Can’t believe I didn’t know Peter Cushing had a pub (a #wetherspoons no less) named after him. It’s also an #artdeco masterpiece. #hammerhorror #filmsky

FRANCK MULLER 11002SQZ Art deco WATCH Silver SS/leather QZ Seller: sevenhours (98.6% positive feedback) Location: JP Condition: Pre-owned - Good Price: 1361.00 USD Shipping cost: Free Buy It Now

Ad: For Sale - FRANCK MULLER 11002SQZ Art deco WATCH Silver SS/leather QZ #FranckMuller #WatchCollector #ArtDeco

Exclusive 20s Art Deco Design by Yvonne on Teemill: 20s Art Deco Pattern - the-world-of-yvonne-marrs.teemill.com/product/20s-art-deco-pat...
 Your #newfavouritetshirt ?
#easygiftingwithyvonnemarrs #artdeco

Inspire in the Style of Art Deco #cardula #artdeco #illustration #women #elegant #fashion #flowers #cat #interiordetails #interiordeco #decoration #deco #interiordesign #decorationart #decorhome

A stucco pillar with a copper sign reading "Charing Cross Road".

Charing Cross Sign (b.~1920?)
Bloomfield Hills, Oakland County Michigan.

📸 Google Pixel 8 Pro

One of the richest neighborhoods in Michigan.

#photography #digitalart #architecture #signs #artdeco #sculptures #stucco #night #rustbelt #suburban #lightroom #bloomfieldhills #oakland #michigan

