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MRELSS
Shard of the 88th Cycle EP

amamlabel.bandcamp.com/album/shard-...

amamlabel.bandcamp.com/album/shard-...

#mrelss #shardoftheeightyeighthcycle #techhouse #ambient #amam #2026

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All Moms Are Milfs #amam

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Auke Ijspeert always gives a fantastic research presentation and today at #AMAM was a perfect example.

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Le Skoda Elroq rafle la mise aux eTrophées 2025 Le Skoda Elroq remporte le prix "de la meilleure voiture électrique " de la quatrième édition des E-trophées, organisés par l’Association des Médias Auto et Moto (AM-AM). C’est à l’issue de 48 heures ...

Le Skoda Elroq rafle la mise aux eTrophées 2025 www.caradisiac.com/le-skoda-elr... via #Caradisiac
#AMAM #Skoda #Elroq #SkodaElroq #SUV #Electrique #eTropheesAMAM2025 #VoitureElectrique #BEV #EV #VE

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The work of French artist Marie-Elisabeth Lemoine (married name Marie-Élisabeth Gabiou), along with that of her sisters (painters Marie-Denise Villers — a personal favorite — and Marie-Victoire Lemoine) and cousin (Jeanne-Elisabeth Chaudet), is only recently becoming better known. She was among the students of Elisabeth Vigée Le Brun, perhaps the best-known female French artist at the end of the 18th century — when women painters were beginning to have more opportunities, though still woefully fewer than men. 

Here she depicts herself in front of her canvas, palette and brushes in hand. Her style of long elegant green dress with lace shawl, off-set straw hat, and gold hoop earrings, referred to as “à la créole,” a shape seen as emanating from European colonies, date the work to the early years of the French Revolution.

Tables like the one here would have held pastels and artistic materials; the top level would likely have been used for items including oil paint, stored at the time in pig bladders, before metal tubes were invented around 1841. The precise meaning of her gesture towards the table is unclear, but she certainly draws our attention, proudly, to her tools.

This is one of the three oil paintings by a European woman made prior to 1912 in the Allen Memorial Art Museum, joining Sofonisba Anguissola’s “Double Portrait of a Boy and Girl” of the Attavanti Family and María Josefa Sánchez’s “The Crucified Christ.”

Lemoine’s husband, whom she married in 1789, was Chaudet's brother Jean-Frédéric Gabiou. Her work is usually signed "Eli Lemoine" or "Elith Lemoine", and her name is easily mistaken for that of Élisabeth Lemoine, née Bouchet. 

She has been described by some historians as a pastellist, though no pastels are known to exist by her hand.

The work of French artist Marie-Elisabeth Lemoine (married name Marie-Élisabeth Gabiou), along with that of her sisters (painters Marie-Denise Villers — a personal favorite — and Marie-Victoire Lemoine) and cousin (Jeanne-Elisabeth Chaudet), is only recently becoming better known. She was among the students of Elisabeth Vigée Le Brun, perhaps the best-known female French artist at the end of the 18th century — when women painters were beginning to have more opportunities, though still woefully fewer than men. Here she depicts herself in front of her canvas, palette and brushes in hand. Her style of long elegant green dress with lace shawl, off-set straw hat, and gold hoop earrings, referred to as “à la créole,” a shape seen as emanating from European colonies, date the work to the early years of the French Revolution. Tables like the one here would have held pastels and artistic materials; the top level would likely have been used for items including oil paint, stored at the time in pig bladders, before metal tubes were invented around 1841. The precise meaning of her gesture towards the table is unclear, but she certainly draws our attention, proudly, to her tools. This is one of the three oil paintings by a European woman made prior to 1912 in the Allen Memorial Art Museum, joining Sofonisba Anguissola’s “Double Portrait of a Boy and Girl” of the Attavanti Family and María Josefa Sánchez’s “The Crucified Christ.” Lemoine’s husband, whom she married in 1789, was Chaudet's brother Jean-Frédéric Gabiou. Her work is usually signed "Eli Lemoine" or "Elith Lemoine", and her name is easily mistaken for that of Élisabeth Lemoine, née Bouchet. She has been described by some historians as a pastellist, though no pastels are known to exist by her hand.

