Altın Gün - Garip | vinyl-keks.eu Das Album Garip von Altın Gün zeigt eine Band, die ihre musikalischen Wurzeln respektiert und gleichzeitig neue Klangideen ausprobiert. Altın

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Einige Songs wirken ruhiger und weniger psychedelisch als frühere Veröffentlichungen der Band, was nicht jedem/jeder gefallen dürfte.

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#review #vinyl #music #altingün #glitterbeat

YĪN YĪN – Yatta! (2026) On their fourth album Yatta!, the celebrated Dutch quartet YĪN YĪN extends, bends, and ignites a joyous mix of disco, funk, surf, psychedelia, and Southeast Asian motifs. UNCUT magazine previously dubbed their highly addictive sound “cosmic disco”—a fitting starting point—but as Yatta! proves, the band’s sonic footprint is an ever-evolving kaleidoscope of sounds, textures, and […]

Nusantara Beat – Nusantara Beat (2025) While group names can often be random, Nusantara Beat has chosen one that encapsulates its ethos. Nusantara means all the islands that make up Indonesia and dates back to when kings wanted to unite the whole archipelago. Today, it means unity, many cultures coming together as one. Accordingly, Nusantara Beat mix the rhythms and music […]

Noura Mint Seymali – Yenbett (2025) Fast strumming on the ardine, the multi-stringed lute of Mauritania specifically played by women. Noura Mint Seymali singing as if from a long way off. “What Aicha Fall did could never be called brotherhood… She flew off with my heart and cast it into the abyss.” After a minute the music pauses. This is a […]

Nusantara Beat spoke with us at Budapest Ritmo and again in late October, discussing their debut album, Indonesian heritage, family music and their progression from classic reinterpretations to original work.


#NusantaraBeat #Amsterdam #Indonesia #Glitterbeat
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Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Širom – In the Wind of Night Hard-Fallen Incantations Whisper (2025) Širom’s approach is contradictory. Their music is rooted in the traditional, yet never becomes a prisoner of what’s gone before. It is expansive, playful, seemingly always looking for a way to spiral upwards and outwards, into the future. The group’s preferred term for what they do is “imaginary folk”. The term was first coined by […]

Cerys Hafana – Angel (2025) Welsh musician Cerys Hafana’s first release on the brilliant subsidiary of Hamburg-based global music label Glitterbeat explores the full sublime potential of its title, one all too often invoked to mean meekness and sweetness. Opening track ‘Helynt Ryfeddol’ (An Incredible Ordeal) introduces a folk story about an old man drawn towards the purest music he […]

Cerys Hafana – Angel (2025) Welsh musician Cerys Hafana’s first release on the brilliant subsidiary of Hamburg-based global music label Glitterbeat explores the full sublime potential of its title, one all too often invoked to mean meekness and sweetness. Opening track ‘Helynt Ryfeddol’ (An Incredible Ordeal) introduces a folk story about an old man drawn towards the purest music he […]

Cerys Hafana – Angel (2025) Welsh musician Cerys Hafana’s first release on the brilliant subsidiary of Hamburg-based global music label Glitterbeat explores the full sublime potential of its title, one all too often invoked to mean meekness and sweetness. Opening track ‘Helynt Ryfeddol’ (An Incredible Ordeal) introduces a folk story about an old man drawn towards the purest music he […]

Cerys Hafana – Angel (2025) Welsh musician Cerys Hafana’s first release on the brilliant subsidiary of Hamburg-based global music label Glitterbeat explores the full sublime potential of its title, one all too often invoked to mean meekness and sweetness. Opening track ‘Helynt Ryfeddol’ (An Incredible Ordeal) introduces a folk story about an old man drawn towards the purest music he […]

Etceteral – Kimatika (2025) Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, consisting of Boštjan Simon, baritone sax and electronics; Marek Fakuč, drums; and Lina Rica, visuals, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. …As often happens with instrumental music, especially jazz-based, the lead is taken […]

Etceteral – Kimatika (2025) Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, consisting of Boštjan Simon, baritone sax and electronics; Marek Fakuč, drums; and Lina Rica, visuals, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. …As often happens with instrumental music, especially jazz-based, the lead is taken […]

Etceteral – Kimatika (2025) Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, consisting of Boštjan Simon, baritone sax and electronics; Marek Fakuč, drums; and Lina Rica, visuals, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. …As often happens with instrumental music, especially jazz-based, the lead is taken […]

Etceteral – Kimatika (2025) Kimatika, the 3rd album by the Slovenian audio-visual trio Etceteral, consisting of Boštjan Simon, baritone sax and electronics; Marek Fakuč, drums; and Lina Rica, visuals, is a visceral plunge into the raw undercurrents of futuristic jazz, motoric propulsion, free improv and elastic compositions. …As often happens with instrumental music, especially jazz-based, the lead is taken […]

Famo Mountain – For Those Left Behind (2025) Recorded in the shadow of Lesotho’s Famo gang violence, For Those Left Behind is a defiant, dizzying triumph. The five-piece here channels beauty and brutality. Riffs of accordion (an instrument left behind by German colonisers and reborn by Basotho migrant miners) skitter like retooled polkas over diesel-drum and tire-tread percussion. Lead singer Tebotho’s raspy vocals […]

africanpaper.com/2025/06/30/r...
#thegoodones #rwandasingswithstringa #newalbumrelease #folk #glitterbeat

africanpaper.com/2025/05/31/s...
#brighdechaimbeul #sunwise #newalbum #smallpipes #voice #colinstetson #fieldrecordings #schoolofscottishstudies #glitterbeat

Ammar 808 – Club Tounsi (2025) The Denmark-based Tunisian producer Ammar 808, aka Sofyann Ben Youssef, brings a deep fascination with texture to his work. It starts with the TR-808 bass synthesiser from which he takes his numero de plume — a deep, squelchy rumble that often serves as an unsteady foundation in his tracks. His first solo album, Maghreb United, […]

Ammar 808 – Club Tounsi (2025) The Denmark-based Tunisian producer Ammar 808, aka Sofyann Ben Youssef, brings a deep fascination with texture to his work. It starts with the TR-808 bass synthesiser from which he takes his numero de plume — a deep, squelchy rumble that often serves as an unsteady foundation in his tracks. His first solo album, Maghreb United, […]

africanpaper.com/2025/05/06/c...
#ammar808 #clubtounsi #newalbum #mezoued #electronics #tunesianmusic #glitterbeat #glitterbeatrecords

#nowplaying Lenhartapesbandcamp.com Dens on #glitterbeat

africanpaper.com/2025/04/05/k...
#albumreview #kuunatic #wheelsofömon #progrock #psychedelic #japanesemusic #ainumusic #scifi #epic #yukoaraki #shokoyoshida #fumieckikuchi #rekpo #glitterbeat #glitterbeatrecords

#nowplaying Who Are We? by #alqasar on #glitterbeat records Excellent North African psych rock, guest stars #jellobiafra

africanpaper.com/2025/02/01/p...
#parkjiha #alllivingthings #lp #neuemusik #koreanmusic #life #piri #yanggeum #saenghwang #flute #voice #electronics #glitterbeat