@samekosaba
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Armor & Grace
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Bela De Kristo
Hungarian artist
1920-2006
Le Grand Bateau, n.d.
Oil on paper laid down on canvas
25 5/8 x 18 1/8 in

#Hungarianart

Life Drawing Sketch with Soft Pastel

#art #belfastart #pastel #pastelpainting #softpastel #artwork #gallery #fineart #artlife #drawing #lifedrawing #sketch #figuredrawing #hungarianart #hungarianartist #pasteldrawing #pastelart

20 minutes life drawing sketch - Charcoal

#art #belfastart #artwork #gallery #fineart #artlife #drawing #lifedrawing #sketch #charcoal #charcoaldrawings #figuredrawing #hungarianart #hungarianartist #charcoalart #drawing

The portrait shows the young wife, Zsófia Probster, of the artist. Significant as it may be in Szinyei's oevre, it may be described, albeit in the informal sense, as a window painting, and very much expresses that wilfully. The female figure with the landscape in the background is not in harmony with it. The picture was painted in the artist's studio over many months in 1874. It is interesting to note that his wife divorced Szinyei in 1887 and died at the age of 101. The artist places his wife at the center of the work, giving her a sense of importance and prominence. However, there are also elements in the background that add depth and dimension to the painting. The trees and flowers in the background create an interesting contrast to the main figure, and the path stretching towards the horizon invites the viewer to explore beyond the lady. Color is another prominent aspect of this painting. The title "Lady in Violet" refers to the color of the lady's dress, which stands out against the green and brown background. The use of purple not only gives the painting a visually appealing look, but also creates a dramatic contrast to the darker tones in the background. Also, the bright and vibrant colors of the flowers and trees add a sense of joy and vitality to the work. Szinyei Merse was born into a family of nobility who supported the 1848 Hungarian Revolution. Later he enrolled at the Academy of Fine Arts in Munich and studied with the legendary Karl von Piloty. At the same time, he met the influential Wilhelm Leibl, who introduced him to the reflective “Plein-air” method of painting, which became his trademark forever more. He was the first Hungarian who consistently, comprehensively and innovatively implemented modern ideas in painting, enabling Hungarian scenes, for the first time in the nation’s history. At the same time his work kept pace with the latest trends in European painting.

Lila ruhás nő (Lady in Violet) by Pál Szinyei Merse (Hungarian) - Oil on canvas / 1874 - Museum of Fine Arts (Budapest, Hungary) #womeninart #art #hungarianart #oilpainting #purpledress #PálSzinyeiMerse #artwork #fineart #womensart #portraitofawoman #SzinyeiMerse #hungarian #violetdress #painting

János Vaszary
Hungarian artist
1867-1939
Nyugágyas nö - Woman Lounging, 1934
oil on canvas
74.3 x 98.5 cm

#Hungarianart

painting of two men at a table touching hands

Tuesday Art

#JenõMedveczky #1950s #Comrades #handstouching #art #jenomedveczky #hungarianart

On December 27, 1910, Zádor István married Berta, star of this painting, in Budapest. She sits on a large forest-green wooden chair in the corner of a room with only two Japanese-style landscapes on the plain cream-colored walls. Her full-length beige dress with matching ruffle collar and sleeves is only accented by a sheer green shawl over her arms. With her left hand, Berta lightly clasps a necklace with emerald drop which matches her green earrings and dark green headband keeping her short brown hair perfect atop her head. The beauty of her expression may be one of patience, appreciation, or even love for her husband, the artist. István entered the Pattern Drawing School after years spent working in a bank; this was followed by the Paris Academy in 1906, and the Florence Academy in 1909. He first worked in the Szolnok artist colony in 1908 as a scholarship student and became a guest member in 1914. He was a war correspondent during the First World War, and produced drawings for newspapers in 1918 and 1919.

Feleségem (My Wife) by Zádor István (Hungarian) - Oil on canvas / 1910 - Hungarian National Gallery (Budapest, Hungary) #womeninart #oilpainting #art #HungarianNationalGallery #fineart #hungarianartist #ZádorIstván #artwork #ZadorIstvan #womensart #wife #spouse #hungarianart #portrait #artoftheday

A self portrait. Femme-presenting person looks off to the right, face serious. Her hair is in a braided bun, wearing a párta (a piece of hungarian regalia traditionally worn by young unmarried women; it is a red fabric crown embroidered with flowers). She is wearing a lacy white blouse with red trim and ties, and a blue zip-up hoodie. There is an open laptop in front of her, the glow from the screen dramatically lighting her face. There is an orange turul bird on the back of the laptop (a legendary bird from hungarian myth). There are a pair of hands holding her arms, one on each arm. Another pair of arms are raised behind her, wearing red sleeves with white lace on the cuffs. The hand on the left is closed around a sprig of rosemary, and the right hand is open, allowing a zephyr lily to fall from the palm. The background is blue with copper maple leaves. There is hungarian text along the top, reading "Szülőföldem vagy a szüleim földje?", which translates to "My motherland or my mother's land?".

Drew this back in November for my Archival Studies class. A personal representation on struggling with your cultural and national identities :)
#digitalart #digitalartist #csp #magyarművész #hungarianart

Hejhó! Itt a heti menetrendünk!
Igen, holnap este gamelünk Cereza-val :) 🥰
#schedule #streamweek #hetiadas #heti #stream #osszesito #hungarianart