Domes rest in soft shade, Pencil traces their silent lines — Paper holds the day. Moment of creation: two girls sketching the Small Cathedral of the Don Icon of the Mother of God, at the entrance to the Necropolis, Donskoy Monastery. Shot September 13, 2018 on Nikon Lite Touch Zoom 120 ED with Kodak Tri‑X 400. ____________________ 📷 Technical credits: 13 September 2018 Moscow. The Donskoy Stavropegial Monastery. Entrance to the Necropolis. Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Kodak Professional Tri‑X 400 (expired, storage unknown; exposed at nominal ISO) Scanner: Pakon F235+

“Dome Shadows Sketched on Paper” (Kodak Tri-X 400)

Paper in soft tremor.
Light settles onto the page.
Silence does the drawing.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #trix400film #trix400 #kodaktrix400 #classicmono #35mm #film #monochrome #photojournalism #female #girl #bnw

“Carving and Breath: When Stone Speaks Back to the Craftsman” (Kodak Tri-X 400) Fingers trace the grooves. The capital holds its breath — The stone whispers back. A restorer working with the gravestones of the Donskoy Monastery Necropolis — where stone and time learn to align again. Moscow. The Donskoy Monastery. Necropolis. 13 September 2018 Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Kodak Professional Tri-X 400 Black and White Negative Film [Expired, storage unknown, exposed at nominal ISO] Scanner: Pakon F235+

“Echo Through Centuries: Restoration as a Conversation with History” (Kodak Tri-X 400) Dust of centuries brushed away. Carvings rise from shadow — Ancestors’ voices return. Moscow. The Donskoy Monastery. Necropolis. 13 September 2018 Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Kodak Professional Tri-X 400 Black and White Negative Film [Expired, storage unknown, exposed at nominal ISO] Scanner: Pakon F235+

“Dialogue with Stone: When the Past Responds to Touch” (Kodak Tri-X 400) Silence of the necropolis. A hand sweeps dust from granite — Echo of forgotten words. Moscow. The Donskoy Monastery. Necropolis. 13 September 2018 Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Kodak Professional Tri-X 400 Black and White Negative Film [Expired, storage unknown, exposed at nominal ISO] Scanner: Pakon F235+

“Where Time Steps Aside for the Hand” (Kodak Tri-X 400)
13 September 2018

Dust on the palm.
Silence holds its single breath.
The stone listens back.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #trix400film #trix400 #kodaktrix400 #classicmono #35mm #film #monochrome #photojournalism

Above the tall grass, a memory of quiet - wind answers softly. The “Century-Old Pine” (Great Palace Glade, Tsaritsyno). Age: approximately 150 years. A cluster planting of two Scots pines pretending to be a single tree. Direct successor to a Weymouth pine that was blown down by a hurricane in 1904. Camera: Nikon Lite Touch Zoom 120 ED AF – a point‑and‑shoot with delusions of grandeur. Film: expired Kodak Tri-X 400 – much like the pine, though it holds up better. Scanner: Pakon F235+. Taken 06.09.2018. The glade is empty. The pine remains. No interviews today – it’s resting. Russia. Moscow. Tsaritsyno Palace Glade. Central pine planted in the mid‑19th century. Camera: Nikon Lite Touch Zoom 120 ED (AF), serial number 3431629. Film: Kodak Professional Tri‑X 400 B&W Negative (expired film, storage conditions unknown; exposed at box speed) Scanner: Pakon F235+ Date: September 6, 2018

"The Century‑Old Guardian of the Glade" (Kodak Tri-X 400)

Above the tall grass,
a memory of quiet -
wind answers softly.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #landscape #nature #classicmono#trix400film #trix400 #kodaktrix400 #bnwmood #monochrome #35mm #film

Three friends, one float. The bucket rehearses hope - no fish, just the dark. Evening fishing at the Upper Tsaritsyno Pond — a quiet moment where the city dissolves into water and conversation. A few fishermen, soft light, and the gentle grain of expired Tri‑X turn the scene into a small chronicle of a Moscow evening. Shot in Tsaritsyno, Moscow. September 2018. Russia. Moscow. Tsaritsyno Park Upper Tsaritsynsky Pond Camera: Nikon Lite Touch Zoom 120 ED (AF) #3431629 Film: Kodak Professional Tri‑X 400 B&W Negative (expired film, storage conditions unknown; exposed at box speed) Scanner: Pakon F235+ Date: September 6, 2018

«How to Waste an Evening Without Feeling Guilty» (Kodak Tri-X 400)

Three friends, one float.
The bucket rehearses hope -
no fish, just the dark.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #people #streetphotography #streetlife #classicmono #trix400 #trix400film #bnw

