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A woman in a red dress and blue cloak, seated with a crown of thorns on her right knee. She leans her left cheek on her left elbow, looking sorrowful. Her right hand is held out, palm forward.  At her right - the viewer's left - two cherubs hold up a wooden cross, as a third cherub looks on from below. There is an angel behind the wall at the woman's left (the viewer's right; and in the lower right corner, a 4th cherub, kneeling in front of a placard that says "INRI." Some nails are scattered on the ground in front of the cherub, who holds its right hand to its right eye as though wiping tears.

A woman in a red dress and blue cloak, seated with a crown of thorns on her right knee. She leans her left cheek on her left elbow, looking sorrowful. Her right hand is held out, palm forward. At her right - the viewer's left - two cherubs hold up a wooden cross, as a third cherub looks on from below. There is an angel behind the wall at the woman's left (the viewer's right; and in the lower right corner, a 4th cherub, kneeling in front of a placard that says "INRI." Some nails are scattered on the ground in front of the cherub, who holds its right hand to its right eye as though wiping tears.

Mater Dolorosa with Symbols of the Passion, 1657, by #ElisabettaSirani (Italian, 1638-1665). Held in the Regional Museum Complex, Emilia Romagna, National Art Gallery of Bologna; source, uffizi.it/en/online-ex... #womenartists #artherstory #HolySaturday

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Forgotten great artists: Elisabetta Sirani Most of you probably know Artemisia Gentileschi, who was one of the few female painters in the 16th century who was highly regarded and is…

Today's posting on Medium is about Elisabetta Sirani, a nearly forgotten female painter. Sirani was very successful during her time. Sadly, she died very young.
Enjoy! (Free to read)
German version is up on my blog.
#ElisabettaSirani #artist #femaleartist #womenartist
medium.com/p/forgotten-...

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Die fast vergessene Barockmalerin: Elisabetta Sirani - Art | Stories Eine zu unrecht vergessene Malerin des Barock: Heute geht es um Elisabetta Sirani , ihr zu kurzes Leben und ihr Meisterwerk "Timoclea"

Am 8. März ist International Women's Day. Eine gute Gelegenheit, um mal einen Blick auf eine eher unbekannte Barockmalerin zu werfen, die ihrerzeit sehr erfolgreich war. #ElisabettaSirani #Malerin #femaleArtist #Barock

little-arthistories.com/2026/03/die-...

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Acrylic painting of a baroque motive showing a woman reading a book in her left hand. Her head is slightly tilted and rests on her propped-up right hand. She wears a white blouse and golden and orange drapes around her right shoulder and arm. She wears a green turban with jewels on her forehead. The background consists of red drapes. Her facial expression is concentrated but placid.

Acrylic painting of a baroque motive showing a woman reading a book in her left hand. Her head is slightly tilted and rests on her propped-up right hand. She wears a white blouse and golden and orange drapes around her right shoulder and arm. She wears a green turban with jewels on her forehead. The background consists of red drapes. Her facial expression is concentrated but placid.

This semester's art school assignment: copy an old master using acrylics.

I chose Sibilla, attributed to Italian baroque master Elisabetta Sirani.

#art #acrylics #ElisabettaSirani

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An octagonal drawing in black chalk, brush and wash within a rectangular paper, depicting a seated female figure gazing demurely down to her right. Her hands are folded over a lamb she holds in her lap. It looks as though a martyr’s palm extends from her left hand. Below the octagon that contains the picture, the name “Sirani” is written across the bottom of the page. According to the description on the website: “This small study in octagonal format corresponds to the description of a work painted for Tuscan sculptor, Francesco Agnesini in 1656: ‘For Agnesino, sculptor, an octagon half figure in which there is a St Agnes.’ In this piece, wash creates a dark background and forms the figure using chiaroscuro contrasts.”

An octagonal drawing in black chalk, brush and wash within a rectangular paper, depicting a seated female figure gazing demurely down to her right. Her hands are folded over a lamb she holds in her lap. It looks as though a martyr’s palm extends from her left hand. Below the octagon that contains the picture, the name “Sirani” is written across the bottom of the page. According to the description on the website: “This small study in octagonal format corresponds to the description of a work painted for Tuscan sculptor, Francesco Agnesini in 1656: ‘For Agnesino, sculptor, an octagon half figure in which there is a St Agnes.’ In this piece, wash creates a dark background and forms the figure using chiaroscuro contrasts.”

#SaintAgnes, 1656, by #ElisabettaSirani (Italian, 1638-1665). Held by Uffizi Galleries, www.uffizi.it/en/online-ex... #artherstory #womenartists #FeastofStAgnes #StAgnes

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Grateful to Adelina Modesti for noting that while the Cleopatra painting is attributed in museum's online collection page to #ElisabettaSirani, scholars now believe it to be the work of Simone Cantarini.

