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Károly Ferenczy (1863-1917)

Hungarian artist born in Vienna to a Jewish family. He is considered to be a "founder of modern Hungarian art'

#karolyferenczy #hungarianart #artist #painter #art #artworld #worldofart #hungarian #hungarianartist #hungarianpaintet #peinture #künstler #kunst #arte

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Divorce, Károly Ferenczy (1863-1917)

Hungarian artist born in Vienna to a Jewish family. He is considered to be a "founder of modern Hungarian art'

#karolyferenczy #hungarianart #artist #painter #art #artworld #divorce #hungarian #hungarianartist #hungarianpainter #peinture #künstler #kunst

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Károly Ferenczy (1863-1917)

Hungarian artist born in Vienna to a Jewish family. He is considered to be a "founder of modern Hungarian art'

#karolyferenczy #hungarianart #artist #painter #art #artworld #worldofart #hungarian #hungarianartist #hungarianpaintet #peinture #künstler #kunst #arte

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Károly Ferenczy (1863-1917)

Hungarian artist born in Vienna to a Jewish family. He is considered to be a "founder of modern Hungarian art'

#karolyferenczy #hungarianart #artist #painter #art #artworld #worldofart #hungarian #hungarianartist #hungarianpaintet #circus #künstler #kunst #arte

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And I updated this again for my newer followers on bluesky, just to show that I'm not dead... Election season and school have been rough :P
#meettheartist #hungarianartist

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Bubble mouth ⚡
Cigarette? Smoke? Bubbles! 🎈
Playful and surreal.
#art #visual #surreal #creative #colorpendrawing #hungarianartist

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StarHowl
Howling among the stars, freedom echoes.
The prairie wolf writes a new story in the night with every breath.
#painting #acrylicpainting #acryliconcanvas #hungarianartist #art #artsy #artistic

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Starshadow
Shadow bear with stars in its heart. Walking among dark mountains, guided by the inner light.
This artwork was created on a 20×20 cm canvas.

#acryliconcanvas #acrylicpainting #hungarianartist #painting #art

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Celestial deer
A floating, starry deer among dark mountains, following the light of its inner universe.
This artwork was created on a 20×20 cm canvas.
It was inspired by Starry Wolf, a piece I created 3 years ago using highlighters.
#acrylicpainting #acryliconcanvas #painting #hungarianartist

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Hungarian artist Béla Czene’s 1960s portraits of readers and fashion-conscious sitters celebrate everyday modernity in post-war Hungary.

A young woman with light-beige skin and straight, dark hair cut in blunt bangs sits staring at us, her gaze steady, yet distant. She wears a draped red-and-black striped poncho over a long-sleeve black top, the fabric pooling in soft folds across her lap. An open art book rests on her knees. She’s seated on a deep blue, patterned surface; behind her a low bench, a violet strip of textile, and a parquet edge lead to a pale canvas filled with quick line sketches and a dark, textured window in a door. 

The stylized almond eyes, assertive contour lines, and flattened pattern fields of poncho stripes against indigo backgrounds create a poised, graphic rhythm. The open book signals cultural aspiration and self-fashioning of a woman engaging art and design on her own terms. The background sketch marks evoke the studio’s work-in-progress energy, while the crisp signature fixes the moment. Related motifs recur across Czene’s decade like women with books, magazines, or albums which link literacy, leisure, and the visual culture of the era. The vibrant red-blue contrast frames the unidentified woman not as passive muse but as an attentive reader and emblem of a cosmopolitan, image-literate 1960s.

In 1968, Czene was working in Budapest during the Kádár-era cultural thaw, just as Hungary’s New Economic Mechanism loosened everyday life and taste. From the mid-1960s, he was traveling to Italy, renewing the Roman School clarity he had embraced before the war. Across the decade, he developed a signature studio vocabulary of stylish young women, crisp contours, and props from modern culture like magazines and art albums leafed open on laps. Those motifs tracked a cautiously widening window onto Western fashion and design, even within socialism’s limits, and they appear repeatedly in his works from 1963–1969.

