This black and white photograph depicts a woman holding a young child in her arms while standing amidst what appears to be a cornfield. The setting suggests rural farmland, with rows of crops stretching out into the distance towards dense foliage that could signify trees or thick shrubbery. The adult female is dressed modestly in a mid-length dress and seems to have minimal adornments aside from simple footwear suitable for working outdoors. She appears engaged yet weary as she poses for the photograph while navigating through the field, with one hand supporting her child who looks up at her expressionlessly. Her posture indicates that they might be involved in agricultural labor or living on a farm where such activities are common daily life events. The absence of modern farming equipment and tools suggests simplicity indicative of traditional methods possibly used by sharecroppers. The overall atmosphere is quiet, reflecting the everyday existence of rural America during what could likely have been mid-20th century times based on clothing style and quality; however, it's important to note that without a color context or more background information provided in this image alone.

Wife and child of young sharecropper in cornfield beside house. Hillside Farm, Person County, North Carolina

#HillsideFarm #PersonCounty #NorthCarolina #America #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017772641/

The photograph captures a moment of rural life involving several individuals. In the foreground, there's an older man wearing a hat and striped overalls seated on what appears to be a wooden wagon or cart attached to a large animal, possibly a horse given its partial appearance in the frame. He is holding onto a rope that connects him to this vehicle. Sitting beside him are two children; one seems slightly older with his head turned toward the camera while wearing a hat similar to the man's and striped overalls as well. The other child appears younger, seated on the wagon without any clear expression towards the viewer but looks directly at them from another angle within the cart. Alongside these three individuals is an adult woman in patterned clothing holding what seems like children or infants wrapped up for protection against external elements. She's wearing a headscarf and has protective sleeves extending down to her wrists, suggesting it might be cool weather as they travel outdoors during daytime hours with clear skies above them. The backdrop shows an expansive outdoor scene indicative of rural Georgia near Hazlehurst; there are trees in the distance and open land stretching out behind. A signpost can also barely make its way into view on the left-hand side, though it's unclear what message or direction is indicated by this marker. This image exudes a sense of [...]

Sharecropper family near Hazlehurst, Georgia

#Hazlehurst #Georgia #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770384/

The photograph captures a young male seated on the wooden porch of what appears to be a modest, rustic home. He is dressed in loose-fitting work clothes consisting of trousers and an overcoat or jacket with rolled-up sleeves, indicative of rural working attire from past decades. The individual's bare feet are prominently visible as he reclines comfortably against the structure. His expression seems contemplative, gazing slightly off-camera. In the background, agricultural equipment is noticeable on a raised platform supported by wooden beams and metal frames. This includes what looks to be a pulley system with weights hanging from it, suggesting that this setting might involve manual labor related to farming or construction within a rural context. The overall atmosphere of the image conveys simplicity and hardworking conditions typical of mid-20th-century life in America's agricultural regions. The black-and-white composition adds historical depth, emphasizing the stark contrasts between light and shadow which enhance textures such as wood grains on both the porch floor and beams above, creating a sense of timelessness.

Sharecropper boy near Chesnee, South Carolina

#Chesnee #SouthCarolina #America #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770521/

The photograph is a black and white image featuring an older woman seated on the porch of a wooden house. The setting appears rural with rustic elements such as hanging utensils, stacked stones under one side of the porch for additional support or decoration, and a simple bench made from two planks supported by uneven legs. Various items like bowls and plates are placed around her, suggesting domestic life activities. She wears casual attire suitable for laborious tasks; she has short hair with strands tied back and is dressed in what looks to be worn clothing indicating the simplicity of living conditions during times possibly hard economic challenges or after World War II when sharecropping was a common practice. The house's architecture seems modest, made from unpainted wooden planks which indicates practicality over aesthetic considerations. The presence of such items as a bowl with an item inside and plates drying on one side suggest routine chores being carried out while enjoying the outdoors—perhaps after cooking or during leisure time. In terms of composition, her posture and gaze are engaging; she's looking directly towards the camera which could indicate awareness of the photographer capturing this moment. The image is marked by its historical context likely linked to rural life in America as part of a documentation project on American society. The photograp [...]

