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Japanese artist Kuroda Seiki (黒田清輝) painted this work in 1893 after nearly a decade studying painting in France, where he absorbed Impressionist approaches to light and color. Returning home, he traveled to Kyoto (京都), where traditional neighborhoods, geisha culture, and local customs felt newly vivid after years abroad. These impressions inspired works such as “Maiko” which depicts a young apprentice geisha sits beside an open window overlooking the softly flowing Kamo River (鴨川) in Kyoto. She wears a richly patterned kimono layered with subtle tones that catch warm backlight entering from behind her. Her elaborate hairstyle, decorated with ornaments typical of a maiko, is outlined by the glow of daylight. The sitter is turned slightly toward another unseen figure, suggesting quiet conversation rather than a posed portrait. The textures of silk, hair, and wooden interior surfaces are rendered with careful observation. Outside the window, the river reflects the afternoon light in shimmering bands, giving the scene a calm rhythm. The figure’s composed posture and attentive expression suggest a moment of listening or reflection, capturing both the elegance and discipline associated with maiko training.

The painting blends Western oil techniques of naturalistic light, atmospheric perspective, and subtle tonal modeling with distinctly Japanese subject matter. At the time, Japan was rapidly modernizing during the Meiji era, and Kuroda became a key figure introducing yōga, Western-style painting, into the Japanese art world. The maiko represents a living tradition of young women trained in classical dance, music, etiquette, and conversation within Kyoto’s old entertainment districts. Kuroda, saw these traditions through the eyes of someone who had spent years immersed in Western culture. The composition reflects this dual perspective as the river outside the window becomes a quiet metaphor: flowing steadily through the ancient city while the world around it changes.

Japanese artist Kuroda Seiki (黒田清輝) painted this work in 1893 after nearly a decade studying painting in France, where he absorbed Impressionist approaches to light and color. Returning home, he traveled to Kyoto (京都), where traditional neighborhoods, geisha culture, and local customs felt newly vivid after years abroad. These impressions inspired works such as “Maiko” which depicts a young apprentice geisha sits beside an open window overlooking the softly flowing Kamo River (鴨川) in Kyoto. She wears a richly patterned kimono layered with subtle tones that catch warm backlight entering from behind her. Her elaborate hairstyle, decorated with ornaments typical of a maiko, is outlined by the glow of daylight. The sitter is turned slightly toward another unseen figure, suggesting quiet conversation rather than a posed portrait. The textures of silk, hair, and wooden interior surfaces are rendered with careful observation. Outside the window, the river reflects the afternoon light in shimmering bands, giving the scene a calm rhythm. The figure’s composed posture and attentive expression suggest a moment of listening or reflection, capturing both the elegance and discipline associated with maiko training. The painting blends Western oil techniques of naturalistic light, atmospheric perspective, and subtle tonal modeling with distinctly Japanese subject matter. At the time, Japan was rapidly modernizing during the Meiji era, and Kuroda became a key figure introducing yōga, Western-style painting, into the Japanese art world. The maiko represents a living tradition of young women trained in classical dance, music, etiquette, and conversation within Kyoto’s old entertainment districts. Kuroda, saw these traditions through the eyes of someone who had spent years immersed in Western culture. The composition reflects this dual perspective as the river outside the window becomes a quiet metaphor: flowing steadily through the ancient city while the world around it changes.

“舞妓 (Maiko / Apprentice Geisha)” by 黒田清輝 / Kuroda Seiki (Japanese) – Oil on canvas / 1893 – Tokyo National Museum (Japan) #WomenInArt #KurodaSeiki #黒田清輝 #Kuroda #SeikiKuroda #洋画 #TokyoNationalMuseum #JapaneseArt #BlueskyArt #1890s #Maiko #舞妓 #東京国立博物館 #art #artText #artwork #東博 #JapaneseArtist #鴨川

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Main Vocals - Kuroda
Back Vocals - MACEE, Shitori Uwari, Peiton DS

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[黒田10周年] RiKka [UTAUカバー]

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This 19th century oil painting by Japanese artist Seiki Kuroda (黒田清輝筆) depicts a beautiful young woman in a striped light blue yukata (浴衣 or informal cotton kimono) sitting by a lakeside holding an uchiwa (団扇 or うちわ round paper fan) with a faint floral pattern in her right hand. 

