The image displays a black and white photograph of an old wooden fence in disrepair, with several layers or tiers stacked atop one another. The weathered structure appears to be constructed from rough-hewn logs that show significant signs of aging and wear. In the background, there is a rustic barn-like building visible behind the fallen sections of the fence. This suggests a rural setting, possibly on farmland. Overcast skies above contribute to the overall somber tone of the photograph. The photo includes handwritten annotations indicating "3-2010" in the upper corners and some numbers at the bottom right corner which are not clearly legible due to resolution constraints or focus issues within those parts of the image. This particular structure is mentioned as a part of Dorothea Lange's work, known for her documentary photography during the early 20th century. The specific reference provided in this context suggests that Lange may have captured images related to rural life and agricultural practices in North Carolina, particularly focusing on structures like fences which were common elements within those settings. Dorothea Lange was a prominent American photographer renowned for documenting social issues such as poverty, inequality, and the impact of industry. Her work often highlighted marginalized communities and their experiences during challenging times in history.
Construction detail of rail fence. Person County, North Carolina
#NorthCarolina #DorotheaLanges #Lange #DorotheaLange #American #undefined #photography #DorotheaLange
https://www.loc.gov/pictures/item/2017772558/
![The image shows a young child standing in front of weathered wooden logs. The child appears to be wearing overalls and has a decorative headpiece made from what looks like dried flowers or leaves on their head. Their expression is contemplative, with an upward gaze directed off-camera. Behind the child is a backdrop consisting of vertical slats of wood that seem aged and in disrepair. A faint outline of foliage can be seen through the gaps between the logs behind them.
There are some markings above the photograph which include letters "J-G-8103" or similar, suggesting it might have been part of an archive or collection reference system. The image is a black-and-white photo with high contrast and clarity, indicating that it was likely taken during a time when such photography techniques were prevalent.
Additional context for this specific photograph comes from the provided source link which references "Grandson of tenant whose father is in the penitentiary," located in Granville County, North Carolina. This indicates historical social conditions or family histories related to incarceration and rural life in that area during a time period when such photographs were captured.
The image has been credited with being part of Dorothea Lange's body of work as suggested by another source link provided within the context where it is stated "Grandson of tenant whose father is in [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreiaigdn7w6asoxg5wum3d5364bewayj74jyum4q3k7rbe2u5d5nz3i)
![The image is a black and white photograph depicting an urban street scene. In the foreground, there's an individual seated on what appears to be a wooden barrel or similar container on the sidewalk. The person is wearing dark clothing with noticeable patches of light-colored fabric, possibly indicating worn-out areas from regular use or maintenance work.
Behind this figure stands a large advertising signboard announcing a theatrical performance: "OLIE HOWARD IN HAMLET PRINCE OF DENMARK BY WILLIAM SHAKESPEARE" at Curran Theatre on February 15th. The sign also indicates that the business has been in operation for sixty-four years and mentions an award from A.D.2000.
The background features various elements of urban life, including storefronts with signage such as "FRANK'S CAFE." There's a visible presence of commercial activity, suggested by shop fronts under which goods or services may be offered to passersby.
Notably, the photo has vintage qualities and appears to have been taken during an earlier era given its black-and-white format. The style is reminiscent of works from historical documentary photography series like Dorothea Lange's work on striking longshoremen in San Francisco amidst a strike period, as noted by the source attribution provided.
The photograph captures everyday life with a sense of grittiness and realism that was characteristic of street-level doc [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreif5sp4yzmswsgwydjo5k6a6qbtql6wyxwlpan3z5bfkfb62xfijji)
![The photograph shows an outdoor setting, specifically what appears to be temporary encampments or makeshift shelters. There is a prominent tent-like structure in the center with various items such as barrels and sticks scattered around it, suggesting that this might have been someone's living quarters during migration or displacement. In the background, there are several more similar tents and structures lined up, indicating an organized campsite for multiple families.
