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#WhoCulture: The 10 Biggest Mistakes Of The #DoctorWho #Disney Era (aka #DisneyWho) Since there is no #DoctorWhoChristmasSpecial.... Right on time!!!• I watched #MaryPoppins over the (American) Thanksgiving, and I was like, "Ahh…." I'm stuck on No. 9. The Doctor is supposed to be a hero scientist who acts like Poppins, not the opposite. I love mythology, but #DoctorWho is not a purely mythological show--yes, "full-time fantasy mode." I mean, #Lux (one of my favorites!) had a #MaryPoppins segment!

#WhoCulture: The 10 Biggest Mistakes Of The #DoctorWho #Disney Era (aka #DisneyWho)

Since there is no #DoctorWhoChristmasSpecial.... Right on time!!!• I watched #MaryPoppins over the (American) Thanksgiving, and I was like, "Ahh…." I'm stuck on No. 9. The Doctor is supposed to be a hero scientist…

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The War Between The Land And The Sea: Episode 5 SPOILER Discussion - Doctor Who's Next Showrunner?
The War Between The Land And The Sea: Episode 5 SPOILER Discussion - Doctor Who's Next Showrunner? YouTube video by WhoCulture

#TheWarBetweenTheLandAndTheSea is no #DoctorWhoSeason4 or #DoctorWhoSeason9, but it has made the often-painful excesses of #DisneyWho go down much smoother. Totally worth it! #DoctorWho #WhoCulture www.youtube.com/watch?v=gPhc...

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Doctor Who Night – 2025 Edition | #DoctorWho #DoctorWhoSeason15 #DoctorWhoSeason2 #DisneyWho #DoctorWhoSeason41

Doctor Who Night – 2025 Edition | #DoctorWho #DoctorWhoSeason15 #DoctorWhoSeason2 #DisneyWho #DoctorWhoSeason41

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#DoctorWho #YouTube Channel: Discover the Pantheon of Gods This video helps this #Whovian understand why #DisneyWho lost its way. In addition to a bad, confusing rewrite of the Season 2/Season 15/Season 41 finale, #BadWolfProductions decided that the vast majority of its episodes would go in this direction. Which is not good when you only have 20 or so stories. Unless you're looking to try something new with a bigger budget.

#DoctorWho #YouTube Channel: Discover the Pantheon of Gods

This video helps this #Whovian understand why #DisneyWho lost its way. In addition to a bad, confusing rewrite of the Season 2/Season 15/Season 41 finale, #BadWolfProductions decided that the vast majority of its episodes would go in this…

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#WhoCulture: The Truth About #NcutiGatwa’s #DisneyPlus #DisneyWho #DoctorWho Exit

#WhoCulture: The Truth About #NcutiGatwa’s #DisneyPlus #DisneyWho #DoctorWho Exit