Sharecropper family near Chesnee, South Carolina

#Chesnee #SouthCarolina #WorldWarII #America #American #DorotheaLange #theGreatDepression #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770516/

The image is a black and white photograph of an old wooden house with prominent weathering on its exterior. The structure has steeply pitched gable roofs, characteristic of traditional rural American architecture, suggesting the photo may be quite dated or intentionally styled to appear so. Notably, there are several elements that indicate disrepair: some windows have no glass panes, and a section of the roof appears damaged with missing shingles. There's also visible wear on the wooden siding, indicating long-term exposure to the elements without recent maintenance. The house features an enclosed front porch supported by stone blocks or timbers at its corners. A small set of steps leads up to the entrance door which is closed and has a window above it that appears boarded up from inside outwards rather than as typical for insulation reasons, suggesting neglect. There's also some handwritten text on the left side in white ink: "134 - 12089 PO" with numbers beneath. This could be an inventory or reference number, potentially related to a historical record of this structure. The context suggests that this photograph might have been taken as part of a series documenting rural life during certain periods. The ground appears dry and dusty, without any visible vegetation immediately beside the house, which could imply it's in less maintained surroundings typical for rural a [...]

White sharecropper's house near Gaffney, South Carolina

#Gaffney #SouthCarolina #American #DorotheaLange #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770509/

The image depicts a black and white photograph of an old wooden cabin with stone accents. The structure features a pitched roof made from what appears to be shingles, and the walls are constructed primarily of vertical logs, some showing signs of weathering or rotting at their bases where they meet the ground level. A chimney is visible on one side, suggesting that there may have been a fireplace within. There's an extended porch with wooden planks supported by simple beams; various items including chairs and what looks like buckets are scattered around it, indicating everyday use. The cabin shows signs of age and disrepair: missing shingles from the roof, broken or missing boards in places on both walls and under the eaves, and a dilapidated porch. The ground is barren with no grass or plants visible near the structure; instead, patches of bare earth can be seen which may indicate that this area has been subjected to harsh weather conditions. The photograph appears historical based on its monochrome presentation and style, hinting at it being taken during an earlier period when such structures were more common. There are writings in white text along the top edge of the photo; however, due to image resolution constraints, these inscriptions aren't entirely legible except for "Satyri," which seems part of a longer word or phrase. There's no visible movement within this [...]

House occupied by sharecropper family for seven years. Near Hartwell, Georgia

#House #Hartwell #Georgia #Satyri #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770500/

The photograph depicts an old-fashioned sedan with a vintage design, likely from the early 1900s. It is parked on what appears to be a dirt road or rural area, surrounded by trees and foliage indicative of a countryside setting. The car has large spoked wheels typical of that era and features such as running boards for passengers to step onto. Notably, this vehicle seems to have been involved in an incident; the front tire is missing from what would normally be its right side (our left), suggesting it may have rolled or flipped over. A person stands beside the car, seemingly inspecting or attending to the situation but not directly interacting with any visible parts of the vehicle that are damaged. The grayscale tone suggests this photo was taken in a time when color photography was either not available or not commonly used for such snapshots. The overall scene conveys a sense of hardship and resilience associated with rural life during the early part of the 20th century, as suggested by the title mentioning a sharecropper's car near Hartwell, Georgia. Sharecropping is an agricultural labor contract system where landowners provide farmland to tenant farmers in exchange for work done on the property. It was common practice in many Southern states during this time and often resulted in impoverished conditions due to lack of control over resources by those who worked them. [...]

A sharecropper's car near Hartwell, Georgia

#Hartwell #Georgia #Southern #America #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017770498/

Image uploaded from Lospec.com

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gamegirl by lyte
#undefined #palette

Download: https://lospec.com/palette-list/gamegirl

This black-and-white photograph captures a desolate scene featuring three metal mailboxes. The central mailbox, which is the most prominent and closest to the camera, stands upright with its lid open, revealing an empty interior where one might expect letters or packages. To its left, another mailbox lies on its side, suggesting neglect or disuse, while further back, a third mailbox appears in better condition but also without any visible contents. The mailboxes are mounted on concrete blocks that seem to be precariously placed atop a dirt ground strewn with dry grass and debris, indicating arid conditions. The setting is devoid of human presence and lacks signs of active maintenance or habitation. In the background, skeletal trees rise against an expansive sky, adding to the desolation. The image's composition focuses on these mailboxes as central elements amidst the barren landscape, invoking a sense of abandonment and loneliness. This could be indicative of rural areas with sparse populations where such services are less frequently used due to distance from more populated centers or economic factors leading to reduced postal service usage in remote locations. Please note that this description is based solely on visible contents within the image provided and does not include any speculative or interpretive information beyond what can be directly observed.

