This image features a side-by-side comparison of two artworks.
The first is Michelangelo’s unfinished marble sculpture The Deposition (also known as The Florentine Pietà), depicting four figures: the lifeless body of Christ supported by the Virgin Mary, Mary Magdalene, and a hooded Nicodemus, who is often interpreted as a self-portrait of Michelangelo. The figures are intertwined in a dynamic, emotionally intense composition.
The second is a contemporary reinterpretation of the same scene rendered in sketchy, overlapping graphite or charcoal lines, layering multiple poses and forms to create a sense of motion and multiplicity. The juxtaposition highlights classical form and spiritual weight in contrast with modern expressive abstraction.
Michelangelo, Deposition aka Pietà Bandini (c.1547-55) + Jenny Saville, Pietà I (2019-21)
Saville 9-foot drawing was inspired by Michelangelo’s pietà, with which it was exhibited in Florence in 2021.
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