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Over 10 years old now, but still one of my favorite things I’ve painted #art #acrylicart #painter #giraffe #expressionism #quirky #colorfulart

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Ubiquitous oil on canvas
4.2026
#art #expressionism #abstract
#relativitypictre #vision #japaneseart
#abstractart #abstractpainting #contemporaryart
#peintureabstraite #hiroshimiyamoto
#abstraktemalerei #hiroshimiyamotoart #宮本廣志
#現代美術 #現代美術家 #現代アート #相対性絵画
#抽象画 #抽象絵画 #コンテンポラリーアート 
#抽象表現主義 #アート

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#Art #Education #App #VisionPro #game #Expressionism
#Louvre #MetMuseum #MoMA #Paris #NewYork #London #Moscow #Hermitage #NFT #dopamine #AI
Best guide to Expressionism Download ExpressArt
apps.apple.com/us/app/expre...

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Landscape painting of yellow hills, lonely tree leaning towards abandoned homestead.

Landscape painting of yellow hills, lonely tree leaning towards abandoned homestead.

"The Western Sky Moves On, Fields and Old Homestead Remain." 12x12 #painting. Available on my website. #art #artistsofbluesky #contemporaryart #artwork #expressionism
#blueskyartshow #painter #artist #womensartbluesky #blueskyart

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skyline I

#expressionist #abstract #art #painting #expressionism #artist

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In One Of Their Gowns #fineart #contemporaryart #abstractart #digitalart #art #painting #drawing #artoftheday #artwork #artist #britishartnow #expressionism #abstractexpressionism #horror

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Ubiquitous
oil on canvas
4.2026
#art #expressionism #abstract
#relativitypictre #vision #japaneseart
#abstractart #abstractpainting #contemporaryart
#peintureabstraite #hiroshimiyamoto
#abstraktemalerei #hiroshimiyamotoart #宮本廣志
#現代美術 #現代美術家 #現代アート #相対性絵画
#抽象画 #抽象絵画 #コンテンポラリーアート 
#抽象表現主義 #アート

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The red sun sets in a purple sky over an ocean reflecting its lights. Three dance before this omen, while two walk away. The piece is made with oil pastels on paper. Art by Jason Thomas Pitzl.

The red sun sets in a purple sky over an ocean reflecting its lights. Three dance before this omen, while two walk away. The piece is made with oil pastels on paper. Art by Jason Thomas Pitzl.

”Those Who Stayed, Those Who Left”
(Oil pastels on paper, 14x11, 2026, J. Pitzl)

#jasonthomaspitzl #expressionism #contemporaryart #pnwartist #pdxartist #oilpastel #oilpastelart #artsky #dailyart #fineart #artist #drawing #artonpaper #worksonpaper #art #vancouverwaartist

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2026.04.08 kazuo Adamski oil on canvas F8 op1666
"Quantum Entanglement #809 2026"

#portrait #abstract #oilpainting #expressionism #art #kunst #抽象画 #油彩 #絵画 #アート #写真 #photo #contemporaryart

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#Art #Education #App #VisionPro #game #Expressionism
#Louvre #MetMuseum #MoMA #Paris #NewYork #London #Moscow #Hermitage #NFT #dopamine #AI
Best guide to Expressionism Download ExpressArt
apps.apple.com/us/app/expre...

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Two young women move arm in arm through a crowded modern street, yet German artist August Macke makes them feel strangely calm inside the rush. The girl at left has bright reddish hair and turns her face away from us, her body angled forward as if she has just noticed something beyond the frame. Her companion, with dark hair pulled back, is shown in profile in a dress of deep red, rose, and brown. Their linked arms create the emotional center of the painting. Around them, the city breaks into splintered planes, sharp diagonals, flashes of yellow light, fragments of wheels, railings, figures, shopfront reflections, and bouquet-like bursts of color near the lower edge. Space feels unstable and alive. The girls are clearly human and solid, but nearly everything surrounding them seems to vibrate, flicker, and fracture into movement.

That tension is the point. Macke sets human closeness against the speed and sensory overload of modern life. The Städel notes how strongly the painting reflects the impact of Italian Futurism and French Cubism as the city is all motion, geometry, duplication, and glare, while the girls remain comparatively classical and self-contained. They do not dissolve into spectacle. 