Mail boxes and irrigation gates. Imperial Valley, California

#ImperialValley #California #third #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017769752/

The image is a black and white photograph depicting a desolate rural landscape with two wooden mailboxes on the right side, standing in what appears to be an arid environment. They are positioned at different heights; one is higher than the other, likely due to wear or damage over time. Between these mailboxes stands a signboard mounted on three vertical poles which seems tilted slightly towards its left. The signboard has text and images promoting "Young People School Transportation" with additional messages about preparing for Christian Endeavor leadership roles within an organization identified as C. The background is sparse, with dry soil and sporadic vegetation under a clear sky, suggesting arid climate conditions. There's no visible wildlife or human activity in the immediate vicinity. The caption suggests this image may be associated with a broader collection of photographs by Dorothea Lange taken along U.S. Highway 99 in California, particularly referencing specific locations like Weed and Bakersfield as identified from other sources.

Billboard on U.S. Highway 99, California

#USHighway99 #California #Christian #DorotheaLange #Bakersfield #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017769749/

The image is a black and white photograph depicting an urban street scene. In the foreground, there's an individual seated on what appears to be a wooden barrel or similar container on the sidewalk. The person is wearing dark clothing with noticeable patches of light-colored fabric, possibly indicating worn-out areas from regular use or maintenance work. Behind this figure stands a large advertising signboard announcing a theatrical performance: "OLIE HOWARD IN HAMLET PRINCE OF DENMARK BY WILLIAM SHAKESPEARE" at Curran Theatre on February 15th. The sign also indicates that the business has been in operation for sixty-four years and mentions an award from A.D.2000. The background features various elements of urban life, including storefronts with signage such as "FRANK'S CAFE." There's a visible presence of commercial activity, suggested by shop fronts under which goods or services may be offered to passersby. Notably, the photo has vintage qualities and appears to have been taken during an earlier era given its black-and-white format. The style is reminiscent of works from historical documentary photography series like Dorothea Lange's work on striking longshoremen in San Francisco amidst a strike period, as noted by the source attribution provided. The photograph captures everyday life with a sense of grittiness and realism that was characteristic of street-level doc [...]

Striking longshoremen during the waterfront strike in San Francisco, California

#SanFrancisco #California #OLIEHOWARD #WILLIAMSHAKESPEARE #CurranTheatre #FRANKSCAFE #DorotheaLanges #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017769744/

The black and white photograph captures a moment from the mid-1940s, focusing on an individual engaged in manual labor beside a Union Pacific Railway train. The person appears to be wearing typical railway worker attire: a heavy-duty jacket, trousers with visible pockets presumably containing tools or personal items, sturdy boots, and protective gear such as gloves. They are bent over inspecting the undercarriage of a freight car labeled "1043," which is part of an older model rail carriage given its riveted metal construction. The railway worker's posture suggests concentration on his task, possibly checking mechanical components or performing maintenance work necessary for train operation. The backdrop indicates a clear day with bright sunlight casting shadows directly beneath the objects and individuals within this scene, enhancing the sense of depth in the image. There is no visible text providing context to the specific nature of tasks being performed by the railway worker, nor any identifiable landmarks that could offer geographical or temporal clues beyond general assumptions about the era. The setting appears industrial with a focus on functionality over aesthetics, underscored by utilitarian features such as chain couplings and robust metalwork. The image is credited to Dorothea Lange, known for her extensive work documenting American life during the 20th cent [...]