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TDP 1366: TV #DoctorWho The Interstellar song contest REVIEW #DisneyWho https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 After two Hellions hijack the control gallery of the 803rd Interstellar Song Contest and eject the audience into space, the Doctor and Belinda must race to stop them from broadcasting a delta wave to 3 trillion viewers. In the year 2925, Rylan Clark steps out of cryogenic suspension and onto the stage as the 803rd Interstellar Song Contest begins in the Harmony Arena space station, with the Fifteenth Doctor and Belinda Chandra exiting the TARDIS at the same time in order to take a Vindicator reading. As the reading finishes they turn to the stage, notice where they are, and unanimously decide that they're staying to watch the festivities. The opening ceremonies include commercials for the contest's sponsor Poppy Honey. Mrs Flood, also in the audience, watches the Doctor and Belinda from afar and is delighted to see that the Vindicator is primed, calling it "the final link". Meanwhile married couple Gary and Mike Gabbastone, having arrived late, bicker over their seats being taken by the Doctor and Belinda. A Hellion, Kid, storms backstage and seizes control of the production booth along with another Hellion worker, Wynn. The pair detain everyone present and swap over the livestream to the recording of the dress rehearsal in order to keep the outside world from realising anything is wrong. However, the Doctor notices that Rylan (who missed the dress) is present on stage but not on the television feed, and begins fiddling with wiring near his seat. As the first song plays, Kid disengages the space station safety protocols and evacuates the air in the main area, sending the vast majority of the audience careening out into space, the Doctor and the TARDIS amongst them. Contestant Cora Saint Bavier and her associate Len Kazah are spared when Wynn surreptitiously seals their pod, and Belinda manages to hang on after being thrown against the ceiling of hers, but they are seemingly the only survivors. With the arena "purged", Kid initiates the final phase of his plan, bringing out a device that will generate a delta wave. However, since the mavity shell is still intact, backstage director Nina Maxwell tries to persuade Wynn that they could still save everyone. Belinda exits the seats and meets up with Cora and Len, who explain to her that the station is in communication lockdown until the scheduled end of the show to prevent manipulation of the betting markets. There's no way for them to call for help. Len finds Hellion script in a nearby terminal and tells Belinda "people say" Hellions have fearsome psychic powers and practise cannibalism, prompting Cora to defend them. As the Doctor freezes in space, an image bursts into his mind: his granddaughter, Susan. She tells him to go back, to find her. He comes to, grabbing a nearby confetti cannon and propelling himself back to the airlock where Mike and Gary let him in and revive him. The trio talk about how everyone is frozen but not dead, and the mavity was increased by the Doctor, so theoretically everyone is still in range of the station. Scanning through a nearby terminal, the Doctor finds out that the hellions are uploading a delta wave to transmit with the song contest, potentially killing all three trillion viewers across the galaxy. Searching for a caustic hyperlink, they come across a museum dedicated to the song contest's history, complete with holographic Graham Norton. As Kid notices people interfering with the systems he attempts to contact them, speaking with the Doctor, Belinda's group managing to eavesdrop on their exchanges of threats. Cora sees Wynn in the background and reacts, prompting Len to inquire further. Cora confesses that she's a Hellion who cut her own horns off and says that their peaceful planet was destroyed by the Corporation, makers of PoppyHoney. Kid intends to get revenge on every viewer of the Song Contest, as being complicit in the sponsoring Corporation's crimes. Cora convinces Len to help them stop Kid, but he blames her for lying to him throughout their songwriting partnership and says he will no longer work with her after this crisis is over. The Doctor appears on the bridge and dismantles the delta wave, distracting Kid with a hologram. He then, frustrated with the level of damage Kid wished to inflict on the galaxy - three trillion deaths, injured him repeatedly, using hard light holograms to inflict pain, only stopping when Belinda and Cora entered the production booth. The Doctor puts Gary and Mike to work grabbing everyone suspended in the mavity field using hard light and then utilizing Rylan's cryochamber to safely revive them. As the majority of the attendees filter into the main chamber once more, Rylan explains that the contest is obviously null and void, but there's one contestant left that he wants everyone to hear - Cora. Cora tells everyone that she's a hellion, that the Corporation tried to bury her song and story, and sings for the galaxy. Applause echoes and the crowd is moved to tears. The Doctor and Belinda find the TARDIS in the museum, brought in by contest staff. In their conversation, they mention the earth, prompting the hologram Graham Norton to appear and mention that the earth was destroyed on May the 24th 2025 for unknown reasons, everything used for the song contest were sifted from the wreckage. The pair run back into the TARDIS and with a fully primed Vindicator pilot the TARDIS directly back to when they left. As they do so, however, the Cloister Bell chimes, and the TARDIS groans, an explosion rocking the TARDIS doors off their hinges. Mrs Flood is the last of the attendees to be brought back aboard the space station, and immediately is concerned as to whether the Doctor is still around. When she learns that he's gone, she begins to regenerate, her double brainstem having frozen, splitting into two, a bi-generation. The new incarnation identifies herself as the Rani, acting dismissive of her earlier incarnation, while Mrs Flood begins to defer to her. Taking the readings of the Vindicator, the new Rani says that she'll bring the Doctor absolute terror, and marches off, her prior self in tow. And Carole Ann Ford as Susan Foreman Introducing Archie Panjabi as The Rani

