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Writhing, naked bodies and horrified faces, some contorted in pain and agony - these figures are suffering infernal torments. Created by Ascher as part of a series exploring the relationship between human suffering and hellish environments, this drawing depicts each figure’s anguish as an individual, solitary experience.
German-Jewish Expressionist painter, Ascher could no longer create, exhibit, or sell his art with the Nazi rise to power. To escape their reach, he hid among friends in Berlin and Potsdam, constantly changing his residence. In November 1938, Ascher was arrested and interned in the Sachsenhausen concentration camp and the Potsdam Gestapo prison. Released six months later, he survived the Nazi terror regime hiding in a cellar of a partially bombed-out building in Grunewald neighborhood in Berlin. During this time he wrote poems about love, and tributes to his artistic role models. In other poems, he turned to a new theme: they evoke nature as a place of refuge and a spiritual home. These poems give a glimpse into the artist's innermost feelings and can be understood as "unpainted paintings.” In 1945 bombs destroyed most of the artwork that Ascher had left with friends. 
___________________________________

The Tortured and was created in the 1920s. 
Fritz Ascher (1893-1970) was a German-Jewish artist whose work was characterized by Expressionist and Symbolist sensibilities. 
The work depicts a group of nude figures in a chaotic and emotional scene, with flames visible at the bottom. 
Ascher explored existential questions and themes of contemporary social and cultural relevance, as well as spirituality and mythology, in his art. 
Ascher's art was considered "degenerate" by the Nazis, and he was persecuted during the Nazi regime. 
The artist used expressive strokes and intense colors to create emotionally intense works.

Writhing, naked bodies and horrified faces, some contorted in pain and agony - these figures are suffering infernal torments. Created by Ascher as part of a series exploring the relationship between human suffering and hellish environments, this drawing depicts each figure’s anguish as an individual, solitary experience. German-Jewish Expressionist painter, Ascher could no longer create, exhibit, or sell his art with the Nazi rise to power. To escape their reach, he hid among friends in Berlin and Potsdam, constantly changing his residence. In November 1938, Ascher was arrested and interned in the Sachsenhausen concentration camp and the Potsdam Gestapo prison. Released six months later, he survived the Nazi terror regime hiding in a cellar of a partially bombed-out building in Grunewald neighborhood in Berlin. During this time he wrote poems about love, and tributes to his artistic role models. In other poems, he turned to a new theme: they evoke nature as a place of refuge and a spiritual home. These poems give a glimpse into the artist's innermost feelings and can be understood as "unpainted paintings.” In 1945 bombs destroyed most of the artwork that Ascher had left with friends. ___________________________________ The Tortured and was created in the 1920s. Fritz Ascher (1893-1970) was a German-Jewish artist whose work was characterized by Expressionist and Symbolist sensibilities. The work depicts a group of nude figures in a chaotic and emotional scene, with flames visible at the bottom. Ascher explored existential questions and themes of contemporary social and cultural relevance, as well as spirituality and mythology, in his art. Ascher's art was considered "degenerate" by the Nazis, and he was persecuted during the Nazi regime. The artist used expressive strokes and intense colors to create emotionally intense works.

Fritz Ascher (born on this day 17 October 1893)
(died 26 March 1970)
"Figural Scene (Inferno)" (1918)
Black ink, gouache, watercolor, and graphite on paper
Private collection.
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What to read after My Funny Demon Valentine (Deluxe Edition) by Aurora Ascher The post What to re...

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Review of My Funny Demon Valentine (Deluxe Edition) by Aurora Ascher Book Review: My Funny Demon ...

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