Painted in 1913, when Macke was in his mid-twenties and already one of the most gifted artists in the orbit of Der Blaue Reiter, the work shows how deftly he absorbed new avant-garde ideas without losing his warmth toward everyday people. He was especially responsive to French modernism and to Robert Delaunay’s color-driven experiments, yet he kept returning to scenes of strolling, shopping, looking, and being together. The sitters here are unidentified, but that anonymity adds to the painting’s modernity. They become both specific companions and emblems of urban friendship. Seen now, one year before Macke’s death in World War I at just 27, the picture feels powerful and fragile at once like an image of companionship held steady inside a dazzling, unstable world.

Two young women move arm in arm through a crowded modern street, yet German artist August Macke makes them feel strangely calm inside the rush. The girl at left has bright reddish hair and turns her face away from us, her body angled forward as if she has just noticed something beyond the frame. Her companion, with dark hair pulled back, is shown in profile in a dress of deep red, rose, and brown. Their linked arms create the emotional center of the painting. Around them, the city breaks into splintered planes, sharp diagonals, flashes of yellow light, fragments of wheels, railings, figures, shopfront reflections, and bouquet-like bursts of color near the lower edge. Space feels unstable and alive. The girls are clearly human and solid, but nearly everything surrounding them seems to vibrate, flicker, and fracture into movement. That tension is the point. Macke sets human closeness against the speed and sensory overload of modern life. The Städel notes how strongly the painting reflects the impact of Italian Futurism and French Cubism as the city is all motion, geometry, duplication, and glare, while the girls remain comparatively classical and self-contained. They do not dissolve into spectacle. Painted in 1913, when Macke was in his mid-twenties and already one of the most gifted artists in the orbit of Der Blaue Reiter, the work shows how deftly he absorbed new avant-garde ideas without losing his warmth toward everyday people. He was especially responsive to French modernism and to Robert Delaunay’s color-driven experiments, yet he kept returning to scenes of strolling, shopping, looking, and being together. The sitters here are unidentified, but that anonymity adds to the painting’s modernity. They become both specific companions and emblems of urban friendship. Seen now, one year before Macke’s death in World War I at just 27, the picture feels powerful and fragile at once like an image of companionship held steady inside a dazzling, unstable world.

“Zwei Mädchen” (Two Girls) by August Macke (German) - Oil on canvas / 1913 - Städel Museum (Frankfurt am Main, Germany) #WomenInArt #AugustMacke #Macke #StaedelMuseum #StädelMuseum #Staedel #art #arte #kunst #arttext #BlueskyArt #Expressionism #GermanArtist #GermanArt #1910sArt #DerBlaueReiter

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Tuesday acrylic #blackandwhite #art #photography #acrylic #artist #expressionism

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‘I wake up every morning in this killing machine called America and I’m carrying this rage like a blood filled egg and there’s a thin line between the inside and the outside a thin line between thought and action and that line is simply made up of blood and muscle and bone.’

‘I wake up every morning in this killing machine called America and I’m carrying this rage like a blood filled egg and there’s a thin line between the inside and the outside a thin line between thought and action and that line is simply made up of blood and muscle and bone.’

#Photography: Untitled (Face in Dirt; 1991)
#Artist: David Wojnarowicz (b. 1954/ d. 1992)
#ArtMovement/Style: #QueerArt #Expressionism #Portraiture
Medium: Gelatin silver print
48.3 × 50.2 cm (19 × 19 3/4 in)

#DailyArt #TalkArt #Artsy
#ArtPost #FineArt #Art 

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Ubiquitous
oil on canvas
4.2026
#art #expressionism #abstract
#relativitypictre #vision #japaneseart
#abstractart #abstractpainting #contemporaryart
#peintureabstraite #hiroshimiyamoto
#abstraktemalerei #hiroshimiyamotoart #宮本廣志
#現代美術 #現代美術家 #現代アート #相対性絵画
#抽象画 #抽象絵画 #コンテンポラリーアート 
#抽象表現主義 #アート

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#Art #Education #App #VisionPro #game #Expressionism
#Louvre #MetMuseum #MoMA #Paris #NewYork #London #Moscow #Hermitage #NFT #dopamine #AI
Best guide to Expressionism Download ExpressArt
apps.apple.com/us/app/expre...

