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Two young women move arm in arm through a crowded modern street, yet German artist August Macke makes them feel strangely calm inside the rush. The girl at left has bright reddish hair and turns her face away from us, her body angled forward as if she has just noticed something beyond the frame. Her companion, with dark hair pulled back, is shown in profile in a dress of deep red, rose, and brown. Their linked arms create the emotional center of the painting. Around them, the city breaks into splintered planes, sharp diagonals, flashes of yellow light, fragments of wheels, railings, figures, shopfront reflections, and bouquet-like bursts of color near the lower edge. Space feels unstable and alive. The girls are clearly human and solid, but nearly everything surrounding them seems to vibrate, flicker, and fracture into movement.

That tension is the point. Macke sets human closeness against the speed and sensory overload of modern life. The Städel notes how strongly the painting reflects the impact of Italian Futurism and French Cubism as the city is all motion, geometry, duplication, and glare, while the girls remain comparatively classical and self-contained. They do not dissolve into spectacle. 

Painted in 1913, when Macke was in his mid-twenties and already one of the most gifted artists in the orbit of Der Blaue Reiter, the work shows how deftly he absorbed new avant-garde ideas without losing his warmth toward everyday people. He was especially responsive to French modernism and to Robert Delaunay’s color-driven experiments, yet he kept returning to scenes of strolling, shopping, looking, and being together. The sitters here are unidentified, but that anonymity adds to the painting’s modernity. They become both specific companions and emblems of urban friendship. Seen now, one year before Macke’s death in World War I at just 27, the picture feels powerful and fragile at once like an image of companionship held steady inside a dazzling, unstable world.

Two young women move arm in arm through a crowded modern street, yet German artist August Macke makes them feel strangely calm inside the rush. The girl at left has bright reddish hair and turns her face away from us, her body angled forward as if she has just noticed something beyond the frame. Her companion, with dark hair pulled back, is shown in profile in a dress of deep red, rose, and brown. Their linked arms create the emotional center of the painting. Around them, the city breaks into splintered planes, sharp diagonals, flashes of yellow light, fragments of wheels, railings, figures, shopfront reflections, and bouquet-like bursts of color near the lower edge. Space feels unstable and alive. The girls are clearly human and solid, but nearly everything surrounding them seems to vibrate, flicker, and fracture into movement. That tension is the point. Macke sets human closeness against the speed and sensory overload of modern life. The Städel notes how strongly the painting reflects the impact of Italian Futurism and French Cubism as the city is all motion, geometry, duplication, and glare, while the girls remain comparatively classical and self-contained. They do not dissolve into spectacle. Painted in 1913, when Macke was in his mid-twenties and already one of the most gifted artists in the orbit of Der Blaue Reiter, the work shows how deftly he absorbed new avant-garde ideas without losing his warmth toward everyday people. He was especially responsive to French modernism and to Robert Delaunay’s color-driven experiments, yet he kept returning to scenes of strolling, shopping, looking, and being together. The sitters here are unidentified, but that anonymity adds to the painting’s modernity. They become both specific companions and emblems of urban friendship. Seen now, one year before Macke’s death in World War I at just 27, the picture feels powerful and fragile at once like an image of companionship held steady inside a dazzling, unstable world.

“Zwei Mädchen” (Two Girls) by August Macke (German) - Oil on canvas / 1913 - Städel Museum (Frankfurt am Main, Germany) #WomenInArt #AugustMacke #Macke #StaedelMuseum #StädelMuseum #Staedel #art #arte #kunst #arttext #BlueskyArt #Expressionism #GermanArtist #GermanArt #1910sArt #DerBlaueReiter

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folesdog
Franz Marc (German,1880-1916), 'The Dream', 1912, oil on canvas 100.5 x 135.5 cm.
#franzmarc #derblauereiter @museothyssen

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Live with Expressionism daily: Franz Marc’s vibrant animals + Blue Rider energy in a wall calendar that becomes frameable art after the year. https://bit.ly/4aAPuKH
#FranzMarc #Expressionism #DerBlaueReiter

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Alekséi von Jawlensky. Bodegón con flores (1910)
#pintor #artistaruso #arteruso #trabajóenalemania #rusia #alemania #expresionismo #derblauereiter #alekseivonjawlensky #museoparticular

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#GermanExpressionism
#FranzMarc
#Bookcoverdesign
#Booksky
#DerBlaueReiter
#BlueRider
#Graphicdesign

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Paul Klee - Refugio
#ArteYArt #DerBlaueReiter

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Blue Painting
Vasily Kandinsky, 1924

“The way to the supernatural lies through the natural.”

