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DANCE OF THE SEVEN VEILS I  

Page xxiv 

Book Five, Womb with a View While our births and our species biology — as exhibited in the species congratulation we do of ourselves, which is called anthropocentrism — are influential veils, distorting our perceptions of reality, still earlier experiences are even more influential. For what happens first lays down the foundation upon which all later prejudices will be constructed. 

To this end, several theorists in particular — beginning with Otto Rank as long ago as 1929, with his book The Trauma of Birth, and including Frances Mott (1960, 1964) and Michael Irving (1988), but especially coming out in expansive detail with Stanislav Grof (1970, 1979, 1980, 1985, 1988a, 1993, 1998) — have noted the cross-over of birth experiences and traumas with religious and mythological beliefs and symbols. 

Of special relevance is that in Grof’s view they are distinct. That is, pre- and perinatal events are distinct from transpersonal events according to him. Transpersonal in this sense, in line with transpersonal psychology, refers to the spiritual, archetypal, mythological, supernatural, and religious components of experience. Grof’s perspective is that birth events represent a kind of junction spot between the transpersonal and the personal; thus, between the spiritual and individual aspects of experience, or between the collective unconscious and the personal unconscious, to use Carl Jung’s terminology.

DANCE OF THE SEVEN VEILS I Page xxiv Book Five, Womb with a View While our births and our species biology — as exhibited in the species congratulation we do of ourselves, which is called anthropocentrism — are influential veils, distorting our perceptions of reality, still earlier experiences are even more influential. For what happens first lays down the foundation upon which all later prejudices will be constructed. To this end, several theorists in particular — beginning with Otto Rank as long ago as 1929, with his book The Trauma of Birth, and including Frances Mott (1960, 1964) and Michael Irving (1988), but especially coming out in expansive detail with Stanislav Grof (1970, 1979, 1980, 1985, 1988a, 1993, 1998) — have noted the cross-over of birth experiences and traumas with religious and mythological beliefs and symbols. Of special relevance is that in Grof’s view they are distinct. That is, pre- and perinatal events are distinct from transpersonal events according to him. Transpersonal in this sense, in line with transpersonal psychology, refers to the spiritual, archetypal, mythological, supernatural, and religious components of experience. Grof’s perspective is that birth events represent a kind of junction spot between the transpersonal and the personal; thus, between the spiritual and individual aspects of experience, or between the collective unconscious and the personal unconscious, to use Carl Jung’s terminology.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xxiv

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Books Two through Four, Dance of the Seven Veils 

It is in this book — divided into three volumes — that I do the grand overview of what that all means for understanding our reality and liberating ourselves from limiting perspectives, unconscious prejudices, and denials of the reality before us which would otherwise be obvious. This book is meant to open your mind to what you are standing upon in your stance in life. It takes you back, layer by layer, like an archaeological dig, to the foundations of your being. Just a hint, you will find Divinity there. You will also sense the path to be free, the way of ecstasy. 

PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxiii

Books Two through Four, Dance of the Seven Veils It is in this book — divided into three volumes — that I do the grand overview of what that all means for understanding our reality and liberating ourselves from limiting perspectives, unconscious prejudices, and denials of the reality before us which would otherwise be obvious. This book is meant to open your mind to what you are standing upon in your stance in life. It takes you back, layer by layer, like an archaeological dig, to the foundations of your being. Just a hint, you will find Divinity there. You will also sense the path to be free, the way of ecstasy. PREFACE. A DANCE OF THE SEVEN VEILS Page xxiii

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xxiii

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PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxiii  

…biologically constituted worldview, modern culture has created test tube babies. These are individuals whose early experiences as cells do not even follow the pattern of experience — of sperm traveling to ovum, and so on — that humans have experienced for all our existence and upon which all of what is considered human and human reality has been built. Someday, someone will have to do a study comparing the basic worldviews and mythologies of test-tube conceived humans to those of the rest of us with the normal human beginnings. I predict there will be astonishing differences. 

However, in the most common example of bioculturally constituted realities emanating from our early lives, every culture determines the way birth will be experienced by the neonate. Thus, in what is the most studied biocultural of all influences, birth has an impact on our lives in vastly different ways depending upon whether it is harsh, or gentle; induced, or spontaneous; and in every other conceivable way. Prenatal and perinatal psychologists from Arthur Janov — with his definitive and ground-breaking book, Imprints (1983) — to Frederick Leboyer (1975, 2009), to Thomas Verny (1981), to David Chamberlain (1988) have detailed the way our birth and that our birth affects us ever after in life ... often in ways that are irreversible and untouchable by any and all later experience and techniques. Before that, even, Otto Rank (1929, 1952), Nandor Fodor (1949), Donald W. Winnicott (1958), David Cheek and Leslie LeCron (1968), and Leslie Feher (1980) added much to our knowledge of how birth creates our underlying feelings and our perceived realities.

