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Artist Osmond Watson titles the work in Jamaican Creole, turning “Psalm 23” from the Christian bible into everyday speech and locating faith in the lived world of a market. He monumentalizes a working Black Jamaican woman whose spiritual practice sits alongside economic self-reliance with produce for sale below, and holy scripture at the center. 

The woman sits looking slightly to our right with calm steadiness. She wears a pale blue headwrap that catches the light, a short-sleeved checkerboard blouse in warm reds and golds, and a blue skirt that folds in soft, heavy arcs across her bare knees. Her hands clasp an opened brown “HOLY BIBLE” book in her lap. She sits inside a market stall improvised from boards, nails, and sheet metal as angled wood planks hold up a tarp above her, a wooden barrel curves at left, and a patterned blue metal panel frames the right edge like a patched wall. At her feet, ripe round, orange-red and golden fruit spills forward, while a basket of red beans and a metal cup sits at the lower right.

The space feels intimate and guarded as dark corners press in, yet the woman’s presence holds the scene, as if prayer and work share the same seat. Her skin is rendered in deep, glossy browns with cool green shadows, outlined with decisive dark contours that sharpen cheekbones, eyelids, and her nose. Two silver bangles circle one wrist and a ring glints on a finger. Her mouth is closed, neither smiling nor stern, more like someone looking up while reading. The geometry of the stall and the careful stillness of her pose make the Bible feel like the painting’s quiet compass.

Painted in early post-independence 1969, it affirms Black Jamaican dignity being direct, unsentimental, and public. The cubism-touched geometry, saturated color, and heavy outlines lend a stained-glass intensity, elevating everyday items and daily labor into icon. As critic David Boxer put it, Watson wanted art that could be “understood and appreciated by all levels of society.”

Artist Osmond Watson titles the work in Jamaican Creole, turning “Psalm 23” from the Christian bible into everyday speech and locating faith in the lived world of a market. He monumentalizes a working Black Jamaican woman whose spiritual practice sits alongside economic self-reliance with produce for sale below, and holy scripture at the center. The woman sits looking slightly to our right with calm steadiness. She wears a pale blue headwrap that catches the light, a short-sleeved checkerboard blouse in warm reds and golds, and a blue skirt that folds in soft, heavy arcs across her bare knees. Her hands clasp an opened brown “HOLY BIBLE” book in her lap. She sits inside a market stall improvised from boards, nails, and sheet metal as angled wood planks hold up a tarp above her, a wooden barrel curves at left, and a patterned blue metal panel frames the right edge like a patched wall. At her feet, ripe round, orange-red and golden fruit spills forward, while a basket of red beans and a metal cup sits at the lower right. The space feels intimate and guarded as dark corners press in, yet the woman’s presence holds the scene, as if prayer and work share the same seat. Her skin is rendered in deep, glossy browns with cool green shadows, outlined with decisive dark contours that sharpen cheekbones, eyelids, and her nose. Two silver bangles circle one wrist and a ring glints on a finger. Her mouth is closed, neither smiling nor stern, more like someone looking up while reading. The geometry of the stall and the careful stillness of her pose make the Bible feel like the painting’s quiet compass. Painted in early post-independence 1969, it affirms Black Jamaican dignity being direct, unsentimental, and public. The cubism-touched geometry, saturated color, and heavy outlines lend a stained-glass intensity, elevating everyday items and daily labor into icon. As critic David Boxer put it, Watson wanted art that could be “understood and appreciated by all levels of society.”

“The Lawd Is My Shepard” by Osmond Watson (Jamaican) - Oil on canvas / 1969 - National Gallery of Jamaica (Kingston) #WomenInArt #OsmondWatson #NationalGalleryofJamaica #JamaicanArt #CaribbeanArt #PortraitPainting #BlackArt #art #artText #BlueskyArt #PortraitofaWoman #JamaicanArtist #CaribbeanArtist

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I doodled this in a meeting, while being bored by the suits.

#JamaicanArtist #JamaicanIllustrator
#JAVisualArtist #IslandComics
#WebComicArtist #IndieWebComics
#CaribbeanCreatives #JAArtScene
#ComicMaker #DigitalIllustration
#JamaicaArtVibes #IndieComicsJA
#Artist #Illustrator #MyArt

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🇯🇲🎨 Digital Artist: ndizzot

#blackskycreativesinc #blackartists #digitalart #digitalpainting #blueskyart #jamaican #jamaicanartist #xertofficial #digitalartist #digitalillustration #blackwomen

Link: www.instagram.com/p/DKuOFQ0okX...

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Late Jamaican-born painter and mixed-media artist 
Tamara Natalie Madden is known for her allegories whose subjects are the people of the African diaspora. In her 2009 oil painting “Willow Moon,” there’s a mirrored likeness, from the color palette to the focused gaze in the eyes, found in the close-up of a beautiful Black woman and a small red bird perched on her fingers. Birds were common in Madden’s paintings and often represented struggle, survival, and freedom. 

The woman’s exquisite brown skin is illuminated with rich golden hues plus red and orange highlights. Her body is adorned by a muted forest green quilt with intricately designed fabrics. Madden’s attention to the detailed threads is a nod to her Jamaican roots where quilting is a form of familial storytelling and clothing complements one’s essential beauty. The unidentified woman’s bare collar bone is clearly defined and teases her soft sensuousness while adding to an aura that evokes a message of divine femininity.