The image appears to be historical, given its black-and-white nature which suggests it was taken in a time when color photography wasn't prevalent or commonly used. The caption at the bottom indicates that this photograph is part of Dorothea Lange's work during her documentation efforts on migrant communities. It specifies "Resettlement Administration Photography—People’s Resettlements" and mentions locations such as Manzanar camp, California.
Dorothea Lange was a renowned photographer known for her documentary photography, particularly focusing on social issues like poverty, immigration, and the impact of war on American society during the early to mid-20th century. The image captured in this photograph is likely one from her extensive work documenting migrant families and their living conditions.
Additional context about Dorothea Lange's photographs can be found through resources such as "Home of a mig [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreifbxmlh53aalrhkasn7kmohn5ix6eryddvcvv2b2twx6nqlu3jyzq)
![The photograph shows a collection of buildings situated in an open area with tall pine trees visible against the sky. The main building has a prominent, conical structure at its center that resembles a chimney or tower and is flanked by two wings connected to it via enclosed walkways. Its architecture suggests early 20th-century design, possibly influenced by modernist principles of functionality and simplicity.
The parking lot in front features several vintage cars, indicating the photo was likely taken during the mid-1930s or '40s given their classic designs—such as rounded fenders, pronounced grilles, and large windows. The ground is strewn with stones or gravel rather than grass, suggesting a lack of landscaping around this part of the property.
The caption references "Stores and community center in model lumber company town, Gilchrist, Oregon," which implies these buildings are part of an organized settlement possibly established by a timber corporation for its employees. Model towns were common practices during that era to provide housing, amenities, and social services as self-contained communities within remote areas where such resources might be scarce.
The image is in black and white, indicating it's from the period before color photography was widespread or commonly used in everyday documentation. The photograph seems part of a larger collection by Dorothea [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreics7v4q5iibynrbez27lwmcq4x5gglg673lurvwav7x5oowojt6te)
![The image is a black and white photograph depicting an outdoor scene focused on the laborious task of handling cable at what appears to be a mill or logging site. In the foreground, there's a person wearing overalls, gloves, and protective headgear with ear protection, working atop makeshift planks laid across a gully-like terrain filled with water. This individual is holding cables, suggesting they are either laying them out for use in operations or recovering them from where they were previously used.
Behind the worker, there's an incline leading up to a wooden structure that looks like a mill shed, featuring large doors and visible beams supporting its roof. Smoke rises near this building, indicating ongoing mechanical activity inside. The terrain is rugged with loose rocks and earth, indicative of heavy usage or construction work in progress. In the background, more logs are piled beside each other along what appears to be another incline leading away from the shed.
Text on the left side reads "2014-1936" which could indicate a date range relevant to the photograph's context but is not directly related to visual content within this image. The overall setting suggests an industrial logging environment during early 20th-century America, with workers engaged in manual labor typical of such industries at that time.
The caption "Pond monkey" carrying cable from mill she [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreid233dyodkpipqyu5azlo7dw5rhodnfpyno7oztpd3cnjyqreoedy)
![The image depicts a scene from rural agricultural life in the late 19th or early 20th century, as indicated by its black and white format. In this monochrome photograph titled "Threshing, midsummer, noon," two horses are harnessed to a threshing machine, which is being used for crop harvesting. The machines include various mechanical components like belts and pulleys that likely aid in the separation of grain from chaff.
Two individuals wearing hats indicative of farm work attire can be seen assisting with the operation or supervision of the process; one appears seated on horseback while another stands beside them, handling what seems to be a hopper filled with crops. The presence of loose straw and harvested grains suggests active agricultural labor in progress. In the foreground, there is an item lying flat on the ground, possibly clothing or other farm-related items.
The setting takes place outdoors during daylight hours under clear skies, as evidenced by the well-lit environment. A fence can be partially seen behind them, along with stacks of straw piled up against it and additional farming equipment to their right side. The photograph captures a moment in agricultural life that relies on animal power for mechanized tasks before modern advancements.
