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If We Shadows Have Offended: Improv 2,390 (Roland FP-30x digital piano)
If We Shadows Have Offended: Improv 2,390 (Roland FP-30x digital piano) YouTube video by The Improvyssey

Migraines make #Mixolydian mode.

#improv #music #piano

youtu.be/8V-ur7Xxjc0

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Celestial Drift

Hi! I just uploaded "Celestial Drift" - a composition I created featuring a synthesizer soundscape evoking a sense of experiencing the vastness of space to Soundcloud. Please listen: soundcloud.com/heart-blosso... #AmbientMusic #Soundscape #Relaxation #Mixolydian #Synthesizer #Instrumental #Dreamy

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a "modal compass" diagram showing each mode as a tonewheel, representing the 12 equally-tempered chromatic pitch classes, arranged into two semi-circular arcs of wheels, one for descending scales (left) and another for ascending scales (right), with the inversion symmetry indicated by a mirror plane (vertical centerline).

root positions of all scales is at 12 o'clock, regardless of where their tonewheel appears along the arcs.

the inversion symmetry between pairs of modes, with dorian as its own inverse, can be seen by comparing the two pitch constellations at each vertical position.

the seven modes are arranged into sequences of single-note semitone alterations, using sharps for ascending scales (right) and flats for descending scales (left).

note that there is no single-note semitone alteration connecting the lydian and locrian modes, hence the disjoint arcs. 

however, the lydian and locrian modes are connected by inversion symmetry, since descending lydian intervals and ascdending locrian intervals are identical (and vice versa).

the semicircular axes, from "dark/cold" to "light/warm", imprecisely convey an idea of how modulations between keys might be used to evoke particular feelings within a piece.

shading within each tonewheel represents tritone quality: dark gray indicates exact tritones (three whole steps), light gray indicates split tritones (two whole steps and two half steps). tritone angles shift & qualities alternate for each step along the compass' arcs.

a "modal compass" diagram showing each mode as a tonewheel, representing the 12 equally-tempered chromatic pitch classes, arranged into two semi-circular arcs of wheels, one for descending scales (left) and another for ascending scales (right), with the inversion symmetry indicated by a mirror plane (vertical centerline). root positions of all scales is at 12 o'clock, regardless of where their tonewheel appears along the arcs. the inversion symmetry between pairs of modes, with dorian as its own inverse, can be seen by comparing the two pitch constellations at each vertical position. the seven modes are arranged into sequences of single-note semitone alterations, using sharps for ascending scales (right) and flats for descending scales (left). note that there is no single-note semitone alteration connecting the lydian and locrian modes, hence the disjoint arcs. however, the lydian and locrian modes are connected by inversion symmetry, since descending lydian intervals and ascdending locrian intervals are identical (and vice versa). the semicircular axes, from "dark/cold" to "light/warm", imprecisely convey an idea of how modulations between keys might be used to evoke particular feelings within a piece. shading within each tonewheel represents tritone quality: dark gray indicates exact tritones (three whole steps), light gray indicates split tritones (two whole steps and two half steps). tritone angles shift & qualities alternate for each step along the compass' arcs.

"modal compass" diagram. see alt text for a description.

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Doubts in the Mixolydian Air This soundscape has a somewhat relaxed atmosphere with the high C whistle improvisation on a C Mixolydian scale, providing emotional expression over an ambient, airy background provided by an electri

Hi! I've continued my exploring of the Mixolydian mode & just uploaded a new ethereal soundscape I made to Soundcloud featuring that mode. Please listen here: soundcloud.com/heart-blosso...
Thank You!
#etherealsoundscape #whistle #electricdulcimer #instrumental #mixolydian #logicpro #vallhalladsp

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Sequoia's Journey

"Sequoia's Journey" is an electric dulcimer ambient piece I just created & uploaded to Soundcloud. The song is a slow soundscape creating a mostly tranquil atmosphere for relaxation.

soundcloud.com/heart-blosso...

#ambient #electricdulcimer #instrumental #mixolydian #drone #relaxation #soundscape

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A Mixolydian b13 (Mode 5) Guitar Backing Track | Melodic Minor Modes Jam Series πŸŽΈπŸ”Š SHUFFLE ROCK
A Mixolydian b13 (Mode 5) Guitar Backing Track | Melodic Minor Modes Jam Series πŸŽΈπŸ”Š SHUFFLE ROCK YouTube video by Benjamin Schippritt

A Mixolydian b13 (Mode 5) Guitar Backing Track | Melodic Minor Modes Jam Series πŸŽΈπŸ”Š SHUFFLE ROCK

youtu.be/UAqiRP6IAmg

#MixolydianB13 #GuitarBackingTrack #ModalGuitar #ExoticScales #GuitarImprov #Mixolydian #MelodicMinor

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Desert Echoes: Drifting Through Time

"Desert Echoes: Drifting Through Time" is an ambient soundscape I created as a study of the Mixolydian Mode. An atmospheric drone blends with a melodic improv emphasizing the flatted 7th note resulting in the unique Mixolydian sound.
soundcloud.com/heart-blosso...
#Ambient #Soundscape #Mixolydian

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