PREFACE. A DANCE OF THE SEVEN VEILS Page xxiii …biologically constituted worldview, modern culture has created test tube babies. These are individuals whose early experiences as cells do not even follow the pattern of experience — of sperm traveling to ovum, and so on — that humans have experienced for all our existence and upon which all of what is considered human and human reality has been built. Someday, someone will have to do a study comparing the basic worldviews and mythologies of test-tube conceived humans to those of the rest of us with the normal human beginnings. I predict there will be astonishing differences. However, in the most common example of bioculturally constituted realities emanating from our early lives, every culture determines the way birth will be experienced by the neonate. Thus, in what is the most studied biocultural of all influences, birth has an impact on our lives in vastly different ways depending upon whether it is harsh, or gentle; induced, or spontaneous; and in every other conceivable way. Prenatal and perinatal psychologists from Arthur Janov — with his definitive and ground-breaking book, Imprints (1983) — to Frederick Leboyer (1975, 2009), to Thomas Verny (1981), to David Chamberlain (1988) have detailed the way our birth and that our birth affects us ever after in life ... often in ways that are irreversible and untouchable by any and all later experience and techniques. Before that, even, Otto Rank (1929, 1952), Nandor Fodor (1949), Donald W. Winnicott (1958), David Cheek and Leslie LeCron (1968), and Leslie Feher (1980) added much to our knowledge of how birth creates our underlying feelings and our perceived realities.

*DANCE OF THE SEVEN VEILS I* (2017) by M Adzema

Pref, p. xxiii

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The Biocultural Veil

I also establish, in The Secret Life of Stones, that there are bioculturally constituted realities. These are the realities that emanate from our biological experiences as they are modified by culture. They come in most especially during out time in the womb, when events are shaped strongly both by biology but also by culture. For culture, as experienced by the mother, begins to heavily influence the experiences the fetus will have. 

We all experience a time in the womb. What follows from that, which I say in The Secret Life of Stones, is that there are universal aspects of that experience which determine the human world view: Our feelings of freedom vying with those of constriction and oppression, for example, emanate from this time. Nonetheless, our womb experiences also vary by culture. Different cultures have different ideas about what the mother should be doing during pregnancy, how she will interact with her unborn child, and so on. These all affect the child in ways at least small, but usually in huge ways. These are aspects of the biocultural veil across perception. 

To make clear this interplay of biology and culture, let me use an example. In the most egregious instance of cultural influence on our… 

DANCE OF THE SEVEN VEILS I  

Page xxii

The Biocultural Veil I also establish, in The Secret Life of Stones, that there are bioculturally constituted realities. These are the realities that emanate from our biological experiences as they are modified by culture. They come in most especially during out time in the womb, when events are shaped strongly both by biology but also by culture. For culture, as experienced by the mother, begins to heavily influence the experiences the fetus will have. We all experience a time in the womb. What follows from that, which I say in The Secret Life of Stones, is that there are universal aspects of that experience which determine the human world view: Our feelings of freedom vying with those of constriction and oppression, for example, emanate from this time. Nonetheless, our womb experiences also vary by culture. Different cultures have different ideas about what the mother should be doing during pregnancy, how she will interact with her unborn child, and so on. These all affect the child in ways at least small, but usually in huge ways. These are aspects of the biocultural veil across perception. To make clear this interplay of biology and culture, let me use an example. In the most egregious instance of cultural influence on our… DANCE OF THE SEVEN VEILS I Page xxii

*DANCE OF THE SEVEN VEILS I: Primal/Identity...* (2017) by Michael Adzema

Preface, p. xxii

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DANCE OF THE SEVEN VEILS I  

Page xxii  

…within which everything that comes after is configured. They determine what we will see; how we will see it; how we will interpret it; what our reaction will be to it; and what we will do about it. We are human and have an experiential awareness extending back into a time prior to appearing on Earth. Then, in coming into Form, what we perceive and how we act are determined not so much by genetics but by prior experience. 

Hence, these periconceptional experiences, these absolute earliest experiences of ours in the Form State, are the first of the Veils across our windows to the world, creating the screen upon which we will view our drama of human life. 

So it is that our biological and anatomical makeup along with our individual histories prenatally and perinatally, beginning as early as when we were sperm and ova cells inside our parents, determine our human reality. They create the parameters of our experience in Form. They put down the ground rules of the board game of the human life we will experience and in which we will participate.

