#Castellucci, dal #carcere per un’altra #condanna, dice di essere #innocente. I #43morti del #PonteMorandi, i NOSTRI morti, si sono forse suicidati?
#VittimeDelProfitto #aspi #autostrade #genova #vittime #benetton
www.genovatoday.it/cronaca/mora...
Ponte Morandi, il pm chiede 18 anni per Castellucci: al centro la morte di Samuele Robbiano: Genova – La tragedia del Ponte Morandi torna al centro delle aule giudiziarie con richieste di condanne pesantissime per gli ex vertici di Autostrade. La Procura di Genova,… #Castellucci #Pontemorandi
Italian artist Caterina Katy Castellucci uses bold blocks of color and simplified forms with visible brushstrokes contributing texture to her self portrait holding a drawing compass. The color palette is muted, consisting primarily of earth tones (beige, olive green) and dark blues/grays. Her dark hair is styled in a bob, partially obscured in shadows. Her face is pale with subtly rendered features. Castellucci was a small-town girl, from Laglio in the province of Como, who made her way into the avant-garde art world of Rome. She studied in Rome briefly before moving to Paris in 1926 with her sister Guenda to focus on art and dance at Isadora Duncan’s school. In 1927, at 22, she was a dancer in the famous Enrico Prampolini’s “Pantomime Futurista” at the Theater de la Madeleine. In 1928, she came back to Rome, enrolled in night school at San Giacomo, and started spending time with Pericle Fazzini and Alberto Ziveri. In the same period, she met Scipione and Mario Mafai, which shaped her artistic development and direction. Castellucci started to approach the tones of the Roman School, imbuing them with vivid color. She became an integral part of this artistic current that deeply influenced the art world in Italy and beyond. In 1932, Castellucci made her debut at the 3rd Exhibition of the Lazio Syndicate together with Giuseppe Capogrossi, Emanuele Cavalli, and Francesco Trombatori. She showed in 1936 at the Galleria della Cometa with Adriana Pincherle. In 1943 , she had a solo exhibition at the Galleria Minima in Via del Babuino in Rome. She married the journalist Corrado De Vita, editor of the Milano Sera newspaper and in 1946, Castellucci moved to Milan, where she stopped painting and focused on teaching. In the same period, she worked for cinema and theater designing costumes and sets (Costumes for La Mandragola, 1953; sets for La Fata Morgana, 1954). In the 1960s, she gradually moved away from the art world to devote herself entirely to teaching.
Autoritratto con compasso (Self-portrait with compass) by Katy Castellucci (Italian) - Oil on canvas / 1950 - Musei di Villa Torlonia (Rome, Italy) #womeninart #womanartist #femaleartist #selfportrait #womensart #art #artwork #oilpainting #ArtText #KatyCastellucci #Castellucci #MuseidiVillaTorlonia
Che venga a #genova ad autoassolversi. Magari in piazza. Dovrebbe vergognarsi e tacere. E magari dovrebbe vergognarsi anche #ilsole24ore. #pontemorandi #43vittime #aspi #castellucci #autostrade @mm-ilsole24ore-bot.bsky.social
www.ilfattoquotidiano.it/2025/04/20/s...
La meva darrera crítica a @nuvolpuntcom.bsky.social, com no sobre el polèmic #Requiem de #Castellucci al @liceubarcelona.cat:
#críticaencatalà
www.nuvol.com/musica/class...
#berenice #IsabelleHuppert Els crítics francesos van trobar difícil acceptar la posada en escena radical d #castellucci i aquesta mateixa audàcia ha captivat al públic de @temporadaalta.bsky.social q ha aplaudit amb valentia la seva magnífica gosadia i l’acurada recitació de la gran diva #postfunció
Ach, das ist die dusselige Produktion mit dem Fotokopierer. #Castellucci
Comme chaque fois, profondément désemparée par l’art de #Castellucci, mais comme chaque fois aussi, profondément émue par des images frappantes, sans que je puisse vraiment l’expliquer. #Jeanneaubûcher #AudreyBonnet
#Castellucci de retour au @FESTIVALAUTOMNE, notamment avec Ödipus der Tyrann :
Nouvelle hébétude esthétique face à l'art de #Castellucci : "Ödipus der Tyrann", @TheaVilleParis
SOS > AFB #Castellucci
Eccoli! RT @PontifexRoma: L' #ITALIA DEI #CASTELLUCCI , STIAMO STANCANDO DIO CON OSCENITA' E RIBELLIONI. ECCO IL #TERREMOTO
