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This image shows Huli Wigmen performing at the Goroka Cultural Festival in the Highlands of Papua New Guinea.

The dancers wear bright yellow face paint, applied directly to the skin and decorated with red and white designs representing clan identity, strength, and ancestral presence. No masks are worn — the striking appearance comes entirely from face paint and traditional adornment.

Each performer wears a large ceremonial wig made from human hair, grown over a year and prepared over many months in special wig houses. The wigs are decorated with bird-of-paradise and hornbill feathers, shells, and beads, symbolizing pride, maturity, and social status. A red-dyed human-hair beard is worn during important ceremonies.

Traditionally, Huli men traveled fully armed. A man was expected to carry five weapons, reflecting responsibility and readiness:
	•	Bow made from hardwood and plant fiber
	•	Arrows of cane and bamboo
	•	Spear with a cassowary leg bone tip
	•	Stone axe or war club
	•	Knife originally of bamboo or stone, later steel

An important ceremonial weapon was the hornbill dagger, crafted from an actual hornbill beak. It was worn on a cord around the neck but positioned so it rested flat against the upper back, symbolizing vigilance, manhood, and warrior authority.

The choice of materials carried deep meaning: the cassowary, feared for its power, and the hornbill, respected for strength and leadership.

Today these weapons are worn mainly for ceremony, representing ancestral heritage rather than warfare. Through paint, feathers, rhythm, and movement, Huli performance remains a powerful expression of living culture and identity.

This image shows Huli Wigmen performing at the Goroka Cultural Festival in the Highlands of Papua New Guinea. The dancers wear bright yellow face paint, applied directly to the skin and decorated with red and white designs representing clan identity, strength, and ancestral presence. No masks are worn — the striking appearance comes entirely from face paint and traditional adornment. Each performer wears a large ceremonial wig made from human hair, grown over a year and prepared over many months in special wig houses. The wigs are decorated with bird-of-paradise and hornbill feathers, shells, and beads, symbolizing pride, maturity, and social status. A red-dyed human-hair beard is worn during important ceremonies. Traditionally, Huli men traveled fully armed. A man was expected to carry five weapons, reflecting responsibility and readiness: • Bow made from hardwood and plant fiber • Arrows of cane and bamboo • Spear with a cassowary leg bone tip • Stone axe or war club • Knife originally of bamboo or stone, later steel An important ceremonial weapon was the hornbill dagger, crafted from an actual hornbill beak. It was worn on a cord around the neck but positioned so it rested flat against the upper back, symbolizing vigilance, manhood, and warrior authority. The choice of materials carried deep meaning: the cassowary, feared for its power, and the hornbill, respected for strength and leadership. Today these weapons are worn mainly for ceremony, representing ancestral heritage rather than warfare. Through paint, feathers, rhythm, and movement, Huli performance remains a powerful expression of living culture and identity.

The #Goroka Festival in #PNG. None are as badass as the #Huli Wigmen. You DO NOT repeat DO NOT want to be in a confrontation with them. #HumansOfBlueSky #YellowThu #ColorADay #EastCoastKin #Foto

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The photograph shows a group of young women standing close together at a cultural celebration in Mount Hagen, Papua New Guinea. They are smiling and facing the camera, surrounded by a busy festival crowd in the background with colorful umbrellas, tents, and people.

Two women are most prominent in the foreground. They are wearing bright, traditional-style shirts decorated with bold patterns in red, black, orange, and yellow. One shirt has the letters “PNG” printed across the front.

Their faces are painted for the celebration. The woman on the left has her face painted green with a red and yellow stripe across her cheeks and nose, echoing the colors of the Papua New Guinea flag. The woman on the right has intricate black-and-white face paint covering one side of her face in swirling, geometric designs.

Colorful woven decorations hang across their shoulders and chests, made from yarn or natural fibers in green, yellow, blue, purple, and white. These add texture and movement to their outfits.

Behind them are several other participants, also wearing face paint and traditional clothing, creating a sense of energy and pride. The overall mood of the image is joyful and celebratory, capturing cultural identity, unity, and national pride during the Goroka Festival and the celebration of Papua New Guinea’s 50 years of independence.

Photo Credit: ©Gregory Rothman 2025

The photograph shows a group of young women standing close together at a cultural celebration in Mount Hagen, Papua New Guinea. They are smiling and facing the camera, surrounded by a busy festival crowd in the background with colorful umbrellas, tents, and people. Two women are most prominent in the foreground. They are wearing bright, traditional-style shirts decorated with bold patterns in red, black, orange, and yellow. One shirt has the letters “PNG” printed across the front. Their faces are painted for the celebration. The woman on the left has her face painted green with a red and yellow stripe across her cheeks and nose, echoing the colors of the Papua New Guinea flag. The woman on the right has intricate black-and-white face paint covering one side of her face in swirling, geometric designs. Colorful woven decorations hang across their shoulders and chests, made from yarn or natural fibers in green, yellow, blue, purple, and white. These add texture and movement to their outfits. Behind them are several other participants, also wearing face paint and traditional clothing, creating a sense of energy and pride. The overall mood of the image is joyful and celebratory, capturing cultural identity, unity, and national pride during the Goroka Festival and the celebration of Papua New Guinea’s 50 years of independence. Photo Credit: ©Gregory Rothman 2025

These two beautiful young women were just outside the window is we jerked through traffic in #MtHagen toward the #Goroka Festival. The sense of pride and joy is undeniable. #PNG #StreetPhotography #BlueskyArt #EastCoastKin #PhotographersOfBlueSky #PhotographersUnited #RedWed #ColorIfTheDay

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On Monday Evening a Strong M6.5 Earthquake struck near Goroka in Papua New Guinea. Read the earthquake report to discover the risk of aftershocks, which places were closest to the epicenter and how common such earthquakes are in the area.