Hungarian artist Béla Czene’s 1960s portraits of readers and fashion-conscious sitters celebrate everyday modernity in post-war Hungary. A young woman with light-beige skin and straight, dark hair cut in blunt bangs sits staring at us, her gaze steady, yet distant. She wears a draped red-and-black striped poncho over a long-sleeve black top, the fabric pooling in soft folds across her lap. An open art book rests on her knees. She’s seated on a deep blue, patterned surface; behind her a low bench, a violet strip of textile, and a parquet edge lead to a pale canvas filled with quick line sketches and a dark, textured window in a door. The stylized almond eyes, assertive contour lines, and flattened pattern fields of poncho stripes against indigo backgrounds create a poised, graphic rhythm. The open book signals cultural aspiration and self-fashioning of a woman engaging art and design on her own terms. The background sketch marks evoke the studio’s work-in-progress energy, while the crisp signature fixes the moment. Related motifs recur across Czene’s decade like women with books, magazines, or albums which link literacy, leisure, and the visual culture of the era. The vibrant red-blue contrast frames the unidentified woman not as passive muse but as an attentive reader and emblem of a cosmopolitan, image-literate 1960s. In 1968, Czene was working in Budapest during the Kádár-era cultural thaw, just as Hungary’s New Economic Mechanism loosened everyday life and taste. From the mid-1960s, he was traveling to Italy, renewing the Roman School clarity he had embraced before the war. Across the decade, he developed a signature studio vocabulary of stylish young women, crisp contours, and props from modern culture like magazines and art albums leafed open on laps. Those motifs tracked a cautiously widening window onto Western fashion and design, even within socialism’s limits, and they appear repeatedly in his works from 1963–1969.

“Könyvet olvasó lány (Girl Reading Book)" by Béla Czene (Hungarian) - Oil on canvas / 1968 - Koller Gallery (Budapest, Hungary) #WomenInArt #BélaCzene #Czene #BelaCzene #art #artText #artwork #BlueskyArt #arte #reading #KollerGallery #KollerGaleria #ArtOfTheDay #ReadingArt #HungarianArtist #1960sArt

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So, time for a proper introduction, I guess...
My name's Strix/Anna, and I'm currently a 2D/3D concept artist student! It's nice to meet you :)

#meettheartist #artistonbluesky #illustration #sketch #hungarianartist

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(! Gore warning !) Another post of random sketches in my sketchbook that have never been posted yet:D Which one is your favorite that you would like to see more of?
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Tags: #art #sketch #anatomy #artist #hungary #hungarianartist #originalcharacter #portrait #monochrome #perspective #gore

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Ilosvai Varga István (31 August 1895 – 18 December 1978) was a Hungarian artist, a leading personage of the Szentendre school of painting.

Alleyways in Szentendre, Oil on canvas, 65.5 x 70.5 cm.

#HungarianArtist #BornOnThisDay #OilOnCanvas

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Finished my new drawing: The Moment Before the Move♟️
A realistic chess knight with metallic look made using colored pencil and markers.
#realisticart #hungarianartist

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The colorful portrait of Doja Cat is finally done!
I added some glittery pens to make it shine even more.
This piece means a lot to me because I’ve always been a huge fan of her music and style.
Hope you like it too! 💖✨
#DojaCat #portraitart #fanart #artoftheday #hungarianartist

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This portrait isn’t meant to be an exact copy it’s a feeling.
I intentionally shifted the light and shadow to make it more personal.
The line Stay with me… says what the strokes only hint at.🌸✨
Can you recognize who it is?🤔
#charcoaldrawing #portraitdrawing #fanart #hungarianartist #SamSmith

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Finished!
Inspired by Lady Gaga’s Bad Romance.
She’s been my favorite singer since I was a child now she speaks in charcoal.
#charcoaldrawing #hungarianartist #ladygaga #myartwork #monstermother

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My Marina and the Diamonds portrait is finished!
Loved drawing this retro glam style.✨💋
#graphite_drawing #portraitdrawing #artbyme #traditionalart #handdrawnart #hungarianartist #inspiredbyyou

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Finished my portrait of Ke$ha.
I know it’s not perfect and there are things I could improve but I learned a lot during the process.
Please look at it with kindness 💛
Every drawing is a step forward✨
#portrait #art #drawing #artwork #creative #inspiredbyyou #fanart #hungarianartist #kesha

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ArtFight revenge for blue_devil318 on IG!<3 This piece was surely an emotional rollercoaster for me.
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#artfight #art #artfight2025 #artfightfossils #artfightrevenge #krita #oc #digitalart #fantasy #scene #digitalart #artist #hungary #hungarianartist #humanart #background #sceneart #fictional

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Healing with love ❤️🩹🎨
#symbolicexpression #symbolic #artfromthesoul #artoftheday #watercolorpainting #painting #hungarianartist #darkpoetryart #artsy #art #artistic

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Veil of the soul🦋👩🏻🎨
#watercolourpainting #symbolicexpression #artsy #creativejourney #hungarianartist

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Life grown from steps 🌺
#needlefeltdrawing #symbolicrealism #minimalistsymbolic #hungarianartist

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My drawing Vitamin D and Decay captures the fragile beauty between light and fading away.
A reminder that within decay always lies the hope of renewal.🌺

Thank you for feeling this moment with me.🫶🏻

#needlefelt #artwork #artsy #art #hungarianartist

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Anglo-Hungarian painter Philip Alexius László de Lombos (born László Fülöp Elek and known professionally as Philip de László) had already become a British citizen when he painted this portrait of the elegant leader seated, looking directly at us, wearing a gold and red sari, with drop gold & emerald earrings and matching pearl & emerald necklace and two other gold necklaces around her neck.