Bombay’s transition to Modernity- The Dawn of Art Deco in Bombay The urban development of Bombay as a capitalist port city, was a result of the distinct location of the western Indian Colony. Sociologically, the early Victorian Bombay emerged as a capitalist city with class differentiation determining the spatial pattern of the city. The colonial / indigenous spatial dualism was just an outcome of this urban sociological pattern. The early 19th century Bombay was fast acquiring an easily recognizable capitalist face. The city was well maintained in parts, it was squalid and congested in others. Population was expanding; there was growing functional specialization and division of labour; relations of the market were penetrating day to day life; and class differentiation was cruelly apparent. Urban development in the 19th century Bombay has to be placed within the wider framework of the development of capitalism and the intervention of colonialism. It goes without saying that colonial rulers brought to urban development in India certain features which were inherited from the historical evolution of cities in the metropolis. (i) At the same time, it has to be borne in mind that such features were inescapable in so far as colonial rule drew various urban centres in India into a network of capitalist relations. Indian cities on which the British left their imprint became less or more capitalist cities depending upon the extent to which capitalism was able to develop/ not develop in them or in the region/s in which they were located. (ii) Null Bazar, Native Street in Bombay; Source: Wikimedia Commons **ACCOMMODATING DEMAND** The last two decades of the 19th century, starting from 1880, saw a wave of immigrants coming to Bombay, that considerably altered the character of the city. By the beginning of the 20th century, not only did the city’s physical form change, but also the social and cultural patterns and its political framework also changed. The decades that followed saw a lot of planned interventions by the Government as well as private enterprise. The influx of people was used to the city’s advantage, in terms of its industrial and commercial base. The urban form of Bombay thus underwent significant transformations as a result of rapid industrialization coupled with massive reclamations, road and housing projects. Most of these projects were implemented by the Improvement Trust and the Port Trust which together added considerable land to house the new components of the population. (iii) Times of India printing press; Source: British Library Bombay’s business and industrial expansion resulted in several noteworthy commercial associations, which led to demand for commercial space as well as additional workers’ housing. The commercial demand being highest in the core of the Fort Area, there were implications on the Urban Planning of the city. With roads being widened by the Municipality in the southern section, setbacks and realignments were laid down and extensive reconstruction was taking place. BEST share certificate; Source: BOMBMAN, CC BY 2.0 , via Wikimedia Commons Bombay was fortunate in its rich natural resources of sand and trap stone which was ideal for concrete aggregate. (iv) The advent of RCC in the early 1900s proved to be a boon in disguise providing a changeover to a high- rise building typology for the high-density situation prevalent in Bombay. Elphinstone Circle, Bombay, 1870s; Source: Wikimedia Commons Bhendy Bazaar Road, Bombay, 1880; Source: Bourne and Shepherd, via British Library **SHIFT IN ARCHITECTURAL STYLES** The evolution of Bombay as a city is evident from how the British manipulated its abundant resources to their benefit. From the Seven Islands to Bombay as a trading town, gradually transforming into a fledging industrial and manufacturing center, Bombay’s metamorphosis was aided and accelerated by economic, political and physical changes. Much of these changes in the Urban Morphology were outcomes of historic events that took place in and around the city. To name some, the annexure of Deccan by the British in 1819, linking Bombay to the Deccan and Konkan regions by road in 1830 and then by rail in 1863, the construction of the Mahim- Bandra causeway in 1845 providing easier access from Bombay to the hinterland. The establishment of an overland route to London in 1838 and the opening of Suez Canal in 1869, created global channels for movement of goods and people. View of Bombay Green from the Town Hall, 1830; Source: Jose M. Gonsalves, via British Library View of Elphinstone Circle from the Town Hall, 1870s; Source: Leiden University Library, via Wikimedia Commons In the 1850s and 60s, Bombay’s progress was significantly due to the acumen of John Lord Elphinstone and Sir Bartle Frere. This was the time when initiatives by Lord Elphinstone, Governor of Bombay (1853-1860), the Fort Improvement committee was established, perceiving the futility of the town bastions, took efforts to remove the fortification to the advantage of the town’s growth. However, it was only during the reign of Sir Bartle Frere, the Governor of Bombay (1862-1867), who took a momentous and prudent decision to demolish the unnecessary fort walls and restructure the town. Bombay was no longer perceived as merely a fortified trading town by the Crown. It became a pivotal Presidency capital that symbolised colonial power and as a crucial connection between India and the globe. The American Civil war, right after the reign of Lord Elphinstone as the Governor, resulted in a boom in cotton trade. The inability of America to provide cotton and the abundantly available raw cotton in western and central India forced purchase of cotton from the Bombay markets. This resulted not just in a commercial boom with Bombay receiving £81 million but also speculation in equity shares of companies that were to undertake extravagant reclamation schemes. Architecturally, Gothic building style was manifested the most, for its imposing grandeur, serves as a testament to the power of trade, of shared printed design resources and the discovery that architects as well as component building parts could be exported to India. It also informs the city’s interaction with the architectural fashions of the world stage. (v) This later evolved into Gothic Revival architecture, Architect F. W. Stevens being referred to as the great Bombay Gothic Revival architect. Most major buildings commissioned during the late 1800s were designed and constructed by him. A shift from the Gothic style to the Indo- Saracenic was indeed a big shift for Bombay. The style evolved as a result of the Jeypore Portfolio of Architectural Details produced by Swinton Jacob. It consisted of 6 volumes of 600 large scale drawings of elements picked from various buildings dating between the 12th and the 17th centuries. What was especially important was that the work was not organised by period or region but by function- coping and plinths in one volume, arches in the second, brackets in the third and so on. These were presented as loose sheets in order that different examples of details might be compared and selections readily and easily made. It was through the works of British architects like R F Chisolm, John Begg and George Wittet that this style found its way to Bombay. Victoria Terminus, Bombay, 1930s; Source: Wikimedia Commons Institute of Science, Bombay; Source: Alamy Stock Photo There was much apprehension from the Government and bureaucratic opposition for this shift in styles. This can be best captured in the following statement made in an address to the Royal Institute of British Architects by James Ransome, the first consulting architect to the Government of India, in 1902.