This image is part of Dorothea Lange's collection, as mentioned at the bottom left corner: "Dorothea Lange - Farm Wor [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreibp74gca5iwwekua5tkmp5f7f6j2dreaxiy2bvy7k5egss6b3htua)
![The image depicts a black and white photograph of an old, modest wooden cabin situated on a barren landscape. The house appears to be in disrepair with visible signs of wear such as peeling paint or siding damage. In front of the cabin is what looks like a dirt road leading away from it, suggesting infrequent use. Various objects are scattered around including barrels, crates, and possibly farming equipment, indicating that this may be a rural setting where manual labor occurs.
The surrounding terrain is flat with sparse vegetation, indicative of an arid or semi-arid environment typical for regions in the American West during certain periods. The sky above appears clear without any visible clouds, which could imply dry weather conditions at the time when the photo was taken.
There are no people present in this image, but it evokes a sense of isolation and hard life that one might associate with pioneer or frontier living as suggested by the general caption number 67. The house seems to be part of a larger settlement given there is more than just one structure visible on what looks like an elevated hillside.
The overall impression from this photograph, combined with historical context provided in captions such as "Dead Ox Flat" and descriptions mentioning rural Oregon during certain times, paints the picture of life for families or individuals living off-the-grid in a h [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreiai5vmbe7vsjuhno2ndbe254j4tfil5benbxlsvwi7pxreazsxgw4)
![The image shows two children standing in a doorway, separated by vertical panels that resemble window frames. The child on the left is wearing a polka dot dress and holding something close to their face with both hands near the mouth area. Their hair appears unkempt and they have an expression of distress or contemplation. On the right stands another child dressed in overalls, which appear worn out and stained. This child's arms are also positioned around the neck level as if mimicking a gesture made by the other person on their side. Both children seem to be in disarray; one is holding what looks like bread above their mouth while the other has an unfastened button or item near its chest.
The background reveals wooden planks and weathered paint, suggesting this could be a rustic setting possibly indicative of hardship times based on clothing condition and overall atmosphere. There's some debris visible in the upper left corner against one of the panels behind them, further reinforcing that they may not have access to clean living conditions or resources for proper hygiene.
The image is presented as part of Dorothea Lange's work documenting various aspects of American life during challenging times. The specific caption indicates it was taken at Dead Ox Flat in Malheur County, Oregon and features the Browning children; further information about this series can be found o [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreign4pssgorpylvgz33to7nxsgouusochhmptqogscl6zroctx3zkm)
![This black and white photograph captures a quaint kitchen scene, seemingly from the early to mid-20th century. The room is filled with various cooking utensils, pots, pans, and containers indicative of regular use and domestic life. Prominently featured in the center is an old-fashioned wood-burning stove, with metal pots perched atop its surface, suggesting recent or ongoing meal preparation activities.
The walls are lined with wooden cabinets brimming with bottles and other items that imply a self-sufficient lifestyle reliant on home-cured goods and prepared foods. Various kitchen tools such as spoons, ladles, and strainers hang from hooks attached to the wall above the stove, emphasizing functionality over aesthetics in this utilitarian space.
On the left side of the image, we see another corner with more cooking implements including a large metal pot resting on a heating source possibly made for canning. A wooden chair stands near a bucket, hinting at manual labor or outdoor activities being part of daily routines within this household.
The floor is bare and appears to be in need of repair, adding an authentic touch to the scene that speaks volumes about the socio-economic conditions reflected by such settings during Dorothea Lange's documentation era. The photograph itself bears a watermark indicating it was taken for "SIX HUNDRED E" which might refer to a particu [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreibn2d4tpx7x2f47nadokf65ftovjo5eigzhskcdfgkn547zqiydoe)
![The image is a black and white photograph depicting three young girls sitting on what appears to be the steps of a building, possibly in an old rural schoolhouse setting. The girl on the left has short hair with bangs, wears striped socks and sandals, while engrossed in her book. She's dressed in a patterned skirt and sweater.
