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“Danseuses” feels less like a portrait of two specific people than an image of stage work with glamour built from repetition, endurance, and control. French artist Lucien Maillol depicts a pair of dancers simplified into strong volumes, their weight described through stance and counter-stance more than facial drama. It is both celebration and constraint as the dancers are vividly visible, yet emotionally self-contained and absorbed in their own rhythm, not ours. 

Two adult women occupy the foreground in a warm, brown-gold music hall or cabaret. Both have light skin and short dark hair tucked beneath wide, brick-red hats trimmed with small flowers. Their faces are softly modeled with stage makeup like rouged lips, shaded eyelids while their eyes angle downward, suggesting concentration rather than performance “to” us. Each wears long black gloves above the elbow and a deep, shimmering black dress with a plunging neckline. The skirts bloom into thick black tulle that becomes a dark cloud around their legs. Their bodies mirror one another in a synchronized step of knees bent, torsos angled, and arms extended as if holding balance and timing. Red high heels echo the hats, punctuating the movement with bright, sharp accents.

The pairing matters as two bodies moving as one to depict chorus-line discipline and a way nightlife often turned women into coordinated spectacle. Yet their downcast focus complicates that because they appear absorbed in their own rhythm, poised between visibility and inwardness. That tension of being seen while staying self-possessed becomes the painting’s quiet charge.

Maillol, born in Banyuls-sur-Mer in 1896, was in his early thirties when he made this work in 1928. That same year he exhibited paintings in Paris at Galerie Eugène Druet in a show explicitly listing “danseuses,” suggesting the subject belonged to his active artistic concerns rather than a single passing scene.

“Danseuses” feels less like a portrait of two specific people than an image of stage work with glamour built from repetition, endurance, and control. French artist Lucien Maillol depicts a pair of dancers simplified into strong volumes, their weight described through stance and counter-stance more than facial drama. It is both celebration and constraint as the dancers are vividly visible, yet emotionally self-contained and absorbed in their own rhythm, not ours. Two adult women occupy the foreground in a warm, brown-gold music hall or cabaret. Both have light skin and short dark hair tucked beneath wide, brick-red hats trimmed with small flowers. Their faces are softly modeled with stage makeup like rouged lips, shaded eyelids while their eyes angle downward, suggesting concentration rather than performance “to” us. Each wears long black gloves above the elbow and a deep, shimmering black dress with a plunging neckline. The skirts bloom into thick black tulle that becomes a dark cloud around their legs. Their bodies mirror one another in a synchronized step of knees bent, torsos angled, and arms extended as if holding balance and timing. Red high heels echo the hats, punctuating the movement with bright, sharp accents. The pairing matters as two bodies moving as one to depict chorus-line discipline and a way nightlife often turned women into coordinated spectacle. Yet their downcast focus complicates that because they appear absorbed in their own rhythm, poised between visibility and inwardness. That tension of being seen while staying self-possessed becomes the painting’s quiet charge. Maillol, born in Banyuls-sur-Mer in 1896, was in his early thirties when he made this work in 1928. That same year he exhibited paintings in Paris at Galerie Eugène Druet in a show explicitly listing “danseuses,” suggesting the subject belonged to his active artistic concerns rather than a single passing scene.

“Danseuses (Dancers)” by Lucien Maillol (French) - Oil on canvas / 1928 - Musée d’Art moderne de Paris (Paris, France) #WomenInArt #artText #arte #art #LucienMaillol #Maillol #MuseeDArtModerneDeParis #ModernArt #DanceArt #BlueskyArt #FrenchArtist #FrenchArt #dancer #1920s #Muséed’ArtModerneDeParis

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Parle à ma main…
#Tuileries #Maillol

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Dans la nature

#art #painting #maillol #petitpalais #paris

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Méditerranée

#art #painting #maillol #aristidemaillol #petitpalais #nudeisart #exhibition #paris #parisjetaime #parismaville #etc

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#photo #photography #photographie #fotografía #foto
#streetphotography #streetphoto #museum, #sculpture
#blackandwhite #blackandwhitephotography #Paris #blackwhitephotography #blancoynegrofotografia #Doisneau
#noiretblanc #N&B #B&Wphoto #Maillol

Exposition Doisneau au musée Maillol - Paris 2025

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wooden bench where no one could get behind me, eating omelets & mesclun & drinking Spritz #Aperols & Irish ☕️ & having a grand time w our #Nikon D850 & we didn't see a kid in a cage anywhere unlike the failed democratic republic, as we walked to the Aristide #Maillol museum & marveled at the light.

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Escape into art at Musée d'art Hyacinthe #Rigaud in #Perpignan! 🖼️ Explore stunning Perpignan #Baroque works, Rigaud’s legacy, & the must-see seasonal Maillol–Picasso exhibit. A cultural gem in any weather! #HyacintheRigaud #Maillol #Picasso #BaroqueArt #Art #HiddenGems #Travel #Wanderlust #Adventure

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#ExpoRobertDoisneau #Instantsdonnés at @museemaillol
Even though his #photographs are well-known, the #exhibition surprises with their presentation, creating a dialogue between #Maillol and the #photographer ❤️📷🖼
#presentation here vagabondageautourdesoi.com/2025/06/26/r...