🤝

Stone breathes in its sleep, the pond keeps her quiet lore — evening softens all. Stone, time, ripples. The Tsaritsyno Sphinx — part of the wharf reconstructed in 2006–2007 near the Upper Tsaritsyno Pond. There are two sphinxes – this is the one facing the water, not the footpath. The sculptures were created by Moscow artist Alexander A. Pirogov and have become one of the park’s signature details. Shot on expired Kodak Tri‑X 400, adding grainy texture and a soft silver tone to the scene. Tsaritsyno, Moscow. September 2018. No riddles were asked – everyone had already rented a rowboat. Russia. Moscow. Tsaritsyno Park Upper Tsaritsynsky Pond Camera: Nikon Lite Touch Zoom 120 ED (AF) #3431629 Film: Kodak Professional Tri‑X 400 B&W Negative (expired film, storage conditions unknown; exposed at box speed) Scanner: Pakon F235+ Date: September 6, 2018

«The Sphinx That Gave Up on Riddles and Now Just Watches the Rowboats» (Kodak Tri-X 400)

Stone lioness waits.
Water copies her blank gaze –
no one asks today.

#monochrome #blackandwhite #kodakfilm #trix400film #trix400 #believeinfilm #classicmono #film #bwfilm #bnw #kodaktrix400 #35mm

The pond strokes the sky, trees rising like a quiet wall - the day drifts away. The photo captures the Eastern Arched Bridge at Tsaritsyno Museum-Reserve, Moscow. Designed by architect V.S. Keremetchi and constructed in 2005–2007, this elegant structure connects the main entrance square to the «Podkova» (Horseshoe) island across the Middle Tsaritsyno Pond. Key features: Style: delicate lattice design with arches, blending functionality and aesthetics; Role: a key link between the park entrance and the island; Setting: surrounded by lush greenery and reflecting in the calm pond waters; Details: ornate street lamps line the bridge, adding a classic touch. Shot with Nikon Lite Touch Zoom 120 ED (AF) on Kodak Tri-X 400 film (expired, scanned on Pakon F235+). Black-and-white format enhances the timeless charm of the scene. Russia. Moscow. Tsaritsyno Park Middle Tsaritsynsky Pond Camera: Nikon Lite Touch Zoom 120 ED (AF) #3431629 Film: Kodak Professional Tri‑X 400 B&W Negative (expired film, storage conditions unknown; exposed at box speed) Scanner: Pakon F235+ Date: September 6, 2018

«A Lamppost’s Monologue About the Irrelevance of Horizontality» (Kodak Tri‑X 400)

The pond strokes the sky,
trees rising like a quiet wall -
the day drifts away.

#monochrome #blackandwhite #kodakfilm #trix400film #trix400 #kodaktrix400 #35mm #filmphoto #believeinfilm #classicmono #film #bwfilm

Russia. Moscow region. Ryazanovskoe settlement, Mostovskoye village (Equestrian club «KSK Reward») Camera: Nikon Lite Touch Zoom 120 ED (AF) (№3431629) Film: Kodak Professional Tri-X 400 Black and White Negative Film [The film is expired, storage conditions are unknown. The film was exhibited at nominal ISO] Scanner: Pakon F235+ Photo taken: 08/09/2018

Just Horses (Grazing in September)
Kodak Professional Tri-X 400
08/09/2018

#filmphotography #blackandwhite #expiredfilm #believeinfilm
#trix400film #trix400 #kodaktrix400 #bnwmood #classicmono

Thanks!
By the way, this is a rare roll of film—not photographic film, but technical cinefilm — used (so to speak) for a purpose other than its intended one :) It’s also 30 years past its expiration date.

A random frame from the amphitheater in Zaryadye. People scattered across the steps, each in their own small world, while the film added its own layer of noise. Sometimes the city speaks this way — without a story, just by being there. Series: LomoPunk Documentary Line Location: Moscow, Zaryadye Park Date: August 8, 2020 Camera: FED‑4 Lens: Industar‑26m Film: Svema KN‑5D (release date: Jan 1991), cinema B/W negative Develop & Scan: @luch.lab

“The City As It Is or LomoPunk: Amphitheater”
FED‑4+Svema KN‑5D

A random frame from the amphitheater in Zaryadye.
People scattered across the steps, each in their own small world, while the film added its own layer of noise.
Sometimes the city speaks this way — without a story,just by being there.