In the middle is another girl with medium-length blonde hair tied back into pigtails; she seems to be deeply concentrated as well, reading from an open book that has pictures inside. Her attire includes lace-up shoes, knee-high socks, a dress adorned with floral patterns around the hemline, and her sleeves are ruffled.
The third child on the right is wearing a light-colored sweater over a dotted blouse paired with checkered sandals; she's flipping through pages of another open book. She has short hair styled upwards in what looks like curlers or pinned up at the crown before it was let down again as it appears now. Her shoes seem well-worn.
All three are sitting on individual wooden slats, perhaps a part of outdoor school furniture from an earlier era given their weathered appearance and style which suggests this could be around mid-20th century America based on clothing styles and architecture visible in the background such as shutters and doors. The setting appears to be sunny with shadows cast behind them.
The photograph exudes a sense of qui [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreiddus2ulaagt54st53xd4oigalglvza5ulcpfvvde6g3gs3ckdcfa)
![The image is a black and white photograph depicting an outdoor rural scene. A young child, wearing what appears to be a dress with floral patterns and a shawl or cloak draped over their head, is bending down by the edge of a shallow body of water which could possibly be an irrigation ditch. The child is holding onto a bucket close to the surface, suggesting they are in the process of filling it from this source.
The environment around them appears dry with patches of grass and straw-like vegetation on what looks like arid ground or perhaps early spring after winter when plants have not yet fully sprouted new growth. In the background stands an electric pole typical of rural areas, indicating some form of utility infrastructure though no visible lines run from it at this angle.
The sky is clear but lacks detail due to its brightness in contrast with what seems like a somewhat overexposed photo given that all details are not clearly defined even when viewed closely. This image captures everyday life possibly reflecting on water scarcity or the act of manual labor fetching drinking water as mentioned in additional information provided, pointing towards it being part of daily routine for this child and their family.
Given the historical context implied by Dorothea Lange's photography (an American photojournalist known to document social issues), we can infer that such scen [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreigz6dgr3dboqmwgmd6tkiraypl36nlg55d5p6u635xhjv6yjhi67q)
![The image is a black and white photograph depicting an expansive outdoor setting with multiple structures that appear to be military or temporary camp sites. The foreground features what seems like dry grassland, leading the eye towards several rows of tents arranged in neat lines across the middle ground. These are likely constructed from canvas material supported by frames, suggesting they might serve as makeshift housing for a transient population.
In between these tent clusters, there are sporadic utility or storage units and equipment such as trailers and possibly sanitation facilities like outhouses. The background is dominated by an expansive landscape of rolling hills under a wide expanse of cloudy skies, implying the site may be located in a rural area with open plains typical for military exercises or temporary settlements.
The photograph itself has several visual clues that suggest its historical context: it appears to have been taken from above and slightly elevated onlooker's perspective. The edges also show signs of wear—a dark border around the photo, likely from an old picture frame—and there is a visible number "89215" near the top right corner which could indicate either part of a cataloging system or possibly a reference for archival purposes.
Overall, this image conveys a sense of organized transient habitation amidst a remote landscape and might ha [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreib5uvjchzhategqudqbeitovw3fog3zyeikft5zb2eyulkqurqay4)
![The image is a black and white photograph depicting an outdoor setting that appears to be from the early 20th century, based on its monochrome quality. In this scene, there's a picnic area with wooden benches surrounding a long table covered in what seems like newspapers or a makeshift tablecloth. On one side of the table, various objects are placed including containers possibly containing food and utensils, as well as baskets that likely held other items for the outing.
