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Posts by Adelina Modesti

A front cover visual of a book with the title in orange text down the right side. The featured image is an 18th-century still-life painting of seashells on a stone ledge.

A front cover visual of a book with the title in orange text down the right side. The featured image is an 18th-century still-life painting of seashells on a stone ledge.

A photo of the front cover (and an oblique view of the spine) of a book. The title is in black text within a white box in the bottom quarter. The featured image is an 18th-century still-life painting of seashells on a stone ledge.

A photo of the front cover (and an oblique view of the spine) of a book. The title is in black text within a white box in the bottom quarter. The featured image is an 18th-century still-life painting of seashells on a stone ledge.

Forthcoming this spring in the #IlluminatingWomenArtists series, copublished by @lhartbooks.bsky.social & Getty Publications -

Anne Vallayer-Coster
by Kelsey Brosnan
www.lundhumphries.com/products/ann...
shop.getty.edu/products/ann...

#AnneVallayerCoster #newbooksaboutwomenartists #womenartists

3 months ago 12 5 0 0
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Portrait of Vincenzo Ferdinando Ranuzzi as Cupid, somehow. It involved a lot of dyed feathers! Painted by Elisabetta Sirani, whose day is today.

3 months ago 47 5 1 0

Thank you ☺️

6 months ago 1 0 0 0

Thanks for sharing Jesse.

6 months ago 1 0 0 0

Thanks for sharing!

6 months ago 1 0 1 0

#womenartists

6 months ago 2 2 1 0
Two rows of book covers, five on each row - all of books about women artist.

Two rows of book covers, five on each row - all of books about women artist.

#ArtHerstory has published the "New Books about #WomenArtists" book round-up for Q2, 2025! Visit this link for a list of recently published monographs and exhibition catalogs, as well as books for young readers: artherstory.net/new-books-ab...

#NewBooksAboutWomenArtists

8 months ago 33 14 3 2

📖Book review: Elisabetta Sirani by Adelina Modesti.

"a highly accessible narrative which is gripping, informative, and truly illuminating....reminding us that many historical women artists are still awaiting equal representation outside of the boundaries of academia." /1 of 2

11 months ago 5 2 1 0
A book cover on which is reproduced a painting of a scene from the Biblical story Judith & Holofernes (a woman in elaborate Renaissance garb pulling a human head out of a sack). The book's title is printed down the right edge of the cover in red sans serif text; the author's name is in white block capitals across the bottom.

A book cover on which is reproduced a painting of a scene from the Biblical story Judith & Holofernes (a woman in elaborate Renaissance garb pulling a human head out of a sack). The book's title is printed down the right edge of the cover in red sans serif text; the author's name is in white block capitals across the bottom.

Happy to see Anna Pratley's review for Women's Studies Group 1558 – 1837 of

Elisabetta Sirani
by Adelina Modesti

womensstudiesgroup.org/2025/05/14/e...

10 months ago 6 6 1 0
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Print in black and white of a sitting woman in a robe with two small infants, one half sits and stands on her lap to the left while the other to the right stands and holds the central figure

Print in black and white of a sitting woman in a robe with two small infants, one half sits and stands on her lap to the left while the other to the right stands and holds the central figure

Elisabetta Sirani,
Madonna and Child with St. John the Baptist, 1655–1665, engraving by a rare and early successful female Baroque painter and printmaker from Italy #WomensArt

10 months ago 367 36 0 1
A delicate watercolor drawing of three lemons on two branches with leaves, with three white flower heads sitting in front of the fruit on a beige-gray surface (maybe a cloth, maybe a stone ledge). Above the largest lemon, which sits just to the left of the middle of the artwork, hovers a bee in flight, perhaps about to alight on a stalk of flowers that emerges from the portion of the branch just behind the fruit.

A delicate watercolor drawing of three lemons on two branches with leaves, with three white flower heads sitting in front of the fruit on a beige-gray surface (maybe a cloth, maybe a stone ledge). Above the largest lemon, which sits just to the left of the middle of the artwork, hovers a bee in flight, perhaps about to alight on a stalk of flowers that emerges from the portion of the branch just behind the fruit.

