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"Mécaniques agricoles - Tracteur à cœur ouvert" lundi 26 mai 2025 sur RMC Découverte (vidéo) Lundi 26 mai 2025 à 21:10, RMC Découverte diffusera le premier épisode de 3ème saison de la série documentaire "Mécaniques agricoles" : « Tracteur à cœur ouvert ».

"Mécaniques agricoles - Tracteur à cœur ouvert" lundi 26 mai 2025 sur RMC Découverte (vidéo) #Mecanique #Tracteur #Agiculture #Documentaire #RMCDecouverte

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‘Charles Sheeler (1883-1965) was born in Philadelphia. His education included instruction in industrial drawing and the applied arts at the School of Industrial Art in Philadelphia (1900–1903), followed by a traditional training in drawing and painting at the Pennsylvania Academy of the Fine Arts (1903–6). He found early success as a painter and exhibited at the Macbeth Gallery in 1908. He realised that he would not be able to make a living with Modernist painting; instead, he took up commercial photography, focusing particularly on architectural subjects. Sheeler painted using a technique that complemented his photography and has been described as “quasi-photographic". He was a self-proclaimed Precisionist, a term that emphasised the linear precision he employed in his depictions. As in his photographic works, his subjects were generally material things such as machinery and structures.’
image & text here above from https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

‘Charles Sheeler (1883-1965) was born in Philadelphia. His education included instruction in industrial drawing and the applied arts at the School of Industrial Art in Philadelphia (1900–1903), followed by a traditional training in drawing and painting at the Pennsylvania Academy of the Fine Arts (1903–6). He found early success as a painter and exhibited at the Macbeth Gallery in 1908. He realised that he would not be able to make a living with Modernist painting; instead, he took up commercial photography, focusing particularly on architectural subjects. Sheeler painted using a technique that complemented his photography and has been described as “quasi-photographic". He was a self-proclaimed Precisionist, a term that emphasised the linear precision he employed in his depictions. As in his photographic works, his subjects were generally material things such as machinery and structures.’ image & text here above from https://poulwebb.blogspot.com/2021/01/fortune-magazine-part-3.html

#Fortune for #APRIL 1939
‘Silo’
Cover art by Charles Sheeler (1883-1965)
👉ALT
*Fortune*, April 1939
#FortuneCover #illustration #illustrationart #graphicdesign #CharlesSheeler #AmericanArt #precisionism #farm #farming #agiculture

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