TDP 1366: TV #DoctorWho The Interstellar song contest REVIEW #DisneyWho

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TDP 1365: TV #DoctorWho The Story and The Engine #DisneyWho Review Synopsis When and land in for another reading, the Doctor goes to a to meet an old . There, he discovers a mysterious trapping the patrons, feeding with their stories. Plot sits in a chair, getting a haircut, and tells a story about the , his village saved by the mysterious man in the blue box. As he speaks, images splay out on the wall behind him, depicting his story to the men listening eagerly. As he finishes, they all look at a pair of lights on the wall in tense anticipation, relaxing when they switch from red to green. Omo tells the others not to worry, the Doctor always comes, and the light switches back to red, alarms blare, and the room shakes. insists that the take her home, and he suggests that they head to , , the communications hub of , and a place he loves - home of his favorite barbershop. Belinda expresses confusion at this - the can do his hair; but he explains that it's about community, about being himself, since it's the first time he's ever been a black man. Belinda understands and sends him off to enjoy himself in Lagos after he takes a reading. The Doctor winds his way through a market, greeting everyone as he passes, before he comes to his friend Omo's barbershop, , finding those assembled in the middle of a story. As the door closes behind him an alarm goes off in the TARDIS, alerting Belinda that something has gone wrong. The Doctor notices that everyone present is on missing posters outside, and he watches as the man's hair grows back. The light in the barbershop flashes to red, people scramble to decide who still has a story left, and someone sits down, telling the story of and a , of music and of time. As images flicker on the wall, the Doctor looks on in wonder, and asks how it works, begins testing by throwing out words from his travels. But it has to be a story, it has to be with a haircut. A new has taken over the shop, he came one day, and as if by magic the shop became his. A woman enters the barbershop, , bringing food, the door closes behind her, and an alarm in the TARDIS sounds again. The Doctor recognizes her, but can't place her. The light switches to red again, and the Doctor sits down, telling the most powerful story he knows, not of or , but of an ordinary life. Of Belinda Chandra doing her job, helping someone all night long, even on her grandmother's birthday, a simple gesture of thanks two weeks later. Abby watches a screen in another room, seeing it lighting up, noting that they're accelerating, as the story ends. The Barber is impressed with the power of his stories, and tells Abby when she comes out that they need to recalibrate . Omo asks if they can be let free now that the Doctor has come, his stories being effective, his hair having grown in the interim more than any of theirs. But Abby locks the door and the pair leave. The TARDIS sounds an alarm yet again, this time showing Belinda an image of the barbershop. The Doctor is furious that Omo betrayed him, is willing to trap him here, and refuses to listen as everyone tries to tell him not to open the door. He forces it open with his sonic screwdriver, finding a vacuum on the other side. A vacuum with only giant web and a large spider traversing it, the barbershop on the back of the spider. The Doctor closes the door with great effort, and the Barber emerges from the backroom, explaining that the shop is in Lagos and in outer space at the same time, only Abby and himself able to travel between. Outside, Belinda finds herself lost, but is pointed towards the shop by a , entering it, glad to see the Doctor. Reunited, the pair confront the Barber, calling him a coward who hides his face, having no real power. Rising to the taunt, the Barber names himself, calling himself , , , , , the god of stories. The pair burst out laughing - the Doctor has met Bastet, Sága, Dionysus, Anansi. He's partied with them, Anansi even tricked him to marry his daughter. This man isn't any of them. And so the man admits, he's the person who did their work for them. Wherever the gods went, he took their stories, cleaned them up, refined them, wrote them down, all for humans to repeat them, to keep the gods alive. Without him the gods would not exist. The web outside is his creation as well, the , a web that connects cultures and ideas. He was so successful that the gods abandoned him, and now he wants vengeance. The engine winds down, so much power drained from the Doctor opening the door. Abby criticizes him, and the Doctor recognizes her at last - Anansi's daughter, Abena. He's sorry that he was unable to help her, but he was a at the time, and had his own story. The light turns red, and the Barber insists the Doctor tell a story. The Doctor refuses, demanding to know what vengeance is being planned. The Barber relents - he plans to cut out the gods from memory when he reaches the center of the nexus, erasing them from existence. The Doctor is horrified, this will damage humanity, as it will harm their ability to tell stories, to pass down information, insisting that this is horrific. He refuses to sit down and speak, he won't let the spider go further. As the shop descends into chaos, everyone arguing, Abena proclaims that she will tell a story, and begins to braid the Doctor's hair. And she tells a story of plantation slaves transmitting information through the braids on their hair, maps to freedom for anyone who could escape, hidden in a place where the overseers would never check. As the battery stabilizes, the Doctor and Belinda run into the back room, finding themselves in a maze, a maze for which the Doctor has the map on his head. The pair come to a room full of artifacts from various cultures and the ship's engine, an engine that runs on stories, a heart inside a brain. The Barber enters the room behind them, having cut Abena off from the outside, the Doctor disrupting the flow of power, slowing the spider down but not stopping it. The Barber insists that the Doctor has done nothing. So