DANCE OF THE SEVEN VEILS I Page xxii …within which everything that comes after is configured. They determine what we will see; how we will see it; how we will interpret it; what our reaction will be to it; and what we will do about it. We are human and have an experiential awareness extending back into a time prior to appearing on Earth. Then, in coming into Form, what we perceive and how we act are determined not so much by genetics but by prior experience. Hence, these periconceptional experiences, these absolute earliest experiences of ours in the Form State, are the first of the Veils across our windows to the world, creating the screen upon which we will view our drama of human life. So it is that our biological and anatomical makeup along with our individual histories prenatally and perinatally, beginning as early as when we were sperm and ova cells inside our parents, determine our human reality. They create the parameters of our experience in Form. They put down the ground rules of the board game of the human life we will experience and in which we will participate.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xxii

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Then, it hovers above those astonishing revelations and glories in the implications of them for understanding our Reality, our non-separation from each other, our Identity as Self and Divinity, and for guidance for our lives. 

In so doing, we peer through a portal wherein we are again one with the Universe. We find ourselves on the edge of a coming together as grand as that which we experienced at conception. We receive the gift of a heritage we long ago and mistakenly repudiated — a worldview in which we are seen as belonging, at home, and once again noble within the world we inhabit. 

The Biological Veil 

Most relevant to this book, in Book One, as well, I establish there are biologically constituted realities. These are one of the screens of distortion across our perception of clear Reality. That is to say that reality, for humans, is constructed for us out of our unique biological set from an infinity of everything possible that could be or is in the Universe — something that Aldous Huxley (1954) called, Mind at Large. 

I point out that everything that we experience in life, beginning even before conception, before the coming together of sperm and ovum that created us, are learning experiences and are formative. They create imprints that skew all experiences coming afterward; they set templates…

PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxi

Then, it hovers above those astonishing revelations and glories in the implications of them for understanding our Reality, our non-separation from each other, our Identity as Self and Divinity, and for guidance for our lives. In so doing, we peer through a portal wherein we are again one with the Universe. We find ourselves on the edge of a coming together as grand as that which we experienced at conception. We receive the gift of a heritage we long ago and mistakenly repudiated — a worldview in which we are seen as belonging, at home, and once again noble within the world we inhabit. The Biological Veil Most relevant to this book, in Book One, as well, I establish there are biologically constituted realities. These are one of the screens of distortion across our perception of clear Reality. That is to say that reality, for humans, is constructed for us out of our unique biological set from an infinity of everything possible that could be or is in the Universe — something that Aldous Huxley (1954) called, Mind at Large. I point out that everything that we experience in life, beginning even before conception, before the coming together of sperm and ovum that created us, are learning experiences and are formative. They create imprints that skew all experiences coming afterward; they set templates… PREFACE. A DANCE OF THE SEVEN VEILS Page xxi

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xxi

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PREFACE. A DANCE OF THE SEVEN VEILS  

Page xxi  

…which we are temporarily cut off. It is our own consciousness; however it is the part of which we are unconscious. Or as I often point out, it is the part we have forgotten1 — perhaps even intentionally, as a choice made by our inherent Divinity. Which choice also we then forget.2 

That unknown aliveness is a secret life in the Universe of matter: So in essence there is a secret life of “stones.” Yes, the Universe is alive. And, yes, you are the Universe, you are that aliveness, but you have decided to become less so. 

I show, in that work, The Secret Life of Stones, how knowing this changes everything. It is the tipping point revealing a new world — one in which each of us is immersed at every moment, like a fish in water, in aliveness, consciousness, experiential units ... and all of it friendly, compassionate, reaching out to us and helping us ... even in spite of us.

The Secret Life of Stones presents a logical philosophical journey that wanders and explores the terrain leading up to and supporting such overstandings. Then, it hovers above those astonishing revelations and glories in the implications of them for understanding our Reality, our non-separation from each other, our Identity as Self and Divinity, and for guidance for our lives.

PREFACE. A DANCE OF THE SEVEN VEILS Page xxi …which we are temporarily cut off. It is our own consciousness; however it is the part of which we are unconscious. Or as I often point out, it is the part we have forgotten1 — perhaps even intentionally, as a choice made by our inherent Divinity. Which choice also we then forget.2 That unknown aliveness is a secret life in the Universe of matter: So in essence there is a secret life of “stones.” Yes, the Universe is alive. And, yes, you are the Universe, you are that aliveness, but you have decided to become less so. I show, in that work, The Secret Life of Stones, how knowing this changes everything. It is the tipping point revealing a new world — one in which each of us is immersed at every moment, like a fish in water, in aliveness, consciousness, experiential units ... and all of it friendly, compassionate, reaching out to us and helping us ... even in spite of us. The Secret Life of Stones presents a logical philosophical journey that wanders and explores the terrain leading up to and supporting such overstandings. Then, it hovers above those astonishing revelations and glories in the implications of them for understanding our Reality, our non-separation from each other, our Identity as Self and Divinity, and for guidance for our lives.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xxi

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Hence all that exists, really, is Experience. Matter is metaphor of that Experience. It is also message of that particular aspect of Experience that we leave out of our awareness in coming into Form, in becoming human. 

