Lavender fox corrected update.
#Kitsune #fox #art #yukata #traditionalart #sketch #WIP #workinprogress #summer #originalart #artist #Lavender #lavenderfox #vulpus #japonism #japonisme #duelismart
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Hashtag
#JAPONISM
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Japoniser les linéales: «n» extra bold. #typography #japonism #design www.instagram.com/p/DVBT82MiD2...
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diptych (with apologies to Hiroshige) img left: photo of tree trunks and branches in silhouette, taken in Eastern Oklahoma, 12th month of 2022 img right: famous color woodblock print by Hiroshige, 11th month of 1857 The washes in the ore-dawn sky from real-life photograph compared to the unaccountable (unnatural) red sky in the block print. #landscapephotography #poisondata
img left: Winter Solstice, Hickory Trees at Dawn, Scissortail Ridge, Eastern Oklahoma--from series "Nature Without Her Diadem" (2013-2023)
img right: Ando Hiroshige "Plum Park in Kameido (Koto City, Edo), 11th month of 1857" from "Views of Edo"
©2022TonyNuspl
#FridayForest
#FotoVorschlag
#japonism
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#STRATHISLA
#ストラスアイラ
#JAPONISM
JAPONISM ストラスアイラ 1989-2025
35年 HOGSHEAD、入荷しました。
年末前にリリースされるボトルとして話題になっていた1本。
ご来店の際はお試し下さい。
#baroldcraft
#ウイスキー #whisky
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Experience Vincent van Gogh's Passion for Japan with Exclusive Vegan Soap from JAPON!SM #Japan #Tokyo #JAPONISM #Vegan_Soap #Van_Gogh
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ゴッホの美を日本のクラフトと融合した特別な石鹸 #東京都 #新宿区 #ゴッホ展 #JAPONISM #ヴィーガン石鹸
2025年9月、日本の素材を使ったヴィーガン石鹸が『大ゴッホ展』会場限定で登場。香りと色でゴッホの世界観を楽しめる逸品です。
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Discover the New Vegan Soap Line from JAPONISM: FUJI, KISERU, and HINOKI #Japan #Tokyo #Japanese_Culture #JAPONISM #Vegan_Soap
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JAPON!SMから新しい香りの米ぬかヴィーガン石鹸が登場！ #東京都 #新宿区 #富士 #JAPONISM #ヴィーガン石鹸
株式会社JAPONISMが、米ぬかを使用した新たなヴィーガン石鹸を発表。日本の自然を感じる新ラインナップを詳しく紹介します。
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Japoniser les linéales: «g» extra fin. #typography #calligraphy #typedesign #japonism www.instagram.com/p/DMkPZ_goOu...
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🎨 'Branches with Almond Blossom' (1890)
by Vincent van Gogh (Dutch, 1853-1890)
#Japonism #Art #Painting #FlowerPainting #vanGogh
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Introducing JAPON!SM: The Vegan Soap Fusion of Traditional Japanese Aesthetics and Modern Design #Japan #Tokyo #JAPONISM #Vegan_Soap #Japanese_Aesthetics
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浮世絵デザインの新作ヴィーガン石鹸「JAPON!SM」、登場 #東京都 #新宿区 #JAPONISM #ヴィーガン石鹸 #浮世絵デザイン
伝統と現代を融合したヴィーガン石鹸「JAPON!SM」が2025年5月末に発売。桜、抹茶、ゆずの香りが楽しめます。
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A Chinoiserie style colorful painting of a woman sitting under huge Pelargonium branches in bloom, holding a black dog in her lap. In the background there are blue monkeys flying. The woman and the dog look at each other and there is a teapot next to them on a small table.
Oriental Tea. Against all odds my pelargonium Mårbacka has proved true resiliance and survived another Nordic winter indoors.