“Motherhood Among the Trees” (Svema KN-5D) Bronze beneath the trees - the deer listen to the quiet, wind holding the light. The sculpture Deer with Fawn stands quietly among the old trees - gentle, tender, almost alive. Through the grain of the film it feels less like bronze and more like a breath the park has held for a moment too long. Sometimes you only need to pause to see how the past and the present brush against each other. Informational note: “Deer with Fawn” is a bronze sculpture by Alexander Belashov, installed in 1976 in the Memorial Park of the Heroes of World War I (Sokol district, Moscow). It stands on a granite pedestal that once held another work by the same sculptor — Boy with a Doe. The park occupies the former site of the Moscow Brothers’ Cemetery (approx. 17,500 burials), destroyed in the 1930s; the graves were never relocated and remain beneath today’s paths and lawns. The sculpture is known to have several copies, including one in Kamianske (Ukraine) and porcelain miniature versions. Technical Credits: Series: LomoPunk Documentary Line Subject: Deer with Fawn sculpture (A. Belashov, 1976) Location: Moscow, Memorial Park of the Heroes of World War I Date: August 8, 2020 Camera: FED‑4 Lens: Industar‑26m Film: Svema KN‑5D (release date: Jan 1991), cinema B/W negative Develop & Scan: @luch.lab

“Memory Hidden in the Leaves” (Svema KN-5D) Shadows in the trees, a doe looking through the years - the park keeps its secret. The sculpture Deer with Fawn stands quietly among the old trees — gentle, tender, almost alive. Through the grain of the film it feels less like bronze and more like a breath the park has held for a moment too long. Sometimes you only need to pause to see how the past and the present brush against each other. Informational note: “Deer with Fawn” is a bronze sculpture by Alexander Belashov, installed in 1976 in the Memorial Park of the Heroes of World War I (Sokol district, Moscow). It stands on a granite pedestal that once held another work by the same sculptor — Boy with a Doe. The park occupies the former site of the Moscow Brothers’ Cemetery (approx. 17,500 burials), destroyed in the 1930s; the graves were never relocated and remain beneath today’s paths and lawns. The sculpture is known to have several copies, including one in Kamianske (Ukraine) and porcelain miniature versions. Technical Credits: Series: LomoPunk Documentary Line Location: Moscow, Memorial Park of the Heroes of World War I Date: August 8, 2020 Camera: FED‑4 Lens: Industar‑26m Film: Svema KN‑5D (release date: Jan 1991), cinema B/W negative Develop & Scan: @luch.lab

“Silent Bronze in the Old Park” (Svema KN-5D)

Bronze beneath the trees -
the deer listen to the quiet,
wind holding the light.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #sovietcamera #35mm #classicmono #film #bwfilm #bnw #monochrome #noir #lomography #bw #svemafilm #bnwphoto

August in still air - a streetlamp guards the quiet, the monastery breathes. A quiet corner of Zabelina Street. The streetlamp stands like a point of balance, and the monastery in the distance dissolves into the August air. Here, Moscow speaks in a whisper. ️ Technical Credits Series: LomoPunk Documentary Line Location: Moscow, Zabelina Street Date: August 8, 2020 Camera: FED‑4 Lens: Industar‑26m Film: Svema KN‑5D (release date: Jan 1991), cinema B/W negative Develop & Scan: @luch.lab

“Silence on Zabelina Street” (Svema KN‑5D)

August in still air -
a streetlamp guards the quiet,
the monastery breathes.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #sovietcamera #35mm #classicmono #film #bwfilm #bnw #monochrome #noir #lomography #bw #svemafilm #bnwphoto #street

Two sweepers walking - the city breathes in their steps, morning without haste. A documentary #LomoPunk frame shot on expired Svema KN‑5D. Two municipal sweepers from “Zhilishchnik” (a Moscow city housing‑and‑utilities service) walk down Zabelina Street, pushing their carts and talking quietly. A glimpse of everyday Moscow — the part that keeps the city alive. Technical Credits Series: LomoPunk Documentary Line Location: Moscow, Zabelina Street Camera: FED‑4 Lens: Industar‑26m Film: Svema KN‑5D (release date: Jan 1991), cinema B/W negative Develop & Scan: luch.lab

“The City Rests on Them” (Svema KN‑5D)
(08.08.2020)

Two sweepers walking -
the city breathes in their steps,
morning without haste.

#filmphotography #blackandwhite #bnw #filmisnotdead #monochrome #believeinfilm #35mm #streetphotography #bnwsouls #film #street #svema #svemafilm #svemakn5d

“Guardians of the Gogol Wind” Lions guard the shade — memory shifts its footprints, stone remembers all. A rare frame shot on heavily expired Svema KN‑5D cinema B/W film (expiration date: January 1991), taken on July 15, 2020 with a FED‑4 camera and Industar‑26m lens. The photo shows the lions at the base of the new Gogol monument on Gogolevsky Boulevard. These sculptures are original elements of the 1909 Andreev monument, created by architect N. A. Andreev and manufactured at Erich Wheeler’s factory. When the pre‑revolutionary monument was moved to Nikitsky Boulevard in the 1950s, the lions and lanterns remained in their original place — silent witnesses to shifting eras and changing aesthetics. Developed and scanned by @luch.lab.