The Material Veil 

What we put into unconsciousness in the process of coming into Form becomes the physical world we experience as unalive and not conscious, though actually it is pregnant with experiential Divinity — Subjectivity, Feeling, Awareness, Bliss ... and Love. Correspondingly, the essence of the Universe is found in our direct experience of it, which is our essential Divinity. 

The reality outside of that, which we think of as matter and as unconscious and unalive, is merely the aspect of our own reality from…

DANCE OF THE SEVEN VEILS I  

Page xx

Hence all that exists, really, is Experience. Matter is metaphor of that Experience. It is also message of that particular aspect of Experience that we leave out of our awareness in coming into Form, in becoming human. The Material Veil What we put into unconsciousness in the process of coming into Form becomes the physical world we experience as unalive and not conscious, though actually it is pregnant with experiential Divinity — Subjectivity, Feeling, Awareness, Bliss ... and Love. Correspondingly, the essence of the Universe is found in our direct experience of it, which is our essential Divinity. The reality outside of that, which we think of as matter and as unconscious and unalive, is merely the aspect of our own reality from… DANCE OF THE SEVEN VEILS I Page xx

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface, p. xx

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DANCE OF THE SEVEN VEILS I  

Page xx  

I show in particular how our ideas about who to be and what to be, as rooted in culture and mythology; what to do, as rooted in early childhood experience; what to believe, as linked to religion, God, spirituality, mythology, good and evil, and much else, are rooted in the patterns of experiences we universally experience over the course of our lives, leading up to adulthood. 

Further, I show how peeling back the layers of that onion is ever more liberating, at every step. And where it ultimately leads ... what is ultimately true ... what is the center of the onion?... Well, the image that emerges is your original face. And your original face is all these things — Divine, true, realer than real, more positive and loving than you ever thought you could be, and more wonderful and exciting than you can imagine. In the same vein as William Blake, I am saying that, when the Veils across perception are pulled to the side, everything appears as it is ... infinite. 

Book One, The Secret Life of Stones 

In Book One, my premise is that there is a secret life in the Universe and that the physical world is an illusion arising from our human perception. I propose that the fundamental reality is consciousness; more correctly, it is experiential. That matter, the physical world, is a projection of human perception thrown upon the formless is the conclusion of quantum physics and our latest consciousness research.

DANCE OF THE SEVEN VEILS I Page xx I show in particular how our ideas about who to be and what to be, as rooted in culture and mythology; what to do, as rooted in early childhood experience; what to believe, as linked to religion, God, spirituality, mythology, good and evil, and much else, are rooted in the patterns of experiences we universally experience over the course of our lives, leading up to adulthood. Further, I show how peeling back the layers of that onion is ever more liberating, at every step. And where it ultimately leads ... what is ultimately true ... what is the center of the onion?... Well, the image that emerges is your original face. And your original face is all these things — Divine, true, realer than real, more positive and loving than you ever thought you could be, and more wonderful and exciting than you can imagine. In the same vein as William Blake, I am saying that, when the Veils across perception are pulled to the side, everything appears as it is ... infinite. Book One, The Secret Life of Stones In Book One, my premise is that there is a secret life in the Universe and that the physical world is an illusion arising from our human perception. I propose that the fundamental reality is consciousness; more correctly, it is experiential. That matter, the physical world, is a projection of human perception thrown upon the formless is the conclusion of quantum physics and our latest consciousness research.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by M. Adzema

Preface, p. xx

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PREFACE  

p. xix

A Dance of the Seven Veils: 

The Secret Life of Stones, Womb with a View, Cells with a View, Overview ... the Quest for Our  “Original Face”  

“...when the Veils across perception are pulled to the side, everything appears as it is ... infinite.” 

“Our earliest experiences form, they create, our prejudices about Reality. So what would we see, what Reality would reveal itself, with those constraints pulled to the side?”  

In this Book Two of The Path of Ecstasy Series, titled, Dance of the Seven Veils I, I continue the exploration of the screens of distortion across human perception begun in Book One, The Secret Life of Stones: Matter, Divinity, and the Path of Ecstasy. This time I focus on the ways the crucial events and experiences of our lives create our beliefs in life. In doing so, layer by layer, Veil by Veil, I continue bringing greater, truer perceptions into view of everything beyond.

PREFACE p. xix A Dance of the Seven Veils: The Secret Life of Stones, Womb with a View, Cells with a View, Overview ... the Quest for Our “Original Face” “...when the Veils across perception are pulled to the side, everything appears as it is ... infinite.” “Our earliest experiences form, they create, our prejudices about Reality. So what would we see, what Reality would reveal itself, with those constraints pulled to the side?” In this Book Two of The Path of Ecstasy Series, titled, Dance of the Seven Veils I, I continue the exploration of the screens of distortion across human perception begun in Book One, The Secret Life of Stones: Matter, Divinity, and the Path of Ecstasy. This time I focus on the ways the crucial events and experiences of our lives create our beliefs in life. In doing so, layer by layer, Veil by Veil, I continue bringing greater, truer perceptions into view of everything beyond.

