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Porträtbild von Helene Kaemmerer als Kind. Dieses Porträit spiegelt die damalige Auffassung des Einklanges von Kind und Natur. Fotografiert im Museum für Hamburgische Geschichte, Hamburg, Deutschland.

Porträtbild von Helene Kaemmerer als Kind. Dieses Porträit spiegelt die damalige Auffassung des Einklanges von Kind und Natur. Fotografiert im Museum für Hamburgische Geschichte, Hamburg, Deutschland.

Guten Morgen!
Julius Geertz, * 21.4.1837 in Hamburg; † 21.10.1902 in Braunschweig, war ein deutscher Maler der Düsseldorfer Schule 🎨 🇩🇪
Porträtbild von Helene Kaemmerer als Kind, 1882 🖼️
#OTD #ArtHistory #PortraitPainting #History #BskyArt #History

1 day ago 38 8 6 0
#OTD 21.4.1926: Die spätere Königin Elizabeth II. wird in London geboren

#OTD 21.4.1926: Die spätere Königin Elizabeth II. wird in London geboren

#OTD 21.4.1926: Die spätere Königin Elizabeth II. wird in London geboren

#Stichtag #History #Podcast

www.ardsounds.de/episode/urn:...

1 day ago 7 1 0 0
Junge Frau in Tracht aus dem Ossauer Tal mit ihrem Kind

Junge Frau in Tracht aus dem Ossauer Tal mit ihrem Kind

Guten Morgen!
Eugène Devéria, * 22.4.1805 in Paris; † 3.2.1865 in Pau, war ein französischer Maler 🎨 🇫🇷
Junge Frau aus dem Ossauer Tal mit ihrem Kind 🖼️
#OTD #ArtHistory #PortraitPainting #Genre #History #BskyArt

20 hours ago 18 5 4 0
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Klee Barbarian General 1932
@robklippel.bsky.social
@robynne-limoges.bsky.social
@adaspota.bsky.social
@sardonicus.eu

@carmelitequotes.blog
@lronlacy.bsky.social
@blue-dreamer953.bsky.social

1 week ago 10 3 1 0
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3 days ago 6 3 3 0
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"Nada no mundo pode impedir o homem de se sentir nascido para a liberdade. Jamais, aconteça o que acontecer, ele pode aceitar a servidão: pois ele pensa."

Simone Weil

18 hours ago 13 5 1 1
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The yellow in Vincent van Gogh's paintings🖌️

12 hours ago 12 6 0 2
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8 hours ago 2 2 1 0
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Boa noite 🌍🕊️🏡🌺

8 hours ago 8 4 2 0
Ο Μιγκέλ Θερβάντες 
(29/9/1547-22/4/1616
Πηγή : ebooks.edu.gr

Ο Μιγκέλ Θερβάντες (29/9/1547-22/4/1616 Πηγή : ebooks.edu.gr

🎨 Homore Daumier (1808-1879)
Δον Κιχώτης (1865-1870)
Νέα Πινακοθήκη, Μόναχο 
Πηγή : ebooks edu.gr

🎨 Homore Daumier (1808-1879) Δον Κιχώτης (1865-1870) Νέα Πινακοθήκη, Μόναχο Πηγή : ebooks edu.gr

Μιγκέλ Θερβάντες
(29/9/1547-22/4/1616)

Ο Μιγκέλ Θερβάντες θεωρείται ο δημιουργός του σύγχρονου μυθιστορήματος.
Στο "Δον Κιχώτη" έδωσε την εικόνα των ηθών στην Ισπανία εκείνη την εποχή και διακωμώδησε τις υπερβολές που γράφονταν στα ιπποτικά μυθιστορήματα .

14 hours ago 41 13 2 0

Thanks for this lovely Diebenkorn post and a domani dear Maria 🙏👏👏👏😘🕊🌃🕊🙋‍♀️

4 hours ago 1 0 0 0
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"All paintings start out of a mood, out of a relationship with things or people, out of a complete visual impression."
—Richard Diebenkorn🖌️

Good afternoon dear Brindusa 🙏🌞🏡🌍

12 hours ago 5 2 1 0
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🕊💐🕊It's Wednesday🕊💐🕊

"The breaking of a wave cannot explain the whole sea."
Vladimir Nabokov
#NatiOggi

Richard Diebenkorn (1922–1993) Coffee 1956

18 hours ago 9 3 1 0
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Franz Liszt’s piano transcription of J.S. Bach’s organ fantasy in G minor, BWV 542. Signed F. Liszt, Weymar, 54.
via Clavierissimo

1 day ago 22 5 3 0
Georgia O'Keeffe 
Pink Moon over Water | 1924

Georgia O'Keeffe Pink Moon over Water | 1924

Georgia O'Keeffe
Pink Moon over Water | 1924

1 day ago 4062 527 33 10
A young woman stands with her back to us in a quiet room, pausing in front of a square black-framed mirror. We see her face only as a reflection: soft-eyed, alert, and slightly turned, as if she has just heard the sound named in the title. Her cream-white gown falls in loose folds to the floor, edged with dark blue trim that traces the line of her shoulders and back. Pearls or beads glimmer in her dark hair. One hand lifts toward the mirror, while the other drifts beside her with almost theatrical grace. The room is carefully staged: open leaded-glass casement windows on both sides, blue-and-white Dutch tiles along the baseboard, candles flanking the mirror, greenery hung above it, and a warm wooden floor catching the light. In the lower left, a bench is strewn with fabric, sewing tools, and garments, suggesting a moment interrupted in the middle of dressing or domestic work.

