💔🔥 My Heart is Yours, Falasteen | قلبي لكِ يا فلسطين 🔥💔
— written by Coinneach MacAnndrais

#قلبي_لكِ_يا_فلسطين
#MyHeartIsYoursFalasteen
#ForPalestine #Falasteen
#ResistanceThroughArt
#SpeakTruth #Resistance
#FromScotlandToPalestine
#Scotland #Scottish #Solidarity

🌹Coming Soon

قلبي لكِ يا فلسطين
Qalbi laki ya Falasteen
My Heart is Yours, Falasteen

A letter of love and solidarity to the broken and the brave

“Your pain is mine
Your hope is mine
Your freedom... will be divine”
#MyHeartIsYoursFalasteen #ComingSoon
#ForPalestine #ResistanceThroughArt #SpeakTruth

Malcolm X speech “The Ballot or The Bullet” is relevant 60 years later!
#resistancethroughart #hiphop #rap #MalcolmX #music #lyricsvideo #resistance #equity #MLK #BLM #love #Hope #organize #community #injustice #GeorgeFloyd #revolution #BreonnaTaylor #RestInPower #VincentChin #BlackLivesMatter

Sometimes the most revolutionary thing you can do is refuse to let them kill the beauty in your soul.

Create something.
Anything.
The world needs your light. 💙
🧵/5

#ResistanceThroughArt

Here's my latest batch of rocks. They run the gambit from about 3-9" long and 2-7" wide. It's a really pretty batch. One of them has macaw or parrot colors. So pretty!
#saholtartist #saholtstudios #susanholt #artist #art #paintedrocks #bubbles #joy #fun #resistancethroughart

"Inside the mind of SONOFPOLLUX:
where memory burns, the present devours,
and the future bleeds static.
But in the wreckage—we create.
This is not the end.
This is a visual hymn against erasure."

#VisualPoem #DarkHarmony #SONOFPOLLUX #ResistanceThroughArt #MythicFrequency #GlitchDream

📅 Grand Finale: May 17 — same day as Eurovision, but on the people’s terms.
🎧 Listen. Share. Vote. Resist.

Follow us 👉 @falastinvision
#FalastinVision #FreePalestine #MusicForJustice #CulturalResistance #BoycottEurovision #ResistanceThroughArt

While Hollywood pushed racist stereotypes, Black filmmakers like Oscar Micheaux fought back. His films told real Black stories — not caricatures. #BannedHistory #BlackCinema #OscarMicheaux #ResistanceThroughArt

It’s been one year that that the sculptor Chavis Mármol wanted to “crush an object that represents a sinister figure like Elon Mollusk.”
“Look what I do to your lousy car with this wonderful head. This is bigger than you and the rampant technologies“
#resistancethroughart
#artofresistance

