.bsky.social, 10 september 2025. www.michaeljkramer.net/the-dissonan...
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New #culturerover: Outstretched—Commotion Dance reaches out in Opus @ MuCC/Rochester Fringe Festival @rochesterfringe.bsky.social, 9 September 2025. www.michaeljkramer.net/outstretched/
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New #culturerover: Those Times of Revolution—In Los Lobos’s 1996 “Revolution,” the words say one thing, the music another. www.michaeljkramer.net/those-times
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New #culturerover: Get Out the Way, Old Dan Tucker returns as ICE agent? www.michaeljkramer.net/get-out-the-...
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Over at @newyorker.com, the always-sharp Vinson Cunningham has a nice piece on those super-weird Apple AI ads, www.newyorker.com/culture/crit..., something I was thinking a lot about too in the Culture Rover post Phonies, www.michaeljkramer.net/phonies/. #culturerover
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New #culturerover: More Than a Face—the gaze & the visage. Unmasking masking in the 2020s. www.michaeljkramer.net/more-than-a-...
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New #culturerover: Brushing Against the Body, on
The Living End: Painting and Other Technologies, 1970–2020, @mcachicago.bsky.social www.michaeljkramer.net/brushing-aga...
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New #culturerover: X Musks the Spot—on Jill Lepore’s sci-fi history of Elon Musk. www.michaeljkramer.net/x-musks-the-...
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New #culturerover: Sam Shepard Returns—In two recent productions, Sam Shepard’s plays remind us that family traumas have long afterlives. www.michaeljkramer.net/sam-shepard-...
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New #culturerover: Shades Drawn, Icarus had feathers & wax, but he didn’t have a smartphone, www.michaeljkramer.net/shades-drawn/.
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New #culturerover: Kidsoterica—if you or anyone in your life needs a playlist of weird kids music, proceed.
www.michaeljkramer.net/kidsoterica/
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New #culturerover: Love In, @aimbykyleabraham.bsky.social “love on one another” in An Untitled Love @ Nazareth College Arts Center, 24 January 2025. www.michaeljkramer.net/love-in/
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New #culturerover: A Fast One, was the image that won the presidency in 2024 not a fist raised after an assassination attempt, but a hand holding out french fries at Mcdonald’s? www.michaeljkramer.net/a-fast-one/
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New #culturerover #photojournal: The Dismantling of Higher Education. www.michaeljkramer.net/the-dismantl...
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New #culturerover: Phonies—in the new Apple “Intelligence” ads, AI is actually about artificial affect. www.michaeljkramer.net/phonies/
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New #culturerover: Exceptionally Unexceptional—in Civil War, there is no american exceptionalism. www.michaeljkramer.net/exceptionall...
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New #culturerover: Big Shoes to Fill—Bridgman Packer Dance, Ghost Factory @ Sloan Performing Arts Center, University of Rochester, 25 October 2024. www.michaeljkramer.net/big-shoes-to...
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