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The image captures a moment in time during what appears to be the Great Depression era, as indicated by the black and white photograph with Dorothea Lange's name on it. A group of four men is standing outside against a building wall, closely looking into an open doorway or window pane that reflects their profiles. The individuals are dressed in workwear typical for manual laborers during that period—suits made from coarse fabric such as wool and corduroy, hats indicative of the era's style. They exhibit signs of wear; some have torn pants, suggesting they may not be able to afford new clothes due to economic hardship.

The man on the far left is leaning against a damaged wall with his hands clasped behind him in a posture that suggests fatigue or contemplation. The middle two men are facing each other and appear engaged in conversation, perhaps discussing their situation, while one looks outwardly into the street where others may be waiting for similar relief.

The scene captures a moment of social commentary on economic distress during wartime, likely World War II given Lange's work was prominently associated with that period. The image is part of Dorothea Lange’s series documenting the hardships faced by people affected by war and its implications on society. This photograph might be linked to her famous works like "Migrant Cotton Picker" or other iconic images from tha [...]

The image captures a moment in time during what appears to be the Great Depression era, as indicated by the black and white photograph with Dorothea Lange's name on it. A group of four men is standing outside against a building wall, closely looking into an open doorway or window pane that reflects their profiles. The individuals are dressed in workwear typical for manual laborers during that period—suits made from coarse fabric such as wool and corduroy, hats indicative of the era's style. They exhibit signs of wear; some have torn pants, suggesting they may not be able to afford new clothes due to economic hardship. The man on the far left is leaning against a damaged wall with his hands clasped behind him in a posture that suggests fatigue or contemplation. The middle two men are facing each other and appear engaged in conversation, perhaps discussing their situation, while one looks outwardly into the street where others may be waiting for similar relief. The scene captures a moment of social commentary on economic distress during wartime, likely World War II given Lange's work was prominently associated with that period. The image is part of Dorothea Lange’s series documenting the hardships faced by people affected by war and its implications on society. This photograph might be linked to her famous works like "Migrant Cotton Picker" or other iconic images from tha [...]

Waiting for the relief checks at Calipatria, California

#Calipatria #California #theGreatDepression #DorotheaLanges #WorldWarII #Lange #DorotheaLange’s #CottonPicker #LosAngeles #undefined #photography #DorotheaLange

https://www.loc.gov/pictures/item/2017769792/

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"On the mound" People's Artist of Turkmenistan Aykhan Hajiyev, Turkmen Soviet Socialist Republic, USSR, 1976

#CottonPicker #Cotton #Picker #Turkmen #Turkmenistan #Soviet #Socialist #Republic #USSR #SovietUnion #State #Collective #Farms #Agriculture #Socialism #Communism #Artist #Painting #Painter

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Antique Cotton Picker sitting in the flowers.  This was one of the first cotton pickers used in the Mid-South to eliminate the need to hand harvest cotton.

Antique Cotton Picker sitting in the flowers. This was one of the first cotton pickers used in the Mid-South to eliminate the need to hand harvest cotton.

Antique Cotton Picker sitting in the middle of the flowers. This was one of the first picker designs used in the Mid-South. #cotton #cottonpicker #agriculture #Arkansas #antiquecottonpicker #farmmachinery #farming

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