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#ninahaikoart #selfportraitpainting #floral #paintwhatyoulove #figurativepainting #womenwhopaint #japonism #dogpainting #visualdiary #art #ilovemydog #artforinteriors
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🎨 'Lady with Fan'
(1917 -1918)
Period: Late works
by Gustav Klimt
#ArtNouveau #Japonism #Art #Painting #Portrait
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🎨 'Fording a Broad River' (19th century)
by Andō Hiroshige (Japanese, 1797 – 1858)
#Japonism #Art #AsianArt
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Un peu d’originalité
#japon #nihon #giappone #jap #japanlover #japones #espa #japonais #japonesa #japonya #japonesefood #japonism #japonia #japonese #japonstyle #japonaise #japonesas #japonesque #japoneses #japonica
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🎨 'Caprice in Purple and Gold: The Golden Screen' (1864)
by James McNeill Whistler
#Japonism #Realism
#Painting #Art
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#ninahaikoart #dragonart #symbolismart #heronart #taidettakotiin #ihanatvärit #ilovecolor #colorfulpainting #mountainpainting #mountainart inspired by #japonism #longevity #acrylicpainting #sisustus #empoweringart #voimaannuttavataide
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#ninahaikoart #dragonart #symbolismart #heronart #taidettakotiin #ihanatvärit #ilovecolor #colorfulpainting #mountainpainting #mountainart inspired by #japonism #longevity #acrylicpainting #sisustus #empoweringart #voimaannuttavataide
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![Hiramatsu's devotion to Claude Monet led him to make a number of trips to the Normandy coast, walking in the footsteps of the French master: Rouen, Le Havre, Honfleur, Étretat, Fécamp Deauville, and Trouville. From 1994, he became aware of Monet and the Impressionists' interest in Japanese art. He speaks about his journey towards Japonism in splendid terms: "I was profoundly stunned when I discovered the immense work that is the Water Lilies series. I then began to ardently study Japonism, with the gaze of a nihonga painter who sets out on a journey towards Impressionism and Japonism. [...] The objective of my journey was to seek out Japonism in Monet's Garden in Giverny. [...] I sought to understand the attraction
that Monet felt toward Japonism from an early age, as well as his viewpoint on objects. It was with a feeling of freedom and playfulness that I painted the water lilies that were so dear to Monet's Japanese-inspired aestethic." (Hiramatsu Reiji, Suiren Japonisme Il (Nymphéas
Japonisme II), Tokyo, Bijutsu Nensansha, 2002, p. 12, translated into French by
Brigitte Koyama-Richard, `'Le japonisme entre passé et avenir', La magie des estampes japonaises, Paris, Hermann
p.175-176)
In Hiramatsu's work, we find some of the tricks developed by Monet, such as the use of enormous dimensions, decorative qualities, and a lack of perspective. You cannot help but feel his adoration of nature and light. In Giverny, Monet's Pond; Sound of the Wind, Hiramatsu chose to apply gold leaf to depict the lightness of
Giverny's sky and India ink to draw the contours of the foliage intertwined with willow branches.](https://cdn.bsky.app/img/feed_thumbnail/plain/did:plc:gtvblttitvvita57xiqahrvh/bafkreibfu4xotpyt7uefycarcoitv3msjotyh267u3owr3g46lbf4cdeve)
Hiramatsu's devotion to Claude Monet led him to make a number of trips to the Normandy coast, walking in the footsteps of the French master: Rouen, Le Havre, Honfleur, Étretat, Fécamp Deauville, and Trouville. From 1994, he became aware of Monet and the Impressionists' interest in Japanese art. He speaks about his journey towards Japonism in splendid terms: "I was profoundly stunned when I discovered the immense work that is the Water Lilies series. I then began to ardently study Japonism, with the gaze of a nihonga painter who sets out on a journey towards Impressionism and Japonism. [...] The objective of my journey was to seek out Japonism in Monet's Garden in Giverny. [...] I sought to understand the attraction that Monet felt toward Japonism from an early age, as well as his viewpoint on objects. It was with a feeling of freedom and playfulness that I painted the water lilies that were so dear to Monet's Japanese-inspired aestethic." (Hiramatsu Reiji, Suiren Japonisme Il (Nymphéas Japonisme II), Tokyo, Bijutsu Nensansha, 2002, p. 12, translated into French by Brigitte Koyama-Richard, `'Le japonisme entre passé et avenir', La magie des estampes japonaises, Paris, Hermann p.175-176) In Hiramatsu's work, we find some of the tricks developed by Monet, such as the use of enormous dimensions, decorative qualities, and a lack of perspective. You cannot help but feel his adoration of nature and light. In Giverny, Monet's Pond; Sound of the Wind, Hiramatsu chose to apply gold leaf to depict the lightness of Giverny's sky and India ink to draw the contours of the foliage intertwined with willow branches.
Giverny, Monet's Pond; Sound of
the Wind by Reiji Hiramatsu, 2013, Musée des impressionnismes, Giverny (Giverny, France)
#ArtHistory #ContemporaryArt #Japonism #Impressionism #Nihonga
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