Still Life with Lemons [and a Bee], late 1640s, by #GiovannaGarzoni (Italian, 1600-1670). Source, @apollo-magazine.com, apollo-magazine.com/can-tefaf-ne... #artherstory #womenartists #WorldBeeDay

11 months ago 70 9 0 0
venerdì 30 maggio 2025 ore 16.30 Museo e Real Bosco di Capodimonte Sala 20
Maestro dell’Annuncio ai Pastori, Adorazione dei pastori (particolare), 1620-25, olio su tela, Museo e Real Bosco di Capodimonte
14a Conferenza Annuale dell’Italian Art Society
e Samuel H. Kress Foundation
The Masterof the Annunciation to the Shepherds: The Material World of an Unknowable Painter
Jesse Locker
Professore di Storia dell’Arte Italiana Rinascimentale e Barocca Schnitzer School of Art + Art History + Design, Portland State University
con
Eike Schmidt
Direttore Museo e Real Bosco di Capodimonte
Sarah K. Kozlowski
Direttrice Centro per la Storia dell'Arte e dell'Architettura delle Città Portuali "La Capraia"
Kelli Wood
Vice Presidente Italian Art Society
La conferenza si terrà in lingua inglese e sarà trasmessa anche online al seguente link https://zoom.us/j/96924678935
INGRESSO LIBERO
RSVP lacapraia@gmail.com

venerdì 30 maggio 2025 ore 16.30 Museo e Real Bosco di Capodimonte Sala 20 Maestro dell’Annuncio ai Pastori, Adorazione dei pastori (particolare), 1620-25, olio su tela, Museo e Real Bosco di Capodimonte 14a Conferenza Annuale dell’Italian Art Society e Samuel H. Kress Foundation The Masterof the Annunciation to the Shepherds: The Material World of an Unknowable Painter Jesse Locker Professore di Storia dell’Arte Italiana Rinascimentale e Barocca Schnitzer School of Art + Art History + Design, Portland State University con Eike Schmidt Direttore Museo e Real Bosco di Capodimonte Sarah K. Kozlowski Direttrice Centro per la Storia dell'Arte e dell'Architettura delle Città Portuali "La Capraia" Kelli Wood Vice Presidente Italian Art Society La conferenza si terrà in lingua inglese e sarà trasmessa anche online al seguente link https://zoom.us/j/96924678935 INGRESSO LIBERO RSVP lacapraia@gmail.com

May 30 at the Museo e Real Bosco di Capodimonte in Naples, and online #earlymodern #arthistory #naples #napoli #capodimonte

11 months ago 13 3 0 0
Preview
Tamara de Lempicka: Modern Maverick Presentation by Alison de Lima Greene, Houston (TX) - Fritz Ascher Society Join Alison de Lima Greene, MFAH curator, for an introduction to the remarkable arc of Lempicka’s career as she rose to the pinnacle of café society in 1920s and 1930s Paris, and her American odyssey ...

May 21 - online talk
"Tamara de Lempicka: Modern Maverick" by Alison de Lima Greene, @mfahouston.bsky.social
Organized by the Fritz Ascher Society for Persecuted, Ostracized and Banned Art, Inc.
fritzaschersociety.org/exhibition-e...

11 months ago 10 2 0 0
Two rows of 4 book jackets each. All of the books are about a woman artist or a group of women artists.

Two rows of 4 book jackets each. All of the books are about a woman artist or a group of women artists.

#ArtHerstory has published the "New Books about #WomenArtists" book round-up for Q1, 2025! Visit this link for a list of recently published monographs and exhibition catalogs, as well as children's books: artherstory.net/new-books-ab...

#NewBooksAboutWomenArtists

11 months ago 16 7 0 0

Thanks!

11 months ago 1 0 0 0
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2/2 One starry night, Judith disposes of the head of Holofernes. A favorite subject of painter Elisabetta Sirani of Bologna, whose day is today.

1 year ago 321 27 2 2
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Not a self portrait but a portrait of Elisabetta Sirani said to be by her sister Barbara, also a painter

11 months ago 1 0 1 0
Based on a 19th-century inscription on the back of the canvas, the painting has been recognized as the surviving fragment of Elisabetta Sirani's self-portrait, originally placed on the left side of a large work titled “Baptism of Christ.” The portrait is mentioned in the Nota delle pitture fatte da me Elisabetta Sirani, handed down from her father Giovanni Andrea Sirani after Elisabetta’s untimely death in 1665. In her diary under the year 1658, the young artist, then twenty years old, writes: "A very large painting for the Fathers of the Certosa, within which there is the Baptism of Christ in the Jordan: and the two little Saints who go from the sides in their company, and in one of these is my portrait, that is, the one who looks up to Heaven.”

1658 was a crucial year for Elisabetta, who, at 20 attempted such a monumental work, intended for public enjoyment and commissioned by a highly authoritative client. Also in 1658, on January 22, the oldest known praise addressed to Elisabetta was written in a letter sent to Leopoldo de' Medici in Florence by Bonaventura Bisi, a Franciscan friar known as the Padre Pittorino, skilled in miniature painting and renowned for his artistic flair. His praise facilitated the professional affirmation of the novice female painter Elisabetta. 

This youthful self-portrait is the only one that the artist herself mentions. It is known that the self-portrait, before being cut and reduced to a modest fragment, measured 220x76 cm and was a full-length figure. What remains is a female effigy, half-length, wearing a monastic veil and wimple with her eyes raised to skyward. Elisabetta modestly hides her hair, poses contrite and “looks to Heaven.” The self-portrait remained hanging in the church of the Certosa for almost 150 years.

