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Blue-dominated detail from Mural for the Terrace Plaza Hotel — Joan Miró.

Blue-dominated detail from Mural for the Terrace Plaza Hotel — Joan Miró.

A closer look 👀
Detail of Mural for the Terrace Plaza Hotel by Joan Miró
Cincinnati Art Museum

#America #usa #U.S.A. #Cinncinnati #myphotos
#photo #photos #pic #pics #fy #fyp #CincinnatiArtMuseum
#JoanMiro #Miro #mural #art #photography #blue

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...from a walk in Soho

Joan Miro ~ Untitled
(Lithograph)
(Martin Lawrence Galleries)

#JoanMiro #Surrealism

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Joan Miro , "Les Flammes du Soleil Rendent Hystérique la Fleur du Désert," oil on board, 1938; photo: Christie's. #miro #joanmiro #art #arte #modernart #paintings #abstract #abstractart #abstractpainting #museum #artgallery

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#JoanMiró #UbuRoi

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Joan Miró , "L'Ornière," (The Rut), or "Wagon Tracks," oil on canvas, 1918. #miro #joanmiro #abstractpainting #abstractlandscape #landscape #modernart #art #arte #paintings #oilpainting #peintures #museum #artgallery

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Consulta esta foto de Instagram de @deviajeconcarlos www.instagram.com/p/DVVRAp5iJNs/

2009 #painting #museoreinasofia #joanmiro #madrid #spain #travel #travelphotography

📷 #panasoniclumixlx3 #panasonic #lumixlx3

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Joan Miro, "Femme Devant le Soleil," charcoal, ink, and watercolor on paper, 1942; Fundació Joan Miró. #miro #joanmiro #abstract #abstractart #abstractpainting #paintings #peintures #watercolor #modernart #museum #artgallery

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a bit more from the show on international #surrealism , on view at the dallas #museumofart

#miro #joanmiro #maxernst #picabia #francispicabia #art #arte #surrealismo

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During the summer of 1923 Joan Miró began painting The Tilled Field, a view of his family’s farm in Montroig, Catalonia. Although thematically related to his earlier quasi-realistic, Fauvist-colored rural views, such as Prades, The Village, this painting is the first example of Miró’s Surrealist vision. Its fanciful juxtaposition of human, animal, and vegetal forms and its array of schematized creatures constitute a realm visible only to the mind’s eye, and reveal the great range of Miró’s imagination. While working on the painting he wrote, “I have managed to escape into the absolute of nature.” The Tilled Field is thus a poetic metaphor that expresses Miró’s idyllic conception of his homeland, where, he said, he could not “conceive of the wrongdoings of mankind.”
The complex iconography of The Tilled Field has myriad sources, and attests to Miró’s long-standing interest in his artistic heritage. The muted, contrasting tones of the painting recall the colors of Catalan Romanesque frescoes, while the overt flatness of the painting—space is suggested by three horizontal bands indicating sky, sea, and earth—and the decorative scattering of multicolored animals throughout were most likely inspired by medieval Spanish tapestries. These lively creatures are themselves derived from Catalan ceramics, which Miró collected and kept in his studio. The stylized figure with a plow has its source in the prehistoric cave paintings of Altamira, which Miró knew well. Even the enormous eye peering through the foliage of the pine tree, and the eye-covered pine cone beneath it, can be traced to examples of early Christian art, in which the wings of angels were bedecked with many tiny eyes. Miró found something alive and magical in all things: the gigantic ear affixed to the trunk of the tree, for example, reflects his belief that every object contains a living soul.

