Advertisement · 728 × 90
#
Hashtag
#rufinotamayo
Advertisement · 728 × 90
Painted in 1931, this work shows artist Rufino Tamayo charting a path different from the more overtly political Mexican muralists of his era. Born in Oaxaca and active in Mexico City, he often drew on folk forms, everyday subjects, and Indigenous visual memory while insisting on painting’s sensory and poetic power. 

Two women streak across the night sky as if carried by weather, spirit, or dream. Their bodies angle forward in parallel, wrapped in white garments that flutter like banners. Tamayo paints their skin in warm reddish and rose tones that glow against a deep blue-black city below. Under them, an urban world feels dense and modern as a bridge arches across the scene, buildings press together in shadow, and electric wires cut diagonally through the composition. A bright moon hovers at upper right, turning the sky theatrical and strange. The women appear Indigenous, though not rendered as portraits. One visible face is simplified, their bodies elongated, and their movement is more symbolic than literal. The painting holds a charged contrast between human softness and mechanical lines, between ancestral presence and the speed of the modern city. Nothing here is still. Even the wires seem to vibrate.

The “messengers” could be perceived as carriers of culture moving through modernity without being erased by it. Their flight is exhilarating but also uncanny. Are they delivering news, crossing between worlds, or embodying memory itself? The electric lines echo their motion, making technology part of the rhythm rather than merely the setting. That tension gives the picture its force. It feels both local and universal, grounded in 1930s Mexico yet open to myth, dream, and atmosphere. Tamayo turns the city into a moonlit nightscape and the women into living signs of continuity, movement, and transformation.

Painted in 1931, this work shows artist Rufino Tamayo charting a path different from the more overtly political Mexican muralists of his era. Born in Oaxaca and active in Mexico City, he often drew on folk forms, everyday subjects, and Indigenous visual memory while insisting on painting’s sensory and poetic power. Two women streak across the night sky as if carried by weather, spirit, or dream. Their bodies angle forward in parallel, wrapped in white garments that flutter like banners. Tamayo paints their skin in warm reddish and rose tones that glow against a deep blue-black city below. Under them, an urban world feels dense and modern as a bridge arches across the scene, buildings press together in shadow, and electric wires cut diagonally through the composition. A bright moon hovers at upper right, turning the sky theatrical and strange. The women appear Indigenous, though not rendered as portraits. One visible face is simplified, their bodies elongated, and their movement is more symbolic than literal. The painting holds a charged contrast between human softness and mechanical lines, between ancestral presence and the speed of the modern city. Nothing here is still. Even the wires seem to vibrate. The “messengers” could be perceived as carriers of culture moving through modernity without being erased by it. Their flight is exhilarating but also uncanny. Are they delivering news, crossing between worlds, or embodying memory itself? The electric lines echo their motion, making technology part of the rhythm rather than merely the setting. That tension gives the picture its force. It feels both local and universal, grounded in 1930s Mexico yet open to myth, dream, and atmosphere. Tamayo turns the city into a moonlit nightscape and the women into living signs of continuity, movement, and transformation.

“Mensajeras en el viento” (Messengers in the Wind) by Rufino Tamayo (Mexican) - Oil on canvas / 1931 - Los Angeles County Museum of Art (Los Angeles, California) #WomenInArt #RufinoTamayo #Tamayo #MexicanArt #LACMA #LatinAmericanArt #Modernism #MexicanArt #arte #SurrealModern #art #artText #1930sArt

24 5 0 0

Well, it's Sunday today, but still appropriate :)

#mexicanmodernism #rufinotamayo #mexico #mexicanart #circa1977 #modernart #modernism #vintagemodern

3 2 0 0
In 1977, this painting was bought by an art collector in Houston for $55,000 as a gift to his wife. The owners placed it in a storage unit when they were moving into a new home, and somehow or other the painting was no longer there when the move was completed and the storage unit was emptied. It remained officially listed as a missing artwork until 2007, when it was returned to the original owner who then sold it at auction for more than $1 Million to a private collector. It is still not known exactly how the painting was removed from storage (and Texas), but in 2003 it was found in New York City by a woman out for a walk in her Upper West Side neighborhood. She spotted the bright, energetic colors poking out of a pile of rubbish on the side of the street; she liked it and took it home. Her curiosity led her to research the painting, which she eventually got authenticated, and once she figured out that it was a missing piece, she was able to return it to the original owner. If paintings could talk, this one could probably tell a good tale!

In 1977, this painting was bought by an art collector in Houston for $55,000 as a gift to his wife. The owners placed it in a storage unit when they were moving into a new home, and somehow or other the painting was no longer there when the move was completed and the storage unit was emptied. It remained officially listed as a missing artwork until 2007, when it was returned to the original owner who then sold it at auction for more than $1 Million to a private collector. It is still not known exactly how the painting was removed from storage (and Texas), but in 2003 it was found in New York City by a woman out for a walk in her Upper West Side neighborhood. She spotted the bright, energetic colors poking out of a pile of rubbish on the side of the street; she liked it and took it home. Her curiosity led her to research the painting, which she eventually got authenticated, and once she figured out that it was a missing piece, she was able to return it to the original owner. If paintings could talk, this one could probably tell a good tale!