the Doctor suggests that they consider , who wrote a story in six words. The Doctor's six word story is "I'm born. I die. I'm born." And energy begins to flow into the engine, never-ending energy, as his past lives flicker across the screens. But the Doctor has disrupted the engine, it can't process the power. He tells the Barber that now it's his choice - he can save the people in the shop by opening the door. But the engine will disintegrate. The Barber unlocks the door and Omo, Adena and the rest out front escape. The Doctor sends Belinda back as he sits with the Barber, talking to him, convincing him that he still has more to live for. The pair escape the shop at the last moment as it collapses, the engine exploding, destroying the spider it rode on. Omo apologizes to the Doctor, and says that he should have protected the Doctor, they're part of the same community. The two make up. Omo gives the Barber his shop, saying that he's retiring, and gives him a name, his father's name, . Adétòkunbo steps back into the barbershop, now his. The Doctor and Belinda step back into the TARDIS, one step closer to home. Cast - - - - - - - - - - - - - - - - Crew , and with and by • by Music by • Assistant to - • performed by General production staff for the - - - - - - - - - - - - - , - , - Script department - - Camera and lighting department - , - - - , - - - - - - - - - - , , , Art department - , - , - - - - - - - - - - - - , - - , , , , , , - - - - - - - - - - , - - , , - , - , , , , , , , , , , , Costume department - - Make-up and prosthetics Movement - - - Casting - - General post-production staff - - - - - Special and visual effects - - - - - , - Sound - - - - Not every person who worked on this adventure was credited. The absence of a credit for a position doesn't necessarily mean the job wasn't required. The information above is based solely on observations of the actual end credits of the episodes as broadcast, and does not relay information from IMDB or other sources. Worldbuilding claims to be , , , , and . In return, the Doctor relates encounters he had with all of those deities: winning a bet against Anansi, having a drinking contest with Dionysus that caused a in , watching movies with Sága, and losing a game of to Bastet. The has a large collection of artefacts related to stories. The room of shelves includes a , several , a statue of , a life-sized statue of a bearded man, , a helmet, copies of , , and , and a statue of a . The area around the heart has a statue of a dancing goddess, a , a , a statue of an , a model , several , , and a . Notes The episode has a smooth transition from the "" into the , with the title sequence first appearing in the shop window, and then the camera slowly zooming closer until the image fills the frame and the window fades away. The title of the episode was revealed on official social media on . On , the prequel short story , also written by , was published on the . Some of the artwork from it was shown on the shop window in this episode when was telling his story of the Doctor. The story shares many themes and ideas with other work by Ellams. The 2017 play Barber Shop Chronicles prominently explored as places of friendship and culture. It featured many barber shops, including one in . A version of the story about and the was part of this play. The 2019 play The Half-God of Rainfall depicted a world in which the gods of all religions coexist as separate figures who interact and fight with each other. appeared, presented as the of stories. Ellams viewed the character as echoing the title character of this play, as both are newly-invented children of gods. The 2020 poetry book The Actual had a poem about the Yo-Yo Ma story, as well as a poem comparing rapping to time travel which mentions Doctor Who. The Yo-Yo Ma anecdote is based on the musician's trip to which was filmed for the 1993 documentary Distant Echoes: Yo-Yo Ma & the Kalahari Bushmen. For the UK debut on , the episode was first released as an audio description version only. The standard version of the episode was then released a few minutes later. Episode writer appears as a , marking the second time a person has written and acted in the same episode, following in [+]. as and as the were omitted from the advance credits. The anecdote of challenging him to write a story in six words appears to be referencing 'For sale: baby shoes, never worn.', a story misattributed to Hemingway. Myths to be added Filming locations to be added Ratings to be added Production errors If you'd like to talk about narrative problems with this story — like plot holes and things that seem to contradict other stories — please go to . to be added The Doctor uses the , as he previously did in : [+], : [+], : [+] and : [+]. 's cameo, for the first time, occurs in a flashback rather than the present, in the story the Doctor recounts about how Belinda saved a life. She's seen walking down the hallway just before Belinda meets the patient again and is given flowers. The Doctor recognises Abby from his encounter with when he was the , indicating he now has access to some of the memories that were erased by . Belinda sees an apparition of just before she reaches the barber shop. When she later tells the Doctor about seeing a little girl, he guesses it was due to stories from the Story Engine leaking out. When the Doctor overcharges the engine with his endless story, it is shown with clips of the from : [+], the in : [+], the in : [+], the in : [+], the in : [+], the in : [+] with audio from : [+], audio of the from : [+], the in : [+], the in : [+], the in : [+], the in : [+], , , and the in : [+] (saying the line heard earlier), the in : [+] and the in : [+]. Clips of the in : [+], the in : "" [+], the Twelfth Doctor in : [+] and a still of the Fifteenth Doctor in : [+] appear in the background of the following scene. in article: External links Official page on Footnotes @BBC (2025-03-22). . YouTube. Archived from on 2025-03-22. (2025-05-08). . . Archived from on 2025-05-08. Amanda-Rae Prescott (2025-05-10). . Den of Geek. Archived from on 2025-05-11. . BBC One. Archived from on 2025-04-30.