🦁 “The Century‑Worn Lion” A century-worn lion — the wind turns ancient pages, stone keeps its quiet light. Technical Credits: Date: July 15, 2020 Camera: FED‑4 Lens: Industar‑26m Film: Svema KN‑5D (expired Jan 1991), cinema B/W negative Develop & Scan: @luch.lab Location: Gogolevsky Boulevard, Moscow Subject: Lion sculpture from the original 1909 Andreev monument, manufactured at Erich Wheeler’s factory Architect: N. A. Andreev

“Guardians of the Gogol Wind”
Svema KN‑5D (expired Jan 1991) + FED‑4

Lions guard the shade —
memory shifts its footprints,
stone remembers all.

#filmphotography #blackandwhite #expiredfilm #believeinfilm #sovietcamera #35mm #classicmono #film #bwfilm #bnw #monochrome #noir #lomography #bw

Cathedral, factory, tsar Sky sets the spotlight on stage Moscow plays its part Sometimes the sky decides to become a director. On February 6, 2016, walking from Muzeon to Krymskaya Embankment, I witnessed a theatrical performance where clouds were the set designers and a rare beam of winter sun was the lighting technician. On this stage, three main actors: on the left, the Cathedral of Christ the Saviour, a silent witness to history; in the center, "Red October," snatched from the gloom by a ray of light like the protagonist of a drama; on the right, Tsereteli's 98-meter Peter the Great, frozen in anticipation of applause. Between them flows the Moskva River, the connecting thread of time. Above them, gloomy clouds create the perfect contrasting backdrop. And one ray of light that turns an ordinary cityscape into a theatrical stage. The black-and-white Adox Silvermax 100 film enhances the drama, removing unnecessary colors and leaving only the play of light and shadow. The Olympus μ[mju:]-II captured the moment when the sky decided to put on a show. Moscow is always a multi-layered performance. You just need to find the right angle and wait for the spotlight to turn on. 📍 Location: Bolotny Island Spit, view from Krymskaya Embankment, Moscow 📅 Date: 06.02.2016 📷 Camera: Olympus μ[mju:]-II ️ Film: Adox Silvermax 100 ️ Scan: Epson Stylus Photo RX500 (as-is, no corrections) Objects in frame: Left: Cathedral of Christ the Saviour (restored in 2000) Center: "Red October" art cluster (former chocolate factory, founded 1851) Right: Peter the Great Monument by Zurab Tsereteli (1997, height 98 m) The director of this shot is the sky itself, choosing the perfect moment for theatrical lighting of the main "actor"—"Red October."

«Theater of a Single Ray, or Three Actors on the Stage of Bolotny Spit»

Cathedral, factory, tsar
Sky sets the spotlight on stage
Moscow plays its part

#blackandwhite #monochrome #cityscape #landscape #filmphotography #believeinfilm #CinematicBW #35mm #bwfilm #olympusmju2 #adoxsilvermax100 #bw

These cameras are good, but they’re very fragile (consumables, alas). And given their age... fewer and fewer of them are still in working order (mine is still going strong).

"No Flood, Only Snow or The Absurd Ark" (Adox Silvermax 100) Mazay stands steady, hares argue about rescue - the accordion laughs. A direct line from Nekrasov to the park: Ded Mazay in his coat is more than a poem’s hero — he’s an archetype of the Russian people, calm and steady. The boat is crowded with hares of character: two on the bow parody Titanic, one plays the accordion, another the balalaika, one clutches a carrot, one naps, the rest gossip about weather and fate. In this scene folkloric kindness meets domestic irony; absurdity becomes a metaphor for endurance, self‑mockery, and the public theatre. The sculpture is not merely a depiction but a question: who rescues whom, and what do we call “the people” in a moment of trial. Shot on Olympus μ[mju:]-II, film Adox Silvermax 100, scanned Epson Stylus Photo RX500 in “as is” mode. At the time of shooting (06/02/2016) the composition was installed in Muzeon Art Park, Moscow. Title: “Ded Mazay and the Hares” Authors: Alexander M. Taratynov and Glafira Taratynova Artist credentials: Alexander Taratynov — Corresponding Member of the Russian Academy of Arts, Honored Artist of the Russian Federation; the work was created in collaboration with his daughter. Year: 1999 Material and technique: artistic casting; principal elements cast in bronze (metal alloy), with possible armature and mixed‑material pedestal; monumental sculpture, casting and finishing. Subject: inspired by N. A. Nekrasov’s poem “Grandfather Mazay and the Hares,” combining folklore, pop‑culture references and a humorous treatment of the hares. Exhibition history: long exhibited in Muzeon Art Park (Moscow); suffered vandalism requiring restoration (including re‑casting of some figures); moved between storage and exhibition sites; after restoration parts of the composition were installed in Nekrasovsky Garden, Saint Petersburg (2020). Note: at the time of shooting (06/02/2016) the composition was installed in Muzeon Art Park, Moscow.