November's theme: Stolen Art
RUFINO TAMAYO (1899 - 1991), “Tres Personajes (Three Characters)”, 1970. “Tres Personajes” was a later painting by the Mexican artist Rufino Tamayo.
#arthistory #art #RufinoTamayo

9 0 0 0
Post image

Un día como hoy pero de 1899 nace el artista
#RufinoTamayo.

1 0 0 0
Post image

Brilliant Mexican artist Rufino Tamayo
Children's Games, 1959

#RufinoTamayo #ModernArt #ContemporaryArt

8 0 0 0
Post image

#RufinoTamayo

Women of Tehuantepec, (1939)

1 0 0 0
Post image

Un día como hoy pero de 1991 muere el pintor #RufinoTamayo.

1 0 0 0
Post image Post image Post image Post image

🎨 #RufinoTamayo, Mexican painter, #DOTD 24 June 1991. #Art #Painting

5 0 0 1
Post image Post image Post image

El #29Mayo de 1981
es inaugurado el Museo Rufino Tamayo, Arte Contemporáneo 🎂🇲🇽, por el entonces presidente López Portillo.
Diseño arquitectónico de Teodoro González de León y Abraham Zabludowsy 🏛🖼
#FelizJueves
#MuseoTamayo #RufinoTamayo
#OtrebordmXCultura

3 0 0 0
Video

Rufino Tamayo
"Personaje en un Cueva"
buff.ly/vCBtzWo

#framedart #framedartforsale #lithograph #lithographyprint #postmodern #postmodernart #postmodernism #printmaking #printmakingart #printmakingartist #surrealism #surrealart #surrealistart #surrealist #RufinoTamayo #rufinotamayoart #mexicanart

2 0 0 0
Post image

Nos complace anunciar la venta de otra joya de nuestra colección a Pablo Garza Segovia, un apasionado coleccionista y amante del arte mexicano de la Ciudad de México.

#ArteMexicano #MuralismoMexicano #PatrimonioCultural #JoséClementeOrozco #DiegoRivera #DavidAlfaroSiqueiros #RufinoTamayo

1 0 0 0
Woman with a Bird Cage combines Rufino Tamayo’s deep appreciation of ancient Mesoamerican art with his interest in Cubism, the 20th-century abstract art movement created by artists Pablo Picasso and George Braque. The influence of Cubism is apparent in the woman’s body, which Tamayo fractured into planes of color. Yet her distinctive elongated ear, large nose, open mouth, and the other aspects of her form reflect the Indigenous artist’s study of West Mexican ceramic sculptures (similar examples of which are on view in Gallery 136), which he collected enthusiastically. The synthesis of the two styles suggests his desire to introduce personal aspects of his Zapotec identity into modernist painting.

Woman with a Bird Cage combines Rufino Tamayo’s deep appreciation of ancient Mesoamerican art with his interest in Cubism, the 20th-century abstract art movement created by artists Pablo Picasso and George Braque. The influence of Cubism is apparent in the woman’s body, which Tamayo fractured into planes of color. Yet her distinctive elongated ear, large nose, open mouth, and the other aspects of her form reflect the Indigenous artist’s study of West Mexican ceramic sculptures (similar examples of which are on view in Gallery 136), which he collected enthusiastically. The synthesis of the two styles suggests his desire to introduce personal aspects of his Zapotec identity into modernist painting.

Woman with a Bird Cage
oil on canvas
1941
Rufino Tamayo
(Mexican, 1899–1991)

#art #modernart #mexicanart #rufinotamayo #mexico #oil #painting #womanwithabirdcage #dated1941 #mexicanmodernism #midcenturymexico

16 2 0 0
Abstract figurative lithograph featuring a textured background and bold figure. The figure is executed and dark black linework with some magenta coloring and cloaked in a deep teal outline. The figure stands to the left of the composition, creating an interesting imbalance. The background is dominated by warm orange tones and a continuation of the deep teal from the outline.

Abstract figurative lithograph featuring a textured background and bold figure. The figure is executed and dark black linework with some magenta coloring and cloaked in a deep teal outline. The figure stands to the left of the composition, creating an interesting imbalance. The background is dominated by warm orange tones and a continuation of the deep teal from the outline.

Post image Post image Post image

"Personaje en un Cueva" (Personage in a Cave) Surrealist Lithograph by Rufino Tamayo (b. 1899 d. 1991.)

www.1stdibs.com/art/prints-w...

#rufinotamayo #surrealist #lithograph #mexicanartist #postmodern #artforsale #fineart #fineartgallery #artgalleryonline #framedart #rufinotamayoart #mexicanart

2 0 0 0
Post image

Un día como hoy pero de 1991 muere el artista #RufinoTamayo.

1 0 0 0
Post image

Rufino Tamayo

#RufinoTamayo #Art #ModernArt

3 0 0 0