A photo taken at the Métis Stampede Festival 2025 features Sam and me standing side by side in front of a rustic wooden backdrop with furs, pelts, and traditional decorations. Sam wears a striped cap, orange t-shirt, and black shorts. He holds a sign that reads, “I am my ancestors’ wildest dreams.” I wear sunglasses, a wide-brimmed black hat, an orange t-shirt, and jeans. I am holding a sign that says, “There is no tea like Métis.” A framed portrait of Louis Riel hangs on the wall behind Sam’s right shoulders. The setting includes a red-and-white checked table with enamelware, fur pelts, antlers, and a raccoon mount on the floor. Logos for the Otipemisiwak Métis Government and Rupertsland Institute appear at the bottom.
Sam shows his successful star throws on a family-friendly star-and-axe throwing board. He is on a grassy field with an overcast sky, green trees, and city buildings beyond the field.
Sam stands beside a traditional Red River two-wheel wooden cart. Sam is about 189 cm tall, and the cart’s wheel beside Sam goes to his shoulder height. Behind the cart is a traditional Métis all-weather trapper’s tent that could be dismantled and put easily in the cart for transport. Behind Sam are other festival tents.
Five-photo collage:
Top: Two small square black canvases with dot-paint designs rest on a speckled countertop. The left canvas is my dot painting. It features a central cluster of pastel blue, pink, and teal dots arranged in a symmetrical starburst pattern, with lines of yellow, white, and teal dots radiating from each corner. Sam’s is the right canvas and displays three clusters of dots: a green and yellow floral-like grouping in the top right, a white and blue cluster in the centre, and an infinity symbol made of white dots near the bottom. Vertical lines of teal dots run along the left and right edges.
Middle left: traditional Métis all-weather trapper’s tent that would fit in a Red River cart. It’s made of white canvas with supporting wooden poles.
Middle right: A Red River Cart at Calgary NWT painting by Edward Roper circa 1887. The painting features five Métis people dressed in traditional clothes for that period. The setting is a grassy field. A woman and a man look over their left shoulders toward a Red River cart going right. In the cart, a toddler stands up looking toward the viewer. A woman is in a relaxed, lounging pose in the cart beside the toddler looking at the toddler. The cart is pulled by a brown ox with horns. In front of the ox is a man in a suit and hat.
Bottom left: Photos of Marie Belcourt and Adelaide Belcourt from 1884 in Fish Creek. The Belcourts are Sam and Brett’s distant cousins.
Bottom right: a picture of both Métis flags (white infinity sign with blue and red with summarized text: The Métis Flag, first introduced around 1815 and flown during the Battle of Frog Plain, is the oldest patriotic flag Indigenous to Canada—predating the national flag by 150 years. It features a white infinity symbol on a blue or red background, symbolizing the lasting union of European and First Nations cultures that formed the Métis Nation. The flag represents the enduring spirit and Indigenous identity of the Métis people.
Fun family activity time: Sam and I had a delightful time at the #Métis Stampede Festival 2025 at The Confluence Historical Site and Parkland this morning. #yyc #oohay