Neuer AIR65II zum Start ins Jahr 2026


#65mm #AIR65 #BetaFPV #Whoop #BlogDrFrantlc77 #justRAW
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Here’s Why ‘Sinners’ Cinematographer Autumn Durald Arkapaw Shot the Film in 65mm While it appears to be written in stone at this point that this is the year that PTA gets all of his long-overdue awards for _One Battle After Another_ , there’s another film that honestly deserves to at least share the spotlight just as much. Ryan Coogler’s _Sinners_ was one of the best and most successful films of the year and might have done more to save independent cinema than any other project. A beautifully shot horror film with chaotic musical and comedic elements thrown in, one of the most notable aspects of the project was the large-format cinematography that helped it feel bigger than life. In a long-form discussion put out by Warner Bros. and Panavision, we have a great video to explore that goes over how and why cinematographer Autumn Durald Arkapaw, ASC, chose to shoot the film in 65mm and how its legacy was able to be achieved. * * * ### DP Autumn Durald Arkapaw Discusses Cinematography As you can see in the long-form, wide-ranging, and completely fascinating conversation with cinematographer Autumn Durald Arkapaw, ASC, and Panavision Senior Vice President of Optical Engineering Dan Sasaki, we get a host of insights into how Sinners was conceived, shot, and presented. The discussion covers everything from early format experiments to shooting large-format IMAX film with lenses designed to have personality, texture, and what Autumn calls “steez.” A term which we’re certainly stealing and will be using for all cinematography discussions moving forward. The conversation covers a lot more as the duo explores how a lens’s character can help shape performances, how format decisions evolve alongside story and VFX, and what it takes to push visual language forward while navigating studio-scale filmmaking. ### Highlights of the Cinematography Conversation You can follow along with some of the different sections of the video with these timestamps below. * _00:00_ – Introduction * _00:30_ – The Origin of “Grilled Cheese” * _01:20_ – Defining “Steez” in Lenses * _01:59_ – From 16mm Dreams to Large Format Reality * _04:36_ – Testing IMAX Cameras & Panavision C Series * _05:43_ – The Cinematographer as Artist & Manager * _07:19_ – Trust, Collaboration, and Creative Risk * _08:59_ – Autumn’s Proudest Shot in Sinners * _09:53_ – Lenses, VFX, and Preserving Steez in Post * _14:42_ – Navigating Studio Filmmaking * _17:13_ – Pushing Boundaries with Ryan Coogler * _17:40_ – “You Are Enough”: Advice for Emerging Filmmakers * _18:49_ – Developing a Personal Look * _20:36_ – Choosing the Right Film Format * _24:27_ – Lens Sweet Spots & Knowing Your Glass * _25:32_ – Closing Thoughts You can also learn even more about the filmmaking process for Sinners on _Panavision’s website here_.

#Viltrox unveils new Macro and telephoto anamorphic cine lenses: zorz.it/RvHEh

#KateGaribaldi #135mm #65mm #cinematography #epic #PLMount #Macro #telephoto #lenses

See the Debut Trailer for ‘The Odyssey,’ the First Feature Film Shot Entirely on IMAX The first public trailer for Oscar-winning filmmaker Christopher Nolan's upcoming epic, "The Odyssey," has arrived. The movie, shot on Kodak 65mm film and IMAX film cameras, is slated to make cinematography history and required the use of over two million feet of Kodak film. [Read More]

Still life image of a glass bottle with dice within it, placed inside a box with heavy shadow and light.