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An oil painting depicting a woman richly dressed woman dangling a pearl from her raised right hand above the goblet she cups in her left hand. She gazes over her right shoulder, looking at possibly an audience, rather than at what she is doing.

An oil painting depicting a woman richly dressed woman dangling a pearl from her raised right hand above the goblet she cups in her left hand. She gazes over her right shoulder, looking at possibly an audience, rather than at what she is doing.

Cleopatra, ca. 1662–65, by #ElisabettaSirani (Italian, 1638–1665), who was born #otd, Jan 8. On view at the Flint Institute of the Arts, collections.flintarts.org/objects/3560... #womenartists #artherstory

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Elisabetta Sirani Elisabetta Sirani, artista professionista barocca, è stata la prima donna in Europa a gestire una scuola femminile di pittura.

L'8 gennaio 1638 nasceva #ElisabettaSirani pittrice e acquafortista barocca.
È stata la prima donna in Europa a gestire una scuola femminile di pittura aprendo strade inesplorate e inaccessibili.
www.unadonnalgiorno.it/elisabetta-s...
#unadonnalgiorno
#elisabettasirani

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#ElisabettaSirani (1638-1665), who was #BornOnThisDay
Portrait of Vincenzo Ferdinando Ranuzzi as Amor
1663
National Museum in Warsaw
#Sirani #WomenArtists

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#ElisabettaSirani (1638-1665), who was #BornOnThisDay
Portrait of Signora Ortensia Leoni Cordini as Saint Dorothy
1660
#Sirani #WomenArtists

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#ElisabettaSirani (1638-1665), who was #BornOnThisDay
Self-portrait
1658
Pushkin Museum of Fine Arts
#Sirani #WomenArtists

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#Art: Porcia ferendo la coscia (1664)
#Artist: #ElisabettaSirani (b. 1638/d. 1665; #🇮🇹)
#ArtMovement/Style: #Baroque
Genre: #HistoryPainting
Medium: Oil on canvas
101× 138 cm (39.7 × 54.3 in)

#DailyArt #TalkArt #Artsy
#ArtPost #FineArt #ArtHerstory #WomensArt

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A painting of St Francis, half length in his brown hooded robe, kneeling in prayer before a crucifix with his hands crossed on his chest. The colors are dark and subtle, mostly browns and grays.

A painting of St Francis, half length in his brown hooded robe, kneeling in prayer before a crucifix with his hands crossed on his chest. The colors are dark and subtle, mostly browns and grays.

St. Francis in Prayer (San Francesco in Preghiera), n.d., by #ElisabettaSirani (Italian, 1638–1665). Private collection; source, Female Artists in History on FB, www.facebook.com/photo/?fbid=... #womenartists #artherstory #FeastofStFrancis #StFrancisFeastDay

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A painting of a bearded white man sitting in a cave, at a desk made of stone. He wears nothing but a crimson drape. Behind him sleeps a lion. His left hand rests on the open book before him, which is propped up on another open book. Next to the books is a human skull.

A painting of a bearded white man sitting in a cave, at a desk made of stone. He wears nothing but a crimson drape. Behind him sleeps a lion. His left hand rests on the open book before him, which is propped up on another open book. Next to the books is a human skull.

Saint Jerome, 1661, by #ElisabettaSirani (Italian, 1638–1665). Held at Wilanow Palace Museum; source, commons.wikimedia.org/wiki/File:Si... #FeastOfStJerome #artherstory #womenartists #StJerome

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A brush draw­ing in brown over a light preliminary sketch in red chalk of a woman from the waist up, hands crossed over her chest, holding a crucifix in her right hand. Her head is bent down and toward her left shoulder.

A brush draw­ing in brown over a light preliminary sketch in red chalk of a woman from the waist up, hands crossed over her chest, holding a crucifix in her right hand. Her head is bent down and toward her left shoulder.

St. Mary Magdalene, Venerating a Crucifix, n.d., by #ElisabettaSirani (Italian, 1638–1665), who died #otd, Aug 28. Held by Nicolaas Teeuwisse OHG, www.teeuwisse.de/catalogues/e... #womenartists #artherstory

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🎨 #ElisabettaSirani, Italian Baroque painter, #DOTD 28 August 1665, in suspicious, unexplained circumstances, aged 27. #Art #Painting

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A drawing in red chalk on paper of a Madonna and Child. The Madonna is turned slightly sideways, facing the left edge of the work with her left shoulder towards the viewer. The Child in her lap lifts his right arm to crown his mother with a wreath of (barely discernable) roses.

A drawing in red chalk on paper of a Madonna and Child. The Madonna is turned slightly sideways, facing the left edge of the work with her left shoulder towards the viewer. The Child in her lap lifts his right arm to crown his mother with a wreath of (barely discernable) roses.