Yardman. Grand Island, Nebraska

#Yardman #GrandIsland #Nebraska #UnionPacificRailway #DorotheaLange #American #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017771905/

Yardmen. Grand Island, Nebraska 1 negative : nitrate ; 2 1/4 x 2 1/4 inches or smaller.

Yardmen. Grand Island, Nebraska

#GrandIsland #Nebraska #DorotheaLange #American #theGreatDepression #America #Yardmen #Americana #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017771904/

Background photograph for Hightstown project

#Hightstown #FLOOR&ROOFFORRENT #NorthAmerican #NewYork #undefined #photography #DorotheaLange

The black and white photograph features two men standing in a field of tall crops, likely wheat or barley. They appear to be posing for the camera with relaxed stances; one has his hands on his hips while smiling broadly at the viewer, showcasing an open smile revealing teeth. In the background is an expansive rural landscape including what seems like farmland and some distant buildings, which might indicate a farmhouse or agricultural structures such as silos. One of these structures appears to be a water tower atop a building in the distance on the left side of the image. The sky above them looks clear with no visible clouds. The overall scene suggests an agricultural setting during what could possibly be late summer given the tall crop growth and warm sunlight, which casts shadows beneath each figure. This photograph is labeled "Homesteaders" indicating it may capture individuals who lived on or farmed plots of land as part of a larger community living off the land in rural areas. This specific image has been sourced from an archive linked to Dorothea Lange's work and includes reference metadata like date, identification number (90423 1/1), and file name within its digital context.

Homesteaders. Hightstown, New Jersey

#Hightstown #NewJersey #DorotheaLanges #undefined #photography #DorotheaLange

Committee of Chicago board of aldermen in city hall. Chicago, Illinois

#CommitteeofChicago #Chicago #Illinois #America #undefined #photography #DorotheaLange

Typical East El Centro home, (Mexican field laborer) El Centro, Imperial Valley, Calif. 1936

#EastElCentro #Mexican #ElCentro #ImperialValley #Calif #DorotheaLange #undefined #photography #DorotheaLange

The image displays an aerial perspective of a rural housing development with several single-story houses, each featuring sloped roofs and enclosed porches. The homes are situated on spacious plots of land, surrounded by open fields extending into the distance under a clear sky. A dirt road runs through the community, curving around one house at an intersection marked by telephone poles. No people or moving vehicles are visible in this tranquil setting. This black-and-white photograph captures a sense of quiet and orderliness within what appears to be a newly constructed neighborhood for agricultural workers, as indicated by the accompanying information which mentions rental prices and utilities being included in the monthly cost.

Partially completed homes for agricultural workers to enable them to settle permanently. These houses rent for eight dollars and twenty cents per month, which includes water and electricity

#undefined #photography #DorotheaLange

The image is a black-and-white photograph depicting an open road, seemingly in the American Southwest. Alongside this dirt and gravel roadway stretches what appears to be an old gas station with various service offerings like 'Doleman Gas,' indicating that it may have been from earlier times when such establishments were more common along highways for travelers' convenience. On one side of the road stands a building labeled as "Garage" on top, possibly suggesting a place where vehicles could get repaired or serviced. Next to this structure is an imposing metal container, likely serving storage purposes in what seems like industrial or service use given its proximity to highway traffic and rural landscape features. The sky above is clear with no visible clouds, which indicates fair weather conditions at the time of capture. A solitary figure stands on the side of the road facing away from the camera, walking along it - possibly suggesting a pause during travel or an informal photo session capturing someone in transit. Overall, this image conveys a sense of solitude and movement characteristic of long-distance driving routes often used by migrants traveling to different parts of California. The dry landscape hints at arid conditions typical for regions such as the Southern Sierra Nevada foothills where U.S. 99 runs through.