«When the Boat Sailed into a Dream, or the Bronze Hares Dissolved into the Mist of Memory» Camera fell asleep Hares melt into silver mist Where is reality? There... Sometimes technology fails to give birth to art. The Olympus μ[mju:]-II froze at the most inappropriate moment — or the most appropriate one? And instead of a clear copy of the previous shot, something else was born: ghostly, dreamy. The bronze boat sailed from reality into the realm of blurred forms and elusive meanings. Grandpa Mazay and his hares are no longer standing still — they move, dissolve, disappear. Like a childhood memory. Like Nekrasov’s poem read many years ago. Like the spring of 2016 itself, which is no more. This shot is about how reality turns into a dream — how memory erases details, leaving only vague outlines — how everything material will one day become ghostly. A technical defect became a philosophical statement: a camera glitch, a metaphor for time — and blurriness, the poetry of oblivion. Sometimes what we consider a mistake turns out to be the most honest shot of all. 📍 About the shot: An accidental blurred version of the previous photograph 🎨 Location: Muzeon Art Park, Moscow 📅 Date: 06.02.2016 📷 Camera: Olympus μ[mju:]-II ️ Film: Adox Silvermax 100 🔧 Feature: The camera "froze" during shooting, creating an unintentional artistic blur effect ️ Scan: Epson Stylus Photo RX500 (as-is, no corrections) Philosophy of defect: A technical camera error turned a documentary shot into an abstract-surrealistic image where reality dissolves into a silvery mist. Sometimes a glitch is not the end, but the beginning of a new vision.

“Two Truths of One Spring or A Dream About Rescue”
(Adox Silvermax 100 + Olympus μ[mju:]-II)

Camera held its breath,
a boat dissolves into the snow -
hares sing, soft and slow.

#blackandwhite #bnw #RussianArt #OlympusMjuII #AdoxSilvermax #FilmPhotography #35mm #believeinfilm #classicmono #film

“Silence Carrying Itself” Stone exhales its dusk, the cross grinds against the sky — wind speaks by staying still. Sculpture: “The Way of the Cross” (2000) Artist: Alexey S. Grigoriev (1949–2002) Material: limestone; carving and polishing Dimensions: 255 × 174 × 110 cm Location: Muzeon Art Park, Moscow Collection: Gorky Park Museum Collection The work is part of the “White Stone Sculpture Hall” and symbolizes the path of trials, spiritual endurance, and the inner movement of a human being. 📷 Technical Credits Camera: Olympus μ[mju:]-II Film: Adox Silvermax 100 Date: February 6, 2016 Location: Muzeon Art Park, Moscow Scan: Epson Stylus Photo RX500, “as is” mode

“Silence Carrying Itself”
(Adox Silvermax 100 + Olympus μ[mju:]-II)

Stone exhales its dusk,
the cross grinds against the sky -
wind speaks by staying still.

#blackandwhite #monochrome #bwfilm #bnw #RussianArt #OlympusMjuII #AdoxSilvermax #FilmPhotography #35mm #believeinfilm #classicmono #film

Among Their Kind - “Seventy Percent Silence” A zero holds a face, silence measures what we are - our noise doesn’t fit.

Among Their Kind - “Up to Seventy — Up to Infinity” A chain pulls upward, their printed words speak for them - we hear only echoes.

Among Their Kind - “Those Who Smile in Our Place” Towers on their brows, the city crowns their still heads - we fade in the glass.

Among Their Kind - “The City Living Inside Them” Smiles caught in the glass, the city breathes through their bodies - we pass like shadows.

Among Their Kind (Frame 4-7): A Noir of Reflections

Faceless silhouettes,
the city walks through their ribs -
we return as glare.

Look into ALT — that’s where the city breathes.
#blackandwhite #reflection #noirphotography #absurdism #surreal #streetphotography #grainyfilm #noir #bnw #street

Among Their Kind — “Those Who Stand in Our Place” Motionless figures, while we flicker in the glass - afraid of our twins.

Among Their Kind — “A Laugh That Isn’t Ours” Laughter on the glass, mannequins never respond - we fade far sooner.

Among Their Kind - “The City Trying Us On” City in their eyes, we are creases on the glass, wind will smooth us out.

Among Their Kind (Frame 1-3): Silent Companions

Borrowed bright smiles,
blended with our reflections -
we become the glass.