During the summer of 1923 Joan Miró began painting The Tilled Field, a view of his family’s farm in Montroig, Catalonia. Although thematically related to his earlier quasi-realistic, Fauvist-colored rural views, such as Prades, The Village, this painting is the first example of Miró’s Surrealist vision. Its fanciful juxtaposition of human, animal, and vegetal forms and its array of schematized creatures constitute a realm visible only to the mind’s eye, and reveal the great range of Miró’s imagination. While working on the painting he wrote, “I have managed to escape into the absolute of nature.” The Tilled Field is thus a poetic metaphor that expresses Miró’s idyllic conception of his homeland, where, he said, he could not “conceive of the wrongdoings of mankind.” The complex iconography of The Tilled Field has myriad sources, and attests to Miró’s long-standing interest in his artistic heritage. The muted, contrasting tones of the painting recall the colors of Catalan Romanesque frescoes, while the overt flatness of the painting—space is suggested by three horizontal bands indicating sky, sea, and earth—and the decorative scattering of multicolored animals throughout were most likely inspired by medieval Spanish tapestries. These lively creatures are themselves derived from Catalan ceramics, which Miró collected and kept in his studio. The stylized figure with a plow has its source in the prehistoric cave paintings of Altamira, which Miró knew well. Even the enormous eye peering through the foliage of the pine tree, and the eye-covered pine cone beneath it, can be traced to examples of early Christian art, in which the wings of angels were bedecked with many tiny eyes. Miró found something alive and magical in all things: the gigantic ear affixed to the trunk of the tree, for example, reflects his belief that every object contains a living soul.

The Tilled Field
oil on canvas
1923-24
Joan Miró (1893-1983)
Catalonia, Spain

#surrealism #surrealistart #joanmiro #spain #catalonia #thetilledfield #modernart #catalanart #catalanartist #painting #modernpainting #c1923

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Pastel and acrylic painting on paper shows portrait of scarlet man outlined in yellow. He has purple and orange eyes and short gray hair. HE wears a green shirt. The background is a chalky blue.

Pastel and acrylic painting on paper shows portrait of scarlet man outlined in yellow. He has purple and orange eyes and short gray hair. HE wears a green shirt. The background is a chalky blue.

Portrait of Joan Miró. Born in 1893, Miró was a Catalan painter and sculptor known for his endlessly inventive abstract and representative visions in his attempt flip the table of established painting. #art #artsky #painting #painter #traditionalart #joanmiro

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ayer en el #museo ( #dallas museum of #art ) para ver una exhibición sobre el #surrealismo internacional)

obras de #joanmiro #leonoracarrington #maxernst y malangatana ngwenya ( de #mozambique )

💤💭🎨🫟🖼️👨🏻‍🎨😇

#art #arte #pintura #painting #surrealism

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Miro Moon

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A sculpture made of glazed and painted earthenware, mounted on a steel rod and a wood base. The artwork is an abstract mask with two large eye-like openings that have dark centers and spiral designs etched into the surface. The edges are rough and white, while the interior is a mottled gray and brown.

A sculpture made of glazed and painted earthenware, mounted on a steel rod and a wood base. The artwork is an abstract mask with two large eye-like openings that have dark centers and spiral designs etched into the surface. The edges are rough and white, while the interior is a mottled gray and brown.

Mask by Joan Miró, 1956 (glazed and painted earthenware, mounted on steel rod and wood base)
#joanmiro #sculpture #art #shamanisminart

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Preview
National Gallery of Art Presents Sculpture Garden Ice Rink - Preview A spokesperson says--- “...the rink transforms the Sculpture Garden’s central fountain into a festive destination where visitors can skate among modern and

Skate amidst Calders, Miro, Elsworth Kelly and more-- click the link to read the preview in the Picture This Post Museum section--

#NationalGalleryOfArt #Sculpture #Skating #DCMuseums #DCArt #PictureThisPostArt #PictureThisPostMuseums #ClaesOldenburg #LouiseBourgeois #AlexanderCalder #JoanMiro #Art

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On E5 we are celebrating the life of #JoanMiro by producing our own pieces of art. What stars! What do you think? @boltonnhsft.bsky.social #thisisAP

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'The Two Philosophers'
oil on copper
1936
Joan Miró
Spanish, 1893–1983

#joanmiro #art #modernart #painting #modernism #thetwophilosophers #dated1936 #artwork #20thcenturyart #spain #spanishmodernism #spanishmodernist

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#surrealist #surrealism #joanmiro #manray #exquisitecorpse

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Joan Miró ~ Women and Birds in the Night (1968)

#JoanMiro #Surrealism #ModernArt

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By 1963, architect Bruce Graham of Skidmore, Owings & Merrill developed designs for the Brunswick Building (now the Cook Country Administrative Building), including a monumental work for the plaza just west of the structure. He commissioned Joan Miró, known for his abstract paintings and sculptures composed of biomorphic shapes, to produce a monument that would complement Pablo Picasso’s planned sculpture for the new civic center (now Richard J. Daley Center) across the street.
After visiting Chicago to survey the site and designs for the building, Miró made this plaster maquette as a proposal. The commission was delayed, however, for nearly two decades, until 1980, when Mayor Jane Byrne launched new efforts to realize Miró’s design: a 40-foot-tall female figure with outstretched arms made of bronze, ceramic tiles, and cement. Miró’s Chicago was completed and dedicated on the artist’s 88th birthday, April 20, 1981.

By 1963, architect Bruce Graham of Skidmore, Owings & Merrill developed designs for the Brunswick Building (now the Cook Country Administrative Building), including a monumental work for the plaza just west of the structure. He commissioned Joan Miró, known for his abstract paintings and sculptures composed of biomorphic shapes, to produce a monument that would complement Pablo Picasso’s planned sculpture for the new civic center (now Richard J. Daley Center) across the street. After visiting Chicago to survey the site and designs for the building, Miró made this plaster maquette as a proposal. The commission was delayed, however, for nearly two decades, until 1980, when Mayor Jane Byrne launched new efforts to realize Miró’s design: a 40-foot-tall female figure with outstretched arms made of bronze, ceramic tiles, and cement. Miró’s Chicago was completed and dedicated on the artist’s 88th birthday, April 20, 1981.

Miró's Chicago (officially titled The Sun, the Moon and One Star) is a sculpture by Joan Miró in Brunswick Plaza, Chicago, United States. It is 39 feet (12 m) tall, and is made of steel, wire mesh, concrete, bronze, and ceramic tile.

Miró's Chicago (officially titled The Sun, the Moon and One Star) is a sculpture by Joan Miró in Brunswick Plaza, Chicago, United States. It is 39 feet (12 m) tall, and is made of steel, wire mesh, concrete, bronze, and ceramic tile.

Maquette for "Miró's Chicago"
plaster
1963
Joan Miró
Spanish, 1893-1983

Second photo is the actual sculpture in Chicago.

#maquette #model #joanmiro #chicago #sculpture #modernsculpture #biomorphic #biomorphism #biomorphicart #biomorphicsculpture

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#JoanMiró #Kunsthalle #Hamburg #Raketenvogel #Surrealismus #abstrakt

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Preview
La buena letra del hortelano Pablo Martinez-Calleja

#photography #art #visualart #fotografia #fotografie #ExperimentalPhotography #artbasel #arte #artcollector #artwork #artecontemporanea #Miro #JoanMiro #contemporanyart

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Joan Miró's Son Abrines studio in Mallorca, designed by his friend, architect Josep Lluís Sert, was a space where he worked for a quarter of a century, from 1956 until his death in 1983.
Photo: Joan Miró in his studio in 1978. #art #arts #finearts #painter #joanmiro

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We've made it to Friday. Here's a little bit of joy via Miró. #TGIF #JoanMiro

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Take care of the past that the present takes care of itself. Joan Miró and his daughter.
#takecareofthepastthatthepresenttakescareofitself #joanmiro #galeriamiguelnabinho

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Who sneezed?

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Summertime paintings. Joan Miró, L'Éte, 1938.
#joanmiro #galeriamiguelnabinho

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Spanish artist Joan Miro. #surrealism
Visit his museum in Barcelona. A 🧵.
#JoanMiro

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Joan Miro, lithographic print, enigmatic character or bird? Catalonia, Spanish artist, 1980 #JoanMiro #Spain #BWFri #ColorADay

www.etsy.com/listing/1726...

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