The ground is grassy with patches visible where soil has been exposed, suggesting frequent use at this site. There's also evidence of wear on a large piece of fabric spread out in front of one bench, perhaps used earlier or forgotten during cleanup after the picnic concluded. In the background stands tall trees and houses that blend into their wooded environment.
The word "3-beros" is written across the top right corner, likely indicating either an informal caption or part of a larger message not fully visible within this frame. The overall impression conveyed by the image is one of communal gathering during warmer weather in what seems to be a small-town park setting, evoking memories and simplicity associated with early American rural life.
Further context about the photograph suggests it was taken on "California Day" at Grants Pass, Josephine County, Oregon as indicated by an additional caption. Thi [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreiewba42f3jj2yrz7ntlzaazj3bafujgbx64fyizez7gsgsoelrxvu)
![The image is a black and white photograph depicting an old farm scene. In the foreground, there's a large wooden fence with worn boards suggesting significant age and weathering. The wood appears to be split horizontally into parallel slats forming the gate of what seems like a corral or enclosure. Within this space stands a piece of farming equipment, likely a plow or some form of agricultural machinery.
Behind the fence is an expansive field that extends towards a rustic farm structure with gabled roofing and weathered walls indicative of considerable age. To one side, there's another building possibly used for storage or as part of the farmhouse complex. The architecture suggests rural American farmland from several decades past.
Dominating the left-hand portion of the image is an old-fashioned sign on two vertical posts reading 'SQUARE DEAL FARM' with additional details including names and titles such as "James M. Herron, Prop.", and "General Farmer", implying a sense of pride in farming heritage or business nature. The text appears faded yet legible.
The sky above the farm is clear without any visible clouds, indicating fair weather conditions at the time this photo was taken. There are no people present in the image, giving it an abandoned look that might suggest early morning hours before work begins on such a rural property.
There's also a handwritten annotati [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreiff4u2phbxibwo4npv7abmvl4opb65gpfjurwdkw2eanam5shfigm)
![The image shows a group of migrant farm workers in an outdoor hop field. They are engaged in harvesting hops, standing amidst rows of plants with large baskets filled with the gathered crop around them. The scene is captured on black and white film, emphasizing contrasts between light and shadow across their clothing and the surrounding environment.
In this historical photograph from Dorothea Lange's collection titled 'Migratory field workers in hop field,' near Independence, Oregon (https://images.loener.nl/DorotheaLange/full/6495/6495b7b3ba25398d90c4f068.jpg), the subjects display a range of attire suitable for farm labor. Some wear hats and overalls, while others are in dresses with aprons or protective clothing like gloves.
The context provided by the caption hints at the economic conditions during Lange's time, particularly referencing '3-R-HOAS,' which could be shorthand for the three-day harvest rate common among hop pickers of that era. This practice likely refers to a system where farm laborers were paid based on how much they harvested rather than being compensated daily or weekly.
The photograph captures both individual and collective human effort, showcasing the rural working class's struggle during Lange’s time in America. The image not only documents their physical activity but also serves as social commentary on migrant workers' conditions during the Gre [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreigtcnlibc345h26i6qbed3d3lhf6xipsgpriw7b6tlqojewjosaoa)
![The image depicts a rural landscape with an old house situated on elevated ground, surrounded by natural terrain. The structure appears to be constructed from wooden planks and is missing several windows or glass panes in its façade. A large mound of earth slopes down beside the building, indicating recent excavation work or land grading activities. There's no visible sign of modern technology or vehicles, suggesting a remote location possibly untouched by contemporary development.
The landscape surrounding the house features rolling hills with sparse vegetation, typical of arid and semi-arid environments like those found in Oregon as described. The sky is clear without any clouds, indicating fair weather conditions at the time the photograph was taken. This setting could be indicative of historical photographs capturing rural life or a snapshot from an earlier period showcasing how people lived outside urban centers.
This particular image does not provide explicit information about its creator but suggests it belongs to Dorothea Lange's collection as part of her work on domestic and agricultural workers in America during the early 20th century. The absence of any modern elements or clear indicators like a date, location marker, or photographer’s name makes pinpointing exact details challenging from this image alone.