*DANCE OF THE SEVEN VEILS I: Primal/Identity Psychology, Mythology, & Your Real Self* (2017) by Michael Adzema

Preface

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PART ONE: CULTURE WAR — TRUTH  

Page 40  

…the threat of interference from the moneyed elite will keep the media in line with the interests of ownership. 

We Decide, You React 

We need consider that when senior people, household names, are fired on the spot, that it sends a message that only grows stronger with the years, especially as ownership will make the decisions behind the scenes as to the kind of reporters it will even have working for them. 

Rather Hear from Dan? 

By the way, a more recent example of such a thing happening has to do with the dismissal of Dan Rather by CBS News around the time of the 2000 presidential election. You’ve probably heard the ownership’s slant on that story. You should listen to Mister Rather tell the story some time. It is quite different from the “official” version.

PART ONE: CULTURE WAR — TRUTH Page 40 …the threat of interference from the moneyed elite will keep the media in line with the interests of ownership. We Decide, You React We need consider that when senior people, household names, are fired on the spot, that it sends a message that only grows stronger with the years, especially as ownership will make the decisions behind the scenes as to the kind of reporters it will even have working for them. Rather Hear from Dan? By the way, a more recent example of such a thing happening has to do with the dismissal of Dan Rather by CBS News around the time of the 2000 presidential election. You’ve probably heard the ownership’s slant on that story. You should listen to Mister Rather tell the story some time. It is quite different from the “official” version.

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 40

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When the Controllers force the news media to portray our situation that way with its conservative bias pumping up conservative proponents on the Right, with a wall erected on the Left blocking out Leftist ideas and activities, they indeed make it so: That the Trump, though out of power, is still powerful and the narrative against him and his treason is unimportant. 

Yes, the media, at the behest of the Filthy Rich, have totally restructured what is considered news and what will be promoted and forced down upon the pegs of the populace since the early 1970s. This slant is what qualifies as propaganda, then. 

Convenient (for the Filthy Rich) “Truth” 

So who determined what would be the truth that day — Moratorium Day, November 15th, 1969, in Washington, D.C. Well, it certainly was not news reporters. 

The story is only that the decision to minimally cover the largest protest in U.S. history came from “on high.” I guess from that you can discern that ownership made the decision that day; and we have no idea how many other times it has done that. We can only conclude that just 

2. TRUTH’S SOLITARY JOURNEY  

Page 39

When the Controllers force the news media to portray our situation that way with its conservative bias pumping up conservative proponents on the Right, with a wall erected on the Left blocking out Leftist ideas and activities, they indeed make it so: That the Trump, though out of power, is still powerful and the narrative against him and his treason is unimportant. Yes, the media, at the behest of the Filthy Rich, have totally restructured what is considered news and what will be promoted and forced down upon the pegs of the populace since the early 1970s. This slant is what qualifies as propaganda, then. Convenient (for the Filthy Rich) “Truth” So who determined what would be the truth that day — Moratorium Day, November 15th, 1969, in Washington, D.C. Well, it certainly was not news reporters. The story is only that the decision to minimally cover the largest protest in U.S. history came from “on high.” I guess from that you can discern that ownership made the decision that day; and we have no idea how many other times it has done that. We can only conclude that just 2. TRUTH’S SOLITARY JOURNEY Page 39

*Culture War, Class War 2022: Truth & Generations* (2022) by M. Adzema

Ch 2, p 39

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2. TRUTH’S SOLITARY JOURNEY  

Page 39  

…when it came to the public’s lack of understanding of the Mueller Report or the decision of Speaker Nancy Pelosi to delay the initial impeachment of Donald Trump. We know that reduced media coverage of Trump’s opponents and Democrat’s flaccid pushback against the Donald are linked in that when the Democrats, in June and July of 2022, finally put together a nationally broadcast investigation of Donald Trump’s crimes of treason and insurrection for his efforts to remain in power, suddenly many more folks —a significant majority, now — understood that Trump had lost the 2020 election and that the Trump family had been using them. Not all MAGAts came to that conclusion, yet a crucial and sizable number of them did. That is a direct result of the January 6th Congressional Investigation Committee’s broadcasting of its hearings to all major news networks ... save Fox ... some of it in prime time. 

The swing in polling around attitudes to Trump and beliefs in a stolen election show the importance of media coverage to keep folks abreast of important developments. Failing which, criminal politicians and Controllers can act, as we see in spades during Trump’s term as president, unhindered in their defrauding the American people out of their money and liberty.