Based on a 19th-century inscription on the back of the canvas, the painting has been recognized as the surviving fragment of Elisabetta Sirani's self-portrait, originally placed on the left side of a large work titled “Baptism of Christ.” The portrait is mentioned in the Nota delle pitture fatte da me Elisabetta Sirani, handed down from her father Giovanni Andrea Sirani after Elisabetta’s untimely death in 1665. In her diary under the year 1658, the young artist, then twenty years old, writes: "A very large painting for the Fathers of the Certosa, within which there is the Baptism of Christ in the Jordan: and the two little Saints who go from the sides in their company, and in one of these is my portrait, that is, the one who looks up to Heaven.” 1658 was a crucial year for Elisabetta, who, at 20 attempted such a monumental work, intended for public enjoyment and commissioned by a highly authoritative client. Also in 1658, on January 22, the oldest known praise addressed to Elisabetta was written in a letter sent to Leopoldo de' Medici in Florence by Bonaventura Bisi, a Franciscan friar known as the Padre Pittorino, skilled in miniature painting and renowned for his artistic flair. His praise facilitated the professional affirmation of the novice female painter Elisabetta. This youthful self-portrait is the only one that the artist herself mentions. It is known that the self-portrait, before being cut and reduced to a modest fragment, measured 220x76 cm and was a full-length figure. What remains is a female effigy, half-length, wearing a monastic veil and wimple with her eyes raised to skyward. Elisabetta modestly hides her hair, poses contrite and “looks to Heaven.” The self-portrait remained hanging in the church of the Certosa for almost 150 years.

Autoritratto come santina (Self-portrait as a Saint) by Elisabetta Sirani - Oil on canvas / 1658 - Pinacoteca Nazionale di Bologna (Italy) #womeninart #art #oilpainting #womanartist #selfportrait #portraitofawoman #womensart #fineart #saint #ElisabettaSirani #italianart #PinacotecaNazionalediBologna

1 year ago 33 2 0 1
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#SabiasQue El arte de Elisabetta Sirani era tan reconocido en su época que incluso está enterrada con Guido Reni investigart.wordpress.com/2017/07/11/elisabetta-si...

8 years ago 1 1 0 0
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Our eyes need art, especially as a respite during this doom-filled time. Some Italian woman artists whose work moves me: Artemisia Gentileschi, Lavinia Fontana, Fede Galizia, & Elisabetta Sirani

1 year ago 7 1 0 0
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An Allegory of Virtue, its companion piece is Fame

11 months ago 0 0 0 0
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Fame. Because painter Elisabetta Sirani of Bologna knew all about this one. And today is her day.

1 year ago 51 1 2 0
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Renaissance artist Elisabetta Sirani made so many paintings (over 200!) in such a short time that people doubted she painted them. Her solution? In 1664, she invited them to watch her paint a portrait in one sitting!

#Art #arthistory #artist #artcommunity #history #artists #arts #gallery #paint

1 year ago 8 2 0 0
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The top art books of 2023—chosen by The Art Newspaper’s book team There is something for every art lover among our pick of the publications—from a forgotten 17th-century painter to a lively history of dyes

@jacriding.bsky.social chose Adelina Modesti’s recent book “Elisabetta Sirani” as one of the @theartnewspaper.bsky.social’s Top Art Books of 2023, www.theartnewspaper.com/2023/12/05/t...
It is in the @lhartbooks.bsky.social series #IlluminatingWomenArtists, www.lundhumphries.com/products/eli...

1 year ago 4 2 1 0
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[20] One of the things where the National Gallery of Ireland is ahead of other countries is the collection & display of great works by historic women painters. It continues to do that & here is a beautiful Virgin & Child (1660) by the important painter Elisabetta Sirani (1638-65)

1 year ago 11 2 1 0
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There's a new, beautifully illustrated, book about Elisabetta Sirani, by Adelina Modesti

- Avail from Lund Humphries in UK/ROW - lundhumphries.com/products/eli... Avail from Getty Publications in North America -
shop.getty.edu/products/eli...

2 years ago 1 1 1 0
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Elisabetta Sirani #elisabettasirani

11 months ago 3 1 0 0

More likely to be by her father, Giovanni Andrea Sirani

11 months ago 0 0 0 0
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No dia 25 de abril de 2025, ocorrerá a Defesa pública de Dissertação, do Mestrado em História do Programa de Pós-Graduação em História, UFJF

“La gloria del sesso donnesco: a imagem do feminino em Elisabetta Sirani na Bolonha do século XVII” de Larissa Caroline Curcio Silva

11 months ago 1 1 1 0