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Book cover of "The Proletarian Wave" by Sunyoung Park.

Book cover of "The Proletarian Wave" by Sunyoung Park.

Taught myself to write a novel by writing a historical fiction
⏳📚 set in 1940's Colonial Korea. Here are 200 books that taught me about writing or the world of my story. 🖋️📚

#BookSky #BookTok #Writer #WritingCommunity
#Korea #ColonialKorea #Communist #Proletariat #Leftist #Classism

141/200 💡📚

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Book cover of "The Wings" by Yi Sang.

Book cover of "The Wings" by Yi Sang.

Taught myself to write a novel by writing a historical fiction
⏳📚 set in 1940's Colonial Korea. Here are 200 books that taught me about writing or the world of my story. 🖋️📚

#BookSky #BookTok #Writer #WritingCommunity
##Korea #ColonialKorea #ShortStory #YiSang #FirstPerson #Intellectuals

139/200

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Visceral sensations, exaggerated affects, and suffering subjects characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, cultural commentary, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by migrant workers, tenant farmers, factory workers, men, women, and children proliferated. This talk focuses on these textual and visual representations to tell the story of how the new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the surface of the lower-class body. This book traces the emergence of the “sensational proletarian” as a central semantic figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean cultural producers’ efforts to use the sensations of the body to interpret and articulate the new political ideology and imaginary of Marxism.

 


Kimberly Chung is Korea Foundation Assistant Professor of Korean Literary and Cultural Studies at McGill University. She received her PhD in Comparative Literature from University of California, San Diego. Before arriving at McGill, she was a Visiting Assistant Professor at Hongik University and a Postdoctoral Fellow at the Korea Institute of Harvard University. She has published research on modern and contemporary Korean literature, visual culture, and art in scholarly journals like “Journal of Korean Studies” and “Acta Koreana” and was a special guest editor for the issue “Sensibility and Landscape in Korean Literature and Film” for “Acta Koreana” (Vol. 17 no.1, 2014). She is a co-editor of an anthology on Korean contemporary art titled Korean Art From 1953: Collision, Innovation and Interaction (Phaidon Press, 2020). Her book The Sensational Proletarian: Leftist Cultures in Colonial Korea was recently published in July by Stanford University Press.

Visceral sensations, exaggerated affects, and suffering subjects characterized leftist Korean cultural production in the 1920s and 1930s. In popular fiction, print cartoons, reportage, cultural commentary, and other emergent forms of mass culture, scenes detailing the spectacular bodily harms endured by migrant workers, tenant farmers, factory workers, men, women, and children proliferated. This talk focuses on these textual and visual representations to tell the story of how the new affects and everyday experiences introduced by imperial capitalism and colonial modernity were mediated through the surface of the lower-class body. This book traces the emergence of the “sensational proletarian” as a central semantic figure of colonial Korean print culture and reads its varied manifestations as emblematic of Korean cultural producers’ efforts to use the sensations of the body to interpret and articulate the new political ideology and imaginary of Marxism. Kimberly Chung is Korea Foundation Assistant Professor of Korean Literary and Cultural Studies at McGill University. She received her PhD in Comparative Literature from University of California, San Diego. Before arriving at McGill, she was a Visiting Assistant Professor at Hongik University and a Postdoctoral Fellow at the Korea Institute of Harvard University. She has published research on modern and contemporary Korean literature, visual culture, and art in scholarly journals like “Journal of Korean Studies” and “Acta Koreana” and was a special guest editor for the issue “Sensibility and Landscape in Korean Literature and Film” for “Acta Koreana” (Vol. 17 no.1, 2014). She is a co-editor of an anthology on Korean contemporary art titled Korean Art From 1953: Collision, Innovation and Interaction (Phaidon Press, 2020). Her book The Sensational Proletarian: Leftist Cultures in Colonial Korea was recently published in July by Stanford University Press.

30 January, 10:00am HONG KONG
Dr. #KimberlyChung, "The Sensational Proletarian: Affect and #Leftist Cultures in #ColonialKorea" #Korea #history

register: hkuems1.hku.hk/hkuems/ec_hd...

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Book cover of "Confessions of a Yakuza" by Junichi Saga.

Book cover of "Confessions of a Yakuza" by Junichi Saga.

Taught myself to write a novel by writing a historical fiction
⏳📚 set in 1940's Colonial Korea. Here are 100 books that taught me about writing or the world of my story 🖋️📚

#BookSky #BookTok #Writers #WritingCommunity
#Japan #Yakuza #Crime #WW2 #EmpireofJapan #ColonialKorea

85/100 💡📚

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Book cover of "Assimilating Seoul" by Todd A. Henry.

Book cover of "Assimilating Seoul" by Todd A. Henry.

Taught myself to write a novel by writing a historical fiction
⏳📚 set in 1940's Colonial Korea. Here are 100 books that taught me about writing or the world of my story 🖋️📚

#BookSky #BookTok #Writers #WritingCommunity
#ColonialKorea #Korea #Japan #ImperialJapan #PublicSpace
#Politics

81/100 💡📚

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Book cover of "Under the Black Umbrella." by Hildi Kang.

Book cover of "Under the Black Umbrella." by Hildi Kang.

I taught myself to write a novel by writing a historical fiction
⏳📚 set in 1940's Colonial Korea. Here are the 40 books that taught me about writing or the world of my story.

#BookSky #BookTok #Writers #WritingCommunity
#Readers #History

13/40

The first book I read about #ColonialKorea 💡📚

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Book cover of "Lost Names" by Richard E. Kim

Book cover of "Lost Names" by Richard E. Kim

I taught myself to write a novel by writing a historical fiction
⏳📚 set in 1940's Colonial Korea. Here are the 40 books that taught me about writing or the world of my story.

#BookSky #BookTok #Writers #WritingCommunity
#Readers

11/40

Growing up in #ColonialKorea under #ImperialJapan is tough!

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25 Mar 11 am PACIFIC
#KoreanStudies #conference #ColonialKorea #KoreanHistory #diaspora

More info, schedule, and registration calendar.usc.edu/event/coloni...

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21 Nov 4:30 EASTERN
Dr. #KimKyuHyun
Everyday use of "national language" #hangeul #japanese #KoreanLanguage #ColonialKorea #wartime
register:
harvard.zoom.us/meeting/regi...

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Preview
From Colonial Hoof to Metropolitan Table: The Imperial Biopolitics of Beef Provisioning in Colonial Korea Compared to research conducted into the development of transoceanic meatways between Europe, the Americas, and Australasia during the long nineteenth century, relatively little is known about how m...

'Compared to research conducted into the development of transoceanic meatways...during the long nineteenth century, relatively little is known about how meatways internationalized in East Asia.' www.tandfonline.com/doi/full/10.... #foodhistory #meat #ColonialKorea #Japan #cattle

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