2. TRUTH’S SOLITARY JOURNEY Page 39 …when it came to the public’s lack of understanding of the Mueller Report or the decision of Speaker Nancy Pelosi to delay the initial impeachment of Donald Trump. We know that reduced media coverage of Trump’s opponents and Democrat’s flaccid pushback against the Donald are linked in that when the Democrats, in June and July of 2022, finally put together a nationally broadcast investigation of Donald Trump’s crimes of treason and insurrection for his efforts to remain in power, suddenly many more folks —a significant majority, now — understood that Trump had lost the 2020 election and that the Trump family had been using them. Not all MAGAts came to that conclusion, yet a crucial and sizable number of them did. That is a direct result of the January 6th Congressional Investigation Committee’s broadcasting of its hearings to all major news networks ... save Fox ... some of it in prime time. The swing in polling around attitudes to Trump and beliefs in a stolen election show the importance of media coverage to keep folks abreast of important developments. Failing which, criminal politicians and Controllers can act, as we see in spades during Trump’s term as president, unhindered in their defrauding the American people out of their money and liberty.

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 39

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Tea Party Patsies and MAGAts 

Keep in mind that this same media has covered and continues to promote and “tout” (even) rallies of (often paid) Tea Party and MAGAt proponents attended only by crowds in the hundreds! Even Trump’s events, though he is no longer president, are covered; while so many protests go on for Black Lives Matter, women’s and abortion rights, and the environment that such demonstrations are — not coincidentally, yet conveniently for the Filthy Rich — no longer considered news by the media controllers. 

Keep in mind that the media could use the same rationale to stop covering Trump’s events, pronouncements, and activities — that they are commonplace, not newsworthy — yet the broadcasters do not. Thus, we hear of Trump’s antics, less about the pushback against him, and we think that Trump is powerful and that the pushback against him is not as strong. 

If you think this lack of coverage of the pushback is inconsequential, I will note that it had consequences that were huge,…

PART ONE: CULTURE WAR — TRUTH  

Page 38

Tea Party Patsies and MAGAts Keep in mind that this same media has covered and continues to promote and “tout” (even) rallies of (often paid) Tea Party and MAGAt proponents attended only by crowds in the hundreds! Even Trump’s events, though he is no longer president, are covered; while so many protests go on for Black Lives Matter, women’s and abortion rights, and the environment that such demonstrations are — not coincidentally, yet conveniently for the Filthy Rich — no longer considered news by the media controllers. Keep in mind that the media could use the same rationale to stop covering Trump’s events, pronouncements, and activities — that they are commonplace, not newsworthy — yet the broadcasters do not. Thus, we hear of Trump’s antics, less about the pushback against him, and we think that Trump is powerful and that the pushback against him is not as strong. If you think this lack of coverage of the pushback is inconsequential, I will note that it had consequences that were huge,… PART ONE: CULTURE WAR — TRUTH Page 38

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Ch 2, p 38

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PART ONE: CULTURE WAR — TRUTH  

Page 38  

would be a lie. 

As for the News Department at ABC having independence: Well, Howard K. Smith, veteran and senior news reporter at the time, was so incensed and so insistent on finding out who and how and why this coverage was changed from dusk-to-dawn to practically nothing that it led to his dismissal. If he was angry about it, angry enough to get fired over it, can you not imagine that the entire News Department was against the change? 

Where’d Wisconsin Go? 

While this is history not news, it is more recent news as well ... though we cannot call it “headline” news for reasons that have to do with the media. Something disturbingly similar happened decades later, in 2011, regarding media coverage of the Wisconsin pro-union rallies. While the largest rallies in Madison, Wisconsin, history were going on — an estimated 100,000 showed up on one day, 200,000 people a week or so after that — barely anything about them was mentioned in the mainstream media.

PART ONE: CULTURE WAR — TRUTH Page 38 would be a lie. As for the News Department at ABC having independence: Well, Howard K. Smith, veteran and senior news reporter at the time, was so incensed and so insistent on finding out who and how and why this coverage was changed from dusk-to-dawn to practically nothing that it led to his dismissal. If he was angry about it, angry enough to get fired over it, can you not imagine that the entire News Department was against the change? Where’d Wisconsin Go? While this is history not news, it is more recent news as well ... though we cannot call it “headline” news for reasons that have to do with the media. Something disturbingly similar happened decades later, in 2011, regarding media coverage of the Wisconsin pro-union rallies. While the largest rallies in Madison, Wisconsin, history were going on — an estimated 100,000 showed up on one day, 200,000 people a week or so after that — barely anything about them was mentioned in the mainstream media.