(vi) Round temple, Sandhurst Road, Bombay; Source: Alamy Stock Photo Colaba Causeway, Bombay; Source: Alamy Stock Photo “In India, where ingenuity was required more than anything, we were forcing purity of style. I was told to make Calcutta Classical, Bombay Gothic, Madras Saracenic, Rangoon was to be Renaissance and English cottages were to be dotted about all over the plains of India.” – James Ransome, address to the RIBA Sketch of the proposed Backbay Reclamation Scheme; Source: The Times, May 24, 1911; via Wikimedia Commons The early years of the 20th century saw the climax of Gothic Architecture in Bombay. The Edwardian, the Renaissance and the Indo- Saracenic styles of architecture dotted the skyline of the 1900s Bombay. This was an effort to achieve the Colony’s adaptability to the Indian conditions. Brady House, Churchgate Street, Bombay, 1890s; Source: British Library **TRANSITIONS TO MODERNITY** The Great War, also known as the First World War, was a global war that lasted from July 1914 to November 1919. Bombay in the interwar year was a city in transition. It was during this time that the city’s urban fabric witnessed a shift from the colonial, Victorian city to a _moderne_ metropolis. Some radical transformations took place in Bombay from 1919, the closing year of the World War I. The Exposition Internationale des Arts Decoratifs et Industriels Modernes, an exhibition held at Paris in 1925, became the harbinger of a new movement in architecture and the decorative arts that came to be termed as Art Deco. (vii) A party in Bombay, circa 1910; Source: Hulton Archive, via Getty Images In Bombay, new patterns of lifestyle became evident during this period, with the introduction of concepts such as ‘commuting’ to the place of work or travelling distances for a weekend outing. Concepts of family entertainment such as Cinema and social clubs, encouraged mixed gatherings and the socializing of women- a custom that was frowned upto by the local Bombay society. This led to Bombay becoming a trend setter in social reform. Modern apartment blocks at Churchgate Reclamation; Source: The Modern House in India by ACC The Art Deco style first appeared in India when Indian royal families and entrepreneurs and merchants of the widely travelled educated upper middle class, eager to adopt contemporary trends in western culture, began to assume sophistication in dress, furnishings and architectural design. In the 1930s Bombay saw its educated middle class grow as a result of the city’s expanding port commerce. The pressing requirement of housing resulted in large scale reclamation projects such as the Back-Bay Reclamation Scheme, initiated and implemented from 1928 to 1942. The new city’s spurring building activity and the need for a new architectural style expressing the requisite optimism, Art Deco style became a sorted- to style of Architecture. “French in origin, the Art Deco style represents the world’s first initial amalgamation of modern design movements. The style synthesised a number of dynamic influences that culminated in an exclusive fashion of high taste in Europe- primarily Paris during the first two decades of the 20th century. These included forces as disparate as the German Bauhaus, the Ballets Russes, Oriental and African Art, Egyptian, Aztec, Mayan and early Greek architecture, aerodynamism, zigzag geometry, moderne stream lining and visual expression of jazz music. Concurrently the Italian futurists and the French and the Spanish Cubists were graphically changing established perceptions of time and dimension while Hollywood was thrusting its signature glamour across the world’s movie screens. Expanded communications in the forms of radio, telephone and magazines along with broadened travel via the automobile, ocean- liner, locomotive, and airplane facilitated the spread in the awareness of Art Deco’s thrilling combination of romance, sophistication, rhythm and geometry.”****(viii) This was also the time when Bombay was undergoing advancements of capitalist urbanism. A unique combination of factors led to the popular adaption of Art Deco in Bombay. Tourism and travel had made rapid strides in the period between the two World Wars, resulting in a continuing stream of visitors to Bombay. The social and cultural ambience at Bombay was thus suitably conducive to the introduction of Art Deco architecture and interiors. The upper class and the business community of entrepreneurs and managers happily imbibed contemporary trends in western culture to create a _bon vivant_ lifestyle, that symbolized gaiety and colour and encompassed western cuisine, dress, ballroom dancing, jazz, cabarets, horse- racing and the cinema. (ix) A steady shift in the design culture and its relationship with the political economy of Bombay is seen through the passage of time and the emergence of Art Deco Architecture in Bombay has been very important in the city’s developmental history under the aspects of Urban Morphology and Architecture. Many Indians who were businessmen (predominantly Parsis) travelling to Europe had to spend several weeks to reach London (before the Suez Canal was accessible) and it was around the same period that Hollywood’s fame was heard throughout the length and breadth of Europe, impacted the business class of India. These people actively contributed to the skyline of Bombay and making buildings that were more ‘Indian’ in nature as compared to the Colonial Victorian Gothic, Neo- Classical, Renaissance, etc. that were more ‘English’ in nature. Source: Three Lions/Hulton Archive via Getty Images Many Indian architects and contracting companies such as Sohrabji Bhedwar, G. B. Mhatre, Merwanji Bana & Co., Shapoorji Pallonji & Co. contributed to the growth of the Art Deco style of Architecture. Many eminent buildings starting with Regal cinema (1933), Dhanraj Mahal (1935-38), were all built by the Gregson, Batley and King Co. contracted by eminent Parsi contractors, whereas the native residential complexes along the Oval Maidan and Marine Drive, were dealt with by prominent Indian architects such as G. B. Mhatre. Indian architects and designers also contributed imposing structures to the City such as the New India Assurance building (1936)- designed by Master, Sathe and Bhuta, with artistic designer N. G. Pansare, the Eros Cinemas designed and built by Architect Sohrabji Bhedwar. This turned out to demonstrate a collective language that creates an urban fabric while individually allowing creative expression, each competing with the other in flamboyance and sophistication. With the first generation of Indian Architects from the Bombay School of Art, contributing avidly to the city’s skyline through the new-found style of Art and Architectural expression- Art Deco, it has proved to be a manifestation of the works of Indian Architects over the dominating works of colonialism and imperialism. **Prathyaksha Krishna Prasad for Art Deco Mumbai** Prathyaksha is an urban conservation architect & researcher. She has two Master’s degrees, one in Urban Conservation and the other in History and Heritage Management. Her research work includes the incorporation of Heritage Driven Urban Regeneration for Indian Cities and Rural Heritage tourism management for Champaner – Pavagadh Archaeological Park. She has also worked as a research intern, under Ar. Rahul Mehrotra for the Harvard Graduate School of Design Program titled “Extreme Urbanism IV- Looking at Hyper Density- Dongri, Mumbai”.