Look into ALT — that’s where the city breathes.
#blackandwhite #reflection #noirphotography #absurdism #metaIrony #surreal #streetphotography #grainyfilm #noir #bnw #street

Bronze rises through cold - a step from “Woe from Wit” into winter air. --- The final frame of the roll captures Alexander Sergeyevich Griboedov from a low, dramatic angle — a perspective that makes him appear as if he is stepping forward, rising from bronze into motion. The monument, usually reserved and static, becomes unexpectedly dynamic: the coat thrown over his shoulders, the clenched hand, the forward stance — all amplified by the upward view. The title echoes this duality: Griboedov Ascending reflects the visual momentum, while Woe from Wit anchors the image in the writer’s legacy. It’s as if the monument momentarily bridges the distance between literature and street, between the 19th century and a winter morning in 2018. Shot on expired Ilford HP5, the grain and contrast emphasize the monument’s texture and presence. A fitting end to the roll — a figure of Russian culture caught mid‑stride, poised between history and imagination. Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: Takumar‑F 70–200mm ƒ4–5.6 Film: Ilford HP5 Plus 400 (exp. 08.2014), dev. Xtol Photo taken: 13/02/2018 Scanner: Noritsu LS‑1100 Location: Chistoprudny Boulevard, Moscow The monument to Griboyedov is a sculpture of playwright Alexander Sergeevich Griboyedov in Moscow, at the beginning of Chistoprudniy Boulevard, near the exit of the metro station of the same name. (Sculptor: A. A. Manuilov, Architect: AA Zavarzin Building: 1959)

“Griboedov Ascending or Woe from Wit” (Ilford HP5 Plus 400)

Bronze rises through cold -
a step from “Woe from Wit”
into winter air.

#filmphotography #blackandwhite #ilfordhp5plus400 #bnw #filmisnotdead #monochrome #sculpture #believeinfilm #film #35mm #bw #classicmono #filmisnotdead

Three halos in snow - February keeps their trace on a vanished wall. This photograph captures a now‑vanished piece of Moscow street art by Ivan Simonov, one of the key figures of the new wave of Russian urban intervention. Simonov is known for his long‑running project “Little People”, launched in 2016, where he integrates miniature human figures into the cityscape. His works often depict passers‑by, police officers, workers, or marginalized individuals — tiny silhouettes placed into unexpected architectural corners. The project is built on documentary photography and micro‑posters, turning everyday characters into part of the city’s visual narrative. Simonov’s approach is both social and poetic: he shows how small a person can seem within the massive machinery of the metropolis, yet how expressive a single gesture or posture can be. This particular work — three police officers with halos and wings — once appeared in the archway of the “Khodasevich” bookstore. It was a sharp, ironic commentary on authority, innocence, and the blurred lines between order and mythology. Like much of Simonov’s art, it was short‑lived: painted over, erased, or simply lost to time. This photograph, taken on expired Ilford HP5, preserves a moment of this fragile urban mythology — a trio of “holy patrolmen” standing in a snowy Moscow passage, caught between satire and sanctity. Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (expired 08/2014), developed in Xtol Scanner: Noritsu LS‑1100 Photo taken: February 13, 2018 Location: Archway of the “Khodasevich” bookstore, Moscow, Russia

Holy Patrol - Street Art by Ivan Simonov (Project “Little People”)
(Ilford HP5 Plus 400)

Three halos in snow -
February keeps their trace
on a vanished wall.

#filmphotography #blackandwhite #ilfordhp5plus400 #bnw #filmisnotdead #monochrome #streetart #believeinfilm #35mm #film #street

Thank you for your kind words!

Winter bends the street - Maroseyka drifts softly through the morning light. ___ Another February frame from the same roll - Maroseyka stretching forward in a gentle winter bend, lined with lamps, old facades, and bundled figures moving through the cold. Cars glide along the wet pavement, pedestrians weave between patches of snow, and the street holds its familiar rhythm, a blend of history and everyday motion. Shot on expired Ilford HP5, the monochrome grain turns the scene into a quiet documentary fragment. Nothing dramatic happens here - just a winter morning on Maroseyka, a street that has carried centuries of footsteps and still feels alive in its understated way. _____ Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: Takumar‑F 70–200mm ƒ4–5.6 Film: Ilford HP5 Plus 400 (exp. 08.2014), dev. Xtol Photo taken: 13/02/2018 Scanner: Noritsu LS‑1100 Location: Maroseyka Street, Moscow Street Maroseika - street in the Central Administrative District of Moscow. It passes from the Ilyinsky Gate to the Pokrovka street. The numbering of houses is from the Ilyinsky Gate Square. In addition to those mentioned, streets lead to the street: c odd, north side - B. Zlatoustinsky, and with even - B. Spasoglinischevsky and Petroverig.