Madden’s personal story of a serious illness that led her to rediscover art and her battle with a rare form of cancer that led to her passing in 2017 (at 42) is a source of inspiration. She participated in her first art exhibition in 2001 - the same year she received a kidney transplant from her brother. Living in Atlanta, Georgia, she created images based on her memories of the people of her native Jamaica, placing them in high-status fabrics (like raw silks, or colorful satins), that mimicked those worn by royalty. As we see in this painting, birds were a common theme in many of Madden's paintings, chosen as a personal symbol of her freedom from illness.

Late Jamaican-born painter and mixed-media artist Tamara Natalie Madden is known for her allegories whose subjects are the people of the African diaspora. In her 2009 oil painting “Willow Moon,” there’s a mirrored likeness, from the color palette to the focused gaze in the eyes, found in the close-up of a beautiful Black woman and a small red bird perched on her fingers. Birds were common in Madden’s paintings and often represented struggle, survival, and freedom. The woman’s exquisite brown skin is illuminated with rich golden hues plus red and orange highlights. Her body is adorned by a muted forest green quilt with intricately designed fabrics. Madden’s attention to the detailed threads is a nod to her Jamaican roots where quilting is a form of familial storytelling and clothing complements one’s essential beauty. The unidentified woman’s bare collar bone is clearly defined and teases her soft sensuousness while adding to an aura that evokes a message of divine femininity. Madden’s personal story of a serious illness that led her to rediscover art and her battle with a rare form of cancer that led to her passing in 2017 (at 42) is a source of inspiration. She participated in her first art exhibition in 2001 - the same year she received a kidney transplant from her brother. Living in Atlanta, Georgia, she created images based on her memories of the people of her native Jamaica, placing them in high-status fabrics (like raw silks, or colorful satins), that mimicked those worn by royalty. As we see in this painting, birds were a common theme in many of Madden's paintings, chosen as a personal symbol of her freedom from illness.

“Willow Moon” by Tamara Natalie Madden (Jamaican), Oil on canvas / 2009, The Wright Museum (Detroit, Michigan) #WomenInArt #WomanArtist #WomensArt #WomenArtists #TamaraNatalieMadden #ArtText #art #TheWright #JamaicanArtist #ContemporaryArt #WayneState #FemaleArtist #BlackArtist #TheWrightMuseum

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#TheBluePitcher

#JamaicanArtist #AlbertHuie (1920-2010). Huie was born into a poor family during colonial rule. His grandmother Sarah was the only family member to encourage his #art, allowing him to draw on her walls + floors w/ pieces of charcoal from her stove 🖤

#artist #painter #oilpainting

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Here’s a collab I did with @lovablesquishylily.bsky.social ! The characters are my persona Lotus and Adrian belongs to Lily. I had so much fun with this project,I can’t wait for our next one ^v^!

#semirealism #personaart #jamaicanartist

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Mini landscapes!

#MiniLandscapes
#SmallPaintings
#TinyArt
#OriginalArt
#LandscapePainting
#ArtCollectors
#ArtThatFeelsLikeHome
#IslandInspired
#JamaicanArtist
#ColorfulArt
#WallArtDecor
#AffordableArt
#NatureInspiredArt
#ArtLovers
#CozyVibe

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One love,one heart~.Let’s get together and feel alright. :3

I jamaicanified my sona.Loved how the drawing turned out!

#persona #semirealism #jamaicanartist

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Work in Progress. I like a bit of retro.
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#art #artlife #artist #digitalart #pinupart #characterart #conceptart #procreate #procreateart #originalart #blackart #blackartist #afrofuturism #wip #workinprogress #grinding #yeg #yegartist #876artist #876art #jamaicanartist

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There’s a quality to my underpainting that makes me want to go no further. There really is something in these weird, uncomfortable colours…
#BlackBritishartist #BlackArtist #Caribbeanartist #Jamaicanartist #Womenartist

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#originalcharacter #jaqclamart #alexis #jamaicanartist

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#jaqclamart #originalcharacter #cosplay #itachi #naruto #jamaicanartist

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Happy New Year! I’m looking forward to 2025. 🥳

#illustration #procreate #drawing #art #roniqueellis #blackgirlmagic #blackgirlsrock #art #artwork #childrenillustrator #childrenbookillustration #Jamaica #jamaican #jamaicanartist #jamaicanart #illustrator #roniqueellis #youngblackartists

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It’s the first comic book I created and published. It also means a lot to me. It’s not the only comic I’ve worked on/ am working on & I am grateful for that. So I had one of the first edition prints graded.
#art #artist #artlife #digitalartist #comicart #illustrator #yeg #yegartist #jamaicanartist

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yall this my angel im losin my wings 😭🙏🏾 #oc #myart #jamaicanartist

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Book covers for a series written by Shanna Miles

#illustration #procreate #drawing #art #roniqueellis #blackgirlmagic #blackgirlsrock #art #artwork #childrenillustrator #childrenbookillustration #Jamaica #jamaican #jamaicanartist #jamaicanart #illustrator #roniqueellis #youngblackartists

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The Bug Jewelry series! I might start this again, there's still so many bugs I haven't drawn yet.
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#avantgardefashion #bugs #jewelry #jamaicanartist #fashion #vogue

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