TDP 1365: TV #DoctorWho The Story and The Engine #DisneyWho Review

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That episode should have been called “the exposition and the exposition” wtf? #doctorwho #disneywho #nuwho #thestoryandtheengine

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TDP 1363: TV #DoctorWho The Well #DisneyWho Doctor Who Review https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 The Well was the third episode of Series 15 (also marketed, globally, as Season 2) of Doctor Who. It premiered on 26 April 2025. It was the first episode of Series 15 to feature a new writer, Sharma Angel-Walfall, who co-wrote the script together with Russell T Davies. The story features the second appearance and return of the Midnight entity, first seen 17 years prior in the 2008, thus serving as a sequel to Midnight [+] from Series 4. Continuing directly after their encounter with Lux Imperator in the previous story, The Well continues one of Series 15's main story arcs of the Doctor being unable to get the TARDIS to return Belinda to the 24th May 2025, and with the two discovering that, by the 5020th century, something has caused Earth to cease existing entirely. Mrs Flood also briefly appears at the end of the story: this time, she is seen in a videocall as a superior official to the mining crew. Her appearance here continues the enigmatic nature of the character that has been hinted and shown since her first appearance in The Church on Ruby Road [+], and continues the story arc of Mrs Flood somehow appearing in different eras of time that was first seen in the previous story, Lux. Synopsis Far in the future, on a tough, brutal planet, a devastated mining colony has only one survivor. To discover the truth, the Doctor and Belinda must face absolute terror... Plot To be added... Mrs Flood showed Mo a picture of a vindicator to find out if the Doctor was travelling with one. After Mo confirmed he was, Mrs. Flood described this as "exactly what I needed to know. Just as I predicted. A vindicator, in action, that's very good news." Cast