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 38

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Well, that day whoever controlled and owned ABC decided their personal interests were going to be hurt by showing a gathering of that many people amassing against the war — one out of every two hundred people living in America at that time managed to personally show up; how many more would have come if they could; how many more would be at home watching and would be stirred and influenced by such a sight? When Woodstock saw such numbers, it was talked about in the media as a phenomenon and it became history. 

We see that if the 1% do not like the facts, they lie. If they can’t cheat, if the masses rise up in great numbers to struggle for peace, they can simply arrange for it not to be properly credited in the press nor included correctly in the historical record. Well, that was something I did not expect. I truly thought the press could be counted on, at least, to tell a pretty good version of the truth ... or fer godsakes at least get the numbers right. 

Media Masters But no, the people who pull the strings in this country pulled the strings at ABC that day and changed what would be reported as history. And it… 

2. TRUTH’S SOLITARY JOURNEY  

Page 37

Well, that day whoever controlled and owned ABC decided their personal interests were going to be hurt by showing a gathering of that many people amassing against the war — one out of every two hundred people living in America at that time managed to personally show up; how many more would have come if they could; how many more would be at home watching and would be stirred and influenced by such a sight? When Woodstock saw such numbers, it was talked about in the media as a phenomenon and it became history. We see that if the 1% do not like the facts, they lie. If they can’t cheat, if the masses rise up in great numbers to struggle for peace, they can simply arrange for it not to be properly credited in the press nor included correctly in the historical record. Well, that was something I did not expect. I truly thought the press could be counted on, at least, to tell a pretty good version of the truth ... or fer godsakes at least get the numbers right. Media Masters But no, the people who pull the strings in this country pulled the strings at ABC that day and changed what would be reported as history. And it… 2. TRUTH’S SOLITARY JOURNEY Page 37

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 37

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2. TRUTH’S SOLITARY JOURNEY  

Page 37  

What would cause such a precipitous event as his firing? Well, it had to do with the fact that ABC news was scheduled and fully prepared to do dawn-to-dusk coverage of Moratorium Day on November 15th, 1969. One million people flooded into Washington, D.C., the largest gathering for an event, save Woodstock, in American history, and for the purpose of stopping a war. Mom, Pop, and the kids and the students came from all fifty states. The buses were lined up and I personally saw buses that came from the West Coast, from Wisconsin, from Washington State, and so on. It was phenomenal.”2

If a Million People Appeared in DC, and the Media Didn’t Cover It, Did It Really Happen?

Well, before coverage could begin over at ABC, as it turns out, word came down from “on high,” meaning outside of the news department. People like to say that it does not matter who owns a media outlet, like, say Rupert Murdoch now owns the Wall Street Journal, along with Fox News. They say editorial policy is not affected by who owns it.

2. TRUTH’S SOLITARY JOURNEY Page 37 What would cause such a precipitous event as his firing? Well, it had to do with the fact that ABC news was scheduled and fully prepared to do dawn-to-dusk coverage of Moratorium Day on November 15th, 1969. One million people flooded into Washington, D.C., the largest gathering for an event, save Woodstock, in American history, and for the purpose of stopping a war. Mom, Pop, and the kids and the students came from all fifty states. The buses were lined up and I personally saw buses that came from the West Coast, from Wisconsin, from Washington State, and so on. It was phenomenal.”2 If a Million People Appeared in DC, and the Media Didn’t Cover It, Did It Really Happen? Well, before coverage could begin over at ABC, as it turns out, word came down from “on high,” meaning outside of the news department. People like to say that it does not matter who owns a media outlet, like, say Rupert Murdoch now owns the Wall Street Journal, along with Fox News. They say editorial policy is not affected by who owns it.

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 37

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This corruption of the truth, which would go down as our historical record, had a huge impact on the antiwar movement afterward. Such disappointment followed this rendering futile of so much powerful activist energy that the Weather Underground was formed as a result. We activists realized that all the good intentions in the world and all the peaceful energy directed to our leaders were rendered moot if one is not the one driving the bus. Hence a faction of the antiwar movement decided it would require violence to actually render any change in America’s war stance, to actually create peace. These folk became the Weather Underground.  

Later I was to find there is additional evidence of the powers-that- be twisting and attempting to negate the impact of that day. It turns out  there was quite a dustup in the newsrooms over the coverage of that days’ story. Howard K. Smith lost his job at ABC over the telling of the truth of Moratorium Day. People remember Howard K. Smith from the PBS channel. Some of us who are older remember that he was one of the major anchors at ABC. 