For more information about specific works related to [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreihor2fdeljia3exnjjby3nt5dlrw4zfwpsnsxkkui55lognryjrii)
![The image is a black and white photograph of an individual standing outdoors. The person, who appears to be female based on the clothing and hairstyle, is wearing glasses with rounded frames and has short hair peeking out from under what seems to be a cap or flat hat. She dons a long-sleeved button-up shirt that's been patched at one elbow for repair, suggesting practical workwear rather than casual attire. The garment also features multiple pockets on the chest area, which are characteristic of utilitarian clothing designed for manual labor.
The individual has dark pants with visible creases and stains indicative of extensive use or outdoor activity. In her left hand, she clutches a long-handled tool that could be an axe or hoe, commonly used in farming or ranching activities. The stance is relaxed but attentive; the person's hands are gently clasped together at waist level.
Her expression is serious yet composed, with direct eye contact suggesting confidence and perhaps resilience. She stands against a backdrop of what seems to be dry grass or sparse vegetation, hinting that this photo might have been taken in an agricultural setting during a time when manual labor was prevalent on such lands.
The photograph carries the air of historical significance, possibly from early-to-mid 20th century America given its monochromatic nature and style. The context provided sugges [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreiekhb52jwn2hn7rmknedebj7vcnzbdo6wmmw6csw4kgzji25kzjna)
![The image depicts two individuals standing in an open area with a clear sky above them. Both are wearing hats, which suggests protection from the sun or possibly indicative of their occupation or status during that era.
On the left side, there is one person who appears to be bending down slightly while holding onto what looks like large burlap sacks slung over his shoulder and around his waist. He has a relaxed posture with arms loosely by his sides, wearing a dark-colored hat, rolled-up sleeves on his shirt, light-colored pants, and sturdy shoes suitable for outdoor work.
On the right side stands another person facing towards us with their body slightly turned to show both profile and front views simultaneously. This individual is dressed in lighter colored trousers, possibly jeans or utility pants, paired with a short-sleeved button-up shirt that appears somewhat wrinkled from movement or activity. They have rolled up socks on one leg while the other foot remains bare.
Both individuals are wearing work boots suitable for outdoor labor activities and their clothing suggests manual labor professions such as farming, construction, or road building during an era when hats were commonly used to protect against sunlight exposure. The environment around them is barren with no vegetation in sight, emphasizing a desolate landscape which might be indicative of rural areas wher [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreihmtuowertyb26ne3fnhw2uhprgzlxdjrvrj6hgwx6h443uu5wmpu)
![The image captures a moment in time during what appears to be the Great Depression era, as indicated by the black and white photograph with Dorothea Lange's name on it. A group of four men is standing outside against a building wall, closely looking into an open doorway or window pane that reflects their profiles. The individuals are dressed in workwear typical for manual laborers during that period—suits made from coarse fabric such as wool and corduroy, hats indicative of the era's style. They exhibit signs of wear; some have torn pants, suggesting they may not be able to afford new clothes due to economic hardship.
The man on the far left is leaning against a damaged wall with his hands clasped behind him in a posture that suggests fatigue or contemplation. The middle two men are facing each other and appear engaged in conversation, perhaps discussing their situation, while one looks outwardly into the street where others may be waiting for similar relief.
The scene captures a moment of social commentary on economic distress during wartime, likely World War II given Lange's work was prominently associated with that period. The image is part of Dorothea Lange’s series documenting the hardships faced by people affected by war and its implications on society. This photograph might be linked to her famous works like "Migrant Cotton Picker" or other iconic images from tha [...]](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:ls2ap3pxsotp3pgwjf7o633l/bafkreihrjhwjjw2j2q6a4xa6agy42lay4plv5qn5b7tohrlgxpy2fnpq6y)