“Winter Curve on Maroseyka” (Ilford HP5 Plus 400)

Winter bends the street -
Maroseyka drifts softly
through the morning light.

#filmphotography #blackandwhite #ilfordhp5plus400 #bnw #filmisnotdead #monochrome #cityscape #believeinfilm #35mm #cityphotography #bnwsouls #film #street #winter

Snow on quiet signs - Pokrovka keeps its rhythm in the winter light. A simple February moment on Pokrovka: snow on barrels, wrought‑iron awnings, a lone passerby, and the soft glow of shop signs half‑hidden by winter light. This street has its own rhythm - a mix of old Moscow charm and modern storefronts, where even the smallest details become part of the city’s quiet choreography. The snow softens the edges, the wet pavement reflects the day, and the scene turns into a small monochrome vignette of everyday life in the center of Moscow. Shot on expired Ilford HP5, the grain and contrast give the frame a gentle documentary feel - a winter sketch, nothing more, nothing less, but full of the atmosphere that makes Pokrovka what it is. ________ Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: Takumar‑F 70–200mm ƒ4–5.6 Film: Ilford HP5 Plus 400 (exp. 08.2014), dev. Xtol Photo taken: 13/02/2018 Scanner: Noritsu LS‑1100 Location: Pokrovka Street, Moscow

“Winter on Pokrovka Street” (Ilford HP5 Plus 400)

Snow on quiet signs—
Pokrovka keeps its rhythm
in the winter light.

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Stone maidens watching - winter folds around their robes, Rumyantsev’s silence. These five frames capture the sculptural details of the historic building at 17/6 Maroseyka Street - once the palace of Count Nikolai Petrovich Rumyantsev, statesman, collector, and one of the great patrons of Russian culture. Today the building houses the Embassy of the Republic of Belarus, but its façade still carries the artistic language of its earlier era. The classical female figures adorning the façade have no recorded names. They are anonymous allegories - embodiments of knowledge, arts, virtues, or simply the decorative ideals of the late 19th‑century architectural imagination. Their gestures, drapery, and symbolic attributes hint at a forgotten narrative, one that once suited the grandeur of the Rumyantsev residence. Photographed on expired Ilford HP5 in the cold February light, these sculptures reveal a quiet dialogue between stone and winter. Their robes catch the shadows, their faces remain calm, and the ornate architectural framing turns each figure into a scene from a silent classical drama. This series preserves not only the craftsmanship of Moscow’s architectural heritage, but also the lingering spirit of the Rumyantsev Palace - a place where history, culture, and allegory still live in stone. Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (exp. 08.2014), dev. Xtol Photo taken: February 13, 2018 Scanner: Noritsu LS‑1100 Location: Former Rumyantsev Palace (now Embassy of the Republic of Belarus), Maroseyka 17/6, Moscow Title: Stone Maidens of the Rumyantsev Palace — I–V

Stone maidens watching— winter folds around their robes, Rumyantsev’s silence. Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (exp. 08.2014), dev. Xtol Photo taken: February 13, 2018 Scanner: Noritsu LS‑1100 Location: Former Rumyantsev Palace (now Embassy of the Republic of Belarus), Maroseyka 17/6, Moscow The real gem of the complex of buildings of the Embassy of the Republic of Belarus in the Russian Federation is the palace of Count N. P. Rumyantsev. The building is an interesting monument of Russian architecture. White-blue palace, decorated in a pseudo-baroque style. It was erected in the XVII century and completely rebuilt in the middle of the XIX century. During the reconstruction on the balconies of the building, female allegorical sculptures appeared. Sculptural female figures that decorate the second and third floors are at first sight purely decorative, but they are allegorical images symbolizing agriculture and cattle breeding - on the second floor, free arts - theater, singing, dance, architecture, painting, music - on the third understand by looking at their attributes). In 1957 a complex of buildings was transferred to the use of the Representation of the Council of Ministers of the Byelorussian SSR. In early 1993, it housed the diplomatic representation of Belarus in Russia. In 2004-2013 there was a complete reconstruction of buildings with the restoration of the original interiors of the XIX century.

Stone Maidens of the Rumyantsev Palace (Ilford HP5 Plus 400)

Stone maidens watching -
winter folds around their robes,
Rumyantsev’s silence.

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Evening subway car. He holds the world in pause - the city keeps moving. Falling onto the bench of a late‑night subway car, I saw a figure that felt almost out of place, out of time. I’ve been building my collection “Life in the Metro” for years, capturing all kinds of faces, but this one was different: the face, the clothes, the whole presence - as if he had stepped out of a novel. He wasn’t posing; he was simply living inside his own thoughts. I tried, as any documentarian should, to remain invisible, not to disturb his quiet and not to let the image dissolve into the air like a wisp of smoke.