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The dense layering of oil builds a visceral surface that registers the physical presence of the subject. A regal head, crowned and adorned, confronts the viewer. The artist's vigorous brushwork excavates the contours of the face, revealing a network of lines etched by time and position. These thick applications of color solidify the flesh, anchoring the royal regalia to the palpable human form. The light catches the impasto, defining planes and carving out the features with unflinching directness. This textural solidity speaks to an enduring, almost immutable position within the public consciousness. The crown, rendered with a fragmented brilliance, suggests both the weight of tradition and the multifaceted nature of sovereignty. The pearls, small points of reflected light, punctuate the established order. The gaze, direct and unwavering, holds the observer captive. This stark presentation cuts through accumulated iconographic layers. It confronts the viewer with an unvarnished humanity beneath the symbols of power.

The portrait emerged during a period of shifting attitudes towards the monarchy in Britain. While the royal  family remained a symbol of national identity, there was increasing public interest their lives as individuals, rather than solely as representatives of the Crown. Freud's work, part of a broader trend in 21st-century portraiture, challenged traditional conventions and embraced a more psychological and realistic approach. It builds on the tradition of realist portraiture, but pushes it further with its uncompromising depiction of the subject. It also reflects a move away from the romanticized portraiture of
earlier eras.

The dense layering of oil builds a visceral surface that registers the physical presence of the subject. A regal head, crowned and adorned, confronts the viewer. The artist's vigorous brushwork excavates the contours of the face, revealing a network of lines etched by time and position. These thick applications of color solidify the flesh, anchoring the royal regalia to the palpable human form. The light catches the impasto, defining planes and carving out the features with unflinching directness. This textural solidity speaks to an enduring, almost immutable position within the public consciousness. The crown, rendered with a fragmented brilliance, suggests both the weight of tradition and the multifaceted nature of sovereignty. The pearls, small points of reflected light, punctuate the established order. The gaze, direct and unwavering, holds the observer captive. This stark presentation cuts through accumulated iconographic layers. It confronts the viewer with an unvarnished humanity beneath the symbols of power. The portrait emerged during a period of shifting attitudes towards the monarchy in Britain. While the royal family remained a symbol of national identity, there was increasing public interest their lives as individuals, rather than solely as representatives of the Crown. Freud's work, part of a broader trend in 21st-century portraiture, challenged traditional conventions and embraced a more psychological and realistic approach. It builds on the tradition of realist portraiture, but pushes it further with its uncompromising depiction of the subject. It also reflects a move away from the romanticized portraiture of earlier eras.

Queen Elizabeth II by Lucian Freud, 2001. It was a personal gift to the Queen, and so considered her private property, but the painting is often linked to the Royal Collection

#ArtHistory #ContemporaryArt #Expressionism

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Two people, wrapped in a large blanket, encounter each other’s physicalities in a springtime field of greenery and trees. During this encounter their eyes meet. The piece is made with oil pastels on paper. Art by Jason Thomas Pitzl.

Two people, wrapped in a large blanket, encounter each other’s physicalities in a springtime field of greenery and trees. During this encounter their eyes meet. The piece is made with oil pastels on paper. Art by Jason Thomas Pitzl.

”Confronting a Moment”
(Oil pastels on paper, 14x11, 2026, J. Pitzl)

#jasonthomaspitzl #expressionism #contemporaryart #pnwartist #pdxartist #oilpastel #oilpastelart #artsky #dailyart #fineart #artist #drawing #artonpaper #worksonpaper #art #vancouverwaartist

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Reality is Something You Rise Above
(Liza Minnelli - "Kids, Wait Till You Hear This" audiobook)
24"x36"
acrylic, colored pencil & pencil on canvas
available: raycaspio.com/shop/paintin...

#liza #lizaminnelli #contemporaryart #painting #contemporarypainting #art #artist #intuitiveart #expressionism

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Ernst Ludwig Kirchner (1880-1938)
Self Portrait with a Pipe, 1907.
Oil on canvas. #Expressionism

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Forest_3789
www.mickphoto.com
©2022 Mick Cantarella Photography
.
.
.
#flower #flowers #scapes #plants #trees #bouquet
#art #blurry #beautiful #pictorialism #forest
#landscape #bokeh #focus #outoffocus  #country #helios
#fineart #photoart #expressionism #contemporaryphotography

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Beached
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.
.
#expressionism #fishart #artbrut #contemporaryart #mixedmediaartist

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A solitary figure emerges from a void of white silence, its form barely held together by washes of diluted black and grey. The body appears less constructed than dissolved—like memory slipping through water. A heavy veil obscures the face entirely, denying identity, denying presence, leaving only suggestion.

