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Hay quien viaja a #Japón para admirar el #sakura. Más cerca caen #Caderechas y #Covarrubias con sus #cerezos en flor. En estos días el #páramo de #Villegas y #Villamorón se cubre de un tapiz #verde que hace olvidar el rigor del invierno, deleita a los ojos y sosiega el #espíritu.

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Plaza de Doña Sancha
#Covarrubias #photography #light #photographer #bnw #bnwphotography #love #fotografia #foto #city #ciudad #downtown #urbanculture #urban #urbanismo #photographer #bnw #BWFri #classicmono #monochrome #blackandwhite #b&w #art

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Arco del Adelantamiento. 2024
#Covarrubias #photography #light #photographer #bnw #bnwphotography #love #fotografia #foto #city #ciudad #downtown #urbanculture #urban #urbanismo #photographer #bnw #BWFri #classicmono #monochrome #blackandwhite #b&w #art

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El pasado lunes en #Covarrubias tuvo lugar el acto de firma del acuerdo de colaboración entre la Asociación de Caminos de San Olav (ACSOW) y la Asociación Agalsa. Desde este momento, la Ruta de San Olav que transcurre desde la Catedral de Burgos y Covarrubias se integra en...

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This striking "Portrait of Alegra Misrachi" by Mexican artist Miguel Covarrubias stands out for her beauty, makeup, and large almond eyes. In the early 1950s, eyes shaped by eyeshadow, pencil, mascara, and, above all, eyeliner were an ideal of urban cosmopolitan beauty that had exploded in popularity thanks to American model and actress Suzy Parker. We also see the emergence of a modern style in women's clothing as Alegra's blouse has a structured cut that reflects the influence of a new silhouette that emerged after the Second World War from designers like Christian Dior who proposed designs that brought back optimism and reflected extravagance with jackets with lapels which were tightly-fitted to the body and emphasized the waist.

Alegra was an influential woman who traveled the world learning about other cultures and was definitely in touch with fashion and art trends of the era. As the spouse of Alberto Misrachi, the legendary Mexican art dealer of Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Frida Kahlo, Remedios Varo, and others, Alegra was at the heart of the artistic revolution in Mexico City at the time. 

A Sephardic Jew of Greek nationality, Alberto had been a resident of Mexico since 1917, when he founded his landmark bookstore and art gallery, Galería Misrachi, across from the Palacio de Bellas Artes in the 1930s. It quickly became the a focal point of the art revolution and a lively place to see and meet writers, intellectuals, painters, sculptors, actors, architects, poets, and playwrights.

Covarrubias, also known as José Miguel Covarrubias Duclaud, captures Alegra's power and beauty with a penetrating gaze that exudes formality through defined features, highlighting her cosmopolitan 1950s style. It's a truly memorable portrait of Alegra with dark, styled hair and ornate earrings set against the backdrop of classical Greek ruins under a bright blue sky, creating a juxtaposition of modern and ancient aesthetics.

This striking "Portrait of Alegra Misrachi" by Mexican artist Miguel Covarrubias stands out for her beauty, makeup, and large almond eyes. In the early 1950s, eyes shaped by eyeshadow, pencil, mascara, and, above all, eyeliner were an ideal of urban cosmopolitan beauty that had exploded in popularity thanks to American model and actress Suzy Parker. We also see the emergence of a modern style in women's clothing as Alegra's blouse has a structured cut that reflects the influence of a new silhouette that emerged after the Second World War from designers like Christian Dior who proposed designs that brought back optimism and reflected extravagance with jackets with lapels which were tightly-fitted to the body and emphasized the waist. Alegra was an influential woman who traveled the world learning about other cultures and was definitely in touch with fashion and art trends of the era. As the spouse of Alberto Misrachi, the legendary Mexican art dealer of Diego Rivera, David Alfaro Siqueiros, José Clemente Orozco, Frida Kahlo, Remedios Varo, and others, Alegra was at the heart of the artistic revolution in Mexico City at the time. A Sephardic Jew of Greek nationality, Alberto had been a resident of Mexico since 1917, when he founded his landmark bookstore and art gallery, Galería Misrachi, across from the Palacio de Bellas Artes in the 1930s. It quickly became the a focal point of the art revolution and a lively place to see and meet writers, intellectuals, painters, sculptors, actors, architects, poets, and playwrights. Covarrubias, also known as José Miguel Covarrubias Duclaud, captures Alegra's power and beauty with a penetrating gaze that exudes formality through defined features, highlighting her cosmopolitan 1950s style. It's a truly memorable portrait of Alegra with dark, styled hair and ornate earrings set against the backdrop of classical Greek ruins under a bright blue sky, creating a juxtaposition of modern and ancient aesthetics.