U.S. 99. On ridge over Tehachapi Mountains. Heavy truck route between Los Angeles and San Joaquin Valley over which migrants travel back and forth

#TehachapiMountains #LosAngeles #SanJoaquinValley #DolemanGas #California #theSouthernSierra #Nevada #undefined #photography #DorotheaLange

The photograph shows an outdoor setting, specifically what appears to be temporary encampments or makeshift shelters. There is a prominent tent-like structure in the center with various items such as barrels and sticks scattered around it, suggesting that this might have been someone's living quarters during migration or displacement. In the background, there are several more similar tents and structures lined up, indicating an organized campsite for multiple families. The image appears to be historical, given its black-and-white nature which suggests it was taken in a time when color photography wasn't prevalent or commonly used. The caption at the bottom indicates that this photograph is part of Dorothea Lange's work during her documentation efforts on migrant communities. It specifies "Resettlement Administration Photography—People’s Resettlements" and mentions locations such as Manzanar camp, California. Dorothea Lange was a renowned photographer known for her documentary photography, particularly focusing on social issues like poverty, immigration, and the impact of war on American society during the early to mid-20th century. The image captured in this photograph is likely one from her extensive work documenting migrant families and their living conditions. Additional context about Dorothea Lange's photographs can be found through resources such as "Home of a mig [...]

Home of a migrant family. Calif.

#Calif #DorotheaLanges #Manzanar #California #DorotheaLange #American #undefined #photography #DorotheaLange

The image captures a scene of agricultural harvest with an emphasis on the transportation aspect. It displays several wooden crates filled with round, cylindrical objects that resemble cabbages or similar vegetables. These crates are neatly stacked in various positions within and around the rear compartment of what appears to be a vintage vehicle, possibly a truck from the early 20th century given its design features like metal railings on the sides. The photograph is monochromatic, with varying shades of gray that convey texture and dimensionality. The crates are constructed from slatted wood arranged in a diamond pattern over wooden barrels or bases, suggesting robustness for heavy loads. Each crate seems to be sealed by diagonal cross bracing across its top surface. There's an airbrushed effect applied throughout the image which imparts it with a soft-focus quality that blurs details slightly but still maintains enough definition to discern individual crates and their contents. The background is nondescript, likely due to atmospheric conditions typical of outdoor settings in old photographs. There are no visible human figures or distinct landmarks providing context for exact location. The photo's composition draws attention directly to the stacked crates filled with produce, symbolizing a moment within agricultural production where goods have been gathered and prepa [...]

New Jersey cabbages packed for market, near Hammonton, New Jersey

#NewJersey #Hammonton #undefined #photography #DorotheaLange

The black and white photograph depicts a group of laborers working in an agricultural setting. They appear to be harvesting crops, specifically lettuce or similar leafy greens, as suggested by the green plants on the ground. The workers are dressed in work attire appropriate for outdoor manual labor: hats, long-sleeved shirts, trousers, and sturdy footwear. Two individuals stand out prominently in the foreground; one is bending over while working with a tool to harvest crops directly from the soil, wearing a hat that shades their face and appears focused on his task. The other individual stands beside him but seems more passive at this moment, looking towards something off-camera or possibly interacting with another worker. In the background, several additional workers are visible; some appear closer while others further away due to perspective. They also wear hats for sun protection as they work along a line in what looks like rows of crops extending into the distance under clear skies. A truck laden with crates presumably used for transporting harvested produce is parked on one side, indicating that it's being loaded or has just been unloaded. The image captures a moment from agricultural labor history and provides insight into working conditions during the time period suggested by clothing styles and vehicle design. The photograph was taken in California as indicate [...]

Lettuce workers. Calif. 1937

#Calif #California #DorotheaLange #AlamedaCounty #undefined #photography #DorotheaLange

