Two bright red round metal tables with three matching chairs each sit, unoccupied, in a snow and ice covered public commons by the harbour’s edge.

Three bright red metal Muckoka chairs are grouped, bolts to the snow and ice covered patio bricks before a monument to those lost the Irish Famine.

Maybe the metal furniture wasn’t the right choice for this climate…

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A person walks away along an icy pier, past large concrete flower pots and a sign that reads “LOVE” in large, red block letters. Closer to the camera another sign reads “DANGER, KEEP OFF”.

Mixed messaging.

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Graffiti reads “Q, I believe you can go so much farther than where you are. -T-“

Seems like a positive sentiment, that is, until I point out it is written at the end of a pier.

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An enormous artificial Christmas tree reaches for the glass dome of the mall. The gaudy neon star fragmented in reflections off the individual panes of the dome.

The Canada Geese of Michael Snow’s Flight Stop fly through the done of the Eaton Centre. Through the dome, a tall glass tower looms, reflecting another tower in its windows.

Walking through the Eaton’s Centre at Christmas could be considered a form of selfflagellation.

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Two scant trees with desiccated leaves attempt next to a black lamppost and brick wall painted red.

Some attempts at green space are sadder than others.

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