"Retrato de Alegra Misrachi" by Miguel Covarrubias (Mexican) - Oil on canvas / 1953 - Colección Blaisten (Mexico City, Mexico) #WomenInArt #art #MexicanArt #artText #MiguelCovarrubias #Covarrubias #ColecciónBlaisten #MexicanArtist #1950s #ColecciónAndrésBlaisten #GaleríaMisrachi #PortraitofaWoman

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#Mercadomedieval #Covarrubias #Fiestadelacereza

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Los demonios invaden #Covarrubias #Feriamedieval #Fiestadelacereza

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“Une bonne année répare le dommage des deux mauvaises.”#ValverdedelosArroyos #BonilladelaSierra #Caleruega #Covarrubias #Frías #Lerma #CastrillodelosPolvazares

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El huitlacoche: el diamante negro del maíz mexicano Descubre su historia, beneficios nutricionales, recetas y cómo este hongo es un manjar nacional que transforma cualquier platillo. ¿Con todo, güerito?

El huitlacoche: el diamante negro del maíz mexicano Esta gastrónoma-filósofa del sabor desea c...


#Alimentos #Cocina #Cultura #Gastronomía #Receta #México #Artículo #de #Opinión #Amanda #Covarrubias
Origin | Interest | Match

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Covarrubias, patria chica de Chindasvinto, pueblo con hartazgo de historia e ideal para pasar un fin de semana.

Y recordad, todas mis novelas ya están disponibles como libro en papel en mi web.

juanrambla.com

#covarrubias #chindasvinto #burgos #historia #castilla #elcidcampeador

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Pueblos con encanto: ¿Qué tiene la villa medieval de #Covarrubias que te atrapa desde el primer minuto?
#PueblosconEncanto

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Nogada Blanca, un dulce con siglos de sabor ¿Con todo, Güerito?

Nogada Blanca, un dulce con siglos de sabor Tuvimos la oportunidad de hacer varios viajes al mág...

vanguardia.com.mx/vida/gourmet/nogada-blan...

#Gastronomía #Postre #Receta #México #Artículo #de #Noticia #Amanda #Covarrubias

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This painting by Mexican artist Miguel Covarrubias champions "Mexican-ness," but in the framework of anthropological research on Zapotec culture. The indigenous woman in "Mujer de Tehuantepec" wearing a long flowing gray-black headscarf and dress with white ruffles, is carrying a woven basket, perhaps full of flowers, on her head; in her hand is a clay water pitcher. She stands in profile before a white multi-columned building that might be the city hall of Tehuantepec, Juchitán, or another city on the isthmus. 

Covarrubias produced many images of Tehuana women carrying flowers in containers and baskets using various techniques including painting, drawing, and woodcuts. In fact, an oil-on-linen version of this scene is in the the San Antonio Museum of Art (Texas) collection.

Many Mexican artists active in the first decades of the twentieth century portrayed Tehuana women from Oaxaca, as well as women from other regions, wearing traditional Indigenous attire, which operated as a symbol of national identity. Diego Rivera painted many such images for, among other projects, the murals at the Secretaría de Educación Pública in Mexico City (1923–1928).

Covarrubias, also known as José Miguel Covarrubias Duclaud, was a well-admired Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization.

His style was highly influential in America, especially in the 1920s and 1930s, and his artwork and caricatures of influential politicians and artists were featured on the covers of The New Yorker and Vanity Fair.

This painting by Mexican artist Miguel Covarrubias champions "Mexican-ness," but in the framework of anthropological research on Zapotec culture. The indigenous woman in "Mujer de Tehuantepec" wearing a long flowing gray-black headscarf and dress with white ruffles, is carrying a woven basket, perhaps full of flowers, on her head; in her hand is a clay water pitcher. She stands in profile before a white multi-columned building that might be the city hall of Tehuantepec, Juchitán, or another city on the isthmus. Covarrubias produced many images of Tehuana women carrying flowers in containers and baskets using various techniques including painting, drawing, and woodcuts. In fact, an oil-on-linen version of this scene is in the the San Antonio Museum of Art (Texas) collection. Many Mexican artists active in the first decades of the twentieth century portrayed Tehuana women from Oaxaca, as well as women from other regions, wearing traditional Indigenous attire, which operated as a symbol of national identity. Diego Rivera painted many such images for, among other projects, the murals at the Secretaría de Educación Pública in Mexico City (1923–1928). Covarrubias, also known as José Miguel Covarrubias Duclaud, was a well-admired Mexican painter, caricaturist, illustrator, ethnologist and art historian. Along with his American colleague Matthew W. Stirling, he was the co-discoverer of the Olmec civilization. His style was highly influential in America, especially in the 1920s and 1930s, and his artwork and caricatures of influential politicians and artists were featured on the covers of The New Yorker and Vanity Fair.

