#filmsky #filmnoir #moviesky
#NoirNeckties
Hey you!
Happy Monday.
THE GLASS KEY (1942) Brian Donlevy
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#filmsky #moviesky #filmnoir #thriller #NoirNeckties
Paul Douglas #BOTD
as the hard-working, sympathetic cop in
FOURTEEN HOURS (1951)
— set almost entirely on a skyscraper ledge in NYC
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#moviesky #filmsky #filmnoir #tvsky #NoirNeckties
Actor, and professional athlete in both baseball and basketball
Chuck Connors #BOTD
WALK THE DARK STREET (1956)
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Harry Morgan and George Raft
#filmsky #filmnoir #tvsky #moviesky #NoirNeckties
Harry Morgan #BOTD
as a low-level San Francisco bookie, in a doozy of a tie.
RACE STREET (1948)
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#tcmparty #T-Men #NoirAlley #filmnoir #filmsky
Full of some of the most interesting #NoirNeckties.
T-Men (1947)
Costume designer: France Ehren
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Richard Widmark & Richard Kiley #BOTD
Pickup on South Street (1953)
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#NoirNeckties
Dennis O’Keefe #BOTD
as a T-Man (US Treasury Agent) in,
T-Men, 1947
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#filmsky #moviesky #filmnoir #NoirNeckties
“Don't tell me about the people, Eddie! The people sit in front of their little TVs with their bellies full of beer and fall asleep.”
Rod Steiger as Nick Benko
The Harder They Fall (1956)
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#filmnoir #filmsky #moviesky #NoirNeckties
TIME FOR A DRINK, and that distinctive
Richard Conte grin. #BOTD
SOMEWHERE IN THE NIGHT (1946)
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#filmsky #moviesky #filmnoir #tvsky #noirneckties
Karl Malden #BOTD
was a professional actor for 63 years.
KISS OF DEATH (1947)
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#filmnoir #filmsky #moviesky #noirneckties
The short necktie became necessary, and popular, in the 1940s, due to fabric rationing during World War II.
Burt Lancaster, THE KILLERS (1946)
Vera West, costume designer
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#filmsky #moviesky #filmnoir #NoirNeckties
Kiss of Death (1947)
Richard Widmark as Tommy Udo
Director, Henry Hathaway #BOTD
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Elisha Cook Jr.
helping launch Kubrick’s career in,
The Killing, 1956
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“A man eats an apple. He gets a piece of the core stuck between his teeth. He tries to work it out with some cellophane from a cigarette pack…”
Burt Lancaster, Criss Cross (1949)
Yvonne Wood, Costume Designer
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#filmsky #moviesky #filmnoir #noirneckties
Noir oddball tie award goes to “Mr Nelson”
(Robert Osterloh), here talking to hospital patient Burt Lancaster, who *thinks* Nelson has a heart.
Criss Cross (1949)
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#filmnoir #filmsky #moviesky #NoirNeckties
“If I ever acquire wisdom, I suppose I'll be wise enough to know what to do with it.”
Tyrone Power & Gene Tierney
The Razor’s Edge, 1946
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#filmsky #filmnoir #TCM #noirneckties
Character Tony Moreno was Argentinian (played by American Mike Lane), yet his necktie w/ camels & pyramids depicts west Africa, or “the Middle East”. Was it to mark him as a foreigner — or just fashion?
The Harder They Fall (1956)
Costume designer: Helen Hunt
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#filmsky #moviesky #filmnoir
#NoirNeckties
Polka dots symbolize whimsy and playfulness. [ahem]
Raymond Burr & Barbara Stanwyck
Crime of Passion (1957)
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#NoirNeckties
Sterling Hayden as Bill Doyle
— a hunky, stylish, lovable cop
Crime of Passion (1957)
w/ Barbara Stanwyck
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Actor Lee Marvin in his breakout role as the sadistic gangster, Vince Stone, in the 1953 film noir, The Big Heat.
#filmsky #moviesky #filmnoir #BOTD
“Ah, stardom! They put your name on a star in the sidewalk on Hollywood Boulevard and you walk down and find a pile of dog manure on it.
That tells the whole story, baby.”
~ Lee Marvin
#NoirNeckties The Big Heat (1953)
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Harry Lewis as “Toots” Bass, wearing the telltale bad guy white tie with a dark shirt.
Key Largo (1948)
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#NoirNeckties
A milquetoast — until he’s not.
Richard Basehart as Warren Quimby
Tension (1949)
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#NoirNeckties #strangersonatrain
Alfred Hitchcock designed Bruno Antony’s necktie — the lobster claws representing Bruno’s grip on tennis star Guy Haines.
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