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Rundgang zur Ruine des Franziskaner-Klosters Wer ein Stück Bielefelder Geschichte erwandern möchte, hat am Freitag, 3. April 2026, um 15 Uhr bei einer Veranstaltung des Historischen Museums die Gelegenheit. #Bielefeld #HistorischesMuseum
https://leopoldshoehernachrichten.de/?p=44337

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Bielefeld und das Bauhaus Gerhard Renda stellt am Sonntag, 25. Januar, um 15 Uhr im Historischen Museum die Bezüge Bielefelds zum Bauhaus in seinem Bildvortrag vor. #Bielefeld #HistorischesMuseum
leopoldshoehernachrichten.de/?p=43472

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Nachts im Museum Die nächsten Führungen finden statt am Freitag, 2. Januar, Samstag, 3. Januar, Freitag, 9. Januar, Samstag, 10. Januar und 17. Januar 2026, jeweils um 19 Uhr. #Bielefeld #HistorischesMuseum
leopoldshoehernachrichten.de/2025/12/29/n...

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Wie klingt das Historische Museum Wie klingt das Historische Museum? Dieser Frage gehen die Teilnehmenden eines zweitägigen Workshops am Samstag und Sonntag, 27. und 28. Dezember 2025, nach. #Bielefeld #HistorischesMuseum
leopoldshoehernachrichten.de/?p=43124

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Frauengeschichte in Bielefeld Das Historische Museum bietet am Sonntag, 9. März 2025, um 15 Uhr einen Stadtrundgang zur Frauengeschichte mit Karin Koenemann an. #HistorischesMuseum #Bielefeld
leopoldshoehernachrichten.de/?p=38015

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STATUETTE OF KING DAVID, C. 1280-1320, WITH ANCIENT CAMEO. BASEL HISTORICAL MUSEUM

This beautiful and bizarre gold statuette, only  17.7 cm tall, was made by southern German goldsmiths in around 1280 for the cathedral treasury of Basel in Switzerland, though its origins and commission are lost to us. The gold base and the miniature statue of the Virgin and Child are from a reworking of c. 1320. But the most striking part of the statuette is the head, a gold cowl surrounding a late-antique sardonyx cameo of Medusa which serves as King David's face. True, the face is rather mannish, and Medusa's snaky locks look like curls, but the tiny wings on either side of her central hair-knot identify her. The tiny Virgin and Child are standing on a C13 cameo of a lion. The three-quarters-length figure holds a scroll with a red niello inscription naming him DAVID REX and allude to him as an ancestor of Christ, David the "Lion of Judah".

STATUETTE OF KING DAVID, C. 1280-1320, WITH ANCIENT CAMEO. BASEL HISTORICAL MUSEUM This beautiful and bizarre gold statuette, only 17.7 cm tall, was made by southern German goldsmiths in around 1280 for the cathedral treasury of Basel in Switzerland, though its origins and commission are lost to us. The gold base and the miniature statue of the Virgin and Child are from a reworking of c. 1320. But the most striking part of the statuette is the head, a gold cowl surrounding a late-antique sardonyx cameo of Medusa which serves as King David's face. True, the face is rather mannish, and Medusa's snaky locks look like curls, but the tiny wings on either side of her central hair-knot identify her. The tiny Virgin and Child are standing on a C13 cameo of a lion. The three-quarters-length figure holds a scroll with a red niello inscription naming him DAVID REX and allude to him as an ancestor of Christ, David the "Lion of Judah".

Surely one of the oddest examples of #spolia reuse brings us to the #Historischesmuseum #Basel this #SpoliaSunday to ponder the reuse of a #cameo of #Medusa as the face of the Old Testament king #David, especially in his role as ancestor of #Christ. (📸 HMB/Peter Portner)

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