임지우, 신곡 ‘undefined’로 새벽 감정의 회색지대 담았다 #임지우 #undefined #MISSING19 #싱글발매 #싱어송라이터 #새벽감정 #불완전한관계 #pacificrecords 싱어송라이터 임지우가 새 싱글을 통해 새벽 시간대의 복잡한 감정을 드러낸다. 이번 신곡은 제목부터 관계의 성격을 단정 짓기 어려운 상태를 가리키며, 사랑이라 부르기엔 모호한 감정선을 전면에 세운다.   ‘undefined’는 사랑이라고 확신하기엔 거리감이 남아 있지만, 외로움 속에서 서로를 찾게 되는 두 사람의 관계를 중심에 둔다. 감정의 유효기간을 인지하면서도 밤이 끝날 때까지 서로에게 기대는 상황을 따라가며, 결국 “우린 결국 시간을 보내고 있을 뿐”이라는 허무함과 애매한 정서에 이른다.   임지우, EP ‘MISSING: 19’ 이후 4개월 만에 싱글로 불완전한 관계의 시간 기록. (사진=pacific records(퍼시픽 레코드)) 곡의 전개는 새벽 1시부터 5시까지 이어지는 시간의 흐름을 축으로 삼는다. 이 구간을 지나며 사랑과 고독, 욕망과 공허가 교차하는 순간들이 차례로 배치되고, 변화하는 공기와 분위기 속에서 감정의 경계가 흐려지는 과정을 묘사한다.   가사에서도 이러한 기류가 직접적으로 드러난다. “Chasing a feeling that fades with the light”, “We’re just killing time” 같은 문장은 빛이 사라질수록 희미해지는 감정과 의미 없는 소모처럼 느껴지는 시간을 표현하며, 듣는 이로 하여금 한 번쯤 겪어봤을 법한 회색지대를 떠올리게 한다.   임지우 특유의 솔직하고 감각적인 영어 가사는 곡의 정서를 이끄는 축으로 작용한다. 여기에 몽환적인 분위기가 더해지면서 관계의 모호함과 감정의 불완전함이 부각되고, 명확한 정의를 피한 채 애매한 거리감 자체를 전면에 둔 구성이 완성된다.   특히 달콤하면서도 공허한 감정을 ‘midnight snack’에 비유한 표현은 곡 전체를 관통하는 상징적 장면으로 자리한다. 잠시 허기를 달래지만 곧 사라지는 간식처럼, 짧고 가벼운 위안에 의존하는 관계의 성격을 드러내며 곡의 분위기를 응축한 포인트가 된다.   임지우는 지난해 EP ‘MISSING: 19’을 통해 자신만의 서정적인 세계관을 펼치며 시선을 모았다. 해당 작품 이후 78LIVE 무대에서 크리스마스 파티 콘셉트 공연을 선보였고, 공연장 LOUNGE M.을 가득 채우며 라이브 아티스트로서 무대 역량을 보여줬다.   음원과 공연을 병행한 활동도 이어졌다. EP 발매 뒤 바이닐 발매를 진행했고, Record Lounge Market에서 쇼케이스와 사인회를 열어 청취자와 직접 만나는 자리를 만들며 접점을 넓혀 왔다. 이러한 흐름 속에서 이번 싱글은 다음 단계의 방향을 가늠하게 하는 지점으로 놓인다.   새 싱글 ‘undefined’는 이전 작업에서 구축한 정서 위에 보다 성숙해진 감정 해석과 음악적 방향을 더한 결과물로 제시된다. 임지우는 이 곡을 시작으로 2026년 한 해 동안 보다 본격적인 음악 활동을 이어갈 계획이다.   임지우의 새 싱글 ‘undefined’는 3월 24일 낮 12시 각종 음원 플랫폼에서 만나볼 수 있다.

임지우, 신곡 ‘undefined’로 새벽 감정의 회색지대 담았다 #임지우 #undefined #MISSING19 #싱글발매 #싱어송라이터 #새벽감정 #불완전한관계 #pacificrecords

This black and white photograph depicts a rural landscape with what appears to be an encampment or settlement. Several makeshift structures, possibly dwellings made from materials like wood and tarpaulin, are scattered across the area. The architecture is basic and utilitarian, indicating temporary living conditions. A prominent tree stands on the left side of the image, its branches spreading out over a dirt path that winds through the campsite. Various objects such as barrels, a small boat, and other miscellaneous items can be seen dispersed around the site. The ground appears dry with patches of grass, suggesting an arid environment or possibly late autumn when vegetation is sparse. The background features more trees in what looks like a forested area beyond the settlement. There are no visible people within this photograph which may imply they have left their vantage point for work elsewhere during daylight hours. A power line runs across the sky at the top of the image, indicating some level of infrastructure and possibly electricity provision to part or all of these structures. The overall atmosphere is one of hardship but also resilience as it reflects a snapshot in time from an era that was marked by significant social upheaval, such as during the Great Depression when many families were forced into nomadic labor camps for seasonal agricultural work. The title [...]

