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#MarieLaurencin
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Laurencin began her art career by painting porcelains at Sèvres. Her mature style continued to exude a delicacy that was particularly feminine, with wraith-like female figures, sometimes with equally soft animals, that seem to float across the canvas in pastel colors. I am always struck by the dark, emotion-less eyes of her female figures. She was influenced by Picasso and the Cubists in Paris and exhibited with them several times. Her still lifes, such as this example from around 1908, also show her decorative touch with shapes, soft hues and simplified composition.
March theme: When Life Gives You Lemons...
MARIE LAURENCIN (1883 - 1956), “Still Life”, c. 1908. Private collection.
Laurencin began her art career by painting porcelains at Sèvres.
#arthistory #art #lemons #MarieLaurencin
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Painted at the height of French artist Marie Laurencin’s mature style, this scene stages her lyrical, all-female world as a counterpoint to the hard-edged modernisms around her. A dog acts as mediator, nudging a connection between figures who never quite meet each other’s gaze, suggesting reserved intimacy and coded desire. The pastel palette, musical motif, and theatrical framing echo her designs for the 1923 operetta Les Biches and the milieu of Paris salons that supported her, including dealer Paul Guillaume. Laurencin affirms feminine subjectivity not as muse for men but as its own self-contained, modern, and tender universe. Two young women appear in a shallow, dreamlike space framed by rose drapery and deep green foliage. On the right, a pale figure in a white bodice and blue sash sits with one bare leg extended, gently embracing a small grey dog and a lute-like instrument. At left, her companion in a blue dress with white bows and braided hair faces toward them, hands folded, her gaze turned away. Their porcelain faces, dark almond eyes, and small closed mouths are set in soft blues, greys, pinks, and greens. Flattened forms and misty tones merge bodies, animal, and setting into a quiet pastel haze, more stage and reverie than real room. Born in Paris in 1883 and active in the avant-garde circles of Picasso, Apollinaire, and the Cubists, Laurencin absorbed modernist experimentation but ultimately rejected its machismo, developing a distinct language of soft tones, curving lines, and recurrent communities of women and animals. Exiled during the First World War and returning to Paris in the 1920s, she built a successful career as a painter, illustrator, and portraitist while maintaining close ties to queer and feminist networks. Her legacy persists as a pioneering modernist who insisted that a defiantly feminine, sapphic, and decorative aesthetic is neither minor nor peripheral, but a radical reimagining of painting and beauty.
Femmes au chien (Women with Dog) by Marie Laurencin (French) - Oil on canvas / 1923 - Musée de l’Orangerie (Paris, France) #WomenInArt #art #artText #arte #MuséeDeLOrangerie #OrangerieMuseum #MarieLaurencin #Laurencin #FrenchArt #BlueskyArt #WomensArt #DogArt #WomanArtist #WomenArtists #WomanPainter
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Marie Laurencin urodziła się 31 października 1883 roku. Malarka, poetka, ilustratorka — znana z pastelowych tonów i kobiecej delikatności w sztuce, która kontrastowała z męską awangardą jej czasów.
(fot. Wikipedia)
#MarieLaurencin
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