That interruption is the painting’s real drama. British artist Laura Theresa Alma-Tadema turns a nearly silent action into suspense: not the visitor at the door, but the split second before the woman answers. The work looks back deliberately to 17th-century Dutch genre painting, especially the intimate interiors of Johannes Vermeer, with their women, windows, polished surfaces, and concentrated light. But this is not a lost Dutch original. It is a Victorian reimagining of Dutch life, painted in 1897 with knowing affection. Alma-Tadema was admired for scenes of “domestic life, Dutch habits, Dutch furniture and Dutch dress,” and this painting shows why. Every object helps tell a story, yet none overwhelms the mood. The mirror is especially clever as it withholds the sitter’s full identity while giving us just enough to feel her presence. Alma-Tadema built a successful career in London at a time when women artists were often pushed toward smaller, more private subjects. Here, she turns that expectation into strength. Rather than grand history, she gives us anticipation and self-presentation.

A young woman stands with her back to us in a quiet room, pausing in front of a square black-framed mirror. We see her face only as a reflection: soft-eyed, alert, and slightly turned, as if she has just heard the sound named in the title. Her cream-white gown falls in loose folds to the floor, edged with dark blue trim that traces the line of her shoulders and back. Pearls or beads glimmer in her dark hair. One hand lifts toward the mirror, while the other drifts beside her with almost theatrical grace. The room is carefully staged: open leaded-glass casement windows on both sides, blue-and-white Dutch tiles along the baseboard, candles flanking the mirror, greenery hung above it, and a warm wooden floor catching the light. In the lower left, a bench is strewn with fabric, sewing tools, and garments, suggesting a moment interrupted in the middle of dressing or domestic work. That interruption is the painting’s real drama. British artist Laura Theresa Alma-Tadema turns a nearly silent action into suspense: not the visitor at the door, but the split second before the woman answers. The work looks back deliberately to 17th-century Dutch genre painting, especially the intimate interiors of Johannes Vermeer, with their women, windows, polished surfaces, and concentrated light. But this is not a lost Dutch original. It is a Victorian reimagining of Dutch life, painted in 1897 with knowing affection. Alma-Tadema was admired for scenes of “domestic life, Dutch habits, Dutch furniture and Dutch dress,” and this painting shows why. Every object helps tell a story, yet none overwhelms the mood. The mirror is especially clever as it withholds the sitter’s full identity while giving us just enough to feel her presence. Alma-Tadema built a successful career in London at a time when women artists were often pushed toward smaller, more private subjects. Here, she turns that expectation into strength. Rather than grand history, she gives us anticipation and self-presentation.

“A Knock at the Door” by Laura Theresa Alma-Tadema (British) - Oil on panel / 1897 - Currier Museum of Art (Manchester, New Hampshire) #WomenInArt #LauraTheresaAlmaTadema #AlmaTadema #CurrierMuseum #art #arttext #VictorianArt #BritishArt #BritishArtist #WomensArt #WomanArtist #WomenArtists #1890sArt

1 day ago 52 8 2 1

Yes👏👏🤞🐕❤️

1 day ago 1 1 0 0
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Hana ❤️ | A Lovely Istanbul Cat 🐈‍⬛

#cat #cats #catsofbluesky #catpics #catlover #Blueskyねこ部 #caturday #nature #kittens #catsofistanbul #photography #catsky #istanbul

2 days ago 275 24 5 0
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Kiko ❤️ | An Istanbul Cat on the stairs 🐈‍⬛

#cat #cats #catsofbluesky #catpics #catlover #Blueskyねこ部 #caturday #nature #kittens #catsofistanbul #photography #catsky #istanbul

1 day ago 216 25 4 0

Thank you so much dear Maria 😘

"Dogs are not our whole life, but they make our lives whole. "
💙🐕💙🫂🫂🫂🫂🫂🫂🫂

1 day ago 0 1 1 0
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Maligne Lake - Large Reproduction
- Lawren Harris🖌️

Have a peaceful day 🙏🍀☕🐕

1 day ago 5 4 1 0
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🕊💐🕊Peaceful Tuesday🕊💐🕊

"I love Canada. It's a wonderful political act of faith that exists atop a breathtakingly beautiful land."
🇨🇦Yann Martel🇨🇦

Lawren Harris (1885-1970) The Old Stump, Lake Superior 1926
#CanadianArt

1 day ago 14 6 1 0
This painting belongs to the visual world of Qajar Iran, where portraiture often balanced ideal beauty with dazzling ornament. Here, intimacy matters as much as decoration. The title tells us these are sisters, but their individual names are lost, so the work preserves kinship more than biography. 