I've been taking the time to slow down and be mindful in my approach to photography after a creative slump. Back to basics of form, tone, shadow and light. #still-life #mamiya #65mm #photography #fujifilm #gfx100 #mediumformat #bnw #blackandwhite #shell #photoart

Still life - #still-life #mamiya #65mm #photography #fujifilm #gfx100 #mediumformat #bnw #blackandwhite #shell #photoart

a picture of an rv parked in a field next to a grove of trees. It is past sunset and the rv is being lit up by an unknown light source

an image of an abandoned garage surrounded by trees and foliage. There is a red light coming from inside

a picture of a gate with a tree behind it and a red light radiating from behind that tree

a picture of a cool old car parked in someones leaf covered yard

📷: Bronica SQ-A
🎞️: Kodak Vision 3 250D

#filmphotography #believeinfilm #analog #abandoned #65mm #imax

A picture of a black crown Vic with a for sale sign in the window

A picture of a cool old car with 2 slightly less cool 90s cars on either side of it

Osburn ID

📷: Bronica SQ-A
🎞️: Reflx Labs Vision 3 250D

#filmphotography #analog #believeinfilm #65mm #imax

Logmar Magellan 65mm film camera. After two days of hands-on testing, evaluating, loading and discussing; this camera has really made a big impression on me and showing its potential. Exciting times ahead!
#65mmfilm #celluloid #shootonfilm #65mm #logmarmagellan

I’m becoming a Vision 3 convert

📷: Bronica SQ-A
🎞️: Reflx lab Vision 3 250d

#filmphotography #analog #65mm #believeinfilm

🎬 Atlas Anamorphic lenses.
Widescreen. Bold flares. Smooth bokeh.

✨ 2x squeeze
🎞️ Vintage vibe

#Anamorphic #AtlasOrion #Cinematography #Filmmaking #65mm

Der BetaFPV AIR65 im Überblick
Ein kompakter TinyWhoop von BetaFPV, der mit beeindruckender Leistung überrascht.


#65mm #AIR65 #BetaFPV #FPV #Whoop #blogDrFrantic77 #justRAW
bit.ly/43BEs2A

Dune: Part 3 Shot on Film: A Game-Changing Decision for the Franchise
In a move that's sure to excite film enthusiasts, Denis Villeneuve's 'Dune: Part Three' is being shot on film, marking a first #65mm #cinematography #DenisVilleneuve #dune #dunepartthree #Film #IMAX

Dune: Part 3 Shot on Film: A Game-Changing Decision for the Franchise
In a move that's sure to excite film enthusiasts, Denis Villeneuve's 'Dune: Part Three' is being shot on film, marking a first #65mm #cinematography #DenisVilleneuve #dune #dunepartthree #Film #IMAX

BetaFPV AIR65 der beste Tiny Whoop in seiner Klasse
Ausführliches Review inklusive Unboxing Video und Flugvideo


#65mm #AIR65 #BetaFPV #FPV #Whoop #FPV #Drone #BlogDrFrantic77 #DrFrantic77 #justRAW
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新緑の杜
黒松阿蘇社にて（大分県豊後大野市）

SONY α7R V
SIGMA 65mm F2 DG DN
SIGMA 35mm F1.4 DG DN
#A7RM5 #35mm #65mm #photography

Repairing a Fries 15-perf pull-across 3x65 IMAX-format movement: rb.gy/4xzays #cinemagear #friesengineering #imax #65mm

monument valley sunrise

roll#106 #monumentvalley
dirty negs, ICE off, other 6 frames were unusable bracket shots.
📷 #MamiyaRB67 #65mm
🎞️ #velvia
#shootfilmstaybroke #analog #believeinfilm #shootfilm #istillshootfilm #arizona #navajonation #mamiya #fujifilm #ishootfujifilm

www.digitizedchaos.com/blog/roll106/

探索地にて（伊万里市）

SONY α7R V
SIGMA 65mm F2 DG DN
SONY Planar T* FE 50mm F1.4 ZA

#a7rm5 #65mm #50mm #photography

IMAX 9802 65mm camera on a Libra Head, on a crane arm, and on the back of a small camera car.

Getting ready to film Tour de France riders racing down the road in the mountains above Nice.

IMAX 9802 65mm camera on the road recreating a rock fall accident during the Tour. The riders were racing between some rocks and the camera, so we decided to lock the camera off and that I shouldn’t be near the camera for safety. It doesn’t look fast, but they were really moving down that hill at full speed.

Matt setting up the shot with the IMAX 9802 65mm camera.

