Art Under Siege: Bisan Owda I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable... good. Come look anyway.

“It’s Bisan from Gaza, and I’m still alive.”

Filmmaker. Journalist. Witness.
Bisan Owda is not reporting from the outside—she is the story.
Her lens has become Gaza’s voice.
But awards don’t equal safety.

We don’t need heroes. We need help.
#BisanOwda #Gaza #WarJournalism #FaceLiftSeries

FAce-lIft Continuation XVI: Aloïse Corbaz I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable... good. Come look anyway.

She drew in secret. She drew in color. She drew because she had to. Aloïse Corbaz’s art didn’t ask for permission—and it still doesn’t. #FaceLiftSeries #AloïseCorbaz #OutsiderArt #NeurodivergentCreativity #ArtAsResistance #AIvsArt #ArtHistoryReclaimed

FAce-lIft Continuation XV: Clarice Lispector I made paintings. Tech advanced I let the algorithm chew on them. fAce-lIft™ is what happened when I asked AI to distort, not dictate — to echo, not replace. The result? Something almost beautiful, slightly haunted, and very much still mine. If that makes you uncomfortable... good. Come look anyway.

Clarice Lispector didn’t write to explain the world—she wrote to feel it. Today’s #FaceLift entry explores her mystic logic, outsider language, and why AI can mimic grammar but not soul.

#ClariceLispector #AIvsArt #OutsiderArtists #LiteraryWitchcraft #NeurodivergentCreativity #FaceLiftSeries