On Monday evening a strong M6.5 earthquake struck near Goroka in Papua New Guinea. #Earthquake #PNG #Papua #Goroka #PortMoresby

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Significant M5.1 Earthquake struck on Wednesday Afternoon near Goroka in Papua New Guinea. Read the earthquake report to discover the risk of aftershocks, which places were closest to the epicenter and how common such earthquakes are in the area.

Significant M5.1 earthquake struck on Wednesday afternoon near Goroka in Papua New Guinea. #Earthquake #PNG #Papua #Goroka

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The image shows a Papua New Guinean man dressed in striking traditional ceremonial clothing, captured in a moment of powerful expression.

His mouth is wide open, as if shouting, singing, or chanting, and his face shows intense energy, emotion, and pride. His skin is painted with yellow ochre across the nose and cheeks, contrasting with his natural dark complexion.

On his head is a large, fan-shaped headdress made of long, black cassowary feathers, with a bright white section at the top center and red highlights around the edges. Around the base of the headdress are rows of shiny white shells and colorful beads arranged in bands, creating a crown-like effect.

He wears multiple layers of necklaces made from shells and beads that rest on his bare chest. His upper body is decorated with white and yellow body paint, adding to the ceremonial appearance.

The background is slightly blurred but suggests the festival setting with other people nearby. The colors are bright and vivid, emphasizing the feathers, paint, and ornaments.

Overall, the image captures a moment of cultural pride during the Goroka Festival, where tribes gather to sing, dance, and display their traditional regalia.


A Gahuku tribesman bursts into a powerful sing-sing chant during the Goroka Festival in Papua New Guinea’s Eastern Highlands. His towering feathered headdress, ochre-painted face, and shell adornments reflect ancestral traditions passed down through generations — a living celebration of identity, pride, and cultural unity.

The image shows a Papua New Guinean man dressed in striking traditional ceremonial clothing, captured in a moment of powerful expression. His mouth is wide open, as if shouting, singing, or chanting, and his face shows intense energy, emotion, and pride. His skin is painted with yellow ochre across the nose and cheeks, contrasting with his natural dark complexion. On his head is a large, fan-shaped headdress made of long, black cassowary feathers, with a bright white section at the top center and red highlights around the edges. Around the base of the headdress are rows of shiny white shells and colorful beads arranged in bands, creating a crown-like effect. He wears multiple layers of necklaces made from shells and beads that rest on his bare chest. His upper body is decorated with white and yellow body paint, adding to the ceremonial appearance. The background is slightly blurred but suggests the festival setting with other people nearby. The colors are bright and vivid, emphasizing the feathers, paint, and ornaments. Overall, the image captures a moment of cultural pride during the Goroka Festival, where tribes gather to sing, dance, and display their traditional regalia. A Gahuku tribesman bursts into a powerful sing-sing chant during the Goroka Festival in Papua New Guinea’s Eastern Highlands. His towering feathered headdress, ochre-painted face, and shell adornments reflect ancestral traditions passed down through generations — a living celebration of identity, pride, and cultural unity.

Best guess: a #Gahuku Tribesman chanting at the #Goroka festival. His expression reminds me of a haunting photo, I believe, from the book “First Contact” by Connolly & Anderson, 1930.

#EastCoastKin #Photohour #PhotographersOfBluesky #Photography #PhotographersUnited
#ColorADay #GreenSaturday #PNG

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Congratulations to Papua New Guinea, PNG, with 50 years of Independence from Australia this week (16th). An amazing country full of amazing and warm people.

#PNG #papua #newguinea #portmoresby #lae #goroka #rabaul

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Significant M5.1 Earthquake struck on Tuesday Morning near Goroka in Papua New Guinea. Read the earthquake report to discover the risk of aftershocks, which places were closest to the epicenter and how common such earthquakes are in the area.

Significant M5.1 earthquake struck on Tuesday morning near Goroka in Papua New Guinea. #Earthquake #PNG #Papua #Goroka

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First half of poem 'Becoming Paruwa', published in Rabbit 26: Belonging.

First half of poem 'Becoming Paruwa', published in Rabbit 26: Belonging.

Second half of poem 'Becoming Paruwa', published in Rabbit 26: Belonging.

Second half of poem 'Becoming Paruwa', published in Rabbit 26: Belonging.

A stark photo of a ridgeline of tropical montane rainforest across a valley, with another higher ridge rising behind it, also shrouded in clouds.

A stark photo of a ridgeline of tropical montane rainforest across a valley, with another higher ridge rising behind it, also shrouded in clouds.

Missing home at the moment. I was born in Madang, PNG, and have lived in Brisbane, Melbourne, USA, China, & Japan, but my true home will always be the village of Mengino, Eastern Highlands Province, Papua New Guinea. Poem from Rabbit 26: Belonging. #papuanewguinea #niugini #goroka #poetry

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