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Sarah Gaber: "Gottfried Benn und der literarische Nachkrieg"

#SarahGaber:

" #GottfriedBenn und der #literarische #Nachkrieg"

www.deutschlandfunk.de/sarah-gaber-...

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Olaf Gulbransson Museum, #Tegernsee
#OlafGulbransson, #RoseAusländer, #CarlSchuch, #GottfriedBenn

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Vor Kurzem erschienen – das Literaturwissenschaftliche Jahrbuch 2025: duncker-humblot.de/einzelheft/l... #Literaturwissenschaften #Retelling #Minnesang #Boccaccio #Schöpfungsmythen #GottfriedBenn

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👏 erinnert mich an #kleineaster :

"Ich packte sie ihm in die Brusthöhle
zwischen die Holzwolle,
als man zunähte.
Trinke dich satt in deiner Vase!
Ruhe sanft,
kleine Aster!"

#gottfriedbenn

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On my Substack, a look at Gottfried Benn’s MORGUE II from 1913. This oft-overlooked follow-up to his controversial MORGUE chapbook of poems from 1912 treads similarly macabre themes, albeit with a touch of black humor.

At: tr.ee/MORGUE2
at
Dammerung.substack.com

#gottfriedbenn #germanexpressionism

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A look at Gottfried Benn’s first poem in 1919’s TWILIGHT OF HUMANITY, the coldly clinical “Little Aster” that rankled the Modernist poetry movement and set the stage for body horror.
It’s here:
bit.ly/4581dh0
at
dammerung.substack.com
.
.
.
#gottfriedbenn #germanexpressionism #bodyhorror #horror

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Literarischer #2Mai

„Leben ist Brückenschlagen
über Ströme, die vergehn."

#GottfriedBenn #Schleierkraut Geburt 1886

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New post at TWILIGHT OF HUMANITY: German Expressionist bad boy #GottfriedBenn ‘s little-known follow-up to MORGUE: “Morgue II.” I’ve never seen an English translation its 5 poems. Thought I’d change that, so I translated them myself. Enjoy! They’re at: is.gd/P9DplJ
at dammerung.substack.com

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Slow days. Everything overcome. And you do not ask whether end or beginning, then perhaps the hours will carry you
until June with the roses.

- #GottfriedBenn, ‘Last Spring’

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#book
#mybook
#poetry
#mybooks
#reading
#gottfriedbenn

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Slow days. Everything overcome. And you do not ask whether end or beginning, then perhaps the hours will carry you
until June with the roses.

- #GottfriedBenn, ‘Last Spring’

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