“While the Train Moves”

Evening subway car.
He holds the world in pause -
the city keeps moving.

#undergroundlife #streetphoto #classicmono #monochrome #blackandwhite #streetmoment #streetportrait #streetlife #lifeinthemetro #noir_shots #people #streetphotography #documentary #subway #metro

Snow crowns the cold brow— a nameless face in winter waiting for the thaw. --- In the courtyard of the Moscow Union of Artists, sculptures stand as if forgotten by time— and winter finishes their stories with its own hand. This bust, identity unknown, carries a heavy crown of February snow. The expression is stern, almost contemplative, as if the figure is thinking about the summer it once saw, or about the stillness of stone, or simply about how fast snow falls when no one has time to brush it away. A quiet moment in a hidden Moscow courtyard, captured on expired Ilford HP5, where winter turns art into something both accidental and poetic. --- Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (expired 08/2014), developed in Xtol Scanner: Noritsu LS‑1100 Photo taken: February 13, 2018 Location: Courtyard of the Moscow Union of Artists, Starosadsky Lane 5, Building 5, Moscow, Russia <i>Russia, Moscow, Starosadskiy per., 5 The sculptures in the yard of the Moscow Union of Artists Author, title of the sculpture, and the date of creation, I could not find it. As information becomes available, I will change a signature image.</i>

“Buried in February Snow” (Ilford HP5 Plus 400)

Snow crowns the cold brow—
a nameless face in winter
waiting for the thaw.

#filmphotography #blackandwhite #ilfordhp5plus400 #bnw #filmisnotdead #monochrome #sculpture #believeinfilm #35mm #snow #winter #bw #classicmono #streetphoto

“Winter Guardians of Red Square” Bronze heroes in snow— winter leans on their shoulders, history keeps warm. Two frames taken on a cold February day, before the restoration of the monument, yet the bronze looks steady, alive, as if the frost only sharpens its presence. In the first image, the figures stand against fragments of Saint Basil’s Cathedral, snow settling on their shoulders like a quiet reminder of time. In the second, the camera moves closer— and Minin and Pozharsky become almost human, their faces softened by winter, their gesture frozen not only in metal, but in the February air itself. These are not just statues. They are winter guardians of Red Square, holding their silent vigil as Moscow moves around them. Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (expired 08/2014), developed in Xtol Scanner: Noritsu LS‑1100 Photo taken: February 13, 2018 Location: Red Square, by Saint Basil’s Cathedral (Monument to Minin and Pozharsky), Moscow, Russia Temperature: –6°C Title: Winter Vigil — Minin & Pozharsky

“Faces of Frost and Bronze” Bronze heroes in snow— winter leans on their shoulders, history keeps warm. Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (expired 08/2014), developed in Xtol Scanner: Noritsu LS‑1100 Photo taken: February 13, 2018 Location: Red Square, by Saint Basil’s Cathedral (Monument to Minin and Pozharsky), Moscow, Russia Temperature: –6°C Title: Winter Vigil — Minin & Pozharsky

“Minin & Pozharsky: Winter Vigil” (Ilford HP5 Plus400)

Bronze heroes in snow -
winter leans on their shoulders,
history keeps warm.

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#filmphotography #blackandwhite #ilfordhp5plus400 #bnw #filmisnotdead #monochrome #sculpture #believeinfilm #35mm #snow #winter #bw #classicmono

Old chimneys exhale - winter turns steam into sky, the city keeps warm. ___ Industrial Winter Breath — GES‑1, Moscow On a cold February day, the city feels almost weightless, yet the old power station reminds you that Moscow still breathes in steam and steel. GES‑1, one of the oldest operating thermal plants in Russia, stands just beyond the frame - its architecture hidden, but its presence unmistakable in the rising winter plume. The chimneys exhale into the cold air, turning heat into fog, industry into atmosphere. It’s a winter cityscape where history and utility merge, a quiet moment of Moscow’s industrial heartbeat caught on expired Ilford HP5. ___ Technical details: Variations on a theme “...with a film across Moscow” Camera: Pentax MZ‑7 Lens: SMC Pentax‑FA 80–320mm F4.5–5.6 Film: Ilford HP5 Plus 400 (expired 08/2014), developed in Xtol Scanner: Noritsu LS‑1100 Photo taken: February 13, 2018 Location: Moscow, Russia

“Industrial Winter Breath” (Ilford HP5 Plus 400)

Old chimneys exhale -
winter turns steam into sky,
the city keeps warm.

@ilfordphoto.com
#filmphotography #blackandwhite #ilfordhp5plus400 #bnw #filmisnotdead #monochrome #cityscape #landscape #believeinfilm #35mm #smoke #winter #Industrial #bw