PART ONE: CULTURE WAR — TRUTH  

Page 36

This corruption of the truth, which would go down as our historical record, had a huge impact on the antiwar movement afterward. Such disappointment followed this rendering futile of so much powerful activist energy that the Weather Underground was formed as a result. We activists realized that all the good intentions in the world and all the peaceful energy directed to our leaders were rendered moot if one is not the one driving the bus. Hence a faction of the antiwar movement decided it would require violence to actually render any change in America’s war stance, to actually create peace. These folk became the Weather Underground. Later I was to find there is additional evidence of the powers-that- be twisting and attempting to negate the impact of that day. It turns out there was quite a dustup in the newsrooms over the coverage of that days’ story. Howard K. Smith lost his job at ABC over the telling of the truth of Moratorium Day. People remember Howard K. Smith from the PBS channel. Some of us who are older remember that he was one of the major anchors at ABC. PART ONE: CULTURE WAR — TRUTH Page 36

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 36

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PART ONE: CULTURE WAR — TRUTH  

Page 36  

Yet such speculation follows from what was reported in Sunday newspapers the following day. In headlines around the country, the media cut that “estimate,” that lie, down to only 100,000 people. Some 900,000 people had their voices muted, their passionate activism liquidated. 

By Monday, the message of that million-people demonstration — its numbers effectively falsified — was forgotten beneath reports by America’s major newspapers of a meager 10,000 or so who “violently” pelted rocks at the Department of Justice building after the main march. The publication Stars and Stripes, describes this: “The demonstration was mostly peaceful except for a small section of the crowd that violently protested near the Justice Department on the evening of Nov. 15. Demonstrators threw rocks, bottles and paint bombs, smashing windows and splattering the building with red paint. The clash resulted in police using tear gas on the crowd.”1

This pivot to any violence involved — whether, or not, as we have seen with Black Panthers, Jackson State, and Kent State earlier, there was any — as a way to negate the people’s impact, is a ploy familiar to activists. For us demonstrators, this major coverage of minor violence only added insult to the injury of the march being inaccurately reported, intentionally downplayed.

PART ONE: CULTURE WAR — TRUTH Page 36 Yet such speculation follows from what was reported in Sunday newspapers the following day. In headlines around the country, the media cut that “estimate,” that lie, down to only 100,000 people. Some 900,000 people had their voices muted, their passionate activism liquidated. By Monday, the message of that million-people demonstration — its numbers effectively falsified — was forgotten beneath reports by America’s major newspapers of a meager 10,000 or so who “violently” pelted rocks at the Department of Justice building after the main march. The publication Stars and Stripes, describes this: “The demonstration was mostly peaceful except for a small section of the crowd that violently protested near the Justice Department on the evening of Nov. 15. Demonstrators threw rocks, bottles and paint bombs, smashing windows and splattering the building with red paint. The clash resulted in police using tear gas on the crowd.”1 This pivot to any violence involved — whether, or not, as we have seen with Black Panthers, Jackson State, and Kent State earlier, there was any — as a way to negate the people’s impact, is a ploy familiar to activists. For us demonstrators, this major coverage of minor violence only added insult to the injury of the march being inaccurately reported, intentionally downplayed.

*Culture War, Class War 2022: Truth & Generations* (2022) by Michael Adzema

Chapter 2, p 36

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To Desymbolize the World — Peeling back the Veils across perception uncovers your real self … and Reality Itself…. How to acquire free copies of Adzema’s monumental exposition of primal psychology…. … … *Dance of the Seven Veils I: Primal/Identity Psychology, Mythology and Your Real Self* by Michael Adzema (2017) is free September 30th thru October 4th, 2024, and again, Jaunuary 6t…

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Michael Adzema’s *Dance of the Seven Veils I* begins the reclaiming of your real self…. How to acquire free copies of this comprehensive work–a profound overview of primal psychology … … *Dance of the Seven Veils I: Primal/Identity Psychology, Mythology and Your Real Self* by Michael Adzema (2017) is free September 30th thru October 4th, 2024, and again, Jaunuary 6t…

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“Dance of the Seven Veils I” is a guide to reclaiming your true nature and living a more authentic and fulfilling life…. How to acquire free copies of Adzema’s monumental exposition of primal psychol... … … *Dance of the Seven Veils I: Primal/Identity Psychology, Mythology and Your Real Self* by Michael Adzema (2017) is free September 30th thru October 4th, 2024, and again, Jaunuary 6t…

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Becoming Who You Were Meant to Be:  “Dance of the Seven Veils I” offers a profound exploration of how primal psychology and rites of passage intersect to shape our identities. How to acquire free copies of Michael Adzema’s massive & detailed exposition of primal psychology…. … … *Dance of the Seven Veils I: Primal/Identity Psychology, Mytholog…

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Primal Psychology:  Michael Adzema’s “Dance of the Seven Veils I” is a guide to peeling back the Veils of societal & parental abuse to uncover one’s authentic self. How to acquire free copies of this voluminous exposition of primal psychology…. … … *Dance of the Seven Veils I: Primal/Identity Psychology, Mythology and Your Real Self* by Micha…

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