TDP 1363: TV #DoctorWho The Well #DisneyWho Doctor Who Review

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TDP 1362: #DoctorWho #DisneyWho TV Doctor Who Review Lux "Lux" is the second episode of the fifteenth series of the British science-fiction television series Doctor Who. It was written by Russell T Davies, the Doctor Who showrunner, from a concept first developed over two decades prior, and directed by Amanda Brotchie. In the episode, the Fifteenth Doctor (Ncuti Gatwa) and his companion, Belinda Chandra, land in 1952 Miami, Florida, while trying to make their way back to 2025. After doing so, they discover a mysterious cinema where fifteen people have disappeared. The pair stay to investigate and ultimately confront an animated God, Lux (voiced by Alan Cumming), who traps them in film. "Lux" is unusual for the programme in that it features a mixed live-action and animated format. Filming for the episode took place in Penarth, Cardiff and at Wolf Studios Wales in January 2024. Some voice-over work took place internationally in New York City in June. Animation and other post-production work continued later into the year, with some tasks still being completed as late as September. The episode includes references to popular culture, fourth wall breaks and meta-references to its own fan base. It was released on BBC iPlayer, BBC One, and Disney+ on 19 April 2025. Reception to the episode was positive, with critics praising its use of animation in a live-action setting. A novelisation written by James Goss is set to be released in July 2025. Plot [ edit ] Unable to return to 24 May 2025, the TARDIS lands in 1952 Miami, where the Doctor and Belinda find a cinema that is chained shut. At a diner, they speak to the mother of one of fifteen people who disappeared from the cinema, which continues to play movies at night. Although racial segregation is still enforced, the waiter allows them to stay. Inside the cinema, the pair discover a living cartoon, Mr Ring-a-Ding, the embodiment of Lux Imperator, God of Light, is responsible. The projectionist, Reginald Pye, plays films for Lux, who uses his power to recreate Pye's dead wife. Lux has trapped the missing people in a film reel. He similarly traps the Doctor and Belinda, and turns them into cartoon characters, until they regain their usual forms. They flee to another false reality, where a racist NYPD cop challenges them. They escape through a television watched by Doctor Who fans. Though delighted to meet the Doctor they reveal that their world is the fake one, and encourage him to return and defeat Lux, even though they will then cease to exist. Back in the cinema, the Doctor heals his injured hand using residual regeneration energy. Lux steals the energy to create a solid body. Belinda attempts to burn film reels to cause an explosion, but encouraged by his wife, Pye sacrifices himself. The explosion exposes the cinema to sunlight causing Lux to expand infinitely until he becomes one with the universe. The missing people return. As the Doctor and Belinda leave, Mrs Flood encourages the bystanders to watch the TARDIS dematerialise, claiming this "show" is a "limited run" that ends on 24 May. The Doctor's fans critique the episode, realising that they still exist. Production [ edit ] Development and production design [ edit ] "Lux" was written by Russell T Davies.[1] He had wanted to do an episode that included a living cartoon for a long time,[2] but was unable to do one until now for funding reasons. He also revealed that he had considered variants of such an episode, including one two decades prior that would have featured a hologram rather than a legitimate animation as a result of the budgetary constraints.[3] The story also contains mentions of segregation and racism in which Davies said he added to address issues in present-day society. It was also used as a subversion to the Doctor usually situating themselves as the main authority figure. While including such themes, he didn't want it to be the dominant subject.[4] Among these are the NYPD officer saying the cinema is a space "reserved for white folk" and prejudicely assuming that Belinda is Caribbean.[5] Other motifs present explore grief, hope, friendship, and sadness.[3] Popular culture references to Rock Hudson and the Scooby Doo character Velma were included.[6] Additionally, Davies has continued a recent trend of breaking the fourth wall.[7] Also unusual for the show, the episode featured a mid-credits scene.[8] Costume designer Pam Downe created the Doctor's and Belinda's outfits using the complimentary colours of blue and yellow. Sethu's dress was inspired by a similar one worn by Anita (Ariana DeBose) and designed by Paul Tazewell in the 2021 adaptation of West Side Story.[2][9] Meanwhile, Gatwa's blue suit was influenced by American musical artists of the 1950s.[2] These hues were intended to further contrast with the red interior of the cinema by ultimately using all three primary colours.[10] Downe ultimately wanted to successfully convey movement during the episodes action scenes. As such, three different wigs were considered for Sethu to wear and her dress had multiple underskirts.[2] The concept of Mr. Ring-a-Ding was inspired by animations from Fleischer Studios. Ian Spendloff worked as a creative designer for the episode, and was the designer of Mr. Ring-a-Ding. Davies compared the concept of Mr. Ring-a-Ding to Fleischer animations from the 1930s.[2] Spendloff drafted thirty different sketches that were considered before finally settling on the one used in the episode.[4] Each one featured variations in noses, hair, and other elements. Mr. Ring-a-Ding was ultimately given a pig-like nose and blue skin to reflect characteristics of cartoon characters from the time period, with Davies wanting the character to look vaguely human but not be immediately identifiable as something else.[2] Meta-references to Doctor Who fans were also present in the episode because Davies recalled his enjoyment of cartoons while writing it, which made him consider people who loved the programme.[2] Within the episode, the fans wore Doctor Who apparel (including a Fourth Doctor scarf, another a Cyberman "Telos" sweatshirt) and declared "Blink" (2008) as their favourite episode.[6] One of them also mentioned the impending cancellation of the show.