“Wired to Win” Tour de France IMAX film. I was hired to shoot the dramatic recreations for the film. Shot in and around Nice, France. Some of the sequences we recreated were an accident caused by a rock fall in the mountains. #IMAX #tourdefrance #wiredtowin #kodak #librahead #65mm #film

Shooting in the desert in Morocco.

Matt with the IMAX camera.

Matt getting set up for a “handheld shot from horseback. Obviously I needed some help with the huge heavy camera on the back of a horse. The dolly / crane followed alongside with me keeping the camera in the perfect position over the horse.

Moroccan desert. The largest camel caravan since “Lawerence of Arabia.” Thousands of camels and extras all dressed, fed and in wardrobe riding in the hot desert… It took 2 days to set this up. The amazing Moroccan extras walked to this location from a nearby town, and camped in the desert overnight, as it was impossible to get that many people and animals set up and ready to go.

Photos from the IMAX film, “Journey to Mecca” #IMAX #65mm #kodakfilm #morocco #cinematography #film

Showing the black metal “cage” that we developed to be able to mount the IMAX 9802 camera “underslung” on an ARRI gear head with “Hot Gears” turning the rig into a remote head that places the lens on a crane at ground level.

Another view of the “cage” for the 9802 IMAX camera.

IMAX 9892 camera underslung on a Steadicam rig.

Another view of the rig in underslung Steadicam mode. For the IMAX film, “India:Kingdom of the Tiger”

A mounting “cage” that we designed for the IMAX 9802 65mm camera, to be able to mount it “underslung” on a crane with a ARRI gear head and hot gears, turning it into a remote head, and to be able to mount it on a Steadicam for “low mode” #IMAX #filmmaking #cinematography #65mm #hotgears

#rz67 #65mm #cinestill50D #filmsnotdead #film #LA #cinestill #mamiya

田んぼと鳥居

SONY α7R V
SIGMA 65mm F2 DG DN
#a7rm5 #65mm #photography

⛩

SONY α7R V + SIGMA 65mm F2 DG DN
#α7R #65mm #photography

LinkedIn This link will take you to a page that’s not on LinkedIn

#Oxscan, a 12K pin-registered scanner created by DFT, now installed at @cinelabuk for scanning large film formats #65mm #70mm

lnkd.in/g9hJVPGC

Don't know if I'll do the double but it's a cool thought. Looking forward to some glorious#70mm #2001 #spaceodyssey #65mm #celluloid #film #cinematography #milestone #sciencefiction #scifi #favoritecinema #gartenbaukino Photo taken at these geographical coordinates: geo:48.20554,16.37831

Don't know if I'll do the double but it's a cool thought. Looking forward to some glorious#70mm #2001 #spaceodyssey #65mm #celluloid #film #cinematography #milestone #sciencefiction #scifi #favoritecinema #gartenbaukino

Nicolas Ricordel on LinkedIn: Un kit d’adaptation 65/70 mm pour la #ScanStation de #Lasergraphics est… Un kit d’adaptation 65/70 mm pour la #ScanStation de #Lasergraphics est désormais disponible face au développement du format #65mm @Kodak 5 perfos sur les…

Un kit d’adaptation 65/70 mm pour la #ScanStation de #Lasergraphics est désormais disponible face au développement du format #65mm @Kodak 5 perfos sur les tournages US :  via @magichour #kodak #scanners #film

lnkd.in/exnjjVQ lnkd.in/eKRd9JX

Remember Elaine? Not only did I meet her godmother today, this is her bigger older brother! #panavision #65mm #davidgoestohollywood #davidauner #filmcamera #ultrapanavision70 #hollywood #panavisionhollywood #filmlife #ultrapanavision #anamorphic Photo taken at these geographical coordinates: geo:34.181401,-118.593775

Remember Elaine? Not only did I meet her godmother today, this is her bigger older brother!
#panavision #65mm #davidgoestohollywood #davidauner #filmcamera #ultrapanavision70 #hollywood #panavisionhollywood #filmlife #ultrapanavision #anamorphic

Film Revival Gets Boost with New Large Format #65mm Processing Facilities in the UK

motion.kodak.com/kodakgcg/us/en…