Namibian poetry: Voice of Heritage, Resistance, Transformation In Namibia’s cultural landscape, poetry is a quiet but powerful force, hidden behind the dominating roles of visual arts and music. But a new crop of poets is breaking barriers, using language to call out injustice, protect cultural heritage and ignite change. With each line they pen, they are proving that poetry is not only creativity – it is a movement, a voice and a force for change. The Weekender sat down with a few poets who described Namibian poetry as slowly but steadily changing. POWER OF WORDS Veteran poet and performer Keamogetsi Molapong views poetry not just as a form of art but as a tool for mental and social liberty. Poetry, according to him, is strong enough to challenge oppressive regimes and spur much-needed conversations. However, he laments the lack of good governance, guidance and widespread nepotism in Namibia’s arts scene, which he says is suppressing poetry. “Poetry can disrupt oppressive regimes and awaken awareness,” Molaong says. He says poetry continues wanting for much-needed funding despite its possibilities of redemption. Molapong calls for poets to unite, create independent platforms and become an organic voice through clear articulation of the country’s socio-economic and political reality. MOVEMENT POETRY North Side Rabbi Lekenanda Eliakim, also known as Be-fresh, is transforming poetry into a fusion of movement and performance. A graduate of the College of the Arts and a University of Namibia fourth-year student, she combines poetry with theatre and African percussion to provide experiential artwork. She believes poetry can revolutionise Namibia’s cultural landscape – on condition that poets put their best foot forward to present their work professionally and devise creative distribution channels. “Poetry is appreciated in Namibia, but it does not get the proper attention because there are no concrete organisational frameworks behind it,” she says. Be-fresh advocates the inclusion of poetry in mainstream culture through cross-art form collaboration with musicians, theatre practitioners and the internet to make it more accessible and appealing to more individuals. As one of Namibia’s most accomplished spoken word poets, Nimrod Bowora, also known as Mr Poet, is using poetry to advocate indigenous languages and address societally relevant issues like gender-based violence and unemployment. A leading member of the Frankly Speaking collective of poets and co-host of the Frankly Speaking Poetry Show on NBC National FM, Mr Poet believes poetry is a means to share both cultural heritage and social commentary. “Poetry is a means of keeping our heritage alive, but also for us to face facts as a nation,” he says. While Namibia’s music industry has massive patronage, Mr Poet says poetry doesn’t have such opportunities. He insists there needs to be greater cooperation between corporate entities and poets to integrate poetry into areas like advertising, education and mental health awareness. At Gobabis, poet and nurse Rejoice Seitsang combines her passion for the arts with her nursing profession, using poetry as a form of therapy. Through inspirational performances and motivational speeches, she mentors young people through life’s trials. “Poetry has the ability to change attitudes and make people think, but it is not being used to its full potential because people perceive it as too complex,” she says. Seitsang also believes in enhanced collaboration between entrepreneurs and poets, to include poetry in marketing, education and health initiatives. In her opinion, there is a possibility that with increased financial backing, poetry can be the driving force of a vibrant creative economy in Namibia. At the forefront of the poetry movement is Franklin Shitaleni, better known as North Side Rabbi. As a co-founder of Namibia’s biggest poetry hub, Frankly Speaking, Shitaleni empowers young people and preserves indigenous tales through poetry. “Poetry is a powerful tool of culture – it keeps our history and frames the future,” he says. Despite the transformational powers of poetry, Shitaleni acknowledges the challenges of sustaining platforms without organised support. He envisions a day when poetry is institutionalised, commodified and treated with the same reverence as other art forms. THE WAY FORWARD Across generations, Namibian poets are demonstrating that poetry is not merely for leisurely purposes – it is a voice for the voiceless, a mirror to society and a tool for preserving culture. But unless there is adequate funding, institutional backing and inter-disciplinary partnerships, the art form risks remaining below the radar. Through collaborative funding mechanisms and partnerships, poetry can not only expand but become the foundation of Namibia’s creative economy. The National Arts Council of Namibia (NACN) has taken steps to assist poets with funding, partnerships and strategic development. According to NACN administrator Gretta Gaspar, poetry is part of the country’s creative industry core. “We provide opportunities for funding of all forms of art, including poetry,” she says. She adds that the NACN demonstrated its commitment at the 2023 literary festival, where the council sponsored the establishment of formal bodies to help facilitate poetry recitals, workshops and publication. The NACN also heled keep poetry alive during the Covid-19 pandemic by way of grants to enable poets to share their poetry online. “We stay in contact with poetry clubs and people to provide additional opportunities for growth,” Gaspar says. Gaspar says poetry is also a vital tool in establishing Namibia’s identity. “Poetry has always reflected society, recording the heartbeat of the nation,” she notes, emphasising its role in preserving stories and challenging societal expectations. Rejoice Seitsang To gain more exposure, the NACN collaborates with organisations such as Unam Press and the Namibia Library and Archives Service. Activities such as the Namibia Creative Summit and Heritage Week also feature performances of poetry. But there are still challenges, such as few platforms and disorganisation among the community, Gaspar says. “Most poets are still not affiliated, so it is hard to engage them,” she says. To counteract this, the NACN promotes the establishment of associations and continues to fund projects to make sure poetry thrives in Namibia’s entertainment sector. The post Namibian poetry: appeared first on The Namibian.

#NamibianPoetry #CulturalHeritage #ResistanceThroughArt #PowerOfWords #PoetryForChange