Migrant camp on the outskirts of Sacramento on the American River. Approximately 30 families lived in this camp in November 1936

#Sacramento #theAmericanRiver #theGreatDepression #undefined #photography #DorotheaLange

The image depicts a black and white photograph from the year 1936. It shows two individuals engaged in gardening activities outside of what appears to be an old, single-story house with wooden siding and multiple windows. The person on the left is standing while holding a plant or branch, possibly planting it into the ground next to another small tree already planted. They are wearing light-colored clothing, including trousers and shoes, along with dark footwear. The second individual is squatting down beside them, also working on gardening tasks. This person is dressed in similar attire as the first—light pants, a long-sleeved shirt or sweater, and hat for sun protection. The ground appears to be dry dirt, indicating that it may not have rained recently. There are no visible plants other than those being worked with by the two individuals. The house has a plain facade without any significant decorative elements, typical of modest rural dwellings from that era. In terms of context and background information about this image, you can refer to San Fernando Federal Subsistence Homesteads as mentioned in your prompt. This program was active during the Great Depression years (1936) when it provided federal assistance for homesteading with each home having nearly an acre of grounds. The average income listed is $800 per year, indicating modest financial conditions and possib [...]

San Fernando Federal Subsistence Homesteads. Forty homes, all occupied. Each with nearly an acre of grounds. Average income $800 year. Calif 1936

#Calif #second #first #theGreatDepression #nearlyanacre #undefined #photography #DorotheaLange

The image depicts a desolate and barren landscape characterized by the remnants of a destroyed structure. This scene captures the aftermath of what appears to be an event that caused significant destruction, such as warfare or natural disaster. The black-and-white photograph highlights broken tree trunks, twisted branches, and scattered debris on the ground. In the background, there is a view of rolling hills under a cloudy sky, suggesting that this desolation might be located in rural or less inhabited areas. This scene conveys an atmosphere of abandonment and devastation following some catastrophic event. The image evokes feelings of sorrow and reflection upon human vulnerability amidst nature's forces. Furthermore, the context provided by New settlers shack at foot of hills on poor sandy soil. Boundary County, Idaho indicates that this photograph was taken in Idaho, specifically within a county known for its arid conditions and challenges faced by early settlers establishing new communities.

New settlers shack at foot of hills on poor sandy soil. Boundary County, Idaho. See general caption 49

#BoundaryCounty #Idaho #undefined #photography #DorotheaLange

The photograph displays a vintage, hand-written Telegram from the company 'Western Union'. The telegram is dated 1937 and addressed to Mrs. Jeanne Bray County Welfare Director in Elberta, California regarding verifying residence information for an individual named Franklin Cochran. Notably, there are several handwritten notes on this telegram; one indicates a date of receipt as "Feb 24" with additional writing suggesting the document was mailed out at '10:37'. Another note dates it to February 9th and includes handwriting that appears illegible due to its condition. The paper features printed information including Western Union's logo, address (590 Main Street in El Centro), contact details such as a telephone number, relay administration code "OKLA", and standard-time-related symbols like 'DL' for day letter. It also has the symbol '(131)' which likely refers to its service class. The document is marked with red ink at various places including an overstruck header that reads "(S.F.)" suggesting a connection or reference, possibly from San Francisco as mentioned on another telegram in the collection (the linked image). The upper right corner bears the number "257", perhaps indicating it's part of a series. The overall look suggests this was used during an era when telegrams were crucial for communication over long distances before modern forms like email and text mess [...]

Western Union telegram

#WesternUnion #WesternUnion #JeanneBray #Elberta #California #FranklinCochran #WesternUnions #ElCentro #SanFrancisco #undefined #photography #DorotheaLange

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The image depicts an individual wearing dark clothing, including a coat and boots, standing in the doorway of a wooden structure. The setting appears to be outdoors with visible weathering on both the door and surrounding wood planks, indicating age or exposure to elements. No other individuals are present within this particular frame.

Woman standing in a barracks doorway at Tanforan Assembly Center

#undefined #photography #DorotheaLange

10A. This is the family farmstead

#American #Zoetermeer #America #undefined #photography #DorotheaLange