Mujer de Tehuantepec (Woman from Tehuantepec) by Miguel Covarrubias (Mexican) - Gouache and watercolor on paper / 1945 - Museo de Arte Latinoamericano de Buenos Aires (Argentina) #womeninart #art #gouache #watercolor #MiguelCovarrubias #Covarrubias #MALBA #womensart #IndigneousWoman #MexicanArt

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Acabo de encontrar de casualidad un juego que hice para que las fieras se divirtieran buscando pistas por las calles de #Covarrubias en #Burgos
Os lo comparto por si alguna vez vais con niños y os apetece ponerlo en práctica :)
blogdeunamadredesesperada.blogspot.com/2022/08/cuad...

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Hoy, la calle #Covarrubias tampoco se ha limpiado. No hay ni rastro de la retirada de residuos de cartón en el N.º 1, y la basura y los trastos siguen ahí en toda la calle. Oye, ¿por qué no da una vuelta el responsable del distrito y lo comprueba por sí mismo?

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Spagna, presto un museo dedicato a Carlo Simi nel luogo delle riprese del film "Il buono, il brutto, il cattivo" - Museo dedicato a Carlo Simi a Covarrubias, Spagna, vicino al cimitero di Sad Hill, luogo delle riprese de "Il buono, il brutto, il cattivo"

🗞️ Presto in #Spagna un museo dedicato a Carlo Simi, nel luogo delle riprese del film “Il buono, il brutto, il cattivo”. Il piccolo comune di #Covarrubias ospiterà il Museo Carlo Simi-Sad Hill, custodendo l’eredità del cineasta italiano 👇 www.itagnol.com/2025/03/spag...

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El bueno, el feo y el malo disparan su última bala en Covarrubias | BURGOSconecta El pueblo burgalés tiene previsto abrir en otoño su museo sobre los 'spaghetti western', que llega diez años después de la recuperación del cementerio de Sad Hill, escena

El bueno, el feo y el malo disparan su última bala en #Covarrubias | BURGOSconecta https://leer.burgosconecta.es/nom6m3

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4/8 El claustro mayor, sin embargo, se salvó de la ruina. Diseñado por Alonso de #Covarrubias y construido por Hernando de Arenas, sus tres pisos de arquerías le dotan de gran vistosidad y armonía, siendo uno de los claustros más majestuosos de España. (Foto @yildori CC)

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#Furgoneteando #Covarrubias

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👑 «Adoración de los Magos» o «Epifanía»

➡️ Tríptico de la Colegiata de #Covarrubias, Burgos
➡️ Retablo de la Cartuja de Miraflores, #Burgos
➡️ Claustro alto de la Catedral de #Burgos
➡️ Retablo mayor de la Catedral de #Zaragoza

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#traslarutadelgotico
#castillayleon
#burgos
#covarrubias #colegiata
Tríptico. La Adoración de los Magos, retablo s. XV que combina carpintería y talla de madera dorada y policromada, con pintura al óleo de las puertas. Su autoría se atribuye al maestro de Covarrubias.
#burgosenelmundo #burgosgotico

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Miguel Covarrubias was born 120 years ago today in Mexico City. Covarrubias was a painter, illustrator, author, and art historian whose stylized work was famously featured in Vanity Fair (can you spot Leslie Howard below?) and the New Yorker. #BOTD #LeslieHoward #Covarrubias

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La statue de la princesse Kristina à Covarrubias - 2Tout2Rien Dans le village de Covarrubias de la province espagnole de Burgos trône la statue de la princesse Kristina de Norvège.

🌟 Découvrez l'histoire fascinante de la princesse Kristina et sa magnifique statue à Covarrubias ! 🇪🇸✨ Un hommage touchant à une princesse médiévale qui unit la Norvège et l'Espagne. #Histoire #Art #Covarrubias #PrincesseKristina
www.2tout2rien.fr/la-statue-de...

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Happy b-day, Clint! and thanks for putting #Covarrubias in the map in #SadHill. @CyLesVida @SadHillDoc
. https://x.com/emilejoubert/status/1266977575383023616

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