#abstractart #derblauereiter
#abstraction #colortheory #bauhaus #spirituality #arthistory

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Moonrise - Sunset
Paul Klee, 1919

“Everything vanishes around me, and works are born as if out of the void. Ripe, graphic fruits fall off. My hand has become the obedient instrument of a remote will.”

#derblauereiter #theblueridergroup #expressionism #cubism #surrealism #bauhaus #arthistory

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Le #MuséedArtModerne de #Paris consacre à #GabrieleMünter, éminente artiste de l'expressionnisme allemand et membre du groupe #DerBlaueReiter, sa première rétrospective française. Hélas, le parcours se révèle trop évasif sur sa vie avec #Kandinsky mais aussi sur ses 30 dernières années. Dommage...

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#animals #art #DerBlaueReiter #betterworld

"Zoologischer Garten I" (1912) by August Macke [Lenbachhaus]

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#BerlinMuseums
#Gemäldegalerie #Museum
#DerBlaueReiter
#StaatlichemuseenzuBerlin

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Alexej von Jawlensky 🎂🇷🇺👨🏻‍🎨 nace #25marzo de 1864
En sus obras procura la mayor simplicidad y una elevación del color, resalta los ojos de los modelos
Miembro del grupo El jinete azul 🖼 #FelizMartes #Arte
#Expresionismo
#DerBlaueReiter
#Jawlensky
#OtrebordmXCultura

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Das Blaue Land: Auf dem Loisach-Radweg von Garmisch-Partenkirchen nach Murnau, Das Murnauer Moos © ACMV / Julia Schiller

Das Blaue Land: Auf dem Loisach-Radweg von Garmisch-Partenkirchen nach Murnau, Das Murnauer Moos © ACMV / Julia Schiller

Selten haben wir so eine #schöne #Radtour erlebt: Das #BlaueLand – auf dem #LoisachRadweg von #Garmisch nach #Murnau 💙
☞ www.actualcolorsmayvary.com/deutschland/...

#Bayern #DerBlaueReiter #MurnauerMoos #Naturschutzgebiet #WassilyKandinsky #GabrieleMünter #SchlossmuseumMurnau #Seehausen #Staffelsee

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Large Blue Horses
Franz Marc, 1911

“Is there a more mysterious idea than to imagine how nature is reflected in the eyes of animals?”

#germanexpressionism
#derblauereiter #modernart #arthistory

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Sirens - 2002 Michael P. Moore (Michael O’Morah) this is another in my #HeroWith1000Faces #Art #Painting #ArtSky #Abstract #AbstractSymbolism #Symbolism #Colourist #Colourism #DerBlaueReiter #GreekMythology #Odysseus #TheIliad #TheOdyssey #Argonautica #TheAeneid #Sirens #Mermaids #Ships #Adventure

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So excited to find another #Colourist here on #BlueSkySocial! I find inspiration in #DerBlaueReiter #FranzMarc #Kandinsky etc! I definitely enjoy your work! Best wishes!

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Meditation, by Gabriele Münter, #BOTD in 187l.
#GermanExpressionism #DerBlaueReiter

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Albert Bloch
Talbild, Nachts, 66.5 x 77.2 cm
1915-1917
A member of the Blue Rider Group (Der Blaue Reiter), the group ended in 1917 after founding member, Franz Marc was killed in the war.
#art #derblauereiter

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Schitterende tentoonstelling in de #Fundatie: #MariannevonWerefkin #Expressionisme #derblauereiter

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Albert Bloch
Three Pierrots and Harlequin, 1914
NKVM: Neue Kunstlervereinigung Munchen rejected Bloch as he was a foreigner. This caused Wassily Kandinsky and Franz Marc to leave NKVM and form Der Blaue Reiter group #derblauereiter #art

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Wassily Kandinsky, Gabriele Münter, Alexej von Jawlensky and Franz Marc formed an Expressionist Group called ‘Der Blaue Reiter’ so it is interesting that this painting has the same name
#derblauereiter

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Dog Lying in the Snow by Franz Marc, 1911, Städel Museum (Frankfurt am Main, Germany)

#Art #ModernArt #Cubism #GermanExpressionism #DerBlaueReiter

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