Not to mention #green #turnip tops, which are incorporated into #Abkhazian #pies
www.bhg.com/eating-carro... #health #nutrition #sustainability
better-experience.blogspot.com/2026/01/the-...
#OMAR AL #BITAR
multi-search-tag-explorer.aepiot.com/advanced-sea...
#REPRODUCTIVE #COERCION
aepiot.ro/advanced-sea...
#ABKHAZIAN #AIR #FORCE
aepiot.ro/advanced-sea...
headlines-world.com
some reason, the #Russians wanted to destroy strong #Ukrainians and strong #Europeans in order to put an end to the #Ukrainian question and put an end to the #European question. Then the #Russians will probably have an #Abkhazian question, a #Georgian question, an #Armenian question, an #Azerbaijani
Born in 1885, Mihri Hanım, also referred to as Mihri Rasim and Mihri Müşfik (her husband’s surname), was one of the first women artists of the late Ottoman Empire. Born into a privileged upper-class Abkhazian family, she began painting at a young age under the tutelage the Ottoman court painter Fausto Zonaro. Traveling to Rome and then Paris in the early 1900s, Mihri attended several painting studios and earned her living as a portrait painter. When she returned to Istanbul in 1914, she instigated the establishment of the first school of art accepting women in the Ottoman Empire, Women’s Fine Arts Academy. At the age of 29, Mihri became the first female director of the academy and one of the painting tutors. Against all bureaucratic constraints, she encouraged her students, including Nazlı Ecevit, Müzdan Arel, Fahrelnissa Zeid, and Güzin Duran to experiment en plein air and to paint from live models. In 1920s, Mihri relocated to Italy and then in 1927 she migrated to New York. Prominent figures in some of her portraits include Mustafa Kemal Atatürk, Franklin Delano Roosevelt, Thomas Alva Edison, Edwin Markham, Gabriele D’Annunzio, and this undated self-portrait. She presents herself in 2nd-quarter 20th century attire and hairstyle with a pensive expression and a gaze directed slightly upward and away from us. Her black robe with a deep v-neckline, revealing a hint of a lighter pinkish undergarment is complemented by long dark gloves, extending past her wrists plus a dark cap atop her head. Mixing a realistic style with somewhat loose brushstroke, particularly noticeable in the background and the fabric, Mihri's use of muted and dark colors, with a focus on browns, blacks, and greys, creates a mood of quiet introspection or contemplation. Her pose, expression, and the dark color palette all contribute to a feeling of seriousness ... or, perhaps, a sense of mystery.
Otoportre (Self-portrait) by Mihri Hanım (Abkhazian) - Oil on canvas / c. 1925 - Istanbul Painting & Sculpture Museum (Türkiye) #womeninart #womanartist #selfportrait #womensart #portraitofawoman #Abkhazian #art #artwork #fineart #portrait #oilpainting #MihriHanım #mihri #herstory #MihriRasim
A great interview with Dr. Benyamin Poghosyan!
Says there's no hope for the #Abkhazian Railway to reopen any time soon.
According to the agreement, large #Russian businesses will receive unprecedented benefits, as well as ownership of land and property. But it can only come into force if it is ratified by parliament. Demanding approval of the agreement, #Moscow has stopped funding the #Abkhazian budget.
#Abkhazian channels claim that part of law enforcement officers have moved to the side of the protesters.
◾️Context:
In late October, #Abkhazia and #Russia signed a document under which #Russian companies can implement their investment projects on the territory of the unrecognized republic.