Namibian poetry: Voice of Heritage, Resistance, Transformation In Namibia’s cultural landscape, poetry is a quiet but powerful force, hidden behind the dominating roles of visual arts and music. But a new crop of poets is breaking barriers, using language to call out injustice, protect cultural heritage and ignite change. With each line they pen, they are proving that poetry is not only creativity – it is a movement, a voice and a force for change. The Weekender sat down with a few poets who described Namibian poetry as slowly but steadily changing. POWER OF WORDS Veteran poet and performer Keamogetsi Molapong views poetry not just as a form of art but as a tool for mental and social liberty. Poetry, according to him, is strong enough to challenge oppressive regimes and spur much-needed conversations. However, he laments the lack of good governance, guidance and widespread nepotism in Namibia’s arts scene, which he says is suppressing poetry. “Poetry can disrupt oppressive regimes and awaken awareness,” Molaong says. He says poetry continues wanting for much-needed funding despite its possibilities of redemption. Molapong calls for poets to unite, create independent platforms and become an organic voice through clear articulation of the country’s socio-economic and political reality. MOVEMENT POETRY North Side Rabbi Lekenanda Eliakim, also known as Be-fresh, is transforming poetry into a fusion of movement and performance. A graduate of the College of the Arts and a University of Namibia fourth-year student, she combines poetry with theatre and African percussion to provide experiential artwork. She believes poetry can revolutionise Namibia’s cultural landscape – on condition that poets put their best foot forward to present their work professionally and devise creative distribution channels. “Poetry is appreciated in Namibia, but it does not get the proper attention because there are no concrete organisational frameworks behind it,” she says. Be-fresh advocates the inclusion of poetry in mainstream culture through cross-art form collaboration with musicians, theatre practitioners and the internet to make it more accessible and appealing to more individuals. As one of Namibia’s most accomplished spoken word poets, Nimrod Bowora, also known as Mr Poet, is using poetry to advocate indigenous languages and address societally relevant issues like gender-based violence and unemployment. A leading member of the Frankly Speaking collective of poets and co-host of the Frankly Speaking Poetry Show on NBC National FM, Mr Poet believes poetry is a means to share both cultural heritage and social commentary. “Poetry is a means of keeping our heritage alive, but also for us to face facts as a nation,” he says. While Namibia’s music industry has massive patronage, Mr Poet says poetry doesn’t have such opportunities. He insists there needs to be greater cooperation between corporate entities and poets to integrate poetry into areas like advertising, education and mental health awareness. At Gobabis, poet and nurse Rejoice Seitsang combines her passion for the arts with her nursing profession, using poetry as a form of therapy. Through inspirational performances and motivational speeches, she mentors young people through life’s trials. “Poetry has the ability to change attitudes and make people think, but it is not being used to its full potential because people perceive it as too complex,” she says. Seitsang also believes in enhanced collaboration between entrepreneurs and poets, to include poetry in marketing, education and health initiatives. In her opinion, there is a possibility that with increased financial backing, poetry can be the driving force of a vibrant creative economy in Namibia. At the forefront of the poetry movement is Franklin Shitaleni, better known as North Side Rabbi. As a co-founder of Namibia’s biggest poetry hub, Frankly Speaking, Shitaleni empowers young people and preserves indigenous tales through poetry. “Poetry is a powerful tool of culture – it keeps our history and frames the future,” he says. Despite the transformational powers of poetry, Shitaleni acknowledges the challenges of sustaining platforms without organised support. He envisions a day when poetry is institutionalised, commodified and treated with the same reverence as other art forms. THE WAY FORWARD Across generations, Namibian poets are demonstrating that poetry is not merely for leisurely purposes – it is a voice for the voiceless, a mirror to society and a tool for preserving culture. But unless there is adequate funding, institutional backing and inter-disciplinary partnerships, the art form risks remaining below the radar. Through collaborative funding mechanisms and partnerships, poetry can not only expand but become the foundation of Namibia’s creative economy. The National Arts Council of Namibia (NACN) has taken steps to assist poets with funding, partnerships and strategic development. According to NACN administrator Gretta Gaspar, poetry is part of the country’s creative industry core. “We provide opportunities for funding of all forms of art, including poetry,” she says. She adds that the NACN demonstrated its commitment at the 2023 literary festival, where the council sponsored the establishment of formal bodies to help facilitate poetry recitals, workshops and publication. The NACN also heled keep poetry alive during the Covid-19 pandemic by way of grants to enable poets to share their poetry online. “We stay in contact with poetry clubs and people to provide additional opportunities for growth,” Gaspar says. Gaspar says poetry is also a vital tool in establishing Namibia’s identity. “Poetry has always reflected society, recording the heartbeat of the nation,” she notes, emphasising its role in preserving stories and challenging societal expectations. Rejoice Seitsang To gain more exposure, the NACN collaborates with organisations such as Unam Press and the Namibia Library and Archives Service. Activities such as the Namibia Creative Summit and Heritage Week also feature performances of poetry. But there are still challenges, such as few platforms and disorganisation among the community, Gaspar says. “Most poets are still not affiliated, so it is hard to engage them,” she says. To counteract this, the NACN promotes the establishment of associations and continues to fund projects to make sure poetry thrives in Namibia’s entertainment sector. The post Namibian poetry: appeared first on The Namibian.