Bombay built the world's second largest Art Deco district in the 1930s, blending streamlined modernism with Indian cultural markers into a uniquely Bombay architecture. www.artdecomumbai.com/research/bombays-transit... #ArtDeco #Bombay #1930s

“Gertrude Hermes, the designer of this brass door knocker, was primarily a wood engraver and sculptor but also a painter, printmaker and book illustrator. She was the first woman engraver to be elected to the Royal Academy in 1963. Many of her subjects in sculpture and prints were animals and children. This frog door knocker was one of a series designed for her friends.” “This door knocker was one of several cast for Gertude Hermes. This example was for her own use. At least three others are known to have been made. One was for the illustrator, Betty Swanwick, RA, RWS, one was for the novelist and poet, Naomi Mitchison and the third was for the artist, Eric Kennington.”

#FrogFriday 🐸:
#Frog Door Knocker, 1935
Designed by Gertrude Hermes (UK, 1901-83); made by Henry Hope & Sons, Birmingham
Cast brass, L 18.0 x W 11.8 x H 5.0 cm
V & A Museum M.57-1981 collections.vam.ac.uk/item/O93054/...
#ArtDeco #WomenArtists

Pic I took on the Empire State Building, 1984.
#EmpireStateBuilding #landmark #NYC #ArtDeco #photo
#travel #writer #History

Marine Building, Vancouver, British Columbia, Canada.

Terrific water-themed details in the Marine Building in #Vancouver, #BritishColumbia, one of the world's top #ArtDeco #buildings. Discover more at stephentravels.com/top5/art-dec...

Beş Yüzlük Rakı Serisi. Rakıyı gönderen resmi alır. 35x50 Kağıt üzerine karışık teknik. Biodaki Shopier linkini tıklayarak, yahut DM üzerinden talepte bulunabilirsiniz. 😘

#özgürrakıcıyan #koleksiyonerlik #artdeco #peramüzesi #koleksiyon on

A row of heavily rusted streetcars, covered in graffiti, sits abandoned in a lush woodland.

Interior of decaying streetcar

Two lines of abandoned, graffiti-covered streetcars rust on overgrown tracks in a desolate forest

Seats inside streetcars, covered with leaves

Tucked away in the woodlands of Pennsylvania lies a unique fleet of streamlined 1930s and 1950s streetcars. These St Louis and Pullman-Standard carriages have glorious vintage Americana vibes.

Many of these date to the height of the Streamline Moderne era. At […]

[Original post on mstdn.social]

A mixed metals Art Deco floral design tray by Ana Nunez de Brilanti for her shop Victoria in Taxco circa 1940s.

Available...

www.rubylane.com/item/1879775...

#handmade #mixedmetals #copper #silver #mexico #artdeco #floral #ananunezdebrilanti #mexicansilver #taxco #victoriaplateria #art #craft

Commande d’un personnage original. Dessin digital représentant un jeune garçon avec des bois de cerf, aux cheveux châtains bouclés, arborant une expression triste. Il tient entre ses mains une couronne de laurier doré, et porte une longue cape marron. Le fond est fait avec un motif géométrique de soleil, orange et marron, dans un esprit art déco à

👑 Commande pour @/leandre.roth 👑

J’ai récemment fini cette commande de l’OC de Léandre ! Merci beaucoup à lui de m’avoir permis de travailler sur son projet >< Cet OC est trop chou !