[11] They then point out the "obviousness" of the episode's foreshadowing, and made references to online leaks. The show's BBC ident appears on the screen of their television. Although they say they are too inconsequential to be given surnames, all three characters—Hassan Chowdry, Lizzie Abel and Robyn Gossage—are fully named in the credits.[12] The concept of Doctor Who existing within its own universe had previously been briefly explored in Remembrance of the Daleks (1988) and other expanded media. Following this instance, such an idea was considered quasi-canon.[13] This scene raised suspicion that Davies had potentially been planting spoilers online himself regarding upcoming episodes as well as rumours that the series would enter into another hiatus. When the fact that the episode was written and filmed well before the leaks began appearing was considered, it was compared to the futuristic predictions commonly seen in The Simpsons.[11] Casting [ edit ] The episode stars Ncuti Gatwa as the fifteenth incarnation of The Doctor and Varada Sethu as his companion, Belinda Chandra.[14] Alan Cumming voices the antagonist, Mr. Ring-a-Ding. It marks Cumming's second appearance in the show after his role as King James VI and I in the 2018 episode "The Witchfinders".[15] Davies said that he and the production team had considered whether it was too soon to cast Cumming again and that had it been a live action role, he likely would not have been.[4] Mr. Ring-a-Ding is the "God of Light" and part of the "Pantheon of Gods" that Davies has been developing since "The Giggle" (2023).[16][17] Linus Roache stars as Reginald Pye, the theatre's projectionist and Lewis Cornay plays a diner worker who helps the Doctor and Belinda investigate the disappearances. Anita Dobson also makes a brief appearance as recurring character Mrs. Flood.[18] The trio of fans were portrayed by Samir Arrian, Bronte Barbe, and Steph Lacey.[19] Filming and post-production [ edit ] Exterior shots for the theater were filmed at Penarth Pier Pavilion. The wooden ramp can be seen at the bottom of the photo. The story was filmed in the series' third production block, along with the following episode, "The Well".[20][21] It was directed by Amanda Brotchie and recorded in late-January 2024.[22][4] Location shooting took place in Penarth, Cardiff. The surrounding area was made up to look like an American city in the 1950s by adding vehicles and American flags. Penarth Pier pavilion was used for exterior shots of the theatre. The production team painted the building, added a period theatre sign, and removed a modern ramp at the front of the building. Its removal led to the discovery of rotting wood that had to be replaced at the show's expense. The episode was shot during Storm Jocelyn causing the cast and crew to struggle with unexpected rain and winds, requiring hot water bottles to keep warm during takes. Interior shots for the studio were filmed on soundstage 4 at Wolf Studios Wales. Pieces of that set were reused from "The Devil's Chord" (2024).[23][4] As a result of Mr. Ring-a-Ding being an animated creation, the performers had to interact with a two-foot acrylic cutout of the character or a thin green pole on set.The scenes were then edited during the post-production process. References for Mr. Ring-a-Ding's movement were filmed by crew, and then drawn directly into the scene by animators[4] from Framestore.[24] Cumming voiced his scenes in New York City on 28 June 2024. Elements of Cumming's facial expressions during this recording for were incorporated into Mr. Ring-a-Ding.[4] The scene where the Doctor and Belinda are turned into cartoons were first recorded on a green screen, in which Gatwa and Sethu had to portray the characters in a rigid and cartoon-like manner. The animators used this as a reference for interaction between the two characters when redrawing them as a cartoon.[2] Animations were done at twenty-five frames a second, requiring twenty-five drawings for each second of screen time, or fewer if characters' movement was limited.[4] Foley artists recorded sound effects at Bang Post Production in Cardiff, Wales on 4 September 2024.[4] The episode's soundtrack included two singles: "Roll Over Beethoven" by Chuck Berry, and the Marlena Shaw rendition of "California Soul". Despite the episode taking place in 1952, the tracks were not released until 1956 and 1969, respectively.[6] Murray Gold, the show's composer, also included the song "The Sad Man With A Box", a piece that he originally composed for series 5.[25][26] Broadcast and reception [ edit ] Broadcast [ edit ] "Lux" was simultaneously released on BBC iPlayer at 8 a.m. British Summer Time (BST) in the United Kingdom and on Disney+ in the United States at 12 a.m. Pacific Daylight Time on 12 April 2025.[35] A BBC One broadcast followed at 7:15 p.m. BST.[36] Disney also handled international distribution of the episode.[37] Ratings [ edit ] The episode received overnight viewing figures of 1.58 million, the lowest broadcast ratings in Doctor Who's history. It was the fourth most-watched programme of the day on BBC One, with one show on ITV1 also achieving higher numbers.[38] Critical reception [ edit ] On the review aggregator website Rotten Tomatoes, 100% of 10 critics' reviews are positive, with an average rating of 7.70/10.[27] Robert Anderson, writing for IGN, praised the episode, highlighting Mr. Ring-a-Ding, several individual scenes, such as the fourth-wall-breaking scene, and the performances of Gatwa and Sethu.[24] The Guardian's Martin Belam responded positively to the episode, praising Cumming's performance and the fourth-wall-breaking scene.[39] Will Salmon, writing for GamesRadar+, highlighted Mr. Ring-a-Ding and Gatwa's performance, though felt Murray Gold's musical score "drowned out" some scenes.[32] Adi Tantimedh, writing for Bleeding Cool, found the episode to be the strongest out of the episodes headed by Davies in his second tenure as showrunner.[29] Andrew Blair, writing for Den of Geek, highlighted the characterization of Mr. Ring-a-Ding, but criticized the episode's similarities to "The Devil's Chord", which he felt made the episode feel repetitive and weaker than it should have. He also felt the episode's handling of race was not effective, as while he felt the episode's inclusion of the topic was commendable, he felt the Doctor's in-universe way of handling it "can't help but scrape awkwardly against our real-world knowledge."[25] Vicky Jessop, writing for the Evening Standard, criticized the inclusion of the scene featuring Doctor Who fans, stating that while it was initially entertaining, it quickly became "strained".[31]

