Platform Monopoly Without Competition: The aéPiot Case Study in Building Unassailable Market Position Through Pure Utility and Network Effects. Platform Monopoly Without Competition: The aéPiot Case Study in Building Unassailable Market Position Through Pure Utility and Network Eff...

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"Caminamos a través de nosotros mismos, encontrando ladrones, fantasmas, gigantes, ancianos, jóvenes, esposas, viudas, hermanos enamorados. Pero siempre encontrándonos a nosotros mismos".
#Ulyses - #JamesJoyce #Goncharova

Russian artist Natalia Sergeevna Goncharova depicts herself as an autonomous artist not seeking the viewer’s approval. Her self-confidence was characteristic of the Russian avant-garde, which featured a remarkable number of prominent women artists, including Zinaida Serebriakova and Lyubov Popova. With the traditional red headscarf and the red embroidery on white cloth on the left side, the painter demonstrates her cherished “Russianness.” Van Gogh-esque brushstrokes and the absence of a defined spatial setting; however, reveal her training in Paris. In the background, Goncharova renders her own painting, with a stooped peasant woman, to signify her professionalism. The artist probably gave this Self-Portrait its signature and date (1904) a while after its completion, but some believe its style and background motif indicate creation around 1907. One reason for a false date may have been her wish to demonstrate that Russia was not a follower but a precursor of the European avant-garde. Goncharova's lifelong partner was fellow Russian avant-garde artist Mikhail Larionov. She was a founding member of both the Jack of Diamonds (also called Knave of Diamonds or Бубновый валет), Moscow's first radical independent exhibiting group, and the more radical Donkey's Tail (Ослиный хвост), and with Larionov invented the abstract art style Rayonism. She was also a member of the German-based art movement Der Blaue Reiter. Born in Russia, she moved to Paris in 1921 and lived there until her death in 1962 as one of the leading figures in the avant-garde in France.

Self-Portrait by Natalia Goncharova (Russian) - Oil on canvas mounted on board / 1904 - Mead Art Museum at Amherst College (Massachusetts) #womeninart #womanartist #art #femaleartist #womensart #portraitofawoman #MeadArtMuseum #oilpainting #RussianArtist #artwork #mead #NataliaGoncharova #Goncharova

Goncharova #morningart #womenartists #art #goncharova