#commission #art #dnd #fawn #artdeco

My crochet pattern is now up for $2.99 ko-fi.com/ladyseshiiria
#steampunk #articifer #dwarven #dwemer #mechanical #gear #cog #coaster #christmasornament #masculineaesthetic #gamer #geek #gamerdecor #fantasy #art #crochet #crochetpattern #artdeco #lostcivilizationaesthetics #larp #cosplayprop

Lady bug from my Art Nouveau coloring book #hazenshavenart #hazenshavencrafts #hazenhaven #art #coloringbook #artwork #lineart #drawings #digitalart #artdeco #bauhaus #artnouveau

Happy Easter #hazenshavenart #hazenshavencrafts #hazenhaven #art #coloringbook #artwork #lineart #drawings #digitalart #artdeco #bauhaus #artnouveau #folkart

Happy mushroom magnets. #hazenshavenart #hazenshavencrafts #hazenhaven #art #coloringbook #artwork #lineart #drawings #digitalart #artdeco #bauhaus #artnouveau

Vintage Lady Elgin 14K White Gold Cocktail Watch 16 Diamond Set Art Deco - RUNS Seller: rbk1307 (100.0% positive feedback) Location: US Condition: Pre-owned - Good Price: 863.64 GBP Shipping cost: 48.32 GBP Buy It Now

Ad: For Sale - Vintage Lady Elgin 14K White Gold Cocktail Watch 16 Diamond Set Art Deco - RUNS #VintageWatch #ElginWatch #ArtDeco

White, Art Deco building

Burgh Island Hotel, Devon.
A frequent haunt of Agatha Christie. The hotel exterior was used in the BBC's adaptation of her 'Towards Zero'.
#photography #BurghIsland #hotel #ArtDeco #Bigbury #AgathaChristie #Devon

Beş Yüzlük Rakı Serisi. Rakıyı gönderen resmi alır. 35x50 Kağıt üzerine karışık teknik. Biodaki Shopier linkini tıklayarak, yahut DM üzerinden talepte bulunabilirsiniz. 😘

#özgürrakıcıyan #artcollectormagazine #artdeco #peramüzesi #istanbulmodern

Levitt Bandshell, Pasadena, California #ArtDeco 📸:me/03/15/2026

🍃ART Deco Celluloid Hand Held Mirror
........... a great find for you at NutmegCottage on Etsy!
nutmegcottage.etsy.com/listing/4416... #artdeco #mirror #vintage #antique #buynow #Collectible #etsy #gift

Close-up of an antique Kodak Brownie Junior Six-20 camera. The faceplate has a striking silver and black Art Deco design with vertical stripes and concentric squares. The lens is centered, flanked by two circular viewfinders at the top that resemble eyes.

Day 89 #365project
+ #FotoVorschlag

This #BrownieJunior actually belonged to my great-grandfather once upon a time.



#Kodak #KodakBrownie #camera #VintageCamera #BoxCamera #Analog #ArtDeco #retro #nostalgia #monochrome #BlackAndWhite #BlackAndWhitePhotography #photography #pareidolia

Gentle curve on the front of the building ennobles it, and the pale beige brick work is lovely. It screams “martinis on the penthouse terrace.”

I do also adore the building the Poirot character lives in. Pristine #ArtDeco

Give your space a lift with our gorgeous Elephant Wall Light! 🐘✨ This modern, Art Deco–inspired piece brings a special touch to any room and celebrates your love of design. Perfect for adding a cozy, warm ambiance to your home—turn your walls into art. #HomeDecor #ArtDeco #InteriorDesign #L

A ★★★★ review of They Will Kill You (2026) Ready or Not was one of my favorite films from 2019. Satire of the super rich with some wish fulfillment to see them die horribly during a Most Dangerous Game (1932) story with the satanic cult angle....

Why would they release this so closely to a movie to which it is so similar?

#filmsky
#GoodFightSetPieces
#UnrealizedAspects
#ArtDeco
#hashtag

A hand holds a vintage Zenit camera with an abandoned house in the background. Text: "Exclusive Video - Adventures in Shropshire & The Midlands. Obsidian Urbex Photography.

🆕🎥Exclusive video added for my #Patreon supporters! Adventures in Shropshire & The Midlands

Highlight my adventures this weekend, exploring lost places.

🏊 A pre-dawn adventure at an Art Deco swimming pool
☢️ Going underground to visit a Cold War era nuclear […]

[Original post on mstdn.social]

Scenes of Poirot and his mustache. I also love the little silver vase-shaped lapel pins into which he places a rose or other flower of the season. Most elegant accompaniment to his well-tailored suits.

All 13 Seasons of the hit show “Agatha Christie’s Poirot” just went up on Hulu, and I m excited beyond measure to watch the exceedingly well-groomed Belgian man give the little grey cells a workout.🕵🏻‍♂️

I love all the #ArtDeco in the series. It’s a costuming and #InteriorDesign fest.

#TeeVee 📺