“Autoportrait au chapeau de paille et à la palette” by Marie-Élisabeth Lemoine (French) - Oil on canvas / c. 1795 - Allen Memorial Art Museum (Oberlin, Ohio) #womeninart #womanartist #art #femaleartist #womensart #painter #Marie-ElisabethLemoine #Marie-ÉlisabethGabiou #AMAM #AllenMemorialArtMuseum

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Happy #fcf lots of #selflove #gay #asian #gaysian #wmam #amam #cock #dick

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This is the view for your #fcf #feet #size12 #ass #juicy #asian #gay #wmam #amam #butt

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¿Alguien conoce que significa #amam? Necesitamos tu ayuda. Alex ha preguntado por ello en el Diccionario Abierto de Quechua y no hemos podido darle una respuesta. Si conoces la respuesta haz click en el enlace que se muestra a continuación, completa el formulario y auto.. amam

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damos boas risadas singelas de irmãs que se #amam

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eTrophées AM-AM 2024 : notre classement des véhicules les plus sobres de l'élection Les eTrophées 2024 ont été une occasion de comparer les voitures sur les mêmes routes. Voici la liste des voitures les plus sobres en fonction de leur motorisation.

eTrophées AM-AM 2024 : notre classement des véhicules les plus sobres de l’élection www.automobile-propre.com/etrophees-am... via @automobilepropre.bsky.social
#eTrophées2024 #eTrophées #AMAM #Classement #Véhicules #Sobres #VoituresElectriques #VoituresHybrides #BEV #MHEV #PHEV #EV #VE

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eTrophées AM-AM 2024 : le Renault Scenic e-Tech gagne le titre de la meilleure voiture électrique L’Association des Médias Auto et Moto en France a convié plusieurs journalistes aux eTrophées 2024. Nous avons eu le privilège d’y participer

eTrophées AM-AM 2024 : le Renault Scenic e-Tech gagne le titre de la meilleure voiture électrique www.automobile-propre.com/etrophees-am... via @automobilepropre.bsky.social
#eTrophées2024 #eTrophées #AMAM #Renault #MéganeEtech #RenaultMéganeEtech #VoitureElectrique #BEV #EV #VE

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Deux jours, vingt voitures testées : la meilleure voiture électrique de 2024, c'est elle Deux jours, et plus de vingt voitures à tester : c'était le défi des eTrophées 2024, organisé par l'AMAM. Voici les résultats et un petit

Deux jours, vingt voitures testées : la meilleure voiture électrique de 2024, c’est elle www.frandroid.com/survoltes/vo... via @frandroid.com
#eTrophées2024 #eTrophées #AMAM #Renault #MéganeEtech #RenaultMéganeEtech #VoitureElectrique #SUV #BEV #EV #VE

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A black and white and gloomy/grainy photo of a sculpture sitting atop a small hill. The sculpture is a huge metal copy of a common household object: a plug that converts a wall socket to 3 sockets. The plug is half buried in the ground.

A black and white and gloomy/grainy photo of a sculpture sitting atop a small hill. The sculpture is a huge metal copy of a common household object: a plug that converts a wall socket to 3 sockets. The plug is half buried in the ground.

Giant Three Way Plug (Claes Oldenburg, 1970), Philadelphia Art Museum, Philadelphia 2024

Olympus XA, expired Kentmere 400 (pushed to 800).

I always miss Oberlin College (which also has one, and which I’ve always loved) when I see this outside at the Philly Art Museum.

#BelieveInFilm #AMAM

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Great job you guys! @MRLenzini @DarrenFlores @tjlavin #AMAM

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