The two young women stand shoulder to shoulder against a quiet, darkened ground, looking directly toward us. Their skin is rendered in a smooth light olive tone as their dark hair falls in long masses beneath elaborate jeweled headdresses threaded with pearls and red ornaments. Each wears a fitted jacket densely patterned with white beading, floral motifs, and gemlike medallions, one (left) in a deep brick red and the other (right) in a dark blue-black. The sisters’ arched eyes, joined brows, small closed mouths, and calm expressions create an image of poised stillness rather than spontaneous emotion. One figure wraps an arm around the other’s waist, reinforcing closeness and mutual protection. Necklaces, cuffs, and belts catch the eye in repeating dots and circles, making the surface shimmer like embroidered fabric.

Their paired pose suggests solidarity, shared status, and perhaps the way elite femininity was imagined and displayed in early 19th-century Persian painting. The artist emphasizes line, pattern, and tonal contrasts of red, blue, gold, and white more than deep space, giving the image its striking, iconic presence. Even so, the entwined arms and slight turns of the bodies bring warmth into the formality. What remains especially memorable is the double portrait’s tenderness with two nearly equal figures, richly adorned yet emotionally restrained, presented as siblings whose bond is the painting’s true center.

This artwork is notably similar to a Qajar "Sisters" painting (also shared on bsky by me about a month ago) at the Metropolitan Museum of Art in New York from the same era ... and possibly the same unknown artist.

This painting belongs to the visual world of Qajar Iran, where portraiture often balanced ideal beauty with dazzling ornament. Here, intimacy matters as much as decoration. The title tells us these are sisters, but their individual names are lost, so the work preserves kinship more than biography. The two young women stand shoulder to shoulder against a quiet, darkened ground, looking directly toward us. Their skin is rendered in a smooth light olive tone as their dark hair falls in long masses beneath elaborate jeweled headdresses threaded with pearls and red ornaments. Each wears a fitted jacket densely patterned with white beading, floral motifs, and gemlike medallions, one (left) in a deep brick red and the other (right) in a dark blue-black. The sisters’ arched eyes, joined brows, small closed mouths, and calm expressions create an image of poised stillness rather than spontaneous emotion. One figure wraps an arm around the other’s waist, reinforcing closeness and mutual protection. Necklaces, cuffs, and belts catch the eye in repeating dots and circles, making the surface shimmer like embroidered fabric. Their paired pose suggests solidarity, shared status, and perhaps the way elite femininity was imagined and displayed in early 19th-century Persian painting. The artist emphasizes line, pattern, and tonal contrasts of red, blue, gold, and white more than deep space, giving the image its striking, iconic presence. Even so, the entwined arms and slight turns of the bodies bring warmth into the formality. What remains especially memorable is the double portrait’s tenderness with two nearly equal figures, richly adorned yet emotionally restrained, presented as siblings whose bond is the painting’s true center. This artwork is notably similar to a Qajar "Sisters" painting (also shared on bsky by me about a month ago) at the Metropolitan Museum of Art in New York from the same era ... and possibly the same unknown artist.

"Sisters" by Unknown artist (Iranian) - Oil on canvas / c. 1820–1840 - Shalva Amiranashvili State Museum of Fine Arts, Georgian National Museum (Tbilisi, Georgia) #WomenInArt #QajarArt #PersianPainting #GeorgianNationalMuseum #ShalvaAmiranashviliMuseum #IranianArt #art #artText #PersianArt #1830sArt

2 days ago 30 8 1 0
A brown and white bird with small blue patches on its wings sitting on a grey painted rain with green trees in the background.

A brown and white bird with small blue patches on its wings sitting on a grey painted rain with green trees in the background.

Afternoon visit for their night cap.
Kookaburra’s seem to be getting earlier every day.

1 day ago 550 42 12 0
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Sunrise this morning here in Glastonbury.

1 day ago 4794 337 69 14
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Thanks and a domani Maria dear 🙏👏👏👏🕊💐🌃💐🕊🙋‍♀️

2 days ago 0 0 0 0
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La Fornarina (segundo Rafael), 1929
Óleo sobre tela
Miró🖌️
Coleção de Arte Contemporânea do Estado, em depósito na Fundação de Serralves - Museu de Arte Contemporânea, Porto

Have a joyful day🌞🌾🏡

2 days ago 7 5 1 0
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Cenni di primavera 🌼al teatro Marcello #Roma #Rome #Italy #photography #CartolineRomane

5 days ago 9 2 0 0

Great pic !

2 days ago 2 0 1 0