This woman is Taneko Kaneko (金子種子) who later her name was changed to Teruko (照子), who would later marry Kuroda. According to Mrs. Kuroda's recollection, when they visited Hakone (箱根), Kuroda asked Teruko to sit for him as he saw her sitting on a rock by Lake Ashi (芦ノ湖). Near Mt Fuji, Lake Ashi was a popular summer destination and this painting was initially titled "避暑” (Summer Resort).

Kuroda is regarded as an early maestro of “Western style” Japanese oil painting following his time studying painting in France. After he came back to Japan, he made a significant long-lasting splash in Japan's art circles. The bright representation created by changing light and air, which appears in Kuroda's works, was called "Shinpa" or "Murasakiha" and very popular with many people. Kuroda also influenced an art style based on the traditions of Western art and a focus on the study of human body which created much controversy in the country over nude paintings.

Today, Kuroda has come to be remembered in Japan as "the father of Western-style painting." As a teacher, he taught many young artists the lessons that he himself had learned in Paris; among his students were painters like Wada Eisaku (和田英作), who were to become among the preeminent Japanese painters of their generation. 

In particular, the "Academic Impressionism" style that Kuroda promoted, as exemplified in iconic paintings such as “Lakeside,” achieved a long-lasting predominance within Japanese art society, forming the bedrock of modern, Western-style art training and practice in Japan. Perhaps Kuroda's greatest contribution to Japanese culture; however, was the broader acceptance of Western-style painting he fostered with the Japanese public.

This 19th century oil painting by Japanese artist Seiki Kuroda (黒田清輝筆) depicts a beautiful young woman in a striped light blue yukata (浴衣 or informal cotton kimono) sitting by a lakeside holding an uchiwa (団扇 or うちわ round paper fan) with a faint floral pattern in her right hand. This woman is Taneko Kaneko (金子種子) who later her name was changed to Teruko (照子), who would later marry Kuroda. According to Mrs. Kuroda's recollection, when they visited Hakone (箱根), Kuroda asked Teruko to sit for him as he saw her sitting on a rock by Lake Ashi (芦ノ湖). Near Mt Fuji, Lake Ashi was a popular summer destination and this painting was initially titled "避暑” (Summer Resort). Kuroda is regarded as an early maestro of “Western style” Japanese oil painting following his time studying painting in France. After he came back to Japan, he made a significant long-lasting splash in Japan's art circles. The bright representation created by changing light and air, which appears in Kuroda's works, was called "Shinpa" or "Murasakiha" and very popular with many people. Kuroda also influenced an art style based on the traditions of Western art and a focus on the study of human body which created much controversy in the country over nude paintings. Today, Kuroda has come to be remembered in Japan as "the father of Western-style painting." As a teacher, he taught many young artists the lessons that he himself had learned in Paris; among his students were painters like Wada Eisaku (和田英作), who were to become among the preeminent Japanese painters of their generation. In particular, the "Academic Impressionism" style that Kuroda promoted, as exemplified in iconic paintings such as “Lakeside,” achieved a long-lasting predominance within Japanese art society, forming the bedrock of modern, Western-style art training and practice in Japan. Perhaps Kuroda's greatest contribution to Japanese culture; however, was the broader acceptance of Western-style painting he fostered with the Japanese public.

湖畔 (Lakeside) by 黒田清輝筆 Seiki Kuroda (Japanese) - Oil on canvas /1897 - Tokyo National Museum (Japan) #womeninart #art #oilpainting #洋画 #realism #JapaneseArt #JapaneseArtist #浴衣 #fineart #Hakone #箱根 #womensart #portraitofawoman #黒田清輝筆 #kuroda #SeikiKuroda #KurodaSeiki #東京国立博物館 #TokyoNationalMuseum

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■ Character Information (Collab Exclusive)

Harada Katsumi (CV: #Kuroda Takaya)

"I'm Harada Katsumi, the general of the West Camp. I've seen through every one of your little tricks."

🔜 Estimated release date: 2025/03/14 (Fri.) 10:00 (UTC+9)

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The #Kuroda Put: everyone wants in!

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MT @srikglobal: #EU predicts deeper recession, regional #unemployment 12% by next year. Euro? Stronger! Thank you, #Kuroda and #Bernanke!

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