Advertisement · 728 × 90
#
Hashtag
#EttoreSottsass
Advertisement · 728 × 90
Post image

ℹ️News
#Photo
#Design
#EttoreSottsass

📌Photo l Design / Ettore Sottsass

6 0 1 0
Post image

ℹ️News
#Photo
#Design
#EttoreSottsass

📌Photo l Design / Ettore Sottsass

6 0 0 0
Post image

ℹ️News
#Photo
#Design
#EttoreSottsass

📌Photo l Design / Ettore Sottsass

9 0 0 0
Post image

ℹ️News
#Photo
#Design
#EttoreSottsass

📌Photo l Design / Ettore Sottsass

6 0 1 0
Post image

ℹ️News
#Photo
#Design
#EttoreSottsass

📌Photo l Design / Ettore Sottsass

5 0 0 0
Post image

"The machines make everything by themselves, there are no longer men going to work," he said in 1972 #EttoreSottsass

12 2 2 1
Post image

Tavolo da pranzo Filicudi di Ettore Sottsass per Zanotta Italia 1993. #ettoresottsass #zanotta #italiandesign #postmoderndesign #postmodern

3 0 0 0
Post image

#EttoreSottsass

1 0 0 0
Post image

"L'architettura si abita mentre l'arte si guarda; questa è una differenza fondamentale. L'architettura è un'esperienza fisica e sensoriale perché ci si va dentro.“

Ettore Sottsass junior
Innsbruck 14 settembre 1917
Milano 31 dicembre 2007

#ettoresottsass
#sottsass
#14settembre1917
#31dicembre2007

0 0 0 0
VASE, model 'Morosina', designed 1974 for Vistosi, limited edition of 250.

Ettore Sottsass, 'Morosina' vase, 1974, 
Made by Vetreria Vistosi, Murano. 
Overlaid glass, colorless and white, attached ribbons made of black glass. 
Marked: E. SOTTSASS 202/250 Vistosi 
Barovier / Bischofberger / Carboni, Sottsass Glass works, Stuttgart 1998, p. 16.
Number 202 from a limited edition of 250
White and black glass. 
Signed, inscribed and numbered below: E. SOTTSASS 201/250 VISTOSI.Ø 14 cm; H 39 cm.

VASE, model 'Morosina', designed 1974 for Vistosi, limited edition of 250. Ettore Sottsass, 'Morosina' vase, 1974, Made by Vetreria Vistosi, Murano. Overlaid glass, colorless and white, attached ribbons made of black glass. Marked: E. SOTTSASS 202/250 Vistosi Barovier / Bischofberger / Carboni, Sottsass Glass works, Stuttgart 1998, p. 16. Number 202 from a limited edition of 250 White and black glass. Signed, inscribed and numbered below: E. SOTTSASS 201/250 VISTOSI.Ø 14 cm; H 39 cm.

'Morosina' sculptural vase
white and black glass
Ettore Sottsass
Vistosi
1974

#ettoresottsass #vistosi #dated1974 #numbered #italy #handmade #italianglass #postmodern #postmodernglass #memphismilano #handmade #sculpture #vase

5 0 0 0
Post image

Ettore Sottsass
(1917-2007)
glass
produced by Vistosi
late 1970s to early 1980s

#memphis #design #glass #artglass #muranoglass #vistosi #murano #ettoresottsass #memphismilano #memphisglass #handblown #glassart #art #sculpture
#postmodern #postmoderndesign #postmoderncraft

10 0 0 0
Post image

Olivetti ashtray „SYNTHESIS 45“ by Ettore Sottsass and the „DIVISUMMA 28“ calculator by Mario Bellini on a conference table at the Olivetti Headquarter / Ivrea / Italy

Photographed in 1997

#olivetti
#olivettidesign
#photography
#analoguephotography
#ettoresottsass
#italiandesign

8 0 0 0
Post image

Olivetti ashtray „SYNTHESIS 45“ by Ettore Sottsass on a conference table at the Olivetti Headquarter / Ivrea / Italy

Photographed in 1997 during artistic research on the Corporate Identity of Olivetti

#olivetti
#olivettidesign
#photography
#analoguephotography
#ettoresottsass
#italiandesign

7 0 0 0
Post image

Object created through training an AI model on the design of Ettore Sottsass
#ettoresottsass #memphisgroup #artinstallation #artobject #contemporaryart

7 0 0 0
Post image

1:6 scale Vitra Design Museum Memphis chair designed by Ettore Sottsass 💖

#memphisdesign #80sdesign #ettoresottsass #vitradesignmuseum #miniaturefurniture

13 0 0 0
A vibrant seaside scene at golden sundown, featuring playful, multilevel buildings with bold stripes, circular windows, and sweeping balconies. The stacked geometric volumes recall Ricardo Bofill’s signature architectural style, while the high-contrast patterns and pop colors evoke Ettore Sottsass and the Memphis design movement. A turquoise inlet with small boats nestles between the opposing structures, framed by terraces and curved staircases that lead down to café tables and sculpted greenery.

A vibrant seaside scene at golden sundown, featuring playful, multilevel buildings with bold stripes, circular windows, and sweeping balconies. The stacked geometric volumes recall Ricardo Bofill’s signature architectural style, while the high-contrast patterns and pop colors evoke Ettore Sottsass and the Memphis design movement. A turquoise inlet with small boats nestles between the opposing structures, framed by terraces and curved staircases that lead down to café tables and sculpted greenery.

Sunset in Striped Paradise

Where Ricardo Bofill’s geometric volumes collide with Ettore Sottsass’s Memphis magic. Bold stripes, curved balconies, and a dazzling seaside view invite you into this colorful architectural dreamscape! #Architecture #RicardoBofill #EttoreSottsass #MemphisDesign

1 0 0 0
Post image Post image

Stilnovo Quasar by Francesco Bocola, 1970.
#stilnovolamp #francescobocola #newlamproma #gianfrancofini #fabriziococchia #radicaldesign #vintageitalianlamp #stilnovolamps #arredoluce #arteluce #ginosarfatti #gaeaulenti #ettoresottsass #gioponti #bilumen #vernerpanton #spaceagedesign

0 0 0 0
Post image

#federicamarangoni #newlamproma #gianfrancofini #radicaldesign #vintageitalianlamp #vintagelamp #poltronova #stilnovo #stilnovolamps #arredoluce #arteluce #giannicolombo #ginosarfatti #gaeaulenti #sottsass #utopiedutoutplastique #ettoresottsass #gioponti #angelolelli #spaceagedesign

1 0 0 0
The scene is an exhibition space in the Centre Pompidou art space in Paris displaying some of the work of Italian designer Ettore Sottsass.

In the foreground multiple piles, or columns, at varying heights of shiny, round, red, discs. In front of the black background walls is another taller two column piece in pale blue, next to a projected image of a similar sculptural piece.

The scene is an exhibition space in the Centre Pompidou art space in Paris displaying some of the work of Italian designer Ettore Sottsass. In the foreground multiple piles, or columns, at varying heights of shiny, round, red, discs. In front of the black background walls is another taller two column piece in pale blue, next to a projected image of a similar sculptural piece.

Photo from a 2021 visit to the "Ettore Sottsass - The Magical Object" exhibition at the Centre Pompidou in Paris which brought together a major collection of historical pieces from the 1940s through the 1980s by the Italian designer.

#Art #Design #EttoreSottsass #CentrePompidou #Paris

2 0 0 0