#NamibianPoetry #CulturalHeritage #ResistanceThroughArt #PowerOfWords #PoetryForChange

A school building with its foundation being cut away, students and teachers falling out, along with textbooks and broken blackboards.

The executive order is a wrecking ball, demolishing the foundation of education like a giant pencil sharpener erasing the lines of knowledge #EducationInPeril #TrumpAdministration #ExecutiveOrder #SchoolsInCrisis #ArtMeetsPolitics #ResistanceThroughArt

A notes app screenshot reading: Note: This was written the day of the 35th anniversary of the Capitol Crawl, where a group of disabled activists crawled up the steps of the Capitol building in DC, to prove the need for accessibility and accommodation in all spaces. They did so, in hopes of legislators passing the ADA: the Americans with Disability Act, which protects disabled folks' rights to accommodation and aid in the workplace and in educational institutions. This is not ancient history. This act of resistance was done in 1990. I was born in 1993. And here we are in 2025, with an administration that is threatening to rip these rights from the hands of my community...from the hands' of yours. So, I finished this poem today. It is called The Resister's Prayer. I thought it was fitting that, today of all days, for this Open Mic night, I would begin with this.

Image description, a notes app screenshot reading: I call upon my ancestors Who came before me Who fought for every INCH we made toward human rights Please let my hands remain soft for the people I love And hard for when I punch Nazis Let my disabled body carry me when I march And take in rest and healing when I lie down Like lungs filing with air when I breathe In Out In Out When I use my cane May it support this tired form And not break When I swing at Nazis I keep going back to hitting Nazis But let them try me, bitch I am a bigender trans man with anger issues I am looking for an excuse

Image description, a note app screenshot reading: Ancestors, your stories have taught me only WE will protect our community We are coming to save US We have to have a little fight within ourselves And there is agency in that... And power... But let me be weak in my partners arms Let me crumble I don't want to be strong in those moments But safe And small Let me rest there And recharge For when I have to throw the next brick Or crawl up the capitol steps Or possibly, punch the next Nazi.

I wrote this poem yesterday, on the 35th anniversary of the Capitol Crawl. I would like to share it here. I think it's needed right now. #resist #poem #resistancethroughart
This is called, "A Resister's Prayer"

So whether you’re here to fight, create, or just find your people, welcome to the resistance. Let’s make magic happen—no wands required. ✨

#ArtisticAdventuresLLC #ResistanceThroughArt #ChooseYourAdventure

So whether you’re here to fight, create, or just find your people, welcome to the resistance. Let’s make magic happen—no wands required. ✨

#ArtisticAdventuresLLC #ResistanceThroughArt #ChooseYourAdventure

Wtf yo? W TF

#smoolove #smoolovepottery #orcanizedcrime #orcamug #fthemboats #orcassinkingships #sinktherich #resistancethroughart #wtf

Be kind … And sink the patriarchy

#smoolove #smoolovepottery #orcanizedcrime #orcamug #fthemboats #orcassinkingships #sinktherich #idahotownhall #resistancethroughart #bekind

It’s a rough day y’all. (Sound on)

#smoolove #smoolovepottery #orcanizedcrime #orcamug #fthemboats #orcassinkingships #sinktherich #idahotownhall #resistancethroughart

#Creativity #Art: The ultimate #Resister.

It can’t be banned. It can’t be contained. It adapts, morphs, spreads.

Authoritarians rename. Censors erase. But art rewrites history in real time.

Language, nuance, satire, subversion—this is how we win.

#CultureIsPower #ResistanceThroughArt

"Statue of Limitations" Behind the Art - Amy Pop Art Above is the finished statement piece, “Statue of Limitations,” which my husband and I collaborated on for the Dynamic Duos art exhibit at Deep Ellum Art Co. (own the art | light a candle). What bette...

"Statue of Limitations" captures the raw beauty and enduring strength of women as their rights are eroded and the curtain is drawn, a defiant blend of art deco and pop art. Resistance through art, join us. #resistancethroughart #womensrights #fairparkart #dallasart #artdeco #popart #statefairoftexas

And I’ve been motivated to write a novel that’ll explore how bad it could get, throw in some sci-fi for fun, and how might we get through this.
#ResistanceThroughArt

All I know, is that I am buoyed by your strength, fight and grit for a thriving democracy. Thank you, kind sir!

I’m 18 days post-op from a total knee replacement. My fingers have begun to itch as my knee begins to heal. I might be able to attack my sci-fi thriller soon. 😈

I need to channel my dismay, trepidation and anger during the next four years, perhaps evermore.
💙💙💙
#KeepHopeAlive
#ResistanceThroughArt