The Virgin Crowned by Christ Child with Roses, 1663, by #ElisabettaSirani (Italian, 1638–1665). Held by National Museums Liverpool, www.liverpoolmuseums.org.uk/artifact/vir... #womenartists #artherstory

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A painting of the Holy Family in an interior, including a white-haired and -bearded Joseph at far left; the seated Madonna; nude Baby Jesus in the middle, reaching with his right arm and hand toward his mother; then Saint Anne holding the baby; and finally, slightly behind Anne, Saint Joachim (also with white hair and beard).

A painting of the Holy Family in an interior, including a white-haired and -bearded Joseph at far left; the seated Madonna; nude Baby Jesus in the middle, reaching with his right arm and hand toward his mother; then Saint Anne holding the baby; and finally, slightly behind Anne, Saint Joachim (also with white hair and beard).

Holy Family with #StJoachim & #StAnne (Holy Family of the Cherries), 1662, by #ElisabettaSirani (Italian, 1638–1665). Private collection; source, uffizi.it/en/online-ex... #FeastofStAnne #FeastofStJoachim #FeastofStJoachimandStAnne #womenartists #artherstory

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Elisabetta Sirani #elisabettasirani

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Elisabetta Sirani #elisabettasirani

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Illuminating Women Artists Acquisitions Editor: Erika Gaffney The series Illuminating Women Artists launches at a critical moment in contemporary culture. It marks a significant intervention within the broader movement underway...

The conference aims to explore the history of the self-portrait in the 16th & 17th centuries, by focusing on particular artists - including other Illuminating Women Artists series subjects such as #ArtemisiaGentileschi, #ElisabettaSirani and #ClaraPeeters!
www.lundhumphries.com/collections/...

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I share with you my drawing reinterpretation of Elisabetta Sirani’s painting where Timoclea pushes her rapist into a well.

#gilbertsalinas #art #gallery #drawing #sketch #dibujo #elisabettasirani #history #justice #womensday #internationalwomensday

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So far the series covers #LuisaRoldán #ArtemisiaGentileschi #RosalbaCarriera #ElisabettaSirani #LouiseMoillon #SofonisbaAnguissola #GesinaTerBorch...
And will soon include #ClaraPeeters & #EufrasiaBurlamacchi, (publishing 11 March) followed later in 2025 by #JosefaDeÓbidos & #MariaSibyllaMerian!

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Based on a 19th-century inscription on the back of the canvas, the painting has been recognized as the surviving fragment of Elisabetta Sirani's self-portrait, originally placed on the left side of a large work titled “Baptism of Christ.” The portrait is mentioned in the Nota delle pitture fatte da me Elisabetta Sirani, handed down from her father Giovanni Andrea Sirani after Elisabetta’s untimely death in 1665. In her diary under the year 1658, the young artist, then twenty years old, writes: "A very large painting for the Fathers of the Certosa, within which there is the Baptism of Christ in the Jordan: and the two little Saints who go from the sides in their company, and in one of these is my portrait, that is, the one who looks up to Heaven.”

1658 was a crucial year for Elisabetta, who, at 20 attempted such a monumental work, intended for public enjoyment and commissioned by a highly authoritative client. Also in 1658, on January 22, the oldest known praise addressed to Elisabetta was written in a letter sent to Leopoldo de' Medici in Florence by Bonaventura Bisi, a Franciscan friar known as the Padre Pittorino, skilled in miniature painting and renowned for his artistic flair. His praise facilitated the professional affirmation of the novice female painter Elisabetta. 

This youthful self-portrait is the only one that the artist herself mentions. It is known that the self-portrait, before being cut and reduced to a modest fragment, measured 220x76 cm and was a full-length figure. What remains is a female effigy, half-length, wearing a monastic veil and wimple with her eyes raised to skyward. Elisabetta modestly hides her hair, poses contrite and “looks to Heaven.” The self-portrait remained hanging in the church of the Certosa for almost 150 years.

