Thierry Delaitre présente sa liste divers droite pour les municipales à Guéret
#municipales #gueret #creuse #electionsmunicipales #municipales2026
➡️ https://l.ici.fr/1fs2
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Also exhibited as "Portrait d’une artiste appuyée sur un portefeuille" (Salon of 1793) and sometimes considered a self portrait, this work depicts a young adult woman with light skin sitting against a softly shaded, neutral background. Her curly brown hair is gathered with a ribboned band, and she wears a high-waisted white dress that catches the light in crisp, almost satin-like highlights, with a warm-toned shawl draped over her shoulders and across her lap. Her posture is poised, but mid-action as one forearm rests along the back of a chair, while her other hand holds a drawing implement ... ready to work. To her right, a large portfolio (or drawing board) props open, and a sheet shows a sketched figure study, lightly outlined and unfinished. She turns her face up and to our left, eyes focused beyond the frame, as if pausing to observe a model, listen, or consider the next mark. The artist’s technique of dark chalk modeling with pale, and opaque touches makes fabric gleam, edges breathe, and the sitter’s expression feel alert, thoughtful, and quietly self-possessed. Made for public viewing at the Salon of 1793, this image is a deliberate claim not as muse or amateur, but as working artist. The portfolio and visible study sheet function like proof of practice while her upward glance suggests attention and intellect. If the drawing is a self-portrait, Guéret is staging authorship at a moment when women’s access to training, networks, and professional recognition was hard-won and constantly negotiated. Even the materials participate in that argument with the economy of chalk and ink, then the confident whitening that “finishes” the light, mirrors how she brings authority into view. Guéret, active in late 18th-century Paris and exhibiting alongside her sister, uses portraiture to insist that creative labor belongs to women, too. The result is tender and strategic that feels intimate, yet designed to publicly declare ambition, competence, and presence.
“Portrait of a Female Artist with a Portfolio (perhaps a Self-Portrait)” by Anne Guéret (French) - Black chalk & wash with white gouache on buff paper / 1793 - Baltimore Museum of Art (Maryland) #WomenInArt #art #AnneGueret #AnneGuéret #Gueret #BaltimoreMuseumOfArt #WomenArtists #WomenPaintingWomen
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la Montagne
Risques et nuisances, arguments économiques, pression sur la forêt : en Creuse, la vigilance autour du projet d’usine Biosyl
mcinformactions.net/risques-et-n...
#Gueret #Biosyl #nuisances #resistances
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la Montagne
Risques et nuisances, arguments économiques, pression sur la forêt : en Creuse, la vigilance autour du projet d’usine Biosyl
mcinformactions.net/risques-et-nuisances-arg...
#Gueret #Biosyl #nuisances #resistances
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