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#EMISSIVITY
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1866 #WEST #VIRGINIA #CONSTITUTIONAL #AMENDMENT #REFERENDUM
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#825TH #STRATEGIC #AEROSPACE #DIVISION
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#MASUD #ARUN
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#REGINA
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#LOVRENC #FUNTEK
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Pakistani artist Rahat Naveed Masud (راحت نوید مسعود) often pairs tender observation with materials that suggest illumination. In this portrait, an unidentified sitter’s quiet profile becomes a threshold between presence and place. A young adult woman is shown from the shoulders up in three-quarter view, turned slightly to our right while her gaze reaches out, past the frame. Her skin is warm light-to-medium brown with peachy highlights on the cheekbones and a gentle flush across the nose and cheeks. Dark hair, parted near the center, is smoothed back under a pale, sandy shawl that falls over her head and shoulders. The cloth’s edge is picked out with a thin, lace line and faint gold shimmer. A small nose stud catches the light on her right nostril. Her eyebrows are full and her brown eyes are softly rimmed, bright with reflected light. Her lips are closed and relaxed, giving her expression a poised, inward calm. The portrait’s surface feels powdery and layered with soft transitions in the face, and more visible strokes where the veil and background dissolve into atmosphere. Behind her, a misty green-blue landscape opens into slender trees whose branches are lightly drawn, dotted with small, vivid red blossoms that punctuate the haze like quiet points of sound. Warm tans and cool greens mingle at the edges, and the figure is subtly outlined so she seems to glow against the surrounding air. A fine gold-toned contour around the veil feels like a halo of light, guiding our eyes back to her attentive, reflective face. Meanwhile, the red points in the trees whether fruit, bloom, or memory represents life continuing in small insistences just as the shawl signals belonging without turning her into a stereotype. Shown in “Tour-Portrait” at Tsinghua University Art Museum (清华大学艺术博物馆), the work asks us to meet a person before we meet a nation. Painted in 2019, its stillness lingers as a meditation on dignity, patience, and the intimate strength of being seen.
“Mountain Girl” by Rahat Naveed Masud (Pakistani) - Pastel and gold leaf on handmade paper / 2019 - Tsinghua University Art Museum (Beijing, China) #WomenInArt #RahatNaveedMasud #راحتنویدمسعود #Masud #TsinghuaUniversityArtMuseum #清华大学艺术博物馆 #PortraitofaGirl #BlueskyArt #ArtText #art #PakistaniArt
#Lockerbie: Will the trial of #Masud ever actually happen? Does either side want it to?
lockerbiecase.blogspot.com/2025/05/masu...
Incriminating #Lockerbie documents: genuine or created to focus blame on Gaddafi? - from article published yesterday on Maghrebi website. #Masud.
lockerbiecase.blogspot.com/2025/04/lock...
Iran revives hostage diplomacy in key year for nuclear talks Tehran uses the arbitrary imprisonme...
english.elpais.com/international/2025-01-29...
#Irán #Donald #Trump #Masud […]
[Original post on english.elpais.com]
Excellent article by Marcello Mega in The Sunday Times today. I hope to be able to post extracts on The #Lockerbie Case blog within the next few days. #Megrahi #Masud.
www.thetimes.com/article/38a0...
#Lockerbie #Megrahi #Masud
Long article in The Sunday Times today.
lockerbiecase.blogspot.com/2024/12/the-...