The Dark Knight (2008)
Director: Christopher Nolan
Cinematographer: Wally Pfister, ASC
Cameras: IMAX MKIII, MSM 9802, Panaflex Millennium XL, Platinum
Lenses: Panavision C, E Series Anamorphic, Super Speed
Format: 35mm / IMAX
Colorist: Matt Harger

#wallypfister #cinematography #depthofreel

Joker (2019)
Director: Todd Phillips
Cinematographer: Lawrence Sher, ASC
Cameras: ARRI ALEXA 65, LF, Mini
Lenses: ARRI Rental Prime 65, DNA, Zeiss CZ.2 28–80mm & 70–200mm
Aspect Ratio: 1.43:1 / 1.85:1
Format: ARRIRAW
Colorist: Jill Bogdanowicz

#lawrencesher #cinematography #depthofreel

1917 (2019)
Director: Sam Mendes
Cinematographer: Roger Deakins, ASC, BSC
Camera: ARRI ALEXA Mini LF
Lenses: ARRI Signature Prime 35mm T1.8, 40mm T1.8
Aspect Ratio: 2.39:1
Format: ARRIRAW
Colorist: Greg Fisher, James Slattery

#rogerdeakins #arri #signatureprime #cinematography #depthofreel #film