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Comme recommandation de l’IGG est proposée l’exposition de Mickalene Thomas “All About Love” au Grand Palais à Paris, jusqu’au 6 avril 2026, explorant le thème du portrait d’un point de vue queer et féministe noir, s’inspirant du texte de bell hooks “All About Love: New Visions” sur l’amour comme une force de libération.

Comme recommandation de l’IGG est proposée l’exposition de Mickalene Thomas “All About Love” au Grand Palais à Paris, jusqu’au 6 avril 2026, explorant le thème du portrait d’un point de vue queer et féministe noir, s’inspirant du texte de bell hooks “All About Love: New Visions” sur l’amour comme une force de libération.

Cette semaine L’IGG recommande➡️ l’exposition de Mickalene Thomas “All About Love” au Grand Palais à Paris, jusqu’au 6 avril 2026, explorant le thème du portrait d’un point de vue queer et féministe noir sur l’amour comme une force de libération.
#bellhooks #mickalenethomas #IGG #queer #feminismenoir

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‘Paris Vous Aime’, 2026, Collage on Hahnemühle Photo Cotton Rag 308gsm, 30 cm x 40 cm.

#martinkippenberger #mickalenethomas #sophyrickett #martharosler #kenreinhard

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Le Grand Palais présente l'exposition « All About Love », une rétrospective majeure de Mickalene Thomas, à découvrir à Paris jusqu’au 5 avril 2026 !
🎟️ privlist.com/mickalene-thomas

#GrandPalais in #Paris presents #AllAboutLove, a major retrospective by #MickaleneThomas, on view through April 5!

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" All about Love " : L'exposition qui célèbre la femme noire !
" All about Love " : L'exposition qui célèbre la femme noire ! -- IdvXnTP7J14?version=3

📽️ vidéo en ✊ " All about Love " : L'exposition qui célèbre la femme noire !: -- IdvXnTP7J14?version=3 #Amour #FemmeNoire #Exposition #MickaleneThomas

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Œuvre de Mickalene Thomas

Œuvre de Mickalene Thomas

3 queens noires en photo par Mickalene Thomas

3 queens noires en photo par Mickalene Thomas

Œuvre de Mickalene Thomas

Œuvre de Mickalene Thomas

Salin reconstitue avec des photos de femmes noires façon blackspotation.

Salin reconstitue avec des photos de femmes noires façon blackspotation.

Très belle exposition consacrée à Mickalene Thomas, artiste queer, noire et féministe.
Avec en prime une scénographie comme on en voit peu à Paris, bravo le @grandpalaisrmn.bsky.social.
#MickaleneThomas

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In this self-portrait, American artist Mickalene Thomas casts herself as an “Afro Goddess,” centering Black feminine power, beauty, and self-possession. With collaged eyes (photographs inserted into a painted body) which insist that we meet her gaze, she turns centuries of art-history to a contemporary piecing looking back at us. Rhinestones and saturated patterning amplify her presence, refusing the idea that adornment is superficial. Sparkle functions as armor, halo, and spotlight all at once.

She depicts herself as a Black woman reclining across a low sofa, her body angled diagonally while her face turns towards us. Her skin is rendered in warm brown tones, edged with tiny rhinestones that catch the light along her jaw, lips, and hands. A dense, glittering Afro forms a halo around her head with its surface sparkling like a night sky. Across her eyes, a narrow black-and-white photographic strip interrupts the painted face, showing the artist’s own gaze staring directly outward. She wears a lush green robe patterned with flowers and purples, draped over crossed legs, the fabric pooling into the foreground. Behind her, overlapping panels of wallpaper, cushions, and collage with oversized daisies, pink and green swirls, muted creams and browns create a patchwork interior that feels both domestic and stage-like. A hint of tabletop greenery and still-life objects flickers at the left edge, deepening the sense of a lived-in room. The overall effect is sumptuous, layered, and unapologetically glamorous.

Created in the middle of her career, while Thomas was living in New York and gaining international recognition, the work extends her project of reimagining modern interiors and reclining nudes through a Black feminist lens. The self-portrait aligns with the artist’s commitment to love as a radical practice that honors queer Black womanhood, everyday glamour, and the right to take up space with confidence, tenderness, and joy.

