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Full-page layout of The Non-Standard, Vol. 1, No. 2 (August 10, 2025), a weekly paper for experimentation in the materialisms of the present. The masthead features a black lowercase “the” and “standard,” with “non-” in bold red and black letters and an offset orange “a.” Three columns of text follow:

1. “Difference’s Rainbow” by grace grace grace — Reflecting on Alfred North Whitehead, the bifurcation of nature, and the plural perception of rainbows as a refusal of the fiction that the world is finished. Emphasizes values, feelings, and the political inheritance of wonder.
2. “What Survives AI Talk?” by Mira Petrillo — Drawing on Vilém Flusser, explores word inflation, the noise of accelerated speech, and the fragility of language’s capacity to move, connect, and shape the world. Considers how grace and human relation persist amid AI-mediated communication.
3. “On Non-Journalism” by Jacob Henry Leveton — Introducing François Laruelle’s city–nature–cosmos triad and the concept of determination-in-the-last-instance. Defines non-journalism as inhabiting the weave of the Real, tracing events where shared reasoning meets ecological relations, and tending the ever-living fire toward collective futures.

Serif headlines, justified text blocks, and footnotes throughout. The aesthetic is minimalist, emphasizing clarity and typographic precision.

Full-page layout of The Non-Standard, Vol. 1, No. 2 (August 10, 2025), a weekly paper for experimentation in the materialisms of the present. The masthead features a black lowercase “the” and “standard,” with “non-” in bold red and black letters and an offset orange “a.” Three columns of text follow: 1. “Difference’s Rainbow” by grace grace grace — Reflecting on Alfred North Whitehead, the bifurcation of nature, and the plural perception of rainbows as a refusal of the fiction that the world is finished. Emphasizes values, feelings, and the political inheritance of wonder. 2. “What Survives AI Talk?” by Mira Petrillo — Drawing on Vilém Flusser, explores word inflation, the noise of accelerated speech, and the fragility of language’s capacity to move, connect, and shape the world. Considers how grace and human relation persist amid AI-mediated communication. 3. “On Non-Journalism” by Jacob Henry Leveton — Introducing François Laruelle’s city–nature–cosmos triad and the concept of determination-in-the-last-instance. Defines non-journalism as inhabiting the weave of the Real, tracing events where shared reasoning meets ecological relations, and tending the ever-living fire toward collective futures. Serif headlines, justified text blocks, and footnotes throughout. The aesthetic is minimalist, emphasizing clarity and typographic precision.

The Non-Standard issue 2, my new Sunday digital newspaper.

Thinking with grace grace grace, Mira Pertillo, and myself about rainbows, word inflation and AI, and Laruelle.

#CriticalTheory #ExperimentalHumanities

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Logo for the non·standard (t n·s). A minimalist design features a lowercase “t” above a bold “n·s” in RGB 30-30-30 typeface, with a red dot centered between the n and s. The text is framed by a thin red circle on a softly crumpled, warm-gray paper background.

Logo for the non·standard (t n·s). A minimalist design features a lowercase “t” above a bold “n·s” in RGB 30-30-30 typeface, with a red dot centered between the n and s. The text is framed by a thin red circle on a softly crumpled, warm-gray paper background.

t N·S logo drop.

First, only, one-page weekly newspaper designed just for Instagram.

First issue arrives late this month.
Writers needed. Visuals welcome.
DMs open.

#thenonstandard #newjournalism #experimentalhumanities

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Just all around v impress by the work that the Pelion Summer Lab for Experimental Humanities did with their eco-dramturgies summer seminar at the base of Mt. Pelion outside Volos.

Well worth checking out over on Insta.

And as ever:

#ExperimentalHumanities
#PublicHumanities 🙅‍♀️

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A black-and-white, three-column newspaper titled the non-standard with a bold, typographically varied masthead. In the top-left, a photo of a man in glasses holding a glass of wine. Below, an editor’s note by Jacob Henry Leveton introduces the paper as “not a platform, not a launch,” but a proposal for thought grounded in politics. Center and right columns feature faux-Latin articles by fictional authors “Cassianus M. Viroletus” and “Tullius N. Ferrandinus,” formatted in classic serif type. A strip of colorful woven textile art spans the bottom, captioned as Zachary Cahill’s The Instance of the Letter in the Unconscious. Design evokes revolutionary broadsides and footnoted theory journals. The issue is dated June 19, 2025, Vol. 1, No. 1.

A black-and-white, three-column newspaper titled the non-standard with a bold, typographically varied masthead. In the top-left, a photo of a man in glasses holding a glass of wine. Below, an editor’s note by Jacob Henry Leveton introduces the paper as “not a platform, not a launch,” but a proposal for thought grounded in politics. Center and right columns feature faux-Latin articles by fictional authors “Cassianus M. Viroletus” and “Tullius N. Ferrandinus,” formatted in classic serif type. A strip of colorful woven textile art spans the bottom, captioned as Zachary Cahill’s The Instance of the Letter in the Unconscious. Design evokes revolutionary broadsides and footnoted theory journals. The issue is dated June 19, 2025, Vol. 1, No. 1.

Coming soon, the debut issue with two vanguard thinkers in the theory space.

We need new journalism illuminated by footnoted urgency

#TheNonStandard #ExperimentalHumanities

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Preview
"Chew on It-Jazz, Refusal, Metabolic Improvisation" In March 2023 at ASU's Grant Street Studios, artists Camila de Andrade Bianchi and Liza Stout hosted a performance—Chew on It—that extended their wider collaborative inquiry into The Pedagogy of C...

🥗 Excerpt from in-process piece Chew on It—Toward a Compostable Imaginary (with artists Camila de Andrade Bianchi & Liza Stout).

A fragment on jazz, gum, and the acoustics of survivance—metabolizing resistance, collectively.

#ExperimentalHumanities #EnvironmentalHumanities

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Video

🎮 Serious Game

For our group’s experiment, we projected sound into a stone archway in Makrinítsa—a sonic threshold shaped by stories of movement and return.

PSL taught me how memory, migration, and place reverberate through form. That resonance continues to guide my work.

#ExperimentalHumanities

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Theme This year’s lab, Anthropo-scenes , will be an experiment in ecodramaturgy , bringing together speculative ethnography, Black geographies, decolonial thought, landscape architecture, and...

Sharing for friends who changed my life in 2019.

The Pelion Summer Lab for #CulturalTheory and #ExperimentalHumanities is back—June 27–July 7 in Neochori 🇬🇷
Theme: Anthropo-scenes
Turning from technocracy toward ecodramaturgy, decolonial thought & more.
Apply here 👇
#PSL2025 @pprobonas.bsky.social

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