Based on a 19th-century inscription on the back of the canvas, the painting has been recognized as the surviving fragment of Elisabetta Sirani's self-portrait, originally placed on the left side of a large work titled “Baptism of Christ.” The portrait is mentioned in the Nota delle pitture fatte da me Elisabetta Sirani, handed down from her father Giovanni Andrea Sirani after Elisabetta’s untimely death in 1665. In her diary under the year 1658, the young artist, then twenty years old, writes: "A very large painting for the Fathers of the Certosa, within which there is the Baptism of Christ in the Jordan: and the two little Saints who go from the sides in their company, and in one of these is my portrait, that is, the one who looks up to Heaven.” 1658 was a crucial year for Elisabetta, who, at 20 attempted such a monumental work, intended for public enjoyment and commissioned by a highly authoritative client. Also in 1658, on January 22, the oldest known praise addressed to Elisabetta was written in a letter sent to Leopoldo de' Medici in Florence by Bonaventura Bisi, a Franciscan friar known as the Padre Pittorino, skilled in miniature painting and renowned for his artistic flair. His praise facilitated the professional affirmation of the novice female painter Elisabetta. This youthful self-portrait is the only one that the artist herself mentions. It is known that the self-portrait, before being cut and reduced to a modest fragment, measured 220x76 cm and was a full-length figure. What remains is a female effigy, half-length, wearing a monastic veil and wimple with her eyes raised to skyward. Elisabetta modestly hides her hair, poses contrite and “looks to Heaven.” The self-portrait remained hanging in the church of the Certosa for almost 150 years.

Autoritratto come santina (Self-portrait as a Saint) by Elisabetta Sirani - Oil on canvas / 1658 - Pinacoteca Nazionale di Bologna (Italy) #womeninart #art #oilpainting #womanartist #selfportrait #portraitofawoman #womensart #fineart #saint #ElisabettaSirani #italianart #PinacotecaNazionalediBologna

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Working on a cultural history Bologna, inspired today by Elisabetta Sirani #fightthepower #baroque #elisabettasirani #bologna #judith #timoclea

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Elisabetta Sirani note card | Signora Ortensia Leoni Cordini as St. Dorothy Our premium notecards feature the artwork of women artists from centuries past and can be used to write notes for any occasion. Each card includes an envelope and a seal.

This artwork features on the only #ElisabettaSirani note card in the #ArtHerstory stationery line:

artherstory.net/product/elis...

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A bust-length painting of a young white woman with curly long brown hair, wearing red-and-white dangle earrings, a thin gold chain necklace with a small pendant, and a white or light blue dress under a dark pink cloak. Her arms are bent around a shallow wicker basket; her right hand is positioned across the top of the open basket, holding an apple. The basket also holds at least one flower, possibly a rose.

A bust-length painting of a young white woman with curly long brown hair, wearing red-and-white dangle earrings, a thin gold chain necklace with a small pendant, and a white or light blue dress under a dark pink cloak. Her arms are bent around a shallow wicker basket; her right hand is positioned across the top of the open basket, holding an apple. The basket also holds at least one flower, possibly a rose.

Signora Ortensia Leoni Cordini as #SaintDorothy, 1661, by #ElisabettaSirani (Italian, 1638-1665). Held at the Chazen Art Museum at the Univ of WI-Madison, chazen.wisc.edu/collection/1... #artherstory #womenartists #FeastofStDorothy #StDorothy

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A dramatic painting depicting, at the center, John the Baptist with the vertical post of a long wooden cross cradled in his left elbow. baptizing Christ. Above is a depiction of God with angels; hovering between God and John's upraised right hand is a dove representing the Holy Spirit. A large crowd of humans and angels has gathered around the baptism.

A dramatic painting depicting, at the center, John the Baptist with the vertical post of a long wooden cross cradled in his left elbow. baptizing Christ. Above is a depiction of God with angels; hovering between God and John's upraised right hand is a dove representing the Holy Spirit. A large crowd of humans and angels has gathered around the baptism.

The #BaptismOfChrist, 1658, #ElisabettaSirani (Italian, 1638–1665). Held at Certosa di Bologna; source, the-athenaeum.org/art/detail.p... #artherstory #womenartists #BaptismOfJesus #FeastOfTheBaptismOfChrist

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Timoclea of Thebes takes justice into her own hands, casting her attacker into a well and ensuring his demise with relentless force. Painted in 1659 by Elisabetta Sirani, known for depicting powerful, assertive women. #Timoclea #ElisabettaSirani #FemininePower #ArtHistory #EmpoweredWomen

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A drawing in red chalk of a long-haired woman, depicted from the waist up. Her chest is bare; a cloak or covering falls behind her, held up by her bent arms. She holds her right forearm across her waist; her left elbow rests on her right hand, and her left hand reaches up to touch her chin on her left side. Her held tilts slightly to her left, conveying an attitude of contemplation.

A drawing in red chalk of a long-haired woman, depicted from the waist up. Her chest is bare; a cloak or covering falls behind her, held up by her bent arms. She holds her right forearm across her waist; her left elbow rests on her right hand, and her left hand reaches up to touch her chin on her left side. Her held tilts slightly to her left, conveying an attitude of contemplation.

Half-length female figure / The Penitent #MaryMagdalene, c. 1660, by #ElisabettaSirani (Italian, 1638–1665), who was born #otd, Jan 8. Held at Nasjonal Museet, www.nasjonalmuseet.no/en/collectio... #artherstory #womenartists

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