TDP 1362: #DoctorWho #DisneyWho TV Doctor Who Review Lux

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TDP 1361: #DOCTORWHO review #DisneyWho The Robot Revolution https://m.ebay.co.uk/sch/i.html?sid=tindogpodcast&_pgn=1&isRefine=true&_trksid=p4429486.m3561.l49496 "The Robot Revolution" is the first episode of the fifteenth series of the British science fiction television series Doctor Who. The episode was written by Russell T Davies, the Doctor Who showrunner, and directed by Peter Hoar. In the episode, the Fifteenth Doctor (Ncuti Gatwa), rescues Belinda Chandra (Varada Sethu), after she is kidnapped from Earth and inadvertently gets involved in a war on another planet. Chandra becomes the Doctor's new companion. Production for the episode took place in Cardiff, Wales in late-2023. It was released on BBC iPlayer, BBC One, and Disney+ on 12 April 2025. Reception was mostly postive, with Sethu's characterization particularly praised. A novelisation written by Una McCormack is set to be released in July 2025. Plot [ edit ] Belinda Chandra's boyfriend, Alan Budd, gives her a certificate naming a star after her for her birthday. He proposes but she rebuffs him. Seventeen years later, on 24 May 2025, Belinda is captured by robots and taken, as their queen, to Missbelindachandra One, a planet orbiting her star. The "Missbelindachandrakind" are composed of humanoids and robots, who coexisted peacefully until the latter took control and some humans began to rebel. The robots are controlled by the Great AI Generator, who plans to merge with Belinda. On their spaceship, Belinda blames Alan for registering the star, as it flies through a time fracture. The Doctor, who had been in pursuit, is sent backward six months, and by the time Belinda arrives, he has become the historian. Exploiting a fault that prevents the robots from hearing every ninth word, the Doctor and the rebels rescue Belinda. The Doctor realises that the robots possess a certificate identical to Belinda's, and have had it for over 5000 years. He concludes that this is related to the time fracture. Belinda allows herself to be captured, asking the robots to spare the rebels. Belinda and the Doctor are taken to the Great AI Generator. They discover that it is not "AI" but "AL", short for Alan. After Belinda had blamed Alan, the robots used the time fracture to capture him ten years earlier in 2015. Seeing life on Missbelindachandra as a game, Alan merged himself with the machines and started the war. Using every ninth word, Alan communicates to them that he is in pain. Belinda touches her copy of the certificate to Alan's, causing them to experience all of time simultaneously. The Doctor rescues Belinda, while Alan reverts to a sperm and egg, which is cleaned up by a robot. Now free, the humanoids and robots rebuild their society, while the Doctor takes Belinda to his TARDIS. He describes meeting her distant descendant Mundy Flynn[a] and wants to know how the robots acquired the certificate, but Belinda, disturbed at his insistence that their encounter is "destiny" and refusing to be one of his adventures, demands to be taken home. The TARDIS is unable to return to 24 May 2025, instead bouncing off that date. The Doctor tells Belinda that they will need to take the long way around. As the TARDIS dematerialises, debris from several Earth landmarks and the certificate float in space. Production [ edit ] Development [ edit ] "The Robot Revolution" was written by Russell T Davies.[1] He initially conceptualized the idea as a one-off story and later reworked it into a series premiere to serve as a companion introduction.[2] Davies said that it was a "difficult" episode to write, because he struggled with turning a joke about star naming into a full script. He also viewed it as a wider narrative about the concerns surrounding artificial intelligence in a real-world context. A working title for the episode included "Belinda and the Robots".[3] Filming [ edit ] Set design began at Wolf Studios Wales in October 2023. Production Designer Phil Sims said he and Davies took inspiration from Forbidden Planet and This Island Earth when conceiving the sets. They were created with a retrofuturistic appearance influenced by the 1950s. Millennium FX designed the robot costumes over the course of eight weeks. They were first created digitally and split into 34 different pieces to be printed in 3D. Afterwards, the pieces were assembled with glue and finished with silicon and fiberglass.[2][3] The polish robot that appears in the episode was designed with a similar 1950s aesthetic, primarily being based on cars of the time period. The robot had unique wheels that allowed it to move laterally as well as straight ahead, as the designers wanted the robot to have a unique range of motion compared to other robots of similar size.[4] The AI Generator was similarly designed to appear large and imposing, with the set and art design teams collaborating to determine where the presence of Alan would be inside of the machine. The set for the throne room, where Belinda is initially brought in the episode, is re-used for the AI Generator's room. The design team placed the "head" of the Generator's design just below the room's centerpiece in order to create the illusion that the room acted like a crown for the Generator and that the room is an extension of him.[4] The episode was directed by Peter Hoar.[5] It was recorded in the second filming block of series 15 along with the fourth episode, "Lucky Day".[6][7] Location filming occurred in November 2023 in Roath, Cardiff while soundstage filming also took place at Wolf Studios.[2] Casting [ edit ] The episode stars Ncuti Gatwa as the fifteenth incarnation of The Doctor and introduces Varada Sethu as his companion, Belinda Chandra.[8] Sethu previously played a separate but related character in the fourteenth series episode "Boom" (2024).[9] Anita Dobson reprised her role as Mrs Flood, an enigmatic character who was first introduced in The Church on Ruby Road (2023) and recurred in the previous series.[10] Alan Budd (the episode's antagonist) was portrayed by Jonny Green, who formerly voiced characters in various Doctor Who and Torchwood audio dramas. Other members of the guest cast included Max Parker, Jeff Kunjumon, Evelyn Miller, and Caleb Hughes.[11] Two of the robots were operated by Stephen Love and Robert Strange; the two worked as Wrarth Warriors in "The Star Beast" (2023), while Strange also handled the Bogeyman costume in "Space Babies" (2024).[2] Broadcast and reception [ edit ] Release [ edit ] "The Robot Revolution" was simultaneously released on BBC iPlayer at 8 a.m. British Summer Time (BST) in the United Kingdom and on Disney+ in the United States at 12 a.m. Pacific Daylight Time on 12 April 2025.[21] A BBC One broadcast followed later in the day at 6:50 p.m. BST.[22] Disney also handled international distribution of the episode.[23] Ratings [ edit ] Overnight viewing figures estimate that the episode was watched by 2 million people on its BBC One broadcast, making it the second most-watched programme on BBC One behind the finale of Gladiators series 2, as well as the fourth-most watched programme of the day.[24] Critical reception [ edit ] On the review aggregator website Rotten Tomatoes, 100% of 8 critics' reviews are positive, with an average rating of 7.10/10.[12] Will Salmon with GamesRadar+ highlighted the setting of the episode and its design, but criticized the episode for being "light", as well as due to confusing plot points toward the end of the episode.[16] Writing for Den of Geek, Stefan Mohamed highlighted the Doctor's characterization and the episode's new visual and directorial techniques, but criticized Alan as a villain and the death of Sasha 55 as a weak narrative moment.[25] Yahoo! Entertainment's Roxy Simmons found the episode enjoyable but found the episode to make very little impact on the audience, and found the commentary unsubtle.[26] Belinda's characterization and Sethu's performance was near universally praised.[16][18][26][25][15][17][27][14] The Independent author Ed Power praised the Doctor's characterization and the fun nature of the episode, though felt that elements of Alan's characterization as a "nerdy" character would receive negative reception, and that Sasha 55's death was unnecessary for the episode's plot.[19] IGN critic Robert Anderson criticized the episode as feeling "shallow", as well as the twist of the AI Generator being Alan.[18] Reviewing the episode for The Guardian, Jack Seale highlighted the episode's re-introduction of the Doctor's character and the inclusion of topical issues, but criticized the twists involving the AI Generator as well as the execution of the episode's message.[17] Mashable's Chris Taylor argued that Belinda's characterization was weak, and that she lacked a sense of purpose compared to other past companions. He also criticized the episode's social commentary, feeling that the episode moved to fast to properly critique any aspect of society.[28] Michael Hogan, penning a review for The Daily Telegraph felt some of the episode's social commentary was not well-executed, and felt jarring given the episode's time slot.[14]

TDP 1361: #DOCTORWHO review #DisneyWho The Robot Revolution

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a close up of a man 's face in front of a chalkboard with math equations written on it ALT: a close up of a man 's face in front of a chalkboard with math equations written on it

We've finished all of #NewWho and #DisneyWho. I'm not sure what to do now. #WhoSky

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DOCTOR WHO Trailer German Deutsch (2024) Ncuti Gatwa
DOCTOR WHO Trailer German Deutsch (2024) Ncuti Gatwa Offizieller

Endlich ist der Trailer draußen und er sieht mega aus ❤️🤩.

Ich freue mich so sehr auf die neue Staffel von #DoctorWho.

Sieht echt spannend aus und es kommen Dinos vor, es kann nur gut werden 😄❤️ #NewNewDoctorWho oder wie ich sage #DisneyWho.

#SerienSky #SerienBluesky #Disney #BBC #SerienSchlaubi

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