Two stark, ink-black hands reach outward, pressing against an invisible boundary. They are the only elements with weight, with certainty—solid against the otherwise bleeding, ghostlike body. The contrast evokes a quiet desperation: a being caught between existence and erasure, between wanting to be seen and fearing what visibility might mean.

The drips and streaks cascading downward feel like time itself unraveling the figure, as if it cannot sustain its own form. The emptiness around it amplifies its isolation, turning the composition into a study of absence rather than presence.

Art copyright ©Yves Broeckx
This is digitally created art
concept and execution by Yves

A solitary figure emerges from a void of white silence, its form barely held together by washes of diluted black and grey. The body appears less constructed than dissolved—like memory slipping through water. A heavy veil obscures the face entirely, denying identity, denying presence, leaving only suggestion. Two stark, ink-black hands reach outward, pressing against an invisible boundary. They are the only elements with weight, with certainty—solid against the otherwise bleeding, ghostlike body. The contrast evokes a quiet desperation: a being caught between existence and erasure, between wanting to be seen and fearing what visibility might mean. The drips and streaks cascading downward feel like time itself unraveling the figure, as if it cannot sustain its own form. The emptiness around it amplifies its isolation, turning the composition into a study of absence rather than presence. Art copyright ©Yves Broeckx This is digitally created art concept and execution by Yves

I V E I L O F T H E U N S E E N I

Some things don’t haunt you loudly.
They linger—half-formed, reaching, dissolving before you can name them.

Veil of the Unseen

— The Asylum Art —
Art and Words by Yves

#AbstractArt #Expressionism #blueskyart #InkPainting #ContemporaryArt #art #cptsd

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Ubiquitous
oil on canvas
4.2026
#art #expressionism #abstract
#relativitypictre #vision #japaneseart
#abstractart #abstractpainting #contemporaryart
#peintureabstraite #hiroshimiyamoto
#abstraktemalerei #hiroshimiyamotoart #宮本廣志
#現代美術 #現代美術家 #現代アート #相対性絵画
#抽象画 #抽象絵画 #コンテンポラリーアート 
#抽象表現主義 #アート

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2026.04.06 kazuo Adamski oil on canvas F8 op1665
"Fig.Untitled Painting #365 2026"

#portrait #abstract #oilpainting #expressionism #art #kunst #抽象画 #油彩 #絵画 #アート #写真 #photo #contemporaryart

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#Art #Education #App #VisionPro #game #Expressionism
#Louvre #MetMuseum #MoMA #Paris #NewYork #London #Moscow #Hermitage #NFT #dopamine #AI
Best guide to Expressionism Download ExpressArt
apps.apple.com/us/app/expre...

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2025.04.24
fineliner, colored pencil on drawing cardboard
size: 22cm x 21cm, 8,9in x 8,3in

#abstractart #abstract #abstractdrawing #drawingabstract #colorpencil #fineliner #comicabstraction #comicabstract #expressionism #expressionismart #expressionismo #colorfulabstract #colorfulabstractart

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2025.04.24
fineliner, colored pencil on drawing cardboard
size: 22cm x 21cm, 8,9in x 8,3in

#abstractart #abstract #abstractdrawing #drawingabstract #colorpencil #fineliner #comicabstraction #comicabstract #expressionism #expressionismart #expressionismo #colorfulabstract #colorfulabstractart

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2025.04.24
fineliner, colored pencil on drawing cardboard
size: 22cm x 21cm, 8,9in x 8,3in

#abstractart #abstract #abstractdrawing #drawingabstract #colorpencil #fineliner #comicabstraction #comicabstract #expressionism #expressionismart #expressionismo #colorfulabstract #colorfulabstractart

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2025.04.24
fineliner, colored pencil on drawing cardboard
size: 22cm x 21cm, 8,9in x 8,3in

#abstractart #abstract #abstractdrawing #drawingabstract #colorpencil #fineliner #comicabstraction #comicabstract #expressionism #expressionismart #expressionismo #colorfulabstract #colorfulabstractart

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2025.04.24
fineliner, colored pencil on drawing cardboard
size: 22cm x 21cm, 8,9in x 8,3in

#abstractart #abstract #abstractdrawing #drawingabstract #colorpencil #fineliner #comicabstraction #comicabstract #expressionism #expressionismart #expressionismo #colorfulabstract #colorfulabstractart

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