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#ExpoRobertDoisneau #Instantsdonnés au @museemaillol
Même si ses #photographies  sont connuue, #exposition étonne par leur présentation faisant dialoguer #Maillol et le #photographe ❤️📷🖼
#présentation ici vagabondageautourdesoi.com/2025/06/26/r...

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#paris #musee #maillol #exposition #doisneau #photographies
Que de souvenirs du #passé qui remontent ! Belle scénographie par catégories ! C’est fou le nombre de personnalités que le #photographe a rencontré et photographié 450 000 photos à son actif ! J’adore l’heure du conte

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Guimard's Art Nouveau Metropolitan stop ✋️, we glided in our yellow Venetian silk slippers, they didn't last too long at 100€ apiece, ma che vuoi fare? We had one pair in red & un' paio di giallo; we made it to the #Maillol Museum, whose work we love ❤️ & adore.

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Ever walked from Cafe Buci at Rue Mazarine & Daupine, down the way following the directions of your #google hand ✋️ computer 🖥, & visited the #Maillol Museum, high on #hash you bought down by the Moulin Rouge, from a smiling African man standing under an awning in the #shadows, "un' umbra di vino",

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Aristide Maillol’s bronze L'Air graces the lush Kröller-Müller garden, inspired by Dina Vierny, his muse. A serene tribute to the human form amidst tranquil surroundings. #Prettypictures #Arne'spictures #Photography #ArtInNature #SculptureGarden #Maillol #Kröller-Müller

Aristide Maillol’s bronze L'Air graces the lush Kröller-Müller garden, inspired by Dina Vierny, his muse. A serene tribute to the human form amidst tranquil surroundings. #Prettypictures #Arne'spictures #Photography #ArtInNature #SculptureGarden #Maillol #Kröller-Müller

Aristide Maillol’s bronze L'Air graces the lush Kröller-Müller garden, inspired by Dina Vierny, his muse. A serene tribute to the human form amidst tranquil surroundings. #Prettypictures #Arne'spictures #Photography #ArtInNature #SculptureGarden #Maillol #Kröller-Müller

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@museemaillol

[Aristide Maillol, « Le monument à Cézanne », 1912 – 1925, plomb, 145 x 222 x 72 cm, Paris, Fondation Dina Vierny – Musée Maillol]

#MuseeMaillol #MaillolMuseum #Maillol #AristideMaillol #Cezanne #PaulCezanne

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“La vague” (The Wave). Aristide Maillol (French; 1861–1944). Oil on canvas, 1898. Petit Palais, Musée des Beaux-Arts de la Ville de Paris.

#petitpalais
#aristidemaillol
#maillol
#petitpalais
@petitpalais_musee

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Good morning from Perpignan! #maillol

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Banyuls, Collioure, Maillol, Portrait d'un terroir Amazon.fr - Achetez Banyuls, Collioure, Maillol, Portrait d'un terroir à petit prix. Livraison gratuite (voir cond.). Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou d'occasion.

Le seul portrait filmé et jusque-là inédit, du sculpteur et peintre catalan Aristide #Maillol. Lors d'un entretien dans son atelier, la caméra approche l'artiste au travail - documentaire intégral de 1943 dans ce DVD :

amazon.fr/dp/B002NFEEJ8

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Visitez le merveilleux Musée #Maillol au 61, rue de Grenelle75007 Paris. Ayez une tendre pensée pour Dina Vierny qui fut sa muse, son exécuteur testamentaire, qui consacra toute sa vie à défendre son grand œuvre.
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pileface.com/media/video/Ma… pileface.com/media/video/Ma…

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Visitez le merveilleux Musée #Maillol au 61, rue de Grenelle75007 Paris. Ayez une tendre pensée pour Dina Vierny qui fut sa muse, son exécuteur testamentaire, qui consacra toute sa vie à défendre son grand œuvre.
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pileface.com/media/video/Ma…

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Aristide Maillol - Dina Vierny, un Pygmalion et sa muse - Philippe Sollers/Pileface Nous avions déjà évoqué sur Pileface, Aristide Maillol et le rendez-vous manqué de Sollers avec Dina Vierny (dans Sur les pas de Maillol avec Dina Vierny), la jeune modèle et muse du vieux peintre, qui prolongea sa mémoire en créant la Fondation Maillol et le musée Maillol. Celle qui refusa à Sollers son texte pour un catalogue « Les déesses de Maillol ». Disparue en 2009, ses héritiers recherchèrent des ressources pour poursuivre son œuvre, vendirent quelques œuvres pour y parvenir jusqu’à ce qu’en 2015, le musée ferme ses portes.

À l’occasion de la réouverture, le 15 septembre 2016, du musée #Maillol à Paris, un magnifique documentaire 2016 :

pileface.com/sollers/spip.p…

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