There exists two preliminary pencil sketch for this portrait. Knowing de László’s methods, it is very likely that the “study of the Maharani of Cooch Behar” which was exhibited at the French Gallery in 1924 was this painting, although it was shown unfinished.

Princess Indira Gaekwar of Baroda, born in 1892, was the daughter of the Gaekwar of Baroda. In 1910, at the age eighteen she was engaged to the forty-year-old Maharaja of Scindia of Gwalior, who himself was already married but childless. However in 1911, while attending the Delhi Durbar, she met and fell in love with the younger son of the Maharaja of Cooch Behar and canceled her engagement, despite the fact that the wedding arrangements were already well under way. After much family disapproval, she was finally allowed to marry the Maharaja in 1913.

Three weeks after the wedding, upon the death of his elder brother, her husband was crowned Maharaja of Cooch Behar. They had five children – two sons and three daughters – and their lives were divided between Cooch Behar, Calcutta, Darjeeling and England. In 1922, her husband died, leaving her a widow at the age of thirty. The family returned to India where the sitter acted as Regent for her young son, the new Maharaja.

Considered one of the most beautiful and best dressed women of her time, she was also a foremost hostess whose house guests at her famous parties and big game shoots included the Viceroy, heads of princely states and glamorous actors. Throughout her life, she was closely involved with the administration and running of Cooch Behar. She passed away in 1968.

Anglo-Hungarian painter Philip Alexius László de Lombos (born László Fülöp Elek and known professionally as Philip de László) had already become a British citizen when he painted this portrait of the elegant leader seated, looking directly at us, wearing a gold and red sari, with drop gold & emerald earrings and matching pearl & emerald necklace and two other gold necklaces around her neck. There exists two preliminary pencil sketch for this portrait. Knowing de László’s methods, it is very likely that the “study of the Maharani of Cooch Behar” which was exhibited at the French Gallery in 1924 was this painting, although it was shown unfinished. Princess Indira Gaekwar of Baroda, born in 1892, was the daughter of the Gaekwar of Baroda. In 1910, at the age eighteen she was engaged to the forty-year-old Maharaja of Scindia of Gwalior, who himself was already married but childless. However in 1911, while attending the Delhi Durbar, she met and fell in love with the younger son of the Maharaja of Cooch Behar and canceled her engagement, despite the fact that the wedding arrangements were already well under way. After much family disapproval, she was finally allowed to marry the Maharaja in 1913. Three weeks after the wedding, upon the death of his elder brother, her husband was crowned Maharaja of Cooch Behar. They had five children – two sons and three daughters – and their lives were divided between Cooch Behar, Calcutta, Darjeeling and England. In 1922, her husband died, leaving her a widow at the age of thirty. The family returned to India where the sitter acted as Regent for her young son, the new Maharaja. Considered one of the most beautiful and best dressed women of her time, she was also a foremost hostess whose house guests at her famous parties and big game shoots included the Viceroy, heads of princely states and glamorous actors. Throughout her life, she was closely involved with the administration and running of Cooch Behar. She passed away in 1968.

“The Maharani of Cooch Behar, née Princess Indira Gaekwar of Baroda” by Philip de László (Hungarian) - Oil on canvas / 1925 #womeninart #art #womensart #portraitofawoman #oilpainting #Maharani #HungarianArtist #IndianArt #PhilipdeLászló #deLászló #László #laszlo #PhilipdeLaszlo #beauty #princess

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Silhouettes of Silence💄
A digital piece exploring the edge between calm and self-reflection.

Where silence is not absence, but presence in shadows.
#digitalart #artwork #visualart #artist #hungarianartist

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Title: Spring Among the Stars💄
Where spring blossoms meet the vastness of the cosmos,in a dreamlike realm.

#dreamyart #surrealfantasy #hungarianartist #fantasyart #fantasyillustration #digitalart #artist #artsy #artwork

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József Rippl-Rónai (23 May 1861 – 25 November 1927) was a Hungarian painter. Between 1887 and 1900 he lived in France. He called this the “black period” of reduced colors.
Femme à la cage, 1892, Oil on Canvas, 185,5 × 130 cm, Hungarian National Gallery
#HungarianArtist #BornOnThisDay #OilOnCanvas

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Coal art drawing

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#art #coal #coalart #study #stilllife #school #schoolart #artist #monochrome #doll #mirror #glass #pumpkin #practice #hungarianartist #stilllifeart #drawing

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Serpent of the New Day
#HungarianArtist #HungarianCulture #HungaryArt #LAArtScene #LosAngelesArtists #ArtCollective #EuropeArt #ContemporaryArt #PopSurrealism #EmergingArtist #GalleryExhibition #ModernArt #VisualArt #ArtistCommunity #ArtPromotion

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