In this self-portrait, American artist Mickalene Thomas casts herself as an “Afro Goddess,” centering Black feminine power, beauty, and self-possession. With collaged eyes (photographs inserted into a painted body) which insist that we meet her gaze, she turns centuries of art-history to a contemporary piecing looking back at us. Rhinestones and saturated patterning amplify her presence, refusing the idea that adornment is superficial. Sparkle functions as armor, halo, and spotlight all at once. She depicts herself as a Black woman reclining across a low sofa, her body angled diagonally while her face turns towards us. Her skin is rendered in warm brown tones, edged with tiny rhinestones that catch the light along her jaw, lips, and hands. A dense, glittering Afro forms a halo around her head with its surface sparkling like a night sky. Across her eyes, a narrow black-and-white photographic strip interrupts the painted face, showing the artist’s own gaze staring directly outward. She wears a lush green robe patterned with flowers and purples, draped over crossed legs, the fabric pooling into the foreground. Behind her, overlapping panels of wallpaper, cushions, and collage with oversized daisies, pink and green swirls, muted creams and browns create a patchwork interior that feels both domestic and stage-like. A hint of tabletop greenery and still-life objects flickers at the left edge, deepening the sense of a lived-in room. The overall effect is sumptuous, layered, and unapologetically glamorous. Created in the middle of her career, while Thomas was living in New York and gaining international recognition, the work extends her project of reimagining modern interiors and reclining nudes through a Black feminist lens. The self-portrait aligns with the artist’s commitment to love as a radical practice that honors queer Black womanhood, everyday glamour, and the right to take up space with confidence, tenderness, and joy.

"Afro Goddess Looking Forward" by Mickalene Thomas (American) - Rhinestones, acrylic, and oil on wood panel / 2015 - Barnes Foundation (Philadelphia, Pennsylvania) #WomenInArt #MickaleneThomas #BarnesFoundation #artText #BlackArt #womensArt #WomenArtists #art #arte #SelfPortrait #BlackWomenArtists

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#Art: Guernica Detail - #Resist #7 (2021)
#Artist: #MickaleneThomas (b. 1971)
#ArtMovement: #Contemporary #VisualArt
Genre: #Collage #MixedMedia
Medium: Rhinestones, acrylic, and oil on canvas mounted on wood panel
152.4 x 243.8 cm (60 x 96 in)

#DailyArt #TalkArt #Artsy
#ArtPost #FineArt #Art

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New Mickalene Thomas Installation Debuts at NYC Health + Hospitals/South Brooklyn Health - NYC Health + Hospitals Brooklyn, NY — NYC Health + Hospitals and RxART today debuted a new large-scale installation by Brooklyn-based artist Mickalene Thomas, Freesia on My

Behold a new #MickaleneThomas #mural that anyone can now visit at South Brooklyn Hospital! #Urbanism+ #arthistory #blackart #publicart hhinternet.trafficmanager.net/pressrelease...

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#MickaleneThomas & #timburton want diversiteit en outsider-identiteit

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"When I think of beauty being dark, you think of people, and women, so to speak, around the world, who are constantly augmenting and adjusting themselves for an ideal that does not exist."
– Mickalene Thomas

The pose of American artist Mickalene Thomas’s figure in "Tamika sur une chaise longue avec Monet" references the common image of the odalisque throughout art history. Odalisque translates to female slave or a woman slave in a harem. Male artists have depicted women as passive, sexualized objects for centuries. Thomas turns that history on its head by depicting women as empowered and in control. Thomas visually paraphrases Édouard Manet’s seminal “Olympia” (1863), a painting already quoting an art historical icon from the Italian Renaissance. Manet depicted a black woman in a servile position standing behind the white, reclining Olympia; in contrast, Thomas foregrounds Tamika, who, strong, sensual and black, is herself the star of the piece.

"I started thinking about domesticity a lot and how the interior space really affects who we are and how it also defines who we are based on the materials we surround ourselves with."
– Mickalene Thomas

Mickalene Thomas begins with constructing installations, that are very much like full stage sets, in her studio where her models are styled and pose. Then Thomas photographs them, creates a collage, and reworks the collage into acrylic on panel compositions to which she adds rhinestones.

This collage, made a year prior to the painting of the same name, includes images of paintings by Monet and helps explain the title of the final painting. Mickalene Thomas recognizes the history of modernism as an influence on her even as she abstracts the Monet references into blocks of color in the painting.

"When I think of beauty being dark, you think of people, and women, so to speak, around the world, who are constantly augmenting and adjusting themselves for an ideal that does not exist." – Mickalene Thomas The pose of American artist Mickalene Thomas’s figure in "Tamika sur une chaise longue avec Monet" references the common image of the odalisque throughout art history. Odalisque translates to female slave or a woman slave in a harem. Male artists have depicted women as passive, sexualized objects for centuries. Thomas turns that history on its head by depicting women as empowered and in control. Thomas visually paraphrases Édouard Manet’s seminal “Olympia” (1863), a painting already quoting an art historical icon from the Italian Renaissance. Manet depicted a black woman in a servile position standing behind the white, reclining Olympia; in contrast, Thomas foregrounds Tamika, who, strong, sensual and black, is herself the star of the piece. "I started thinking about domesticity a lot and how the interior space really affects who we are and how it also defines who we are based on the materials we surround ourselves with." – Mickalene Thomas Mickalene Thomas begins with constructing installations, that are very much like full stage sets, in her studio where her models are styled and pose. Then Thomas photographs them, creates a collage, and reworks the collage into acrylic on panel compositions to which she adds rhinestones. This collage, made a year prior to the painting of the same name, includes images of paintings by Monet and helps explain the title of the final painting. Mickalene Thomas recognizes the history of modernism as an influence on her even as she abstracts the Monet references into blocks of color in the painting.

"Tamika sur une chaise longue avec Monet" by Mickalene Thomas (American) - Rhinestones, acrylic, oil and enamel on wood panel / 2012 - Seattle Art Museum (Washington) #WomenInArt #ArtText #art #artwork #WomenArtists #WomanArtist #WomensArt #MickaleneThomas #ContemporaryArt #AfricanAmericanArtist

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New Mickalene Thomas Installation Debuts at NYC Health + Hospitals/South Brooklyn Health - NYC Health + Hospitals Brooklyn, NY — NYC Health + Hospitals and RxART today debuted a new large-scale installation by Brooklyn-based artist Mickalene Thomas, Freesia on My

#Mural #mickalenethomas at the Ruth Bader Ginsberg Hospital in Brooklyn. Nice.

www.nychealthandhospitals.org/pressrelease...

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Mickalene Thomas at Hayward Gallery in London, 18 April 2025 ✨

#londonartscene #londonart
#mickalenethomas

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American artist Mickalene Thomas covered the wood panel surface of "Portrait of Mnonja" with sparkling rhinestones that adorn the reclining figure's clothing, makeup, and high-heeled shoes. The colorful plastic gems are not usually found on paintings or in museums, but they are at the heart of Thomas's art.

Mnonja exudes dignity and self-assurance as she reclines with her shiny red heeled shoes up on the edge of a patterned sofa in front of a wood-paneled background redolent of a seventies-era family room. Her beautiful dark skin, bright rouge lipstick, matching red earrings, twinkling gold choker necklace and sparkling eye shadow all compliment her blue velvet pants and fashionable white shirt with wide red-trimmed collar.

Although Thomas first started working with rhinestones because they were inexpensive, she finds them to be the ideal material to represent the Black women who are her subjects. Thomas loves to use an element of women's crafts that is often dismissed as unimportant.

In Mnonja, the straightforward appeal of the stones emphasizes the sitter's powerful presence and sensuality. "Beauty has always been an element of discussion for Black women," Thomas explains, "whether or not we were the ones having the conversation."

Thomas is well-known for large-scale, mixed media paintings of African American women to explore notions of sexuality and race through rituals associated with female beauty. Her models dress up and pose for photographs on a studio set; Thomas works from these photographs to produce finished works. Rhinestones and sequins recall folk art traditions as well as the jewelry and cosmetics that can enhance or mask a woman's identity.

American artist Mickalene Thomas covered the wood panel surface of "Portrait of Mnonja" with sparkling rhinestones that adorn the reclining figure's clothing, makeup, and high-heeled shoes. The colorful plastic gems are not usually found on paintings or in museums, but they are at the heart of Thomas's art. Mnonja exudes dignity and self-assurance as she reclines with her shiny red heeled shoes up on the edge of a patterned sofa in front of a wood-paneled background redolent of a seventies-era family room. Her beautiful dark skin, bright rouge lipstick, matching red earrings, twinkling gold choker necklace and sparkling eye shadow all compliment her blue velvet pants and fashionable white shirt with wide red-trimmed collar. Although Thomas first started working with rhinestones because they were inexpensive, she finds them to be the ideal material to represent the Black women who are her subjects. Thomas loves to use an element of women's crafts that is often dismissed as unimportant. In Mnonja, the straightforward appeal of the stones emphasizes the sitter's powerful presence and sensuality. "Beauty has always been an element of discussion for Black women," Thomas explains, "whether or not we were the ones having the conversation." Thomas is well-known for large-scale, mixed media paintings of African American women to explore notions of sexuality and race through rituals associated with female beauty. Her models dress up and pose for photographs on a studio set; Thomas works from these photographs to produce finished works. Rhinestones and sequins recall folk art traditions as well as the jewelry and cosmetics that can enhance or mask a woman's identity.

Portrait of Mnonja by Mickalene Thomas (American) - Rhinestones, acrylic, & enamel on wood panel / 2010 - Smithsonian American Art Museum (Washington DC) #womeninart #womanartist #art #artwork #Smithsonian #MickaleneThomas #womenpaintingwomen #ContemporaryArt #SmithsonianAmericanArtMuseum #womensart

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#linder #mickalenethomas #mikekelley #leighbowery

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Meet Mickalene Thomas! This contemporary artist's bold collages of Black women challenge norms, using acrylics, enamel & rhinestones. Drawing from art history & film, she sparks conversation on race, gender & identity. #MickaleneThomas

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Painter painting hard-times /In shadows of yesterday /If you paint with love /Paint me some black angels now
🎨 #MickaleneThomas 🇺🇸 ▶️ #AllAboutLove 🎟️ #HaywardGallery 💻Review www.theguardian.com/artanddesign... 💻Interview www.harpersbazaar.com/uk/culture/b...

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Mickalene Thomas and Linder review – impossibly exuberant women electrify a body-slam of a show Thomas employs rhinestones and tiger-print to reflect on the representation of black women, while Linder appears covered in coloured goo at two concurrent shows

#MickaleneThomas and #Linder #Art #Exhibition #Review – impossibly exuberant women electrify a body-slam of a show

#HaywardGallery, #London

www.theguardian.com/artanddesign...

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“Mickalene Thomas models her figures on the classic poses & abstract settings popularized by modern masters as a way to reclaim agency for women who have been presented as objects to be desired or subjugated.” — text by @lehmannmaupin.bsky.social

#mickalenethomas

mickalene.herokuapp.com/works

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Mickalene Thomas (American, b. 1971) • Portrait of Mnonja • 2010 • Rhinestones, acrylic & enamel on wood panel • Smithsonian American Art Museum
#blackhistorymonth #africanamericanart #MickaleneThomas #americanart #contemporaryart #multimediaart #womanartist #21stcenturyart

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Happy Black History Month

IYKYK

#lenyaslife #blackhistorymonth #blackculture #geesbend #mickalenethomas #harperimandolls

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The #barnesfoundation in Philly is my husband’s happy place and we were both knocked out by their current Mickalene Thomas exhibit, All About Love. It includes her wonderful self-portrait, Afro Goddess Looking Forward.
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#mickalenethomas #allaboutlove #selfportrait #black #queer #feminist #art

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@benefit_print_project

Mickalene Thomas
I’ve Been Good To Me
2015
Mixed media collage with silkscreen, mono-print, archival inkjet print, leopard print paper, wood veneer, and silica flocking
56.5 X 45 inches
Edition of 20 unique collages
Published by Benefit Print Project

#MickaleneThomas #Art

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Mickalene Thomas makes art that 'gives Black women their flowers' Thomas' work puts Black women front and center. "We've been supportive characters for far too long," she says. "I would describe my art as radically shifting notions of beauty by reclaiming space."

The vibrant world of Mickalene Thomas, a trailblazing artist known for her rhinestone-adorned portraits of Black women. Her work blends art history, pop culture, and femininity. 🎨✨ #MickaleneThomas #Art #FemininityInArt www.npr.org/2024/12/03/n...

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Mixed media art depicting ‘The Inversion of Racquel’ by Mickalene Thomas (American)

Mixed media art depicting ‘The Inversion of Racquel’ by Mickalene Thomas (American)

The Inversion of Racquel by Mickalene Thomas (American) - Rhinestones, acrylic, and mixed media on panel - 2021 - Los Angeles (California) County Museum of Art #lacma #mickalenethomas #womeninart #art #femaleartist #womanartist

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Mickalene Thomas: All About Love
Mickalene Thomas: All About Love YouTube video by The Broad

“My work conveys that Black women’s existence in this world is revolutionary, radical, innovative, and unapologetic, and her gaze is powerful.”-Mickalene Thomas

A taste of Mickalene Thomas: All About Love when the show was on display in LA. #MickaleneThomas

youtu.be/Yx1inv2d5xs?...

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i think a #MickaleneThomas piece should replace the Mona Lisa in the #Louvre

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🆕🆙 #AngelinaJolie recebe Mickalene Thomas no Atelier Jolie. Visite nosso website para saber mais e ver as fotos na Galeria! ➡ bit.ly/3TMNiGD

🏷 #Angelina #Art #AtelierJolie #Jolie #Mickalene #MickaleneThomas #New #News #NewYork #NovaIorque #NovaYork #NY #NYC #Photo

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Posted @withregram • @mickalenethomas Detail of new painting 2022 featured @baselswitzerland @lgdr.art #mickalenethomas #artists